Established in 1963, Graphic-sha Publishing is one of the leading Japanese publisher specialized in art, design, drawing, craft, food, and more. We capture various topic in unique view, and produces visually interesting and practical books. We are also working on international publishing.
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The "Oracle Bone Picture Book" series introduces children aged 5-10 to Chinese characters. It explains the connection between character shapes and meanings of the ancient oracle bone script and showcases their real-life applications, helping children understand Chinese characters from their roots and fostering an appreciation for the script, making learning fun and engaging. It contains 10 books: "A Big Deal", "Amazing Mom", "Lessons from Animals", "The Heart of Plants", "Their Family", "Feast and Song", "Under the Sky, Between Mountains and Seas", "At Your Home, At Mine", "Off to the Hunt", "Face Stories".
The universe is always on the move: Nothing in it remains completely at rest. Movement is natural: The Earth, the water on it, the atmosphere, the continents, and all living organisms exist in a state of constant motion. We walk, run, jump, crawl, swim, and fly. We travel. This book is about movement and travel—not only by people, but also that of animals, plants, the wind, water, and our planet. It describes journeys for the purpose of trade and commerce, journeys for the purpose of pleasure and repose or for survival, as well as scientific expeditions and pilgrimages. It’s about migrations, maps, navigation, and, finally, about finding your own path. Travellers often hear questions associated with "where" and "where from:" "Where are you going?", "Where are you from?" This book is a visual and intellectual expedition through thousands of years of movement, in search of answers to these as well as many other questions related to movement. From 6 to 9 years, 2896 words Rightsholders: Ivan Fedechko, ivan.fedechko@starlev.com.ua
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Danko, Zirka and Fabian live peacefully in the small town of Rondo. They have their work and hobbies that always keep them busy... until War comes. The three friends have never experienced War before, and they don’t know how to act. In hopes of stopping War, they talk to it and fight it, but all in vain. Eventually, they discover an effective defense against the darkness of War — the power of Light. With the help of all the residents of Rondo, Danko, Zirka and Fabian build a huge light machine that disperses the darkness and stops War. The War that Changed Rondo reflects the ambiguities of war and it is a touching tribute to peace. From 4 to 7 years, 1585 words. Rightsholders: ivan.fedechko@starlev.com.ua
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Nearly fifty symbols of traditional Chinese culture with strong symbolism, high recognition and extensive influence are selected in this book, whose connotation covers the fields like architecture, collection, dress and personal adornment, military affairs, health preservance and folk arts. The symbols are of special postion and meaning in the history of traditional Chinese culture since they are stereo, multidimensional, and full of fresh color and life with profound historical origins and cultural significance; therefore they not only bring people a visional impact and enjoyment, but conform with the Chinese aesthetic ideas and cultural complex in their innermost hearts; furthermore created originally by the Chinese ethnic peoples, they have a very deep brand of traditional Chinese aesthetic sentiment and historical memory, meanwhile they make a great effect on the development of culture and arts of mankind. With a view to make the panoramic scan of “traditional Chinese cultural symbols” this time, the compilers intend to display the essence of the culture of Chinese symbols and record the new growth of traditional Chinese culture truthfully through plentiful exqusite pictures in the lively and concise language on the basis of the principle of respecting history and deep exploration.
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Italian graphic design offers a new perspective on the subject by exploring the emergence and articulation of graphic design practice, from the interwar period through to the appearance of an international graphic design discourse in the 1960s. The book asks how graphic designers learned their trade and investigates the ways in which they organised and made their practice visible while negotiating their collective identity with neighbouring practices such as typography, advertising and industrial design. Attention is drawn to everyday design practice, educational issues, mediating channels, networks, design exchange, organisational strategies and discourses on modernism. Drawing on a wide range of primary sources and placing an emphasis on visual analysis, this book provides a model for a contextualised graphic design history as an integral part of the history of design and visual culture.
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Mogao Grottoes Art in Dunhuang is general reading material about the art of Dunhuang grottoes, and it’s the ingenious work of Mr. Chang Shuhong, the pioneer of Dunhuang Studies in China.
