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Medieval studies originally formed the core of the list, but it has rapidly expanded to embrace the humanities in all periods up to and including the present day. In 1996 the company bought John Varey's Tamesis list and became the leading Hispanic studies imprint outside Spain. The Boydell Press has also become one of the leading publishers of books on classical music. In 2008, the renowned publisher of books in African Studies, James Currey Ltd joined the Boydell and Brewer group of imprints.
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Sid is a lonely boy who detests idle, lonely trees. He has good reasons though. At least he likes to think so. He does not notice the friendship between the dangling leaves, dancing to the song of the wind. He ignores countless birds returning to the safety of their comfy homes, nestled in the soft spots of rough branches, after a long day of collecting worms. So when he is called a brainless tree for missing a save in soccer at school, it is easy for him to decide he never wants to be a tree, until one morning he wakes up to have transformed into one. Srividhya Venkat spins a delectable fantasy around thinking twice about what you wish for, or not and depicts the transformation of Sid’s lonely life after he embraces the excitable voices of kids twisted in his vines and the ecosystem hovering above him. Nayantara Surendranath’s eccentric combination of art collage and digital creation expresses the refreshing quirks that breathe life into the tale.
Ximi is a shy young boy from the countryside. A female graduate from the city of Suzhou was sent to live in Ximi’s village in the late 1960s. This beautiful young woman, with her pure and gentle character and her spirit power, led Ximi, formerly an obstinate and unruly country boy, into a new period of growth. With detailed description of subtle emotion, this is an elegant book about a boy’s growth of the soul. The peaceful village, the quiet wheat field, the spinning windmill, little boats in a river, pigeons of different colors, the snow-white fluffy ends of reeds, and the smoke curling upwards, such year-round beautiful country scenery is the witness to the boy's coming-of-age ceremony.
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A shepherd-boy, who watched a flock of sheep near a village, brought out the villagers three or four times by crying out, "Wolf! Wolf!" and when his neighbors came to help him, laughed at them for their pains. The Wolf, however, did truly come at last. The Shepherd-boy, now really alarmed, shouted in an agony of terror: "Pray, do come and help me; the Wolf is killing the sheep"; but no one paid any heed to his cries, nor rendered any assistance.
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In this study, Kathryn Walls challenges the standard identification of Una with the post-Reformation English Church, arguing that she is, rather, Augustine's City of God - the invisible Church, whose membership is known only to God. Una's story (its Tudor resonances notwithstanding) therefore embraces that of the Synagogue before the Incarnation as well as that of the Church in the time of Christ and thereafter. It also allegorises the redemptive process that sustains the true Church. Una is fallible in canto I. Subsequently, however, she comes to embody divine perfection. Her transformation depends upon the intervention of the lion as Christ. Convinced of the consistency and coherence of Spenser's allegory, Walls offers fresh interpretations of Abessa (as Synagoga), of the fauns and satyrs (the Gentiles), and of Una's dwarf (adiaphoric forms of worship). She also reinterprets Spenser's marriage metaphor, clarifying the significance of Red Cross as Una's spouse in the final canto.
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Lena is having a hard time adjusting to ordinary life. How can she forget Dante, the boy whose eyes are different colours? But she soon has much bigger worries. On a school trip she realises that her pursuers haven’t given up after all. At the last minute, Lena manages to pass the chronometer she uses to travel through time to her friend Bobbie. A fateful mistake. Fleeing, Bobbie stumbles into the past and becomes trapped in the year 1900. While she fights her way as a papergirl, Lena breaks her promise and returns to the invisible city to look for help – and Dante. Soon all three of them are on a mission to prevent their enemies from constructing chronometers to travel through time themselves. But they’re always a step ahead and the whole invisible world is in danger… 12+ years The first volume of an enthralling new fantasy trilogy with two headstrong time-travellers English sample translation available!
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After being admitted to the police school, the middle school student Mada, during the internship, participated in the series of reconnaissance missions. In the process of crime investigation, he did not believe in the authority of artificial intelligence detectives, but was obsessed with traditional investigative methods. By chance, the motor got acquainted with a giant rat, Jiji, who escaped from a lab. Jiji's wisdom was artificially stimulated with distortion in the lab. With the help of the young partner Jiji, the detective of the young boy gradually surfaced. However, in the reconnaissance of another case, the new situation emerged has repeatedly overturned their reasoning. Who is manipulating this? Where is the real murderer? Robots, artificial intelligence, man-machine wars ... Is it a human-made robot or a "semi-robot" that wants to control humans?
