Blink is focused on the world of commercial adult non-fiction. With an emphasis on the official and authorised, Blink's titles seek to explore the vibrant world of popular culture and share the stories of household names and up-and-coming voices.
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Although there are numerous books available today about nonduality, only Blind Spot addresses the critical distinctions that exist between the conventional approaches to spirituality―indeed, to life itself―and the nondual approaches. The book explores how these same distinctions also play out in the sciences.
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Um den Sinn und die Kraft des Rechts zu erschließen, müssen wir weit über die formalen Bausteine staatlicher Rechtsordnungen hinausblicken. Ausgehend von der amerikanischen Bürgerrechtsbewegung und der jüdischen Rechtstradition erkunden Robert Covers bahnbrechende Essays die existenzielle Dichte rechtlicher Weltformung. Nachgezeichnet wird das Wechselspiel von Visionen, Narrativen, tätiger Hingabe und Gewalt, in dem eine unaufhebbare Vielfalt gesellschaftlicher Perspektiven um den Sinn des Rechts ringt. Kaum ein juristischer Autor hat in den vergangenen Jahrzehnten eine so breite interdisziplinäre Rezeption erfahren wie Cover. Mit diesem Band wird sein Werk nun erstmals in deutscher Sprache zugänglich gemacht.
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Um den Sinn und die Kraft des Rechts zu erschließen, müssen wir weit über die formalen Bausteine staatlicher Rechtsordnungen hinausblicken. Ausgehend von der amerikanischen Bürgerrechtsbewegung und der jüdischen Rechtstradition erkunden Robert Covers bahnbrechende Essays die existenzielle Dichte rechtlicher Weltformung. Nachgezeichnet wird das Wechselspiel von Visionen, Narrativen, tätiger Hingabe und Gewalt, in dem eine unaufhebbare Vielfalt gesellschaftlicher Perspektiven um den Sinn des Rechts ringt. Kaum ein juristischer Autor hat in den vergangenen Jahrzehnten eine so breite interdisziplinäre Rezeption erfahren wie Cover. Mit diesem Band wird sein Werk nun erstmals in deutscher Sprache zugänglich gemacht.
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Wanda hat keine Zeit für die Liebe - doch in den Straßen von Paris kommt alles ganz anders … Als sie dem geheimnisvollen Ken und seiner Labrador-Dame Barbie begegnet, ist Wanda verwirrt. Denn Ken versteht sie gleichsam ohne Worte. Dabei ist er blind! Das macht die Sache mit der Wolke Sieben ganz schön kompliziert: Wie verliebst du dich in jemanden, der dich noch nie gesehen hat? Wanda flieht aus ihrem Leben - verwirrt, ratlos und frustriert. Denn der Leistungssport hat neben der Schule ihre gesamte Zeit aufgefressen und ihren Blick dafür vernebelt, was wirklich wichtig ist. Wer ist Wanda eigentlich? Wie möchte sie sein? Und gibt es überhaupt ein Leben neben Schule und Sport? Wanda ahnt, dass ausgerechnet Ken, der unfassbar gut aussehende und unnahbare Junge, der ihr Herz so tief berührt, ihr all das zeigen kann. Und je näher sie sich auf den blinden Jungen einlässt, der immer wieder ihren Weg kreuzt, desto deutlicher zeigt er Wanda, wie schillernd, magisch und wunderschön Wandas Welt um sie herum ist. Doch Ken zeigt Wanda noch etwas ganz deutlich: Auch in sein Leben passt die Liebe nicht, und irgendetwas hat er vor ihr zu verbergen. Allerdings haben Wanda und Ken ihre Rechnung ohne das Schicksal gemacht … und das hält ganz schön viele Überraschungen für die beiden bereit! Der neue Feelgood-Roman des erfolgreichen Mutter-Tochter-Duos Stefanie Gerstenberger und Marta Martin - voller zauberhaftem Flair und Romantik! Diese überaus charmante Wohlfühl-Liebesgeschichte ist eine Hommage an Paris und das perfekte Schmökerfutter für alle Romantikerinnen und Jugendliche ab 12 bis 99 Jahren. Weitere gemeinsame Romane der Erfolgsautorinnen: „Zwei wie Zucker und Zimt - Zurück in die süße Zukunft“ „Muffins & Marzipan - Vom großen Glück auf den zweiten Blick“ „Summer Switch - Und plötzlich bin ich du!“ „Ava & der Junge in Schwarz-Weiß“
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“Himpar editores inaugurates its poetry collection with the new book by María Paz Guerrero, one of the most audacious voices of contemporary Colombian poetry. This book is no exception to Guerrero's quests: it is experimental, full of heartbreaking humor and combines the exploration of the animal with popular speech and the materiality of flesh and language. María Paz Guerrero's third collection of poems is inhabited by a series of characters: a blind cat that hits herself against everything she comes across; bodies that undergo medical examinations to measure the progress of the disease in their organs; legs that can barely hold on until they collapse; a language that unravels like a kite's pita; repetitions and verses crossed and transformed by songs by Héctor Lavoe, Henry Fiol and Simón Díaz. The structure of the book is also novel. It has a unity that is configured from the repetitions of characters and verses that reappear slightly transformed, each time. It differs from books that gather a multitude of singular poems. For its part, the language seems very simple, almost spoken, with a strange syntax, cut, broken. It is a bet on a musical poetry with some raw images, which differentiates it from the metaphorical poetry of abstract images.”
