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The Parisian Agency
Founded in 2010, the Parisian agency is a literary agency based in Paris. We represent a selected group of international writers of literary fiction such as multi-awarded Icelandic author Gudrun Eva Minervudottir and Hungarian novelist Arpad Kun, winner of the prestigious Aegon Award. We also represent the stunning illustrated books of the British and the Bodleian Library (UK) abroad. Last, we are now open to represent new lists in literary fiction, crime fiction and non fiction. Welcome to the Parisian Agency!
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Promoted Content
Children's & YA2021Parables. The Wisdom of Generations
by Olga Ivanova (Editor), Olena Sheveka (Illustrator)
The deep experience of every generation is hidden within their parables. They contain basic knowledge that every child should understand. Through the parables collected in this book, you will help children to understand truth and lies, love and indifference, joy and anger, as well as the importance of learning. And from these instructive short stories, the young reader will learn how to distinguish what good and evil are, and how to take decisions independently. Thanks to this book children will appreciate and respect their parents and will build good relationships with others. This book will help any adult wishing to explore the deeper truths and values in life with children. From 6 to 9 years, 106,000 words. Rightsholders: Anastasiia Taran, tarannnastia@gmail.com,
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Promoted Content
Literature & Literary StudiesOctober 2018The politics of Middle English parables
by Mary Raschko, David Matthews, Anke Bernau
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Literature: history & criticismSeptember 2016Spenserian allegory and Elizabethan biblical exegesis
A context for The Faerie Queene
by Series edited by J. B. Lethbridge, Margaret Christian
Edmund Spenser famously conceded to his friend Walter Raleigh that his method in The Faerie Queene 'will seeme displeasaunt' to those who would 'rather have good discipline delivered plainly in way of precepts, or sermoned at large'. Spenser's allegory and Elizabethan biblical exegesis is the first book-length study to clarify Spenser's comparison by introducing readers to the biblical typologies of contemporary sermons and liturgies. The result demonstrates that 'precepts ... sermoned at large' from lecterns and pulpits were themselves often 'clowdily enwrapped in allegoricall devises'. In effect, routine churchgoing prepared Spenser's first readers to enjoy and interpret The Faerie Queene. A wealth of relevant quotations invites readers to adopt an Elizabethan mindset and encounter the poem afresh. The 'chronicle history' cantos, Florimell's adventures, the Souldan episode, Mercilla's judgment on Duessa and even the two stanzas that close the Mutabilitie fragment, all come into sharper focus when juxtaposed with contemporary religious rhetoric.
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Children's & YABelieve me, I'm Not an Egret!
by Hossein Ghorbani
This story is a recreation of a fable originally written in “Kalila and Demna”, an ancient book with Indian roots. In the original story, an old egret tricks the fish into thinking that they are being taken to a safe lake, but they are in fact becoming the egret’s food. Until one day, the crab also asks the egret to take him to the lake and sees the remaining fish bones while riding on his back. He then returns and informs the others. “Believe Me, I’m not an Egret!” is a parody of the original fable, encouraging the children to think about and question what they hear.
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Literature & Literary StudiesNovember 2001Les Murray
by Steven Matthews, John Thieme
Les Murray is amongst the most gifted poets writing today, his multi-faceted talents have received high praise both in his native Australia and beyond. But he has also proved a controversial figure, whose poetry strays across the boundaries of political and cultural debate. The only full critical study of Murray's work available, Steven Matthews provides a complete picture of his career to date, from its early parables of national emergence to the working man's epic encounter with the major events of the twentieth century, Fredy Neptune. Provides detailed readings of key poems, as well as literary and cultural contexts for the rapid shifts in style and subject matter Murray has made from collection to collection. Gives an overview of Murray's place within Australian literature and national thought. ;
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Picture storybooks2009Bichosos (Bugsful)
by Manuel Marín
This book is an allegory of flat strokes, whose slopes reveal tridimensional bugs, blissful to show us their transparent shapes. A reading that goes beyond the visual and takes us away from these tiny beings whose geometry increases before our eyes. The line takes us through their folds and extensions, and over to the pages which will be swarming with bugs!
