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Literature & Literary StudiesMarch 2017Asia in Western fiction
by Robin Winks
Any reader who has ever visited Asia knows that the great bulk of Western-language fiction about Asian cultures turns on stereotypes. This book, a collection of essays, explores the problem of entering Asian societies through Western fiction, since this is the major port of entry for most school children, university students and most adults. In the thirteenth century, serious attempts were made to understand Asian literature for its own sake. Hau Kioou Choaan, a typical Chinese novel, was quite different from the wild and magical pseudo-Oriental tales. European perceptions of the Muslim world are centuries old, originating in medieval Christendom's encounter with Islam in the age of the Crusades. There is explicit and sustained criticism of medieval mores and values in Scott's novels set in the Middle Ages, and this is to be true of much English-language historical fiction of the nineteenth and early twentieth centuries. Even mediocre novels take on momentary importance because of the pervasive power of India. The awesome, remote and inaccessible Himalayas inevitably became for Western writers an idealised setting for novels of magic, romance and high adventure, and for travellers' tales that read like fiction. Chinese fictions flourish in many guises. Most contemporary Hong Kong fiction reinforced corrupt mandarins, barbaric punishments and heathens. Of the novels about Japan published after 1945, two may serve to frame a discussion of Japanese behaviour as it could be observed (or imagined) by prisoners of war: Black Fountains and Three Bamboos.
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Family & home stories (Children's/YA)February 1905Little Women
by Louise May Alcott
Little Women "has been read as a romance or as a quest, or both. It has been read as a family drama that validates virtue over wealth", but also "as a means of escaping that life by women who knew its gender constraints only too well".[6]:34 According to Sarah Elbert, Alcott created a new form of literature, one that took elements from Romantic children's fiction and combined it with others from sentimental novels, resulting in a totally new format. Elbert argued that within Little Women can be found the first vision of the "All-American girl" and that her multiple aspects are embodied in the differing March sisters.
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Literature & Literary StudiesOctober 2023The penny politics of Victorian popular fiction
by Rob Breton
Penny politics offers a new way to read early Victorian popular fiction such as Jack Sheppard, Sweeney Todd, and The Mysteries of London. It locates forms of radical discourse in the popular literature that emerged simultaneously with Brittan's longest and most significant people's movement. It listens for echoes of Chartist fiction in popular fiction. The book rethinks the relationship between the popular and political, understanding that radical politics had popular appeal and that the lines separating a genuine radicalism from commercial success are complicated and never absolute. With archival work into Newgate calendars and Chartist periodicals, as well as media history and culture, it brings together histories of the popular and political so as to rewrite the radical canon.
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Literature & Literary StudiesMarch 2025
Through the fiction of Phebe Gibbes (1764–90)
Women, alienation, and prodigality in the long eighteenth century
by Kathryn Freeman
Through the Fiction of Phebe Gibbes places this prolific, newly recovered English writer at the centre of the revolutionary period. Gibbes's novels mark the struggles of women for agency in an expanding British empire, from the Seven Years' War to revolutions in American, Haiti and France. With Gibbes as a nexus in a lineage of women writers from Aphra Behn to Jane Austen, Kathryn S. Freeman offers a valuable perspective on the 'long eighteenth century', with Gibbes' own evolution mirroring that of the larger period. The study traces the development of Gibbes' authorial voice from satire to irony through a range of female characters subverting patriarchal oppression. Freeman guides the reader through patterns of narrative voice, concerns with gender and sexuality, and elements of wordplay through detailed discussion of five novels representing Gibbes' evolving representation of a subversive female subjectivity.