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In the past twenty years there has been a revolution in plant sciences, as new methods of molecular biology and biophysics have been applied to investigate environmental stress, particularly desiccation tolerance. Today, there is a good level of understanding of how plant cells cope with extreme water stress. This book is divided into four sections, dealing with 1) the technical background to desiccation tolerance studies; 2) the frequency and levels of dehydration stress tolerance in biological systems; 3) mechanisms of damage and tolerance, and 4) a brief prospect and retrospect. It covers orthodox and recalcitrant seeds, pollen and spores, vegetative parts, and other plant tissues.
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Disability and the Victorians brings together in one collection a range of topics, perspectives and experiences from the Victorian era that present a unique overview of the development and impact of attitudes and interventions towards those with impairments during this time. The collection also considers how the legacies of these actions can be seen to have continued throughout the twentieth century right up to the present day. Subjects addressed include deafness, blindness, language delay, substance dependency, imperialism and the representation of disabled characters in popular fiction. These varied topics illustrate how common themes can be found in how Victorian philanthropists and administrators responded to those under their care. Often character, morality and the chance to be restored to productivity and usefulness overrode medical need and this both influenced and reflected wider societal views of impairment and inability.
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This is a collection of works by writer Zhang Chengzhi. The Black Steed, Rivers of the North, and Golden Pastures included in this collection have already been translated into different languages. The Black Steed, through the life experience of a man leaving and returning to the countryside and through a beautiful but sad love story, reflects the choices of the Mongolian nationality in the conflict between old and new concepts and the struggle and outcry of the new generation of the grassland.
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Aus dem amerikanischen Englisch von Diana Bürgel und Julian Müller
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A collection of essays which show how early drama traditions were transformed, recycled, re-used and reformed across time to form new relationships with their audiences. Medieval afterlives brings new insight to the ways in which peoples in the sixteenth century understood, manipulated and responded to the history of their performance spaces, stage technologies, characterisation and popular dramatic tropes. In doing so, this volume advocates for a new understanding of sixteenth-seventeenth century theatre makers as highly aware of the medieval traditions that formed their performance practices, and audiences who recognised and appreciated the recycling of these practices between plays.
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In his first YA novel, cultural journalist and author Abdo Wazen writes about a blind teenager in Lebanon who finds strength and friendship among an unlikely group. Growing up in a small Lebanese village, Bassim’s blindness limits his engagement with the materials taught in his schools. Despite his family’s love and support, his opportunities seem limited. So at thirteen years old, Bassim leaves his village to join the Institute for the Blind in a Beirut suburb. There, he comes alive. He learns Braille and discovers talents he didn’t know he had. Bassim is empowered by his newfound abilities to read and write. Thanks to his newly developed self-confidence, Bassim decides to take a risk and submit a short story to a competition sponsored by the Ministry of Education. After winning the competition, he is hired to work at the Institute for the Blind. At the Institute, Bassim, a Sunni Muslim, forms a strong friendship with George, a Christian. Cooperation and collective support are central to the success of each student at the Institute, a principle that overcomes religious differences. In the book, the Institute comes to symbolize the positive changes that tolerance can bring to the country and society at large. The Boy Who Saw the Color of Air is also a book about Lebanon and its treatment of people with disabilities. It offers insight into the vital role of strong family support in individual success, the internal functioning of institutions like the Institute, as well as the unique religious and cultural environment of Beirut. Wazen’s lucid language and the linear structure he employs result in a coherent and easy-to-read narrative. The Boy Who Saw the Color of Air is an important contribution to a literature in which people with disabilities are underrepresented. In addition to offering a story of empowerment and friendship, this book also aims to educate readers about people with disabilities and shed light on the indispensable roles played by institutions like the Institute.
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Revolutionary lives of the Red and Black Atlantic brings to light the life histories of a wide range of radical figures whose political activity in relation to the black liberation struggle was profoundly shaped by the global impact and legacy of the Russian Revolution of October 1917. The volume introduces new perspectives on the intellectual trajectories of well-known figures and critical activists including C. L. R. James, Paul Robeson, Walter Rodney and Grace P. Campbell. This biographical approach brings a vivid and distinctive lens to bear on how racialised social and political worlds were negotiated and experienced by these revolutionary figures, and on historic black radical engagements with left political movements, in the wake of the Russian Revolution.
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In den drei in diesem Band versammelten Beiträgen ist die Rede von den Möglichkeiten und Grenzen »ästhetischer Repräsentation«, künstlerischer Erfassung und Durchdringung der Wirklichkeit. Von jeweils präzis bestimmten Positionen aus - einer kunstgeschichtlichen (Gombrich), einer psychologischen (Hochberg), einer philosophischen (Black) - wird dieses Thema erörtert.