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Literature & Literary StudiesApril 2019Spenserian allegory and Elizabethan biblical exegesis
by J. B. Lethbridge, Margaret Christian
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Modern & contemporary fiction (post c 1945)2018Cerebro
by Andriy Bondar
Cerebro, a new collection of short prose by Andrii Bodnar, introduces readers to the strange world of small human adventures. Random meetings and everyday situations that can happen to anyone start you thinking, making decisions and acting. It is a peculiarity of these texts that some of them are copied from real life experience, while others, completely fictitious, are macabre and phantasmagorical. The collection is compiled to start with completely realistic texts, but with each subsequent text this realism is extinguishing or gains new features. There are biographical texts, and then the usual reality departs and the reality of parable appears. The book is a path from realism to phantasmagoria and the sphere of magic. Compositionally it is a path from the real to the unreal world, culminating in a parable about what awaits us at the end of life.
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Children's & YAJanuary 2018The Tooth
by Nadiia Kushnir (Author), Nadiia Kushnir (illustrator)
The question 'Who am I, and where is my place in the world?' presents itself to everyone at a very tender age and continually resurfaces at various times in our lives. Therefore, this illustrated book is not simply about every lost tooth in the world. It's about all children and adults who will read and ponder the same question. We should indeed listen to our teeth; after all, one of them is called the wisdom tooth for a reason! The book delves into critical thinking, finding purpose, and self-perception. From 5 to 8 years, 570 words. Rightsholders: Alex Sharlai; alex.sharlay@gmail.com
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Literature & Literary StudiesOctober 2022Comic Spenser
by Victoria Coldham-Fussell, Joshua Samuel Reid
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Sociology & anthropology2022Pebble Monkey
N/A
by Manindra Gupta (Author), Arunva Sinha (Translator)
English translation of a Bengali novella, part fable part climate fiction by one of the finest Bengali poets
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Literature & Literary StudiesApril 2022The narrative grotesque in medieval Scottish poetry
by Caitlin Flynn
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June 2020Mr. Fool Moves a Mountain
by Yang Yongqing
"Mr. Fool Moves a Mountain" is a fable essay created by the thinker Liezi during the Warring States Period. Mr. Fool led his family to move one great mountian in front of their home. Eventually their spirit made God touched and helped them move the great mountain away. For thousands of years, the Mr Fool's spirit represents virtues of Chinese people's self-improvement, perseverance, and diligence.
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FictionThe Remains Of The Last Emperor
by Prof Bayo Williams
Haunting, intensely lyrical, its canvas teeming with unforgettable weirdos, The Remains of the Last Emperor is a memorable portrait of the last moments of a mad tyrant and the extraordinary events leading to his final extermination. A spellbinding narrative on power dementia, this novel reveals that not even the most crafty ruler can win against an enraged populace and that a determined people can unseat any tyrant. The book is a powerful political fable from the author of the award-winning book The Year of the Locusts.
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Nature, the natural world (Children's/YA)March 2020Earth Takes a Break
by House, Emily
From children's book author Emily House comes a wonderful story that re-connects us with our planet. A modern fable inspired by recent events, Earth Takes a Break is a touching picture book jam-packed with fun illustrations and woven together with a message of hope. When Earth feels unwell, she goes to the doctor to ask for help. What the doctor prescribes seems impossible to Earth, until she wakes the next day to find a surprising change!
