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      • Trusted Partner
        The Arts
        October 2018

        Study on Survival of Chinese Classical Opera

        by Wang Fuya

        The book mainly explores Chinese classical opera in terms of the existence, cutural essence and functions, artistic features, and the position in Chinese traditional culture. The author conducts study based on theories of popular culture and folk culture, historical resources of Chinese classical opera, along with various survival tactics for opera like opera adptation and opera prohibition.

      • Trusted Partner
        The Arts
        December 2018

        Minorities in China

        an American University President's Photographic Journey

        by Sidney A. Mcphee

        This book is a compilation of more than two hundred pictures reflecting the traditional costumes, characteristic buildings, traditional activities, and traditional medicine of Chinese ethnic minorities. Each picture has the story behind it and the testimony of the author. From the perspective of foreigners, the book vividly reproduces the diversity of the Chinese nation, the unique regional culture, and the natural and social environment in the form of pictures and text.

      • Trusted Partner
        Fiction
        October 2009

        Library of Chinese Classics :The Selected Poems of Du Fu

        by Hua Zisheng

        Du Fu (712-770), China's great poet in the Tang Dynasty. After experiencing the decline of the Tang dynasty, he witnessed the changes of the current situation, created poems that reflect the difficult and livelihood problems of the people with his extraordinary artistic talents, and was later praised for his "history of poetry." Poetry also content of the works, such as singing natural scenery, reviews of ancient and modern personnel, laments his talent description skills, portrayals of birds and animals, all have celebrated the famous works. To more than 1,400 Du Fu, greatly enriched and developed the artistic techniques of ancient Chinese poetry. Du Fu's character and poem have an extremely far-reaching impact on future generations. He is one of the most outstanding representatives of Chinese traditional culture. The book includes 135 Du Fu poetry translated by the famous American house Burton Watson.

      • Trusted Partner
        Business, Economics & Law
        September 2020

        Tourism, Tradition and Culture

        A Reflection on their Role in Development

        by David Harrison

        David Harrison has contributed to the academic study of tourism over the last thirty years. This book brings together a collection of his published material that reflects the role played by tourism in 'development,' both in societies emerging from Western colonialism and in societies previously part of the Soviet system. The overarching theme looks at how promoted as a tool for development, tourism can lead to conflict between competing elites, but can also empower groups previously subject to constraint by traditional authorities. Tradition is intensely manipulatable and always reflects power relations. Such pressure on tradition is but one aspect of tourism's wider social impacts, which include changes in economic and social structure which, for many, constitute social problems which need to be addressed. At the same time, 'sustainability,' though apparently a worthy aim, can be a problematic concept, especially when applied to 'traditional' cultures, and may conflict with such ideals as egalitarianism.

      • Trusted Partner
        December 2020

        Festivals of Chinese Ethnic Groups·Ewenki: The God of Fire Festival

        by Yan Xiangjun, Zha Xuan

        This book mainly describes the origin of the Ewenki ethnic group's god of fire sacrificial custom. According to legend, a poor hunter went hunting a long time ago, but he ran for a whole day without catching any prey. When he was tired and hungry, a cave appeared in front of his eyes. He walked into the cave in a daze and fell asleep. When he woke up, he found two completely different houses, one was owned by the rich and the other was by the poor. The hunter went to the rich's house for help, but was expelled by the rich with disgust. The hunter then went to the poor's house and was warmly welcomed. At this time, the hunter heard someone talking on the roof: "Let me punish the greedy rich!" Then the hunter realized that the man on the roof was the god of fire, whom everyone feared. The Ewenki people regard the 23rd of December every year as the God of Fire Festival.

      • Trusted Partner

        Children's Picture Book Series of Excellent Traditional Chinese Culture

        by Gao Hongbo

        Children's Picture Book Series of Excellent Traditional Chinese Culture, created for children aged 5-8, comprises 100 volumes in its first edition, with contents focusing on China’s traditional virtues, classic stories, cultural celebrities, civilization achievements, cultural common sense, and human geography. The project invites the most influential scholars, writers, and painters in China to systematically present children the basic knowledge of Chinese traditional culture and traditional aesthetics, so as to help them establish an overall “Chinese culture concept”.

