Boulder Books
Livres Canada Books
View Rights PortalSix stories to make young and old travel through history, the imaginations of Africa. The myth of Shango, the legend of the buffalo woman, the legend of the mother of the Tuaregs, the story of King Agokoli, then that of the Amazons of Dahomey and finally that of the Ablafo
Sitting on his bed with his knees drawn up to his chest, Jaber found his thoughts inevitably drifting to Bou’ghtat. Each night, this shadowy demon with a vague outline would haunt him, immobilizing him with overwhelming fear. Even wrapped in warm blankets, he trembled at the prospect of closing his eyes, fearing to enter once again a realm where he felt utterly exposed and defenseless.
The hardworking and studious Reed is a well-known "wild child" in the fishing village. Influenced by the legend, he and his sister, He Ju, had the whimsical idea of learning the outstanding swimming skills from the porpoise, and thus became interested in the endangered species of porpoise. The porpoise, which had been repeatedly disturbed, always avoided them... By chance, the siblings, with their excellent swimming skills, rescued a baby porpoise that had been trapped by garbage. This cute porpoise has since become an exotic friend who plays the game with them ...
Any reader who has ever visited Asia knows that the great bulk of Western-language fiction about Asian cultures turns on stereotypes. This book, a collection of essays, explores the problem of entering Asian societies through Western fiction, since this is the major port of entry for most school children, university students and most adults. In the thirteenth century, serious attempts were made to understand Asian literature for its own sake. Hau Kioou Choaan, a typical Chinese novel, was quite different from the wild and magical pseudo-Oriental tales. European perceptions of the Muslim world are centuries old, originating in medieval Christendom's encounter with Islam in the age of the Crusades. There is explicit and sustained criticism of medieval mores and values in Scott's novels set in the Middle Ages, and this is to be true of much English-language historical fiction of the nineteenth and early twentieth centuries. Even mediocre novels take on momentary importance because of the pervasive power of India. The awesome, remote and inaccessible Himalayas inevitably became for Western writers an idealised setting for novels of magic, romance and high adventure, and for travellers' tales that read like fiction. Chinese fictions flourish in many guises. Most contemporary Hong Kong fiction reinforced corrupt mandarins, barbaric punishments and heathens. Of the novels about Japan published after 1945, two may serve to frame a discussion of Japanese behaviour as it could be observed (or imagined) by prisoners of war: Black Fountains and Three Bamboos.
Hryhorii Skovoroda's fables are philosophical miniatures, reflections on congenial work, fulfilling one's vocation, happiness, and gratitude. While these elements should fill the life of a wise person and are worthy of reflection, these Fables are, first and foremost, good and funny stories about animals enjoyable for readers of all ages. Skovoroda's fables will teach young readers important lessons, including: Not limiting oneself to the exteriority of things but also focusing on their inner essence. Pursuing activities that fulfill one's vocation. Avoiding deception of others. Recognizing the value of time. The fables were arranged and adapted for children by one of the foremost experts on Skovoroda's works, Leonid Ushkalov. From 6 to 9 years, 5850 words Rightsholders: n.miroshnyk@vivat.factor.ua
Penny politics offers a new way to read early Victorian popular fiction such as Jack Sheppard, Sweeney Todd, and The Mysteries of London. It locates forms of radical discourse in the popular literature that emerged simultaneously with Brittan's longest and most significant people's movement. It listens for echoes of Chartist fiction in popular fiction. The book rethinks the relationship between the popular and political, understanding that radical politics had popular appeal and that the lines separating a genuine radicalism from commercial success are complicated and never absolute. With archival work into Newgate calendars and Chartist periodicals, as well as media history and culture, it brings together histories of the popular and political so as to rewrite the radical canon.
Through the Fiction of Phebe Gibbes places this prolific, newly recovered English writer at the centre of the revolutionary period. Gibbes's novels mark the struggles of women for agency in an expanding British empire, from the Seven Years' War to revolutions in American, Haiti and France. With Gibbes as a nexus in a lineage of women writers from Aphra Behn to Jane Austen, Kathryn S. Freeman offers a valuable perspective on the 'long eighteenth century', with Gibbes' own evolution mirroring that of the larger period. The study traces the development of Gibbes' authorial voice from satire to irony through a range of female characters subverting patriarchal oppression. Freeman guides the reader through patterns of narrative voice, concerns with gender and sexuality, and elements of wordplay through detailed discussion of five novels representing Gibbes' evolving representation of a subversive female subjectivity.
Legend of Nancun is the latest long fairy tale created by Tang Sulan, a famous children literature writer. Stories in the book all happen in a place called “Nancun”. (The place is similar to Never Land in Peter Pan. Different from Never Land, a place inhabited by children only, Nancun is a paradise on the Earth, where humans, animals, spirits and immortals can live together.) Some animals in forests of Nancun are very special. They like dressing themselves in the way humans do. Some of them can even cultivate their vital energy to become immortal. Stories of these animals are intertwined with those of humans in Nancun to form the Legend of Nancun. The book consists of four separate but interconnected beautiful and imaginary stories, including Sheshen Stone, Teenager and Boa, Fox Son-in-Law, and Grandma Ding.
