Humanities & Social Sciences

Popular imperialism and the military, 1850-1950

by John M. MacKenzie

Description

Colonial war played a vital part in transforming the reputation of the military and placing it on a standing equal to that of the navy. The book is concerned with the interactive culture of colonial warfare, with the representation of the military in popular media at home, and how these images affected attitudes towards war itself and wider intellectual and institutional forces. It sets out to relate the changing image of the military to these fundamental facts. For the dominant people they were an atavistic form of war, shorn of guilt by Social Darwinian and racial ideas, and rendered less dangerous by the increasing technological gap between Europe and the world. Attempts to justify and understand war were naturally important to dominant people, for the extension of imperial power was seldom a peaceful process. The entertainment value of war in the British imperial experience does seem to have taken new and more intensive forms from roughly the middle of the nineteenth century. Themes such as the delusive seduction of martial music, the sketch of the music hall song, powerful mythic texts of popular imperialism, and heroic myths of empire are discussed extensively. The first important British war correspondent was William Howard Russell (1820-1907) of The Times, in the Crimea. The 1870s saw a dramatic change in the representation of the officer in British battle painting. Up to that point it was the officer's courage, tactical wisdom and social prestige that were put on display.

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Albania, Algeria, Angola, Argentina, Armenia, Australia, Austria, Bahrain, Belgium, Belize, Benin, Bolivia, Bosnia and Herzegovina, Botswana, Brazil, Bulgaria, Burkina Faso, Burundi, Cameroon, Canada, Cape Verde, Central African Republic, Chad, Chile, China, Colombia, Comoros, Congo [DRC], Congo, Republic of the, Costa Rica, Ivory Coast, Croatia, Czech Republic, Denmark, Djibouti, Ecuador, Egypt, El Salvador, Equatorial Guinea, Eritrea, Estonia, Ethiopia, Faroe Islands, Finland, France, French Guiana, Gabon, Gambia, Georgia, Germany, Ghana, Greece, Guatemala, Guinea, Guinea-Bissau, Guyana, Honduras, Hongkong, Hungary, Iceland, India, Indonesia, Iran, Iraq, Ireland, Israel, Italy, Japan, Jordan, Kazakhstan, Kenya, Kuwait, Latvia, Lebanon, Lesotho, Liberia, Libya, Lithuania, Luxembourg, Macau, China, Macedonia [FYROM], Madagascar, Malawi, Malaysia, Mali, Malta, Mauritania, Mauritius, Mayotte, Mexico, Mongolia, Montenegro, Morocco, Mozambique, Namibia, Netherlands, New Zealand, Nicaragua, Niger, Nigeria, Norway, Oman, Pakistan, Panama, Paraguay, Peru, Philippines, Poland, Portugal, Puerto Rico, Qatar, Reunion, Romania, Russia, Rwanda, Saint Helena, Sao Tome and Principe, Saudi Arabia, Senegal, Serbia, Seychelles, Sierra Leone, Singapore, Slovakia, Slovenia, Somalia, South Africa, South Korea, Spain, Sri Lanka, Sudan, Suriname, Swaziland, Sweden, Switzerland, Syria, Taiwan, Tanzania, Thailand, Timor-Leste, Togo, Tokelau, Tunisia, Turkey, Uganda, Ukraine, United Arab Emirates, United Kingdom, United States, Uruguay, Venezuela, Vietnam, Western Sahara, Yemen, Zambia, Zimbabwe, South Sudan, Cyprus, Palestine, Bangladesh, Cambodia, Liechtenstein, Azerbaijan

Reviews

Between 1800 and 1900 popular perceptions of the military underwent a significant transformation. The reputation of the 'rapacious and licentious soldiery' was replaced by a widerspread enthusiasm for the soldier as patriot and hero, as personified in Kipling's 'Tommy Atkins'. This more positive attitude towards the military was also accompanied by greater popular support for warfare itself. This book examines the military and cultural background to the shift in popular reactions and traces the manner in which new values were inculcated through a variety of media. Popular imperialism and the military demonstrates forcefully how changing attitudes towards the military were inseparably bound up with the dominant ethos of imperialism. Perceptions of warfare became shaped by the predominantly colonial location of British war in the late nineteenth century, with these 'small wars' against 'unequal' foes being greeted by contemporaries with heightened enthusiasm and greater confidence in success. This ideological current of imperialism, together with Social Darwinian thought and the Victorian rediscovery of military chivalry combined to transform the relationship between war and society. Changing ideologies did not develop spontaneously, however, and this volume traces the ways in which new images were conveyed to the public through popular culture. The chapters cover media as diverse as music and ceremony, the music hall, juvenile literature, military art, open-air theatrical displays and RAF pageants. The contributors show how these media established a tradition that was to survive until the mid-twentieth century. This inter-disciplinary study will appeal to students and specialists interested in imperial history, literary and cultural studies and military history.

Author Biography

John MacKenzie is Emeritus Professor of Imperial History, Lancaster University and holds Honorary Professorships at Aberdeen, St Andrews and Stirling, as well as an Honorary Fellowship at Edinburgh.

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Bibliographic Information

  • Publisher Manchester University Press
  • Publication Date March 2017
  • Orginal LanguageEnglish
  • ISBN/Identifier 9781526123602 / 1526123606
  • Publication Country or regionUnited Kingdom
  • FormatWeb PDF
  • ReadershipGeneral/trade; College/higher education; Professional and scholarly
  • Publish StatusPublished
  • Biblio NotesDerived from Proprietary 4568
  • SeriesStudies in Imperialism
  • Reference Code10296

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