      • Trusted Partner
        Humanities & Social Sciences
        January 2018

        Changsha Traditional Family Values and Rules

        by Changsha Discipline Inspection Committee

        This book collects Changsha traditional family rules, family values, and family mottos, and contains a lot of folk proverbs and sayings. It uses pictures, footnotes, and content reviews to help readers have a better understanding. The author hopes to keep this good tradition and promote the building of family values and rules.

      • Trusted Partner
        June 2019

        The Treasure Bowl

        by Xiao Aozi

        The Treasure Bowl tells a story of traditional punishment for evil and reward for goodness using a vivid expression of Chinese paper cutting art (national intangible cultural heritage). The theme is lively, so that the values of punishing evil and rewarding goodness always live in the hearts of good people.

      • Trusted Partner
        Humanities & Social Sciences
        February 2023

        Politics, performance and popular culture

        Theatre and society in nineteenth-century Britain

        by Peter Yeandle, Katherine Newey, Jeffrey Richards

        This collection brings together studies of popular performance and politics across the nineteenth century, offering a fresh perspective from an archivally grounded research base. It works with the concept that politics is performative and performance is political. The book is organised into three parts in dialogue regarding specific approaches to popular performance and politics. Part I offers a series of conceptual studies using popular culture as an analytical category for social and political history. Part II explores the ways that performance represents and constructs contemporary ideologies of race, nation and empire. Part III investigates the performance techniques of specific politicians - including Robert Peel, Keir Hardie and Henry Hyndman - and analyses the performative elements of collective movements.

      • Trusted Partner
        October 2020

        The Classic of Mountains and Seas (Picture Version)

        by Huang Xuran, Tang Sulan

        "The Classic of Mountains and Seas (Picture Version)" is a children's traditional cultural enlightenment book with a fresh perspective. Selected representative and interesting chapters in "The Classic of Mountains and Seas" were drawn into the book, which depicts a series of images in "The Classic of Mountains and Seas" such as water systems, mountains, vegetations, trees, mountain gods, sacred beasts, water monsters, etc. In this imaginative picture book, images are vivid and the story theme is ups and downs. The author extracts nourishment from the profound ancient myths, and then creates new stories that children can understand. The whole book takes a retro and creative form with concise and simple text and simple and freehand ink painting through the mountain and sea scriptures, depicting a mythical world where the heavens and the earth are prevalent and the gods and monsters are in chaos.

      • Trusted Partner
        Children's & YA

        Huabobo

        by Zhang Jizhou

        Huabobo, literally flower-shaped steamed buns, refers to a traditional local delicacy deeply loved by people in east China's Shandong Province. The craft of making Huabobo has a history that dates back more than 300 years, and was listed as a Shandong provincial intangible cultural heritage in 2009.   The picture book Huabobo presents the source, making process, and related traditional customs of this unique traditional food. Each Huabobo is created out of wheat. A grain of wheat can be ground into flour after jointing, heading, harvesting, and then it can be made into the steamed Huabobo through flour mixing, flour kneading, shaping, and coloring. The whole process is long and full of hustle and bustle. The book is accompanied by an introductory guide from which the readers could learn to make three kinds of Huabobo by following the videos.

      • Trusted Partner
        August 2013

        Hunan Culture Textbook

        by Xuande WEN, Fulong TIAN

        Exploring from the origin of Hunan culture, this book explains the philosophy,education,cultures,arts,science&technology,traditions,religions,customs and talents of Hunan Province step by step,which introduce Hunan culture comprehensively and systematically.

      • Trusted Partner
        December 2020

        Festivals of Chinese Ethnic Groups·Shui: The Duan Festival

        by Yan Xiangjun, Chen Anmin

        This book mainly describes the origin and changes of the Shui ethnic group's Duan Festival. Through the evolution of folklore of this unique festival of Shui ethnic group, this book tells that Shui people have the courage to move away from the barren old homeland and open up new places of residence by hard work. In the beautiful and fertile new hometown, people were united to defend the fruits of their labor and finally built a peaceful new life. The Shui people leveraged the customs of festivals to pass on the good wishes and construction experience of their ancestors from generation to generation.

