Between the Lines
Livres Canada Books
View Rights PortalThe career of Wisconsin-born Joseph Losey spanned over four decades and several countries. A self-proclaimed Marxist and veteran of the 1930s Soviet agit-prop theater, he collaborated with Bertholt Brecht before directing noir B-pictures in Hollywood. A victim of McCarthyism, he later crossed the Atlantic to direct a series of seminal British films such as "Time Without Pity," "Eve," "The Servant," and "The Go-Between," which mark him as one of the cinema's greatest baroque stylists. His British films reflect on exile and the outsider's view of a class-bound society in crisis through a style rooted in the European art house tradition of Resnais and Godard. Gardner employs recent methodologies from cultural studies and poststructural theory, exploring and clarifying the films' uneasy tension between class and gender, and their explorations of fractured temporality.
Risk, anxiety and moral panic are endemic to contemporary societies and media forms. How do these phenomena manifest in a place like South Africa, which features heightened insecurity, deep inequality and accelerated social change? What happens when cultures of fear intersect with pervasive systems of gender, race and class? Worrier state investigates four case studies in which fear and anxiety appear in radically different ways: the far right myth of 'white genocide'; so-called 'Satanist' murders of young women; an urban legend about township crime; and social theories about safety and goodness in the suburbs. Falkof foregrounds the significance of emotion as a socio-political force, emphasising South Africa's imbrication within globalised conditions of anxiety and thus its fundamental and often-ignored hypermodernity. The book offers a bold and creative perspective on the social roles of fear and emotion in South Africa and thus on everyday life in this complex place.
“Excuse me, but the war has begun.” These words of the writer Vladyslav Ivchenko marked the beginning of February 24th. It was the day when life changed forever. Standing in line at the draft board, he realized that he had his own war story now. “My granny had one, my parents had none, and I was always sure that I’d never have mine own.” After the 24th is a collection of short stories and poetry about war, a record of what Ukrainians have experienced and are experiencing now. The book is about those who are ready to die for freedom and those who are ready to survive at any cost; it is about lovers and beloved; it is about losses that make one howl in pain, and laughter that helps preserve sanity. It is about betrayal and fear; it is about those at the frontlines and those away from them. Something is true to life and something is fictional. Be careful as the texts are deceptive, and often the ones you will believe to be true, will turn out to be fictional and vice versa.
False profits of ethical capital is a thought-provoking approach to understanding stakeholder capitalism. Rather than focusing on the inadequacies of corporate responsibility, sustainable investment and consumer politics, this book grapples with the technical and rhetorical functions of ethical capital for profit and accumulation. It provides a unique and eclectic analysis of the political dynamics between finance, capital and labour, offering a refreshing perspective on struggles interlocking social, ecological and economic crises, and suggesting new ways of thinking about sustainability politics.
Book 1 in Shizu Historical fiction series: Twins Safari and Betty are thrust into the Kasigau community during WWI, where a mistaken betrayal between British and German forces leads to deadly consequences.
This novel has been recognized by Ukrainian and foreign critics not only as the most outstanding work of Ukrainian literature since independence, but also as one of the most important in all Eastern European literature since the fall of communism. Awarded the Central European Literary Prize "Angelus" (2013), translated into English, German, Polish, Czech, Russian, repeatedly awarded as "Book of the Year" (in Ukraine, Germany, Switzerland, Poland), "Museum of Abandoned Secrets", Nobel novel class ”(Newsweek Polska); rightly became the calling card of new Ukrainian literature. This is a modern epos of contemporary Ukraine: a family saga of three generations, the events of which cover the period from the 1940s to the spring of 2004. Great literature and ugly truth about the power of the past over the future, about love, betrayal and death, about the original war of man for the right to be himself.
The assessment of nursing and care needs and the organisation and quality assurance of nursing care are key tasks performed by nursing staff. This also includes administering medication, something which requires sound organisation, control, implementation and documentation. Nurses observe whether medication is taken consistently, has the desired effect, and whether undesirable side effects occur. The drug product as a „special commodity“ – whether in inpatient long-term care, in outpatient care, or in hospital – requires special knowledge concerning - correct storage, - the pharmacological effect, and - appropriate application. This book is geared towards the diseases and symptoms of people requiring nursing or care. All the important facts concerning the use of medicines are presented here in an understandable manner, focusing on the essentials. Numerous illustrations and practical tips provide the link to everyday nursing care. It is the ideal textbook and reference work for nursing and care assistants as well as nursing professionals.
The hottest summer of the century. Four houses lost among the wheat fields. The big ones are locked in the house. Six children, on their bicycles, venture into the burning and abandoned countryside. In the middle of that sea of ears hides a frightening secret, a secret that will change forever the life of one of them, Michele, a 9-year-old boy. The story is set in the torrid summer of 1978, in the countryside of an unidentified southern Italy, but evoked with rare descriptive force. In this landscape dominated by the contrast between the blinding light of the sun and the darkness of the night, Ammaniti alternates, with wise narrative moments, comedy, the world of children's relationships, the language and the burlesque wisdom of children, their tenacity, the strength of friendship and the drama of betrayal. And at the same time he sketches an unforgettable display of adult characters. A novel of self-discovery through the most extreme risk and the need to face it, Io non ho paura becomes a poignant farewell to the age of play and amazement, to the magical energy that makes us fight monsters. And it insinuates itself under the skin of all of us, like a light stab in the chest.
Born in Shanghai, the pianist Tu Junsheng, from the boyhood, first fell into the "sacred and classic" love dilemma, and then turned to marriage and failed. He became desperate in a free and lonely love later. Finally he wake up, see the light in pain. The author wrote the first love, the loss of love, the betrayal, the obsession with love…and there is no trace of carving in writing. This is a wonderful book about the ultimate experience of spirit and body. It is a thrilling love epic.
