Textofilia Ediciones
Literary publisher. It has received several awards. It has the stamp Libros del Marqués, dedicated to social relevant topics of this time.
View Rights PortalLiterary publisher. It has received several awards. It has the stamp Libros del Marqués, dedicated to social relevant topics of this time.
View Rights PortalAdaiyaalam means identity. 1998 was a time when secular India was slowly moving towards religiosity. Adaiyaalam was founded with the support of like-minded friends to publish the voices of people who were oppressed culturally and politically, Not-for-profit. We aim to bring out the works of marginalised people like Dalits, minorities, women, children, tribals, villagers and other unrepresented people. We continue our journey embracing a diverse range of work in literature, non-fiction, philosophy, politics, and new genres of storytelling. We are proud to say that till today, we have published more than five hundred titles. Adaiyaalam has managed to bring more than a hundred translated works into Tamil language collaborating with 54 international publishing houses. Adaiyaalam plays an important role in social change. We live in an era where most of the publishing world is only focused on making profits the priority. We at adaiyaalam encourage originality and alternative narratives. Join our journey.
View Rights PortalMary Shelley's Frankenstein is one of the most popular novels in western literature. It has been adapted and re-assembled in countless forms, from Hammer Horror films to young-adult books and bandes dessinées. Beginning with the idea of the 'Frankenstein Complex', this edited collection provides a series of creative readings that explore the elaborate intertextual networks that make up the novel's remarkable afterlife. It broadens the scope of research on Frankenstein while deepening our understanding of a text that, 200 years after its original publication, continues to intrigue and terrify us in new and unexpected ways.
This electronic version has been made available under a Creative Commons () open access license. Beyond text? Critical practices and sensory anthropology is about the relationship between anthropological understandings of the world, sensory perception and aesthetic practices. It suggests that if different sensory experiences embody and facilitate different kinds of knowledge, then we need to develop new methods and more creative forms of representation that are not based solely around text or on correspondence theories of truth. The volume brings together leading figures in anthropology, visual and sound studies to explore how knowledge, sensation and embodied experiences can be researched and represented by combining different visual, aural and textual forms which it demonstrates through an accompanying DVD. The book and DVD make an argument for a necessary, critical development in anthropological ways of knowing that take place not merely at the level of theory and representation but also through innovative fieldwork methods and media practices.
This collection of essays focuses attention on the broad issue of Renaissance textuality. It explores such topics as the position of the reader relative to the text; the impact of editorial strategies and modes of presentation on our understanding of the text; the complexities of extended textual histories; and the relevance of gender to the process of textual retrieval and preservation. The essays, whilst informed by contemporary theory, are not dominated by a single programmatic viewpoint. Reflecting the multiplicitous nature of Renaissance textuality, the collection provides space for a variety of different positions and lines of analysis and enquiry. The Renaissance text will be of interest to those with specialist concerns in editing, textuality and bibliography, and will also be of interest to those more generally concerned with Renaissance literature or with textual or literary history. ;
"The Classic of Mountains and Seas (Picture Version)" is a children's traditional cultural enlightenment book with a fresh perspective. Selected representative and interesting chapters in "The Classic of Mountains and Seas" were drawn into the book, which depicts a series of images in "The Classic of Mountains and Seas" such as water systems, mountains, vegetations, trees, mountain gods, sacred beasts, water monsters, etc. In this imaginative picture book, images are vivid and the story theme is ups and downs. The author extracts nourishment from the profound ancient myths, and then creates new stories that children can understand. The whole book takes a retro and creative form with concise and simple text and simple and freehand ink painting through the mountain and sea scriptures, depicting a mythical world where the heavens and the earth are prevalent and the gods and monsters are in chaos.
Exploring from the origin of Hunan culture, this book explains the philosophy,education,cultures,arts,science&technology,traditions,religions,customs and talents of Hunan Province step by step,which introduce Hunan culture comprehensively and systematically.