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FRAU GRUBER'S CAMP
by Ted Barr
What are the boundaries of evil? What is the meaning of life on the verge of arbitrary sudden death? Is it worth living behind an electric fence? Frau Gruber's Camp is a thrilling allegory about the faith of mankind in its darkest times, strongly reminiscent of George Orwell's masterpiece Animal Farm. A world that sustains people like Frau Gruber, Herr Schickl, and their morbid associates is not the same one we live in. Although in many ways their world appears to be similar, it is more of a parallel universe removed from the reality we know. However, at times the reader may overlook the differences and be drawn in. In this surprising and enigmatic novel, the reader is gently and slowly submerged into an imaginary micro-cosmos – a fantastic world that is both poetic and terrible, sometimes heart-wrenching and at other times horrifying, where life is but a transparent commodity. The roosters as human beings are just momentary visitors in a much larger play, whose meaning they are too short-sighted to comprehend (except the old rooster Ba Ba Loop that, like ancient prophets, has the eyes to see but does not possess the power to change). The only way to give meaning to such dreadful times is by committing it all to memory, which is the framework on which this novel is founded: human faith, forgetting, remembering, and the essence of life during an impossible epoch. Though taking off from a mainly conjured description of Adolf Hitler's early childhood, Frau Gruber's Camp does not stop at relating a story parallel in many ways to European Jewish history. Rather it evolves into a fable on overall human experience in the twentieth century, written through twenty-first century eyes as a contemporary bravado. The author, Ted Barr, 54, has a master’s degree in economics and varied areas of interest, including German history, symbolism, battalion and divisional tactics, and astronomy. Barr is a renowned artist, specializing in galaxies and other celestial elements. The author has developed a unique painting technique, which he teaches in workshops around the world. Barr is the founder of the Current Art Group, and his artistic activity can be viewed at his art site, www.tedpaintings.com . A Hebrew edition of Frau Gruber’s Camp was published in Israel in 2006, following Barr’s first book, Krombee, a children’s book first published in 1990. 116 pages, 14.5X21 pages
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Central government policiesDecember 2009Candide en Dannemarc, ou l’optimisme des honnêtes gens
Voltaire
by Mike Thompson, Edouard Langille
Published in Rouen in 1767 and reprinted two years later, Voltaire's Candide en Dannemarc, ou l'optimisme des honnêtes gens wraps up the adventures of Candide. Turning his back on both Voltairean satire and scepticism, the novelist proposes a moralistic fable - the focal point of which is a rehabilitation of Leibniz's Theory of Optimism. The main body of the novel tells the story of Candide and his new wife, the noble Zénoïde, in their sumptuous Copenhagen townhouse. Before achieving this happy state, however, the couple endures various trials and tribulations reminiscent of the newly minted gothic genre. Candide en Dannemarc also features a satirical portrait of Jean-Jacques Rousseau. ;
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Literature & Literary StudiesJune 2017Candide en Dannemarc, ou l’optimisme des honnêtes gens
Voltaire
by Edouard Langille
Published in Rouen in 1767 and reprinted two years later, Voltaire's Candide en Dannemarc, ou l'optimisme des honnêtes gens wraps up the adventures of Candide. Turning his back on both Voltairean satire and scepticism, the novelist proposes a moralistic fable - the focal point of which is a rehabilitation of Leibniz's Theory of Optimism. The main body of the novel tells the story of Candide and his new wife, the noble Zénoïde, in their sumptuous Copenhagen townhouse. Before achieving this happy state, however, the couple endures various trials and tribulations reminiscent of the newly minted gothic genre. Candide en Dannemarc also features a satirical portrait of Jean-Jacques Rousseau.
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Literature & Literary StudiesSeptember 2020God's only daughter
Spenser's Una as the invisible Church
by J. B. Lethbridge, Kathryn Walls
In this study, Kathryn Walls challenges the standard identification of Una with the post-Reformation English Church, arguing that she is, rather, Augustine's City of God - the invisible Church, whose membership is known only to God. Una's story (its Tudor resonances notwithstanding) therefore embraces that of the Synagogue before the Incarnation as well as that of the Church in the time of Christ and thereafter. It also allegorises the redemptive process that sustains the true Church. Una is fallible in canto I. Subsequently, however, she comes to embody divine perfection. Her transformation depends upon the intervention of the lion as Christ. Convinced of the consistency and coherence of Spenser's allegory, Walls offers fresh interpretations of Abessa (as Synagoga), of the fauns and satyrs (the Gentiles), and of Una's dwarf (adiaphoric forms of worship). She also reinterprets Spenser's marriage metaphor, clarifying the significance of Red Cross as Una's spouse in the final canto.
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Literature & Literary StudiesMarch 2024Approaches to emotion in Middle English literature
by Carolyne Larrington
Over the last twenty-five years, the 'history of emotion' field has become one of the most dynamic and productive areas for humanities research. This designation, and the marked leadership of historians in the field, has had the unlooked-for consequence of sidelining literature - in particular secular literature - as evidence-source and object of emotion study. Secular literature, whether fable, novel, fantasy or romance, has been understood as prone to exaggeration, hyperbole, and thus as an unreliable indicator of the emotions of the past. The aim of this book is to decentre history of emotion research and asks new questions, ones that can be answered by literary scholars, using literary texts as sources: how do literary texts understand and depict emotion and, crucially, how do they generate emotion in their audiences - those who read them or hear them read or performed?
