Major Street Publishing is an independent book publisher based in Melbourne, Australia. Founded in 2009 by Lesley Williams, Major Street specialises in publishing high quality business, leadership, personal finance and motivational books.
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The novel narrates the “possible” amour of Lady X, which arouses the discussion of local people. Every character has his own view towards this event which even acquires a more vital status than the event itself. The characteristic narration style of Can Xue has imbued the ordinary event with distinct aesthetic connotation.
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They live beside us. They need our help and attention to survive. Most of us accept their presence without questioning. Part of us ignore them entirely and part of us give them food and water. These are the street cats. What do we know about them? – very little. This book is ought to show the reader the special and interesting world of the street cats focusing on one community for about 14 years (of observation). Here you will read on the social life, on hierarchy that exists in their community, on their leaders and various social behavior. The reader will also meet the heroic acts of various cats, the wonderful friendship relations between them and their very special patterns of motherhood etc. At the end of reading the book the street cat who was for most readers just an anonymous animal spending a lot of time near garbage cases will become a familiar animal, interesting and liked. Raphaella Bilski has been a member of the Department of Political Science in the Hebrew University of Jerusalem, Israel. She specializes in modern political philosophy, welfare and social policy and in the subject of happiness. Her most known books are "Every Individual – A King, the Political and Social Thought of Zeev Jabotinsky" (Dvir, Tel Aviv and Bnai Brith, New York). For this book she got The Jabotinsky Price. Her second known book is "The Lure of Happiness" (Carmel, Jerusalem). She was the director at the Van Leer Foundation (1977-1980) and an advisor on social and welfare policy to the Israel prime ministers Yitzhak Rabin, Yitzhak Shamir and Shimon Peres. From 1990-1992 she began taking care of street cats who constituted a community in her garden. This book is based on 14 years of observation. She continues to take care of street cats and is about to write a second book on this subject. An English-language eBook edition was published in late 2014 by Samuel Wachtman's Sons, Inc., CA. 242 pages , 15x 22.5 cm
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"Huang Ni Street" is Can Xue's debut novel. The work describes people on a street and many things on Huangni Street. Huangni Street is always dirty, even the rain is gray. Can Xue made a detailed description of this street, but this description is different from the description of ordinary writers, with a big jump in thinking and no consistent storyline. There are simple characters and simple stories. Can Xue's first novel constructed Can Xue's very significant writing characteristics later, and these rich images give readers a very special reading experience. Can Xue breaks the usual thinking and framework of traditional novels, and has the typical characteristics of Can Xue from the beginning.
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The first history of one of London's most extraordinary streets. Running along the Thames's northern shore and spanning three-quarters of a mile from Trafalgar Square to Temple Bar, the Strand has been a witness to London's growth and change from the earliest years of the city's existence. In The Strand: A biography, Geoff Browell and Eileen Chanin uncover the deep history of this remarkable street. Tracing its origins in the Roman era, they reveal how it grew in importance as authority shifted from church to aristocracy, then to commerce, media and law. Over time, everything that mattered converged on the Strand: tradition and ceremony clashed with rebellion and destitution. By 1910, the street was known as the 'centre of the world'. Drawing on remarkable archival discoveries, Browell and Chanin present the most complete and compelling history of the Strand ever written. Filled with surprising, untold stories, The Strand: A biography is a must-read for lovers of one of the world's greatest cities.
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An extraordinary literary experiment influenced by Dream of the Red Chamber. Author’s personal favorite。 Shanghai Literature Award Best Novel. Jiang Yingbo, the eldest daughter of the Jiang family lives a life full of ups and downs. She had her age of innocence, but later gets fettered by the triviality of life; she used to be overwhelmed by passions, but becomes busy coping with various difficulties after marriage. Her brothers and sisters, each with distinct personalities and life choices, journey to their own destinations, some preserve idealism, while others bend their heads towards life. The Culture Revolution is still a key factor which influences those characters’ life. The archways on the old street is a symbol, representing all the vicissitudes the Jiang family experiences during 30 years.
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Fanta Groselha da autoria de Makena Onjerika é um retrato sombrio dos sem-abrigo e da vida dos meninos de rua em Nairobi. O conto centra-se em Meri, cuja história é contada por um coro de narradoras sem rosto e sem nome que são também suas consortes. Navegam pela vida sem rumo certo a pedir esmolas, a roubar aos peões, a esquivar-se às autoridades, a venderem o corpo. Fanta Groselha é um conto cativante pela sua coragem, humor e inventividade linguística. O seu forte sentido de lugar faz com que seja uma experiência de leitura imersiva e gratificante.