      • Trusted Partner
        December 2020

        Festivals of Chinese Ethnic Groups·Yao: The King Pan Festival

        by Yan Xiangjun, Zheng Xiaojuan

        This book mainly introduces the origin of the Yao ethnic group's King Pan Festival. The King Gao rebelled. In order to encourage his people to actively fight back and win the war, Emperor Ku made a promise: Whoever can cut off the head of the King Gao will marry his beautiful little daughter -- the third princess. After hearing of the news, Pan Hu who was a dragon dog managed to achieve the goal. However, the emperor did not want to keep his promise after learning that Pan Hu was a dragon dog. The third princess found that Pan Hu was very kind and brave, and decided to marriage him. Later, the third princess learned that Pan Hu could become a human as long as he was steamed in a steamer for seven days and nights. After Pan Hu was transformed into a human, the emperor sent Pan Hu to the Kuaiji Mountain to be the king. From then on, Pan Hu was called King Pan Hu. Later, during a hunting process, King Pan Hu fell off a cliff and died. In order to commemorate him, people set his birthday October 16th in the lunar calendar as the “King Pan Festival”.

      • Trusted Partner
        December 2020

        Festivals of Chinese Ethnic Groups·Nu: The Flower Festival

        by Yan Xiangjun, Zuo Hanzhong

        This book mainly introduces the origin of the Nu ethnic group's Flower Festival. A beautiful Nu girl used her ingenuity to help the Nu people solve the problem of crossing the river. Later, the wealthy bully wanted to marry her because of her beauty and intelligence. She fled to the cave but was killed by the bully on March 15th of the lunar calendar. Later, when people went to worship her on March 15th, they found that the cave was full of flowers. Thus, people called that day the “Flower Festival”.

      • Trusted Partner
        December 2020

        Festivals of Chinese Ethnic Groups·Yi: The Torch Festival

        by Yan Xiangjun, Chen Anmin

        This book mainly introduces the origin of the Yi ethnic group's Torch Festival. It tells the story of a Yi youth Heitilaba fighting a decisive battle with the son of a god for his sweetheart. In the duel, the son of the god Sireabi was defeated and died. In order to punish the world, the god threw locusts on the world to eat crops. In order to save the crops, Heitilaba led the people to burn the locusts with torches, and finally fell to the ground and turned into a big mountain. In order to commemorate him, June 24th, when he turned into a mountain, was designated as the Torch Festival.

      • Trusted Partner
        December 2020

        Festivals of Chinese Ethnic Groups·Qiang: The Waerezu Festival

        by Yan Xiangjun, Chen Xunru

        This book mainly introduces the origin of Qiang ethnic group's Waerezu Festival. Long long ago, a young girl came to Mao County, Sichuan Province, where the Qiang people lived. She was Sister Shalang and loved to sing. In order to seize Sister Shalang, the local chieftain burned up the azaleas where village women danced and sang. While azaleas were burned, Sister Shalang was dying. The people in the village then got to know that Sister Shalang was the goddess of azaleas! To commemorate her, the Qiang people started to gather dew, sing and dance, and worship the mountain gods every year on May fifth of the lunar calendar when azaleas bloom. Over time, this event has evolved into a festival for Qiang women -- that was how the Waerezu Festival has initiated.

      • Trusted Partner
        December 2020

        Festivals of Chinese Ethnic Groups·Lisu: The Knife-Pole Festival

        by Yan Xiangjun, He Xu

        This book mainly describes the origin of the Lisu Knife-Pole Festival. February 8th of the lunar calendar is an important day for the Lisu people to celebrate the Knife-Pole Festival. Regarding the origin of the Knife-Pole Festival, there is a legendary story of a hero Wang Ji circulating in the Lisu tribe. According to legend, Wang Ji was a rare talent at the time who was proficient in the art of war, was courageous and strategic, and cared about the people. At that time, other ethnic groups often invaded the border of Yunnan, and the Lisu people living there were unable to resist. Wang Ji led the defence and defeated intruders with the assistance of the Lisu people. In order to commemorate the hero Wang Ji, the Lisu people named the day when Wang Ji was dead — February 8th as the “Knife-Pole Festival”.

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