Facultas Verlag
Das facultas Verlagsprogramm umfasst Lehr- und Studienbücher wie auch Forschungs- und Fachliteratur
View Rights PortalDas facultas Verlagsprogramm umfasst Lehr- und Studienbücher wie auch Forschungs- und Fachliteratur
View Rights PortalHanser Publishers represents a wide range of products and concentrates at the same time on clearly defined target groups: Engineers and Technicians in training and at work in the following fields: Metalworking, Plastics Technology, Electrical engineering and Electronics, Computers, Economy and Management. Our portfolio has a range from Journals, Books, Training Books and electronic media up to seminars and conferences in German and in English language. Additionally Hanser provides information for different branches in the World Wide Web. Hanser Publishers also provides 25 Journals and about 200 new books each year. The whole backlist of books counts up to about 2,000 titles. With this amount of Books and Journals Hanser Publishers is one of the leading Publishing Houses in Germany. Our success mainly derives from the high quality of our products and content, from the expertise of our staff and their ability to identify new trends and products. Our strong and close ties to the industry and leading research institutes are the basis for a close cooperation with our authors. Supported by synergies of our books, journals, seminars and the World Wide Web we are accompanying our authors from their first discover of new technologies in form of an article in one of our journals till the maturity of a technology in form of an uptodate handbook. Characteristic for Hanser Publishers are its numerous cooperations with partners in Germany and other countries. The Journal “Kunststoffe” for example is the official Publication of the VDI-Society, the leading society of engineers in Germany. Our Journal “Qualität und Zuverlässigkeit” is the official publication of the “Deutsche Gesellschaft für Qualität (DGQ)”. Also the Books are made in close cooperation with leading companies, associations and Universities.
View Rights PortalThis edition of The Trial of Treasure will be a photographic facsimile of one of the five extant copies of this apparently anonymous play which was printed in 1567 by Thomas Purfoote. It will reproduce the copy at the Harry Ransome Library, Austin, Texas which has an anomaly in the printing not found in the other copies. In considering typographical characteristics of the text the Introduction discusses the place of this play in Purfoote's extensive output. It also addresses the relationship with William Wager's Enough is as Good as a Feast with which it shares some seventy lines, and considers the possibility of common authorship. The text is rich in stage directions and aspects of performance are discussed including the doubling scheme for five players and the role of the Vice which is exemplified here. ;
Soliman and Perseda, written c. 1588 and first published in 1592 or 1593, is a late Elizabethan romantic tragedy by Thomas Kyd, author of The Spanish Tragedy. It dramatises the triangular relationship of the Turkish emperor Soliman, his captive Perseda and her beloved Erastus, and the fortunes of the comic servant Piston and the braggart knight Basilisco, against the fictionalised backdrop of the Turkish invasion of Rhodes in the early sixteenth century. The introduction to this facsimile edition contains the fullest analysis of the text to date. It also provides an account of the play's editorial history, a detailed analysis of its original printing, and lists of all erroneous readings in the first quarto, together with significant differences between the first and second quartos. This edition provides the best access we have to an important play by one of Shakespeare's leading early contemporaries. ;
This volume is a photographic facsimile from the copy of the play by George Wapull in the Harry Ransom Centre.It was originally printed in 1576 by Hugh Jackson, and is one of only five extant copies. The introduction discusses the place of this play in Jackson's output, including two other interludes printed by him shortly afterwards. Besides compositorial practice and some irregularities, it addresses the identity of the author, historical detail about the surviving copies, and the editorial contribution of John Payne Collier. The text is rich in stage directions and aspects of performance are discussed including the doubling scheme for four players and the active role of the Vice. The play was written at a time when interludes designed for small acting troupes were popular and exhibited remarkable theatrical expertise. The intellectual context is considered, and in particular the place of this play among the considerable number of surviving interludes from London which focus upon wealth and its abuses and other matters of economic importance at the time.