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After being admitted to the police school, the middle school student Mada, during the internship, participated in the series of reconnaissance missions. In the process of crime investigation, he did not believe in the authority of artificial intelligence detectives, but was obsessed with traditional investigative methods. By chance, the motor got acquainted with a giant rat, Jiji, who escaped from a lab. Jiji's wisdom was artificially stimulated with distortion in the lab. With the help of the young partner Jiji, the detective of the young boy gradually surfaced. However, in the reconnaissance of another case, the new situation emerged has repeatedly overturned their reasoning. Who is manipulating this? Where is the real murderer? Robots, artificial intelligence, man-machine wars ... Is it a human-made robot or a "semi-robot" that wants to control humans?
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For nearly half a century Anne Lake Prescott has been a force and an inspiration in Renaissance studies. A force, because of her unique blend of learning and wit and an inspiration through her tireless encouragement of younger scholars and students. Her passion has always been the invisible bridge across the Channel: the complex of relations, literary and political, between Britain and France. The essays in this long-awaited collection range from Edmund Spenser to John Donne, from Clément Marot to Pierre de Ronsard. Prescott has a particular fondness for King David, who appears several times; and the reader will encounter chessmen, bishops, male lesbian voices and Roman whores. Always Prescott's immense erudition is accompanied by a sly and gentle wit that invites readers to share her amusement. Reading her is a joyful education.
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Serhiy Osoka’s first prose collection is about real-life stories and images of those who survived a hunger strike in their childhood or youth and experience other misfortunes in old age: illnesses, impotence, obduracy, hopelessness, misunderstanding, alienation. The author masterfully puts them in relationships with children, grandchildren, and great-grandchildren - still inexperienced and sometimes arrogant. These connections sealed by invisible, inconspicuous love deeply touch the reader, returning him to his own experience. Graphic realism and a thin line of mysticism, the unconscious desire for love and the awareness of love temptations transience, the beauty of youth and foulness of old age, the torments of realization and bitterness of disappointments - everything harmonizes in the repetition of words on the strong thread of the idea.
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A time comes when every child starts wondering about their body, asking their parents “awkward” questions. In this book, children and their parents, together with a curious boy named Max, will learn about the boys’ private parts and about the right way to treat one’s privacy and intimacy, about hygiene and safety, about illnesses and self-care, and, most importantly, about good behavior and respect. The book approaches the subject in an interesting and fun way, and is beautifully illustrated by Anna Oliynyk. From 3 to 12 years, 7681 words Rightsholders: mybookshelf.publishing@gmail.com
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15 year-old Lena discovers an ancient clock among her dead parents’ old things and accidentally activates the timepiece’s mechanism. Far away in the invisible city, a place not of this world, a boy takes notice of her: Dante. He is curious to find the daughter of the legendary woman who once left the time-travellers society to live a mortal life. When Lena learns about the mechanisms of time, she decides to change her own fate and travels back to the night, her parents died. Only too late she realises that meddling in her own life automatically affects the lives of everyone else around her too. The story reaches its peak when Lena has to decide between getting her parents back and saving the life of her best friend Bobbie. 12+ years The first volume of an enthralling new fantasy trilogy with two headstrong time-travellers English sample translation available!
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This collection of essays revisits gender and urban modernity in nineteenth-century Paris in the wake of changes to the fabric of the city and social life. In rethinking the figure of the flâneur, the contributors apply the most current thinking in literature and urban studies to an examination of visual culture of the period, including painting, caricature, illustrated magazines, and posters. Using a variety of approaches, the collection re-examines the long-held belief that life in Paris was divided according to strict gender norms, with men free to roam in public space while women were restricted to the privacy of the domestic sphere. Framed by essays by Janet Wolff and Linda Nochlin - two scholars whose work has been central to the investigation of gender and representation in the nineteenth century - this collection brings together new methods of looking at visual culture with a more nuanced way of picturing city life.
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In his first YA novel, cultural journalist and author Abdo Wazen writes about a blind teenager in Lebanon who finds strength and friendship among an unlikely group. Growing up in a small Lebanese village, Bassim’s blindness limits his engagement with the materials taught in his schools. Despite his family’s love and support, his opportunities seem limited. So at thirteen years old, Bassim leaves his village to join the Institute for the Blind in a Beirut suburb. There, he comes alive. He learns Braille and discovers talents he didn’t know he had. Bassim is empowered by his newfound abilities to read and write. Thanks to his newly developed self-confidence, Bassim decides to take a risk and submit a short story to a competition sponsored by the Ministry of Education. After winning the competition, he is hired to work at the Institute for the Blind. At the Institute, Bassim, a Sunni Muslim, forms a strong friendship with George, a Christian. Cooperation and collective support are central to the success of each student at the Institute, a principle that overcomes religious differences. In the book, the Institute comes to symbolize the positive changes that tolerance can bring to the country and society at large. The Boy Who Saw the Color of Air is also a book about Lebanon and its treatment of people with disabilities. It offers insight into the vital role of strong family support in individual success, the internal functioning of institutions like the Institute, as well as the unique religious and cultural environment of Beirut. Wazen’s lucid language and the linear structure he employs result in a coherent and easy-to-read narrative. The Boy Who Saw the Color of Air is an important contribution to a literature in which people with disabilities are underrepresented. In addition to offering a story of empowerment and friendship, this book also aims to educate readers about people with disabilities and shed light on the indispensable roles played by institutions like the Institute.
