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Crimson Dragon Publishing
Crimson Dragon Publishing carries books that encourage readers of all ages by sparking the imagination. While we focus on the fantasy and science fiction genres, we also carry illustrated books for young readers that focus on social-emotional skills development and fictionalized non-fiction.
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Promoted ContentHumanities & Social SciencesAugust 2012
French crime fiction and the Second World War
by Claire Gorrara, Bertrand Taithe, Penny Summerfield, Peter Gatrell, Max Jones, Ana Carden-Coyne
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Promoted ContentThe ArtsFebruary 2025
Tattoos in crime and detective narratives
Marking and remarking
by Kate Watson, Katharine Cox
Tattoos in crime and detective narratives examines representations of the tattoo and tattooing in literature, television and film, from two periods of tattoo renaissance (1851-1914, and c1955 to present). It makes an original contribution to understandings of crime and detective genre and the ways in which tattoos act as a mimetic device that marks and remarks these narratives in complex ways. With a focus on tattooing as a bodily narrative, the book incorporates the critical perspectives of posthumanism, spatiality, postcolonialism, embodiment and gender studies. The grouped essays examine the first tattoo renaissance, the rebirth of the tattoo in contemporary culture through literature, children's literature, film and television. The collection has a broad appeal, and will be of interest to all literature and media scholars, but in particular those with an interest in crime and detective narratives and skin studies.
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Trusted PartnerFiction2022
The End of the Desert
by Said Khatibi
On a nice fall day of 1988, Zakiya Zaghwani was found lying dead at the edge of the desert, giving way to a quest to discover the circumstances surrounding her death. While looking for whoever was involved in the death of the young singer, nearby residents discover bit by bit their involvement in many things other than the crime itself. ///The story takes place in a town near the desert. And as with Khatibi’s previous novels, this one is also marked by a tight plot, revolving around the murder of a singer who works in a hotel. This sets off a series of complex investigations that defy easy conclusions and invite doubt about the involvement of more than one character. /// Through the narrators of the novel, who also happen to be its protagonists, the author delves into the history of colonialism and the Algerian War of Independence and its successors, describing the circumstances of the story whose events unfold throughout the month. As such, the characters suspected of killing the singer are not only accused of a criminal offense, but are also concerned, as it appears, with the great legacy that the War of Independence left, from different aspects.///The novel looks back at a critical period in the modern history of Algeria that witnessed the largest socio-political crisis following its independence in 1988. While the story avoids the immediate circumstances of the war, it rather invokes the events leading up to it and tracks its impact on the social life, while capturing the daily life of vulnerable and marginalized groups. /// Nonetheless, those residents’ vulnerability does not necessarily mean they are innocent. As it appears, they are all involved in a crime that is laden with symbolism and hints at the status of women in a society shackled by a heavy legacy of a violent, wounded masculinity. This approach to addressing social issues reflects a longing to break loose from the stereotypical discourse that sets heroism in a pre-defined mold and reduces the truth to only one of its dimensions.
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Trusted PartnerMay 2022
In the Shadow of War
Diary notes from Ukraine
by Christoph Brumme
"What can you learn in war? Do you become numb, do you get used to it at some point? Does war make you "hard", uncaring, above pain? No. These are just clichés. Every day brings new horrors. At best, one learns for some time to suppress strong feelings, because to give in to them would weaken one's life instinct." In a very stirring and shocking, but sometimes humorous language, Christoph Brumme tells of the situation in Ukraine, the everyday life of his family and friends, of fears, longings and political assessments. The diary entries of the war and the resistance of the Ukrainians, starting from the first signs of the impending war in mid-January 2022 until the printing of this book, 1st May 2022, impressively bear witness to the brutality of these events.
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Trusted Partner
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Trusted PartnerThe ArtsSeptember 2024
The renewal of post-war Manchester
Planning, architecture and the state
by Richard Brook
A compelling account of the project to transform post-war Manchester, revealing the clash between utopian vision and compromised reality. Urban renewal in Britain was thrilling in its vision, yet partial and incomplete in its implementation. For the first time, this deep study of a renewal city reveals the complex networks of actors behind physical change and stagnation in post-war Britain. Using the nested scales of region, city and case-study sites, the book explores the relationships between Whitehall legislation, its interpretation by local government planning officers and the on-the-ground impact through urban architectural projects. Each chapter highlights the connections between policy goals, global narratives and the design and construction of cities. The Cold War, decolonialisation, rising consumerism and the oil crisis all feature in a richly illustrated account of architecture and planning in post-war Manchester.
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Trusted PartnerThe ArtsJanuary 2019
The war that won't die
The Spanish Civil War in cinema
by David Archibald
The war that won't die charts the changing nature of cinematic depictions of the Spanish Civil War. In 1936, a significant number of artists, filmmakers and writers - from George Orwell and Pablo Picasso to Joris Ivens and Joan Miró - rallied to support the country's democratically-elected Republican government. The arts have played an important role in shaping popular understandings of the Spanish Civil War and this book examines the specific role cinema has played in this process. The book's focus is on fictional feature films produced within Spain and beyond its borders between the 1940s and the early years of the twenty-first century - including Hollywood blockbusters, East European films, the work of the avant garde in Paris and films produced under Franco's censorial dictatorship. The book will appeal to scholars and students of Film, Media and Hispanic Studies, but also to historians and, indeed, anyone interested in why the Spanish Civil War remains such a contested political topic.