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Carefully selected and meticulously compiled, this collection features nearly four hundred artworks from the various stages of Mr. Chang Shuhong's artistic career. It encompasses a wide range of categories, including oil paintings, watercolors, copies, sketches, and more, offering a comprehensive showcase of the distinctive creative characteristics of Mr. Chang Shuhong across different periods and reflecting his artistic journey under different circumstances. Authored by experts from the Dunhuang Academy, the detailed annotations provide valuable insights into the background of each piece, aiding readers in gaining a deeper understanding of the stories behind the artworks and interpreting Dunhuang art.
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Carefully selected and meticulously compiled, this collection features nearly four hundred artworks from the various stages of Mr. Chang Shuhong's artistic career. It encompasses a wide range of categories, including oil paintings, watercolors, copies, sketches, and more, offering a comprehensive showcase of the distinctive creative characteristics of Mr. Chang Shuhong across different periods and reflecting his artistic journey under different circumstances. Authored by experts from the Dunhuang Academy, the detailed annotations provide valuable insights into the background of each piece, aiding readers in gaining a deeper understanding of the stories behind the artworks and interpreting Dunhuang art.
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What does it mean to be called an industrial designer? This book traces the remarkable rise of this professional identity in historical perspective from a position of anonymity in the early twentieth century, to mid-century professionalisation, to decline and disintegration by 1980. Drawing on new, extensive, original archival research, it uncovers the history of a profession in a state of re-invention, 1930-1980 in Britain and the United States. The book tests assumptions about the relationship between the professions in the two countries, bringing them into comparative historical perspective for the first time. The gendered dynamics of professionalisation and their interaction with the representation of the heroic male designer are interrogated and critically examined. Building on new gender perspectives to the history of the industrial design profession, the book calls for a re-examination of the limits and boundaries of what constitutes professional identity and work.
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Feminism is a living phenomenon, but its history can and should be recorded. A number of serious works on the history of the women's movement and feminism have been published in Ukraine, but it is only recently that the history of Ukrainian feminism appeared in the form of a graphic novel. This book is our humble attempt to try and cover the vast history of Ukrainian feminism on a moderate number of pages. We have mentioned many outstanding personalities, but we have not mentioned even more names, for which we immediately apologise - after all, a lot has happened in 150 years and it’s hard to fit all into a relatively small graphic novel. This book may be of interest to those who have only recently become interested in feminism, as it is a brief introduction to the history of Ukrainian feminism. More experienced readers will be delighted to notice some additional details and stories to what they already know.
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On Dunhuang Murals is general reading material about the art of Dunhuang murals, and it’s the ingenious work of Mr. Chang Shuhong, the pioneer of Dunhuang Studies in China.
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On Dunhuang Painted Sculptures is general reading material about the art of Dunhuang painted sculptures, and it’s the ingenious work of Mr. Chang Shuhong, the pioneer of Dunhuang Studies in China.
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The twentieth century saw an outbreak of new styles in world art, among which Art Nouveau was the first chronologically. Ukraine absorbed all-new European creative ideas, filling them with Ukrainian meanings and forms. For those unfamiliar with Ukrainian art, this book will be a handy and attractive starting entry point to the world of Ukrainian visual culture. Art experts will be able to look at their field from a new angle: to see images of rare works of Ukrainian art nouveau from regional museums and trace the links between national and world trends in the art of the twentieth century.
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The book consists of dialogues between Chang Shuhong, the guardian of Dunhuang, and Daisaku Ikeda, a famous Japanese thinker. It contains five chapters, focusing on Dunhuang art and oriental civilization.
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Every year on January 16th of the lunar calendar, the Xibo people celebrate a unique festival -- the “Face-blackening Festival”. This peculiar festival that features with smearing each other's faces has a magical origin. This book uses the unique legends of the Xibo people to describe the origin of the “Face-blackening Festival”. Behind that legend is the Xibo people’s yearning for a bumper harvest, their resistance to natural disasters, and their praise of the virtues of diligence and thrift. They use a vivid and interesting story to express their best wishes and safeguard notes to future generations while planting the seeds of kindness and frugality in the details of life.