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FictionHANSEATIC RADIANCE - A FAMILY SAGA SET IN HAMBURG
by Miriam Georg
A turbulent era. An impossible love affair. A moving saga. Hamburg 1886. Lily, whose father is a ship owner, dreams of becoming a writer. During a ship-naming ceremony, Lily gives a short speech during which her hat is blown off her head. One of the workers tries to get it back for her and is badly injured. Lily is shocked that no one sympathises with the young man’s fate. Then Johannes Bolten comes to the ship owner’s villa to demand compensation for his injured friend. Lily wants to help and allows herself to be drawn into a dangerous game of hide-and-seek. She begins a passionate affair with him. But Jo, who comes from the notorious gangland area, has a secret that Lily must never discover…
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Literature & Literary StudiesOctober 2012Narration in nineteenth-century French short fiction
Prosper Mérimée to Marcel Schwob
by Peter Cogman
The short fiction that flourished in nineteenth-century France has attracted relatively little critical attention compared with the novel. This study focuses on some key stories by major authors of contes and nouvelles from the late 1820s to the 1890s, taking as a starting-point, aspects of narrative technique as a way of exploring not just characteristic strategies of short fiction, but also the ends to which they were put: recurrent themes, and the vision of mankind. Each chapter looks in some detail at three or four stories, referring briefly to other tales for illustration. The underlying point that emerges from this study is that the interest of a tale lies in the telling, not the events. ;
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Humanities & Social SciencesAugust 2012French crime fiction and the Second World War
by Claire Gorrara, Bertrand Taithe, Penny Summerfield, Peter Gatrell, Max Jones, Ana Carden-Coyne
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July 1995Der Glasmensch und andere Science-fiction-Geschichten
by Marcus Hammerschmitt, Franz Rottensteiner, Marcus Hammerschmitt
Marcus Hammerschmitt schreibt Science-fiction-Erzählungen, die technologische Phantasie, psychologische Einsicht, Lust am gedanklichen Experiment und poetische Erfindungskraft vereinen. Wie Herbert W. Franke oder Peter Schattschneider basiert er seine Geschichten auf einer soliden Grundlage, entwickelt seine Szenarios und Fabeln spielerisch, verknüpft sie aber dramatisch mit den größeren Problemen von Ökologie einerseits und den Zweifeln und inneren Konflikten des einzelnen andererseits.
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Historical fictionMADAME CLICQUOT AND THE HAPPINESS OF CHAMPAGNE
by Susanne Popp
Between self-realisation and love: the story of the woman behind the famous champagne brand Veuve Clicquot. The French champagne city Reims in 1805: despite resistance from her family, young widow Barbe-Nicole Clicquot takes over the champagne and wine production from her late husband - and turns out to be a talented winemaker. But it is the time of the Napoleonic Wars and business is not going well. Supported by her employee Louis Bohne and the German accountant Christian Kessler, Barbe-Nicole nevertheless manages to get her company started, develops a new production process and thus gives champagne its seductive tingle. Enchanted by her esprit, both men develop feelings for her - but it is only as a widow that Barbe-Nicole can run the company under her name ...
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Literature & Literary StudiesAugust 2023Resistance and its discontents in South Asian women's fiction
by Maryam Mirza
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Literature & Literary StudiesJune 2023
The politics of male friendship in contemporary American fiction
by Michael Kalisch
How might our friendships shape our politics? This book examines how contemporary American fiction has rediscovered the concept of civic friendship and revived a long tradition of imagining male friendship as interlinked with the promises and paradoxes of democracy in the United States. Bringing into dialogue the work of a wide range of authors - including Philip Roth, Paul Auster, Michael Chabon, Jonathan Lethem, Dinaw Mengestu, and Teju Cole - this innovative study advances a compelling new account of the political and intellectual fabric of the American novel today.
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Literature & Literary StudiesFebruary 1994Italian women writing
by Sharon Wood
How has it happened that from being politely ignored or marginalized just half a century ago, women writers in Italy are now at the centre of literary activity? To what extent does writing by women reflect the successes and failures of Italy in the post-war period? What form did the feminist movement in Italy take, and how did this affect what - and how - women wrote? And how are women who write responding to a more fragmented post-modern age? These are just some of the questions asked of the relationship between women and fiction in post-war Italy in this anthology. It includes stories by Cialente, Ginzburg, Ortese, Morante, Romano, Maraini and Duranti as well as Bompiani, Sanvitale, Mizzau, Scaramuzzino, Capriolo and Petrignani. The thirteen stories presented offer a range of style and content indicative of the wealth and diversity of writing by women, and their reading is supported by critical notes and an extensive vocabulary. This is a clear and challenging introduction to the rich field of women and fiction in Italy. ;
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July 2017Hei Wa
by Mu Ling
A fine collection of science fiction by children’s literature writer Mu Ling. Mu Ling’s science fictions pursue a scientific basis of “organic imagination”, has a positive outlook and good spirit of seeking truth. This series collects Mu Ling’s three masterpieces full of fantasy and humanistic concern: Dream Machine, Hei Wa, Yu Wang Bei Mi, which are rare sci-fi theme in children’s literature works of China. This series will lead children step by step to “hard science fiction” which is full of intellectual challenges through “light science fiction” and “soft science fiction”.