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Trusted PartnerThe ArtsJune 2021
The war that won't die
The Spanish Civil War in cinema
by David Archibald
The war that won't die charts the changing nature of cinematic depictions of the Spanish Civil War. In 1936, a significant number of artists, filmmakers and writers - from George Orwell and Pablo Picasso to Joris Ivens and Joan Miró - rallied to support the country's democratically-elected Republican government. The arts have played an important role in shaping popular understandings of the Spanish Civil War and this book examines the specific role cinema has played in this process. The book's focus is on fictional feature films produced within Spain and beyond its borders between the 1940s and the early years of the twenty-first century - including Hollywood blockbusters, East European films, the work of the avant garde in Paris and films produced under Franco's censorial dictatorship. The book will appeal to scholars and students of Film, Media and Hispanic Studies, but also to historians and, indeed, anyone interested in why the Spanish Civil War remains such a contested political topic.
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Trusted PartnerHumanities & Social SciencesJanuary 2022
Exiting war
The British Empire and the 1918–20 moment
by Romain Fathi, Margaret Hutchison, Andrekos Varnava, Michael Walsh, Alan Lester
Exiting war explores a particular 1918-20 'moment' in the British Empire's history, between the First World War's armistices of 1918, and the peace treaties of 1919 and 1920. That moment, we argue, was a challenging and transformative time for the Empire. While British authorities successfully answered some of the post-war tests they faced, such as demobilisation, repatriation, and fighting the widespread effects of the Spanish flu, the racial, social, political and economic hallmarks of their imperialism set the scene for a wide range of expressions of loyalties and disloyalties, and anticolonial movements. The book documents and conceptualises this 1918-20 'moment' and its characteristics as a crucial three-year period of transformation for and within the Empire, examining these years for the significant shifts in the imperial relationship that occurred and as laying the foundation for later change in the imperial system.
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Trusted PartnerHumanities & Social SciencesSeptember 2023
Civil war London
Mobilizing for parliament, 1641–5
by Jordan S. Downs
This book looks at London's provision of financial and military support for parliament's war against King Charles I. It explores for the first time a series of episodic, circumstantial and unique mobilisations that spanned from late 1641 to early 1645 and which ultimately led to the establishment of the New Model Army. Based on research from two-dozen archives, Civil war London charts the successes and failures of efforts to move London's vast resources and in the process poses a number of challenges to longstanding notions about the capital's 'parliamentarian' makeup. It reveals interactions between London's Corporation, parochial communities and livery companies, between preachers and parishioners and between agitators, propagandists and common people. Within these tangled webs of political engagement reside the untold stories of the movement of money and men, but also of parliament's eventual success in the English Civil War.
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Trusted Partner
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Trusted PartnerMemoirs2022
77 days of February. Ukraine between two symbolic dates of the Russian war ideology
by Marichka Paplauskaite (Compiler), Authors: Inna Adrug, Anna Argirova, Kateryna Babkina, Tetyana Bezruk, Oleksandra Gorchynska, Inna Zolotukhina, Vera Kuriko, Olena Livytska, Olga Livytska, Svitlana Oslavska, Marichka Paplauskaite, Eva Raiska, Anya Semenyuk, Zoya Khramchenko, Margarita Chimyris, Iryna Yaroshynska
As a child, she could not understand why people in films about the blockade of Leningrad were always lying down. And when Mariupol was besieged by the Russians, and she and her husband lived for many days without water, food and heat under constant shelling, she realized that when you lie down, you save strength and energy. "77 Days of February" included reports written by journalists of the Reporters media in the period between February 23 and May 9 — two symbolic dates for Russian military ideology. The invasion of Russian troops into Ukraine stopped the number of days and pushed Ukrainians back to the intervening time, where February — the month of the beginning of the great war — still lasts. In the meantime and in these candid stories, there is pain, fear, hatred, and sometimes despair. But the main thing is hope. This is a bare nerve and an honest voice of the new Ukrainian reality.
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Trusted PartnerHumanities & Social SciencesMarch 2017
Popular imperialism and the military, 1850-1950
by John M. MacKenzie
Colonial war played a vital part in transforming the reputation of the military and placing it on a standing equal to that of the navy. The book is concerned with the interactive culture of colonial warfare, with the representation of the military in popular media at home, and how these images affected attitudes towards war itself and wider intellectual and institutional forces. It sets out to relate the changing image of the military to these fundamental facts. For the dominant people they were an atavistic form of war, shorn of guilt by Social Darwinian and racial ideas, and rendered less dangerous by the increasing technological gap between Europe and the world. Attempts to justify and understand war were naturally important to dominant people, for the extension of imperial power was seldom a peaceful process. The entertainment value of war in the British imperial experience does seem to have taken new and more intensive forms from roughly the middle of the nineteenth century. Themes such as the delusive seduction of martial music, the sketch of the music hall song, powerful mythic texts of popular imperialism, and heroic myths of empire are discussed extensively. The first important British war correspondent was William Howard Russell (1820-1907) of The Times, in the Crimea. The 1870s saw a dramatic change in the representation of the officer in British battle painting. Up to that point it was the officer's courage, tactical wisdom and social prestige that were put on display.