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The story is set in a typical old-timers’ neighborhood in central Tel Aviv. For several decades, the neighborhood contained a firehouse and an emergency medical center, as well as a colorful open-air market. But one day, the character of the street changes completely: Bulldozers begin tearing down the buildings, which are to be replaced by two modern multistory houses and a paved public square. A group of sixth-graders living in the neighborhood discovers that, in addition to the construction company's excavations, another private excavation is under way. It transpires that a pair of criminals decided that the noise and commotion in the area provided a one-time opportunity to unearth a mysterious "treasure chest" that was buried under the old firehouse long ago. The children’s curiosity and courage ultimately lead to the capture of the criminals moments before the chest is found, which in turn solves the mystery. A second book in this series, named The Magician from Motzkin Boulevard has already been written and a Hebrew-language edition will be published later this year. 96 pages, full-color hardcover with B/W illustrations inside, 15X22 cm
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The novel aims to depict the social reality. Being deft at describing the underclass and social outcasts, He Dun, the author, continues to take the underclass people as the main roles in the novel. Compared to The Street of Huangniportraying the youth full of vigor and hope from urban underclass, the protagonists of the novel are a gang of young people from a small town. Ranging from 1950s till now, the novel has narrated the experience of those young people during “the Cultural Revolution” and Working in the Countryside and Mountainous Areas in a chronological way, and also told of their stories during the Reform and Opening-Up.
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In this book, John Corner explores how issues of power, form and subjectivity feature at the core of all serious thinking about the media, including appreciations of their creativity as well as anxiety about the risks they pose. Drawing widely on an interdisciplinary literature, he connects his exposition to examples from film, television, radio, photography, painting, web practice, music and writing in order to bring in topics as diverse as reporting the war in Afghanistan, the televising of football, documentary portrayals of 9/11, reality television, the diversity of taste in the arts and the construction of civic identity. Theorising media brings together concepts both from social studies and the arts and humanities, addressing a readership wider than the sub-specialisms of media research. It refreshes ideas about why the media matter and how understanding them better remains a key aim of cultural inquiry and a continuing requirement for public policy. ;
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Perched over a green-tiled street, streetlamp number eight watches life as it is plays out on the street below, as if with a pair of attentive eyes. Old codgers, dogs, aged women...they come and go, back and forth. The story is like a stage play, with the street light illuminating the vicissitudes of life.
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A realistic novel that reflects modern society with a touching romance story. The story centers on Lin Youhong, a woman who quits her job as an executive at a foreign invested company to work as a community coordinator on Guixiang Street. The novel evidences Lin’s struggle between personal ambitions and her sense of social responsibility. Her selfless decision catalyzes a pursuit for meaning in life, one which seeps into both the quotidian and unusual aspects of Lin’s existence.
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Public issue television is a major contribution to understanding the relationship between television, politics and society. Based on full access to the archives, it offers a fascinating historical account of how one television series, Granada's World in Action, celebrated for its tough journalism, visual directness and public impact, functioned and developed over its run across 35 years between 1963 and 1998. In a succession of chapters looking at different periods in the series' development and at key dimensions of its distinctive identity, it gets deep inside the making of factual television and examines how a particular culture of production works within broader conditions of possibility and constraint. In particular, it charts the interwoven processes of change - technological, professional, aesthetic, institutional, economic, social and political. As well as discussing achievement and success, it examines the tensions, the debates and open conflicts that formed part of the context within which the series was made and transmitted across four decades. ;
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This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. Race talk is about language use as an anti-racist practice in multicultural city spaces. The book contends that attention to talk reveals the relations of domination and subordination in heterogeneous, ethnically diverse and multilingual contexts, while also helping us to understand how transcultural solidarity might be expressed. Drawing on original ethnographic research conducted on licensed and unlicensed market stalls in in heterogeneous, ethnically diverse and multilingual contexts, this book examines the centrality of multilingual talk to everyday struggles about difference, positionality and entitlement. In these street markets, Neapolitan street vendors work alongside documented and undocumented migrants from Bangladesh, China, Guinea Conakry, Mali, Nigeria and Senegal as part of an ambivalent, cooperative and unequal quest to survive and prosper. As austerity, anti-immigration politics and urban regeneration projects encroached upon the possibilities of street vending, talk across linguistic, cultural, national and religious boundaries underpinned the collective action of street vendors struggling to keep their markets open. The edginess of their multilingual organisation offered useful insights into the kinds of imaginaries that will be needed to overcome the politics of borders, nationalism and radical incommunicability.