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July 2017Dream Machine
by Mu Ling
A fine collection of science fiction by children’s literature writer Mu Ling. Mu Ling’s science fictions pursue a scientific basis of “organic imagination”, has a positive outlook and good spirit of seeking truth. This series collects Mu Ling’s three masterpieces full of fantasy and humanistic concern: Dream Machine, Hei Wa, Yu Wang Bei Mi, which are rare sci-fi theme in children’s literature works of China. This series will lead children step by step to “hard science fiction” which is full of intellectual challenges through “light science fiction” and “soft science fiction”.
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July 2017Yu Wang Bei Mi
by Mu Ling
A fine collection of science fiction by children’s literature writer Mu Ling. Mu Ling’s science fictions pursue a scientific basis of “organic imagination”, has a positive outlook and good spirit of seeking truth. This series collects Mu Ling’s three masterpieces full of fantasy and humanistic concern: Dream Machine, Hei Wa, Yu Wang Bei Mi, which are rare sci-fi theme in children’s literature works of China. This series will lead children step by step to “hard science fiction” which is full of intellectual challenges through “light science fiction” and “soft science fiction”.
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Children's & YAMom's Bra
by Edmée Pardo / Edgar Clement
A girl whose body is starting to change, and who starts exploring herself with great curiosity, notices that her Mom's body is also changing. It all started when Mom noticed a lump in one of her breasts. Thus beings a journey of mutual self-exploration, unending love, compassion, and the joy of sharing the marvel that the body is, and the importance of self exploration for women to take care of their bodies.
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The ArtsMarch 2025
We all die at the end
Storytelling in the climate apocalypse
by Sam Haddow
We all die at the end offers a survey of contemporary end-of-the-world fiction, spanning literature, children's fiction, video games, theatre and film. It draws on eco-critical philosophy and narrative theory to show ways in which the climate crisis is reorienting storytelling in the face of foreseeable human extinction. In the process, it argues that such stories have a role to play in helping us come to terms with the severity and scale of the crisis that we face.
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March 2022Women and Pilgrimage
by E. Moore Quinn, Alison T. Smith, Sharenda Holland Barlar, Maryjane Dunn, Susan Dunn-Hensley, Shirley du Plooy, Vivienne Keely, Sarah E. Owens, Emma Rochester, Lisa F. Signori
Women and Pilgrimage presents scholarly essays that address the lacunae in the literature on this topic. The content includes well-trodden domains of pilgrimage scholarship like sacred sites and holy places. In addition, the book addresses some of the less-well-known dimensions of pilgrimage, such as the performances that take place along pilgrims' paths; the ephemeral nature of identifying as a pilgrim, and the economic, social and cultural dimensions of migratory travel. Most importantly, the book's feminist lens encourages readers to consider questions of authenticity, essentialism, and even what is means to be a "woman pilgrim". The volume's six sections are entitled: Questions of Authenticity; Performances and Celebratory Reclamations; Walking Out: Women Forging Their Own Paths; Women Saints: Their Influence and Their Power; Sacred Sites: Their Lineages and Their Uses; and Different Migratory Paths. Each section will enrich readers' knowledge of the experiences of pilgrim women. Readers' understanding will be further enhanced by the book's: · interdisciplinary nature: The contributors hail from a wide range of disciplines, including Anthropology, Political Science, French, Spanish, Fine Art, and Religious Studies; · uniqueness: The text brings together previously scattered resources into one volume; · feminist perspective: Much of the subject matter utilizes feminist theories and methodologies and argues that further research will be welcome. The book will be of interest to scholars of pilgrimage studies in general as well as those interested in women, travel, tourism, and the variety of religious experiences.
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Sociology & anthropology2022Pebble Monkey
N/A
by Manindra Gupta (Author), Arunva Sinha (Translator)
English translation of a Bengali novella, part fable part climate fiction by one of the finest Bengali poets