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The story of The White Witch's Garden is about a white witch living in the sky wants to create into a garden, and she experimented three thousand years but has not been succeeded. Cannot see the sunlight and no air circulation, no warmth and love, only infinite expectations and a variety of radical experiments, so of course there not open a beautiful flower. The good is that the white witch finally figured it out. She opened the window, let the sun shine in, let the air flow, swept away the tension and anxiety, arrogance and greed in her heart, and the spring would come for the flowers. This picture book is full of children's philosophies and gives children good inspiration for their thoughts. The pictures are beautiful and enhance their aesthetic skills. It is lovely to be persistent, but sometimes it is possible to take a step back, let go of tension and anxiety, and open yourself up to more possibilities.
A pioneering work in the movement to free art from its traditional bonds to material reality, this book is one of the most important documents in the history of modern art. Written by the famous nonobjective painter Wassily Kandinsky (1866–1944), it explains Kandinsky's own theory of painting and crystallizes the ideas that were influencing many other modern artists of the period. Along with his own groundbreaking paintings, this book had a tremendous impact on the development of modern art. Kandinsky's ideas are presented in two parts. The first part, called "About General Aesthetic," issues a call for a spiritual revolution in painting that will let artists express their own inner lives in abstract, non-material terms. Just as musicians do not depend upon the material world for their music, so artists should not have to depend upon the material world for their art. In the second part, "About Painting," Kandinsky discusses the psychology of colors, the language of form and color, and the responsibilities of the artist. An Introduction by the translator, Michael T. H. Sadler, offers additional explanation of Kandinsky's art and theories, while a new Preface by Richard Stratton discusses Kandinsky's career as a whole and the impact of the book. Making the book even more valuable are nine woodcuts by Kandinsky himself that appear at the chapter headings. This English translation of Über das Geistige in der Kunst was a significant contribution to the understanding of nonobjectivism in art. It continues to be a stimulating and necessary reading experience for every artist, art student, and art patron concerned with the direction of 20th-century painting.
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This title collects illustrations, posters, and design works of Aubrey Beardsley, the characteristic illustrator in the 19th century. It is the most complete collection of his works in China, edited by Mr. Wei Junlin, painter and researcher of Beardsley.
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Znak. Ukrainian Trademarks 1960—1980 is research by U, N, A collective (Uliana Bychenkova, Nika Kudinova, Aliona Solomadina) on the history of Ukrainian graphic design, in particular, on the area of corporate identity during the period of Thaw, Stagnation, and Perestroyka. Visual and textual narratives coexist in the book, as this type of material needs not only visual but also textual support. They address the given subject in the wider chronological order: from the 20th century avant-garde to the present. Most importantly, the publication focuses on the Kharkiv school of industrial graphics and the accomplishments of Volodymyr Pobiedin. The publication displays archive materials, identifies the names, describes the processes and highlights the influences in Ukrainian graphic design in the local and global contexts.
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Of course, the fate of the artist was formed in a certain way because he realized his vocation - to be a poet. On the other hand, he lived his life as a professional artist. After graduating from the St. Petersburg Academy of Arts, T. Shevchenko worked as an artist in the Temporary Commission for the consideration of ancient acts (Kyiv Archaeographic Commission), applied for the position of drawing teacher at the University of St. Volodymyr in Kyiv. And when his plans were broken by arrest, then in exile, despite the strict imperial ban on writing and drawing, the artist was able to work in his specialty, although not officially. Shevchenko devoted the last years of his life to the development of etching, having received the title of academician in engraving. The publication consists of two parts. The first is devoted to the works of the artist, made in graphic techniques, as well as sepia and watercolor. Given the fact that there are few oil paintings in the artist's works, we singled them out in the second part, trying to break stereotypes about their perception. Each section of the first part is devoted to a separate genre, which was addressed by T. Shevchenko. The largest of the sections are divided into thematic headings, which allows you to see the works of the artist from a new, perhaps unexpected, angle. In turn, the commentary to each work contains a brief history of creation (places, circumstances, relationships, etc.) and artistic characteristics that reveal the performing skills of the author. In addition, an important addition is the part of the commentary "Interesting" and quotes from the novels, Diary, correspondence of the artist, memoirs of his contemporaries. You can start your acquaintance with the publication from any section or even heading. Traveling through Shevchenko's paintings on separate routes you will have a complete rich journey through the original world of the artist.