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The introduction to this extraordinarily beautifully illustrated book gives a fascinating overview of the history and architectural heritage of Dar es Salaam, and an insight into the efforts of those seeking to preserve it. The book captures 'fragments of the atmosphere, the sun bleached charm and the dynamic energy' of Dar es Salaam. Generic class and concrete skyscrapers are replacing human sized old Dar, and the frenzy to modernise shows little sign of abating. The city's cultural and historic memory is being erased by property development and its profits for the few. Through her drawings, the artist has recorded the vanishing city centre. She gives portraits of its colourful and dynamic people: living, going about their business, worshipping and gathering in its age old restaurants and tea rooms to spend time as generations have done so before. An important part of the book is short pieces of prose and poetry by some of the best creative writers in Dar today. They are snapshots of Dar and its people: the privileged, the poor, those who walk the streets going to places or aimlessly ambling, those in love and those who passed through Dar and left a record of their sojourn.
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Based on the the Third Plenary Session of the Eleventh Central Committee of the Communist Party of China, describing this great turning point, the developing track and historical events before the meeting.
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Fine, Sina and Kasim were looking forward to the summer holidays. At last they would have plenty of time for outdoor adventures. But during a soccer game, Fine has a severe asthma attack just before the decisive goal. After that, she rarely leaves the house for fear of another attack, and she withdraws further and further from her friends. She is now only concerned with the big ball of anxiety in her tummy. And then the summer break is nearly over and Fine must summon up all her courage... This story is intended to help affected children understand their asthma and show them that they are not alone with it. For:• children of elementary school age(between 6 and 12 years) who sufferfrom asthma• parents and relatives• teachers• therapists
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Selling Points: The NO 8 Pedoffie Street is a novel created by Hungarian writer Pettifer Galguay for the beautiful Childhood International Children's Coming-of-age Novel series. Focusing on the lives of "left-behind children" in contemporary Hungary, the work depicts the difficult trade-off between parents going out to earn money and spending time with their children, who grow up alone in the face of competition, frustration and danger.The work is full of life atmosphere and the energy of The Times. The parent-child relationship is simple and warm. The display of Hungarian culture and pastoral style highlights the characteristics of foreign culture, which is suitable for children to read at present. Brief Introduction: The story takes place in Hungary after 2014. Anna lives in Budapest, Hungary, with her brother Simon. Anna's dream is to be a painter while Simon wants to be a racing driver.In order to earn more money, Anna's parents went to Germany to work, leaving the children with her aunt Clara.During this period, the children are in all kinds of trouble, feel lonely and helpless and are eager to be with their parents. The summer vacation comes, the children spend a happy summer at their grandparents' home. During getting along with the elderly, they find the answers to their puzzles, gradually understand how to understand the world, explore the inner strength, and learn how to work hard to realize their dreams.
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An argument happens in the kindergarten: Big Banana said that he dares to ride a puppy down the street. Meanwhile, teacher kitty said that he once rode a tiger on the street. However, all this happens in their dreams. As a result, kids begin talking about all of their dreams…These lovely “nonsenses” are not lies, but really fairy tales in the eyes of a person who loves kids a lot. The book is written by famous children’s literature writer-Mei Zihan, and its stories are humorous and slightly naughty, and full of vivid illustrations. The book is painted by youthful painter-Bu Jiamei, and she deftly uses color to distinguish reality from imagination, which makes the book colorful and strongly expressive.
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There is a prison operating in present-day Ukraine, where horrific torture techniques are being utilized. This prison is, in reality, a concentration camp, beyond whose fencing no laws reach. Life there is lived in humiliation, fear, and uncertainty. Wounds and burn marks cover bodies that are filled with pain from broken bones and, often too, broken wills. The principal tasks here are surviving after the desire to live has forsaken you and nothing in the world depends on you any longer, preserving your sanity as you teeter on the brink of madness, and remaining a human being in conditions so inhuman that faith, forgiveness, hate, and even a torturer locking eyes with his victim become laden with manifold meanings. The journalist Stanislav Aseyev, imprisoned in this torture camp on trumped-up charges of “espionage,” wrote this frank, emotional, and probing memoir in an attempt to both survive and recover from the hell he was cast into. He offers more questions than answers in this book, as testament to the fact that the lives of those released from the prison at 3 Paradise Street will forever remain divided into “pre-” and “post-.”