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Trusted PartnerSeptember 2013
The World War 1
by Zhang Wushen
The First World War was mainly occurs in Europe but affects to the world world war.At that time in the world the majority country has all been involvedin this war.
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Trusted PartnerInternational lawSeptember 2009
War crimes and crimes against humanity in the Rome Statute of the International Criminal Court
by Christine Byron
This book provides a critical analysis of the definitions of war crimes and crimes against humanity as construed in the Rome Statute of the International Criminal Court. Each crime is discussed from its origins in treaty or customary international law, through developments as a result of the jurisprudence of modern ad hoc or internationalised tribunals, to modifications introduced by the Rome Statute and the Elements of Crimes. The influence of human rights law upon the definition of crimes is discussed, as is the possible impact of State reservations to the underlying treaties which form the basis for the conduct covered by the offences in the Rome Statute. Examples are also given from recent conflicts to aid a 'real life' discussion of the type of conduct over which the International Criminal Court may take jurisdiction. This will be relevant to postgraduates, academics and professionals with an interest in the International Criminal Court and the normative basis for the crimes over which the Court may take jurisdiction.
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Trusted PartnerTrue stories2018
World War II, Uncontrived and Unredacted. Testimonies from Ukraine
by Vakhtanh Kipiani
The war separated families, took lives, broke fates ... It is very important to know and remember it at any time. Even many decades later, new details, memories, and testimonies appear. This book gathers several fascinating, true family stories written from accounts of parents, grandparents, etc. The authors, whose articles were collected with the help of the popular scientific publication Historical Truth, tell us about the worst war of the 20th century, about the fate of those people whose lives were divided forever into “before” and “after.” Here we can find first-hand accounts about Ukrainians who fought in various armies, about the lives of deported people, about the fate of people taken to compulsory labor camps, and about the men and women who remain in our memories forever. - Historical Truth - honestly and openly about WWII - exclusive materials
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Trusted PartnerHumanities & Social SciencesMarch 2017
The French empire between the wars
Imperialism, politics and society
by Martin Thomas
By considering the distinctiveness of the inter-war years as a discrete period of colonial change, this book addresses several larger issues, such as tracing the origins of decolonization in the rise of colonial nationalism, and a re-assessment of the impact of inter-war colonial rebellions in Africa, Syria and Indochina. The book also connects French theories of colonial governance to the lived experience of colonial rule in a period scarred by war and economic dislocation.
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Trusted PartnerCrime & mystery2013
Women who Kill
by Sylvia Arvizu
The author spent 15 years in prison. She interviewed most of her inmates about the crimes for which they were imprisoned for, selected the best stories, and narrated them as brilliant true crime stories told during their everyday life of imprisonment. At the same time, she shows how commiting a crime was the only way to escape from an oppresing living conditions. Every story dives into the human condition and its social restrains, in magnificent story-telling techniques not exent of a sour sense of humour.
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Trusted PartnerHumanities & Social SciencesJanuary 2013
Crime, Law and Society in the Later Middle Ages
by Anthony Musson, Edward Powell
This book provides an accessible collection of translated legal sources through which the exploits of criminals and developments in the English criminal justice system (c.1215-1485) can be studied. Drawing on the wealth of archival material and an array of contemporary literary texts, it guides readers towards an understanding of prevailing notions of law and justice and expectations of the law and legal institutions. Tensions are shown emerging between theoretical ideals of justice and the practical realities of administering the law during an era profoundly affected by periodic bouts of war, political in-fighting, social dislocation and economic disaster. Introductions and notes provide both the specific and wider legal, social and political contexts in addition to offering an overview of the existing secondary literature and historiographical trends. This collection affords a valuable insight into the character of medieval governance as well as revealing the complex nexus of interests, attitudes and relationships prevailing in society during the later Middle Ages.
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Trusted PartnerHumanities & Social SciencesNovember 2012
Gender, crime and empire
convicts, settlers and the state in early colonial Australia
by Kirsty Reid, Andrew Thompson, John Mackenzie, Martin Hargreaves
Between 1803 and 1853, some 80,000 convicts were transported to Van Diemen's Land. Revising established models of the colonies, which tend to depict convict women as a peculiarly oppressed group, Gender, crime and empire argues that convict men and women in fact shared much in common. Placing men and women, ideas about masculinity, femininity, sexuality and the body, in comparative perspective, this book argues that historians must take fuller account of class to understand the relationships between gender and power. The book explores the ways in which ideas about fatherhood and household order initially informed the state's model of order, and the reasons why this foundered. It considers the shifting nature of state policies towards courtship, relationships and attempts at family formation which subsequently became matters of class conflict. It goes on to explore the ways in which ideas about gender and family informed liberal and humanitarian critiques of the colonies from the 1830s and 1840s and colonial demands for abolition and self-government. ;