Aoife Lennon-Ritchie, literary agent and author, brings out the first title in her humorous Viking-fantasy teen series, A Viking Legend: The Violaceous Amethyst. This winter, siblings Ruairi and Dani Miller visit their grandmother in the legendary Viking island of Yondersaay. In less than twenty-four hours of their arrival, Ruairi is mistaken for the lost Boy King of Denmark, kidnapped by Vikings, and scheduled to be sacrificed at sundown. Granny isn’t very pleased. But when they are the only ones in town who fail to go “Viking,” the three turn to Granny’s extremely epic tales of the legends of Yondersaay, The Gifts of Odin, and King Dudo the Mightily Impressive for clues. But not all stories end happily, and Ruari, Dani, and Granny will have to write their own happy ending if things are to return to normal. The Princess Bride meets Vikings in this enchanted tale of high adventure, buried treasure, villainous treachery, violent ends, and true love.
Sold over 1,600,000 copies!Under the guidance of 7th Lord Silver Dust, Qi Ling gradually gets to know this fantastic, magnificent world of sorcery. However, he accidentally breaks into the soul graveyard alone and the Utul Ruins, Aslan's forbidden area. Qi Ling gets acquainted with the 6th disciple A-D-F and the 5th disciple B-D-E (Ghost Mountain Lotus Spring), and together they embark on a more fantastic adventure. In the darkness, however, an unknown secret is breeding little by little, and a bloody hunting net has been spread over their head..
This series contains 31 titles of picture books. It is a collection of traditional Chinese classic tales, including fables, myths, idioms and folk legends. It’s playful and readable with attractive illustrations and concise text.
During over 30 years from its establishment till its closure, numerous scientists and engineers, workers and cadres devoted their youth to Gold Silver Beach Base, making great achievements to China’s scientific and technological development. This book makes a legendary history of Gold Silver Beach reappear by combining relevant archives with extensive oral notes of scientific and technical workers who had worked in Gold Silver Beach from different perspectives, which makes it more stereoscopic, comprehensive and vivid.
Sold over 1,700,000 copies!The four nations -- Water, Wind, Earth and Fire jointly build up a fantasy world -- Odin Continent. In this world dominated by mysterious sorcery, the Top 7 sorcerers are known as ""Lords"", who represent the peak of the whole nation's strength. In Aslan Empire, a water source in the west of the continent, sorcerers display their powers by manipulating and controlling water elements such as ice, frost, rain and snow. The story starts from Qi Ling, a young civilian in Fortune Town in the south of Aslan, who is involuntarily involved in a fight among sorcerers. When he comes to himself after injury, he, who has never been in contact with the sorcery world, is told that he has become a disciple of the 7th Lord --- a successor to the lord. What's more, in his body there appears a formidable, ferocious soul beast... The door to the new world opens slowly, and the dazzling sorcery fight, which existed only in people's imagination before, unfolds before the eyes of Qi Ling, like a magnificent picture impregnated by blood and glory...
The book vividly depicts the legendary Emperor Taizu (927-976) of Song Dynasty (960-1279) with a light and humorous tone. Taking his life experience as a clue, it gives an insightful description of his historical background, difficulties in his early life and his later political achievements, highlighting his practices and pursuits of benevolent governance. Therefore, it is a book of a king which virtuous people will find interesting.
In a beautiful village of Miao people, Grandma Long makes a new Batik dress for her granddaughter. In the ancient Miao legend, Goddess Wa Shuang made a big Batik umbrella to hold up the sky. Grandma's story and the ancient legend are interwoven by the Batik, and the white flowers on the batik cloth dance on the dark blue cloth. Miao people's faith is embodied in the Batik technique and has been passed down from one generation to another.
Do you hear the wolves howling underneath the ground? They are buried waiting to be invoked by mother wolf, grandmother wolf and sister wolf. Only then, from the deepest side of the earth, they will rise. From a great explosion they will then be acknowledged as what they are: wolves, corn, wolf opossum, human wolves.
Nüwa, the human creator in the Chinese legend. She squeezed the soil to make humans, and gave humans life; Her merits are passed down from generation to generation, and she is respected as the "creator of mankind".
The politics of Englishness provides a digest of the debates about England and Englishness and a unique perspective on those debates. Not only does the book provide readers with ready access to and interpretation of the significant literature on the English Question, it also enables them to make sense of the political, historical and cultural factors which constitute that question. The book addresses the condition of England in three interrelated parts. The first looks at traditional narratives of the English polity and reads them as variations of a legend of political Englishness, of England as the exemplary exception, exceptional in its constitutional tradition and exemplary in its political stability. The second considers how the decay of that legend has encouraged anxieties about English political identity and about how English identity can be recognised within the new complexity of British governance. The third revisits these narratives and anxieties, examining them in terms of actual and metaphorical 'locations' of Englishness: the regional, the European and the British. ;
The short fiction that flourished in nineteenth-century France has attracted relatively little critical attention compared with the novel. This study focuses on some key stories by major authors of contes and nouvelles from the late 1820s to the 1890s, taking as a starting-point, aspects of narrative technique as a way of exploring not just characteristic strategies of short fiction, but also the ends to which they were put: recurrent themes, and the vision of mankind. Each chapter looks in some detail at three or four stories, referring briefly to other tales for illustration. The underlying point that emerges from this study is that the interest of a tale lies in the telling, not the events. ;