Martha Gellhorn was the doyenne of twentieth century war correspondence. Opinionated, honest and unafraid, she covered conflicts from the Spanish Civil War to Reagan's wars in Central America in the 1980s. Martha Gellhorn: the war writer in the field and in the text is the first critical study of her Second World War fiction and journalism. Often overlooked in accounts of war literature is the writer's precise position in relation to battle and his or her resultant standing in the text. Kate McLoughlin traces Gellhorn's daring attempts to access the war zone and her constructions of the woman war correspondent in her despatches, novels, short stories and play. Drawing on unpublished letters, close attention is given to Gellhorn's rivalry with Ernest Hemingway (the two were married from 1940 to 1945) over reaching the Normandy beaches on D-Day and its textual outcome in the pages of Collier's magazine. McLoughlin goes on to examine Gellhorn's increasingly negative portrayals of the glamorous female war reporter and to suggests why such disillusionment might have set in. ;
Feodora + Gino present: Bibbi Feodora goes to the market with her mom. That's when she meets Gino. A grumpy honeybee attracts the attention of the two dino children. She seems to have a problem that is really putting her in a bad mood. But now Feodora + Gino are curious to find out what they can do for the little bee. Eucational approach: What does the book Bibbi aim to express? Even if you sometimes get the impression that something seems too difficult or too strenuous and you would rather throw it all away, you should take time to reflect on things carefully. Sometimes something you have to do might not be so bad after all! Each of the picture books has a basic theme that is dealt with. There is always a conclusion with which the story ends. This can then serve as a basis for further discussions on the topic. Picture book cinema This book by Meggie Berns has also been published as a movie in our picture book cinema. This means that it is 100% identical to “Bibbi - the movie”. Children who want to learn or practise reading can therefore read along word for word in the corresponding book.
Not only people, but also pets stood up for the defense of Ukraine in the war against Russia! Together with his animal friends, Keksyk the cat organized a Territorial Defense force for the yard and helped people as best as he could. Together with Keksyk, many animals protect Ukraine: the dog Shustryk, the crow Ksenia, the pigeon Stepan, geese and bees. And now that you know of Keksyk do you want to learn why the missile system is called "Stugna"? And why the enemies were unable to overcome the Zmiev ramparts and disappeared without a trace in Chornobayivka? Then, the adventures of Keksyk and his friends bravely defending their native country are right for you! And while you read, remember that these tales are based on real events. From 5 to 8 years, 8596 words Rightsholders: svidoma@ukr.net
This is the debut book of the nine-year-old dreamer and imaginative soul Bogdana Tytariova, a book that will captivate children and adults alike. Together with the heroes of Bogdana’s exciting stories, readers of these funny tales will travel the world and encounter fantastical creatures and magical animals, finding themselves in the land of uncultured books. The work is recommended for family readings, and these adventures are definitely going to brighten up every family gathering. After all, every once in a while, parents need a reminder that they were children too! From years 5 to 8, years, 8360 words. Rightsholders: svidoma@ukr.net
Our team continues to study Ukraine, the results of which we share with you. This book is a story of the Ukrainian land, told by the Ukrainian people and filmed by the Ukraїner team. It was not enough to travel around all regions of Ukraine just one time to get to know it. Therefore, during 2019-2021, we drove the second expedition circle and brought even more stories about our incredible country and its inhabitants. Like all Ukraїner materials, these are stories of real people and the places they take care of, with dialogues and without directing. Traveling around the country, we want to capture it for every Ukrainian and for the whole world. And with the beginning of the annexation war started by Russia, this book has another important goal: to show Ukraine as it was before February 24, to keep it in our memory so that after the victory it could be rebuilt, and made even better.
Passages: On geo-analysis and the aesthetics of precarity is a multi-genre and transdisciplinary text addressing themes such as colonialism, nuclear zones of abandonment, migration control regimes, transnational domestic work, the biocolonial hostilities of the hospitality industry, legal precarities behind the international criminal justice regime, the shadow-worlds of the African soccerscape, and immunity regimes related to the COVID-19 pandemic. This book invites inquiry into today's apocalyptic narratives, humanitarian reason, and international criminal justice regimes, as well as the precarity generated by citizen time and 'consulate time'. The aesthetic breaks emerging from the book's image-text montage draw attention to the ethics of encounter and passage that challenges colonial, domestic, and nation-statist sovereignty regimes of inattention.
Is fidelity an agreement with an expiration date?Does infidelity always involve heartbreak and conflict?After we discovered an infidelity, is it possible to repair and restore trust?Living a committed and loving relationship is a deeply human longing. The issue ofinfidelity (a frequent love conflict) must be addressed by integrating thecontradictions and ambivalences of human nature, particularly on the topic oflove. Infidelity is a very complex phenomenon that is characterized by theexistence of a “villain” and a “victim”. Many times it is explained in a moralistic wayand that prevents exploring the motivations that drive it, the beliefs that supportit and the procedures that complicate it. Love requires commitment andcertainties, while erotic desire opens different paths within the same territory oflove. The correct management of these two forces is key to understanding andovercoming infidelity.