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The first artist to enter the realm of fantasy was Hieronymus Bosch. He revels in the delights of pleasure. He relishes eating giant fruits, running on water and flying on top of a fish. He is joyful without even realizing it. Bosch is also aware that serenity and calmness let things be seen as they are. No one before had ever seen our feelings as we get lost in the madness of invisible realities.
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The Little Lady makes all hearts sing! When Lilly and her family move into the old house with the golden pretzel, she has no idea that a magic neighbour lives in the mysterious backyard. The Little Lady keeps a chameleon that is 1000 years old; she can make herself invisible and masters all kinds of magic tricks – but most of all she loves to play pranks on others! So a summer filled with wonderful adventures begins for Lilly. Poetic, full of imagination and humour, the Little Lady is delighted by her ever-growing community of fans and enjoys huge success with young and old alike. A fantastically beautiful story to read aloud or alone, exquisitely illustrated by Nina Dulleck.
Tapachula, Chiapas: a small city on the southern border of Mexico bearing the weight of a continental migratory crisis. Migrants trapped between bureaucracy, misery, and violence. Tens of thousands of bodies halted in front of the invisible wall of the United States. This book seeks to explore migration from the inside out. Its field of exploration encompasses not only the physical border but also the narrator's personal experience as an immigrant in Mexico. It is a hybrid work that weaves through chronicles, personal essays, autobiography, and travel writing, considering the migratory phenomenon not just as a collapse but as a space for profound subjective elaboration. The story of a religious leader expelled from Angola, the adventures of a former Colombian guerrilla threatened by the dissident factions of the FARC, and the nostalgia of an exiled Sandinista from Daniel Ortega's dictatorship blend in a common chorus with the narrator’s voice, son of a father killed by the Venezuelan state and a mother seeking asylum in Mexico. More than a chronicle, "El espejo animal" seeks to be a spoken portrait of migration in Latin America. It is an artifact that enables and amplifies the voices of migrants where they cannot be heard.
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There is a pervading idea, both in the east and west, that "big boys don't cry". To reach some cultural ideal of a "real man", boys are too often pushed to be tough and stoic and suppress their emotions. The Picture Books about Emotion Management for Boys challenges this old tradition. Of course boys cry, and we should let them cry! The series contains five books. I Want to Cry encourages boys to express their vulnerable feelings in appropriate ways. I Don't Want to Hit Back encourages boys to follow their hearts and stick up for themselves in the way they like. I am a Coward talks about self-acceptance. I Don't Want to be a Big Brother is for boys experiencing issues with new siblings. I Didn't Hear You talks about protecting boys' own little worlds. All five stories came from author Le Fan's real experiences of raising two sons as a mother. While the books are certainly children's books, they could even be viewed as parent handbooks of sorts. The author has written their parents and other adults in little boys' eyes, and calls for parents and society to raise boys differently and understandingly so they can grow in positive, healthy ways.
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Do you marvel at people who seemingly have it all only to drop everything for life in a remote village? Have you wondered about leaving your roots for migration to the unknown? ‘Fit only for climbing coconut trees.’ The mockery invented by Philip’s father because he was badminton-mad and useless (said father) at all else, lingered with him through school in Malaysia. It travelled with him on an Aeroflot to England in 1970, aged 18, functioning onadrenaline. It stuck through his navigation of parochial middle England – caring for patientsin a mental hospital, law practice, sports, and relationships. Toughened by an Indian father and a Chinese coach, lifted by a messiah-like Englishman and grounded by a Labrador soulmate, Racket Boy – Where’s My Country, explores Philip’s life over six decades. From being ordered by the British government to leave England, accosted in Bombay, mugged in Barcelona to horse-trading with a petroleum giant in Ecuador and thrilling in a World Cup in military-ruled Argentina, to list a few highlights. Philip is now a spectator in the hills of Tuscany, more than just fit to be climbing coconut trees!
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In the dark of the night, a shadow creeps out of a house. A man is carrying a large, heavy bundle on his back, which contains a child in his teens. The little boy had been stolen and was to be sold as a slave. Alone and alone, the clever little boy did not panic, but with his wit and bravery he was finally back home.