The research of pandemics, epidemics, and pathogens like COVID-19 reaches far beyond the scope of biomedicine. It is not only an objective for the health, political and social sciences, but epidemics and pandemics are a matter of geography: foci and vectors of communicable diseases continue to test the efficacy of medical control at state borders. This volume illuminates these issues from various disciplinary viewpoints. It starts by exploring historical models of quarantine, spatial isolation and detention as precautionary means against the dissemination of disease and contagion by border crossers, migrants and refugees. Besides the patterns of prejudice with which these groups are confronted, the book also deals with various kinds of fear of contamination from outside of the nation state. The contributors address the implementation of medical techniques at state borders in the twentieth and early twenty-first centuries, as well as the presently practiced measures of medical and biometric screening of migrants and refugees. Uniquely, this volume shows that the current border security regimes of Western states exhibit a high share of medicalised techniques of power, which originate both in European modernity and in the medical and biological disciplines developed during the last quarter of the millennium. Drawing on the collective expertise of a network of international researchers, this interdisciplinary volume is essential reading for those wishing to understand the medicalisation of borders across the globe, from the early eighteenth century up to the present day.
Fine travel reading with a twist of mystery - Magnum will give you everything: rain and wine, love and betrayal, despair and cowardice, Ukrainian seasonal workers and Portuguese revolutionaries. For various reasons - including the Russian invasion into the East of Ukraine - the protagonist of the novel finds himself in Lisbon – the faraway coast of the Western Europe. While in Lisbon he inadvertently plunges into a tragic family history that began almost half a century ago. The main character of the novel is Lisbon itself, a bright and friendly city one cannot but fall in love with; the city which, however, hides a lot of secrets.
The films of Thorold Dickinson (1903-1984), now being rediscovered, engage with major issues including national identity, the post-colonial world, and political violence - and they also show a rare mastery of style, a thrilling eroticism, a preoccupation with the psychology of betrayal. But the director of Gaslight, The Next of Kin and The Queen of Spades was also an editor, documentarist, trade unionist, film producer (for the British Army and the UN), pioneering academic and controversialist. His adventurous and truly global involvement in film took him to Paris in the heyday of silent cinema in the 1920s, to Stalin's USSR in 1937, to the Spanish Civil War, to Africa, India, Israel and America. This book gives a lively, multi-angled account of Dickinson's works, life and times, conveying a sense of his own voice and fascinating character. It includes a richly detailed introduction, a film-by-film discussion of Dickinson with Scorsese, vivid personal memoirs of the director, a dossier of Dickinson's original writings and interviews from 1924 to 1973 (some never previously published), critical essays on all the feature films, and a ground-breaking reference section. The book draws on extensive archival research and close consultation with those who knew Dickinson well. Contributors include: Martin Scorsese, Gavin Millar, Lutz Becker, Charles Barr, Laura Marcus, Kevin Jackson, Kevin Gough-Yates, Ian Christie, Gregory Dart, Hillel Tryster, Janet Moat. ;
The Geographical Atlas of the World is a modern reference cartographic publication containing up to 100 political and physical maps of the world and political maps of individual countries and groups of countries. Political and administrative maps of the regions of Ukraine are presented separately. At the end of each separate section, a reference block with flags and a selection of modern, necessary information about the countries is provided from the "Political and political-geographical maps" section. In the second part of "Physical Maps", each map is supplemented with thematic illustrations, reference data, and interesting facts inherent in the corresponding region of our planet. The index of geographical names, which includes more than 16 thousand proper names of geographical objects in its list, will help you quickly find them on pages of the atlas. Modern design and printing capabilities were used to create the atlas.
Gift of the Dark Mother Earth, the latest novel by Can Xue, is a profound metaphor of her hometown. It follows her usual magical style in the sense that it vividly unfolds the complex and delicate inner world of the characters. The story takes place in the remote Wuliqu School, with such distinctive characters as Teacher Meiyong, Zhang Danzhi, Yutian, Xiao Man, Uncle Yun and Sha Men presented one after another. The personality and human nature exposed through unique dialogues enable the readers to feel a return to simplicity so that they want to explore human soul and nature and start in-depth reading and thinking. The book depicts petty matters in a great age. The author’s ambition is to create a feeling for the pattern of the whole universe through the structure of an ordinary tree leaf, and to unify the arbitrarily split world through the narration of various folk sundries so that different characters can all become the center of this unity and their performance can have a universality. As the only Chinese writer who has won the Best Translated Book Award in the United States, Can Xue was nominated for the foreign novel prize of The Independent of the UK and shortlisted in the Neustadt International Prize for Literature of the US. As the Chinese woman writer, whose works have been translated and published the most abroad, Can Xue has been called the most creative Chinese writer by overseas critics.
— By the expert in ethical business — Once you have finished this, you will never fall for green financial lies again — Global Ethic Institute (Weltethos- Institut) network And suddenly every bank is sustainable. This truly necessary "debate book" explains in a wellfounded way what green-washing means in the financial sector, and why banks, insurance companies, asset managers, stockbrokers and other financial players clothe themselves in their allegedly so green-and-friendly cloak. It provides an easy-to-understand explanation of the various forms of greenwashing, how we can recognise the different "varieties" and – above all – how we can avoid them. This is also important because the entire financial and capital system is an important part of a sustainable future – and this can only succeed if it is honest, transparent and impact-orientated.
Living in the light sounds compelling. Living in the shade is a bit scary. But there is no need to worry, because it is not possible to live alone in one way or another. We generally travel between the two until we find our balance, something that the girl in this story has just discovered.