Thomas May's The Tragedy of Antigone (1631), edited by Matteo Pangallo, is the first English treatment of the story made famous by Sophocles. This edition contains a facsimile of the copy held at the Beinecke Library of Yale University, making the play commercially available for the first time since its original publication. The extensive introduction discusses, among other things, the ownership history of existing copies and their marginal annotations, and of the play's topical political implications in the light of May's wavering between royalist and republican sympathies. Writing during the contentious early years of Charles I's reign, May used Sophocles' Antigone to explore the problems of just rule and justified rebellion. He also went beyond the scope of the original, adding content from a wide range of other classical and contemporary plays, poems and other sources, including Shakespeare's Romeo and Juliet and Macbeth. This volume will be essential reading for advanced students, researchers and teachers of early English drama and seventeenth-century political history.
According to the identification and application of traditional Chinese medicine, the rational use of traditional Chinese medicine and patent medicine, the traditional Chinese medicine in the kitchen, the method of decoction and administration of traditional Chinese medicine, medicinal wine and medicinal tea, chronic disease recuperation, comments on the secret recipes of the family, teaching you to buy Chinese patent medicine, health maintenance essentials and seasonal health preservation, etc. The category is arranged and it is very convenient to find. The content involves the correct selection of commonly used medicines and proprietary Chinese medicines, the introduction of Chinese medicines for both medicinal and food use and medicated dietary treatments, as well as the main points of health preservation for four o'clock and eight festivals and 24 solar terms. In the drug introduction, it not only explained the identification of the good and the bad, but also briefly described the common sense of reasonable application, and at the same time, clarified some misunderstandings or misleading in view of the current disadvantages.
This edition of Two lamentable tragedies, a quarto printed in 1601 by Richard Read for Matthew Law, and ascribed on the title-page to Robert Yarington, is the first to be published since 1913. It offers a photographic facsimile of the copy in the British Library (C.34.e.23), one of only five to have survived. The play combines a plot based on a real-life London murder case of 1594 with one deriving from an Italian tale of an evil father and his son. The introduction contains an up-to-date consideration of many aspects of the text, including a detailed bibliographical analysis of types, page dimensions, headlines, watermarks and paper; an analysis of compositorial divisions, and of a range of books printed and published by Read and Law; and the nature of the copy-text, which can be deduced from the visualised stage directions and other indications of imaginative staging. There has long been controversy surrounding the authorship of the play, and a full discussion of the issues is provided, including possible identifications of Yarington in contemporary documents, and the question of collaboration. The volume will be essential reading for students of Renaissance drama, book history, and bibliography. ;
What is it like to live next door to a British Army base? England's military heartland provides an eye-opening account of the sprawling military presence on Salisbury Plain, drawing on a wide range of voices from both sides of the divide. Targeted for expansion under government plans to reorganise the UK's global defence estate, the Salisbury 'super garrison' offers a unique opportunity to explore the impact of the military footprint in a particular place. But this is no ordinary environment: as well as being the world-famous site of Stonehenge, the grasslands of Salisbury Plain are home to rare plants and wildlife. How does the army take responsibility for conserving this unique landscape as it trains young men and women to use lethal weapons? Are its claims that its presence is a positive for the environment anything more than propaganda? This book investigates these questions against the backdrop of a historic landscape inscribed with the legacy of perpetual war.
As human and machine agency become increasingly intermingled and digital media is overlaid onto the urban landscape, The machinic city argues that performance art can help us to understand contemporary urban living. Dias analyses interventions from performance artists such as Blast Theory, Rafael Lozano-Hemmer and Rimini Protokoll, which draw from a rich history of avant-garde art movements to create spaces for deliberation and reflection on urban life, and speculation on its future. While cities are increasingly controlled by autonomous processes mediated by technical machines, Dias analyses the performative potential of the aesthetic machine, as it assembles with media, capitalist, human and urban machines. The aesthetic machine of performance art in urban space is examined through its different components - design, city and technology actants. This unveils the unpredictable nature and emerging potential of performance art as it unfolds in the machinic city.
A considered investigation of a long-standing army base's impact on the British countryside. What is it like to live next door to a British Army base? Beyond the barracks provides an eye-opening account of the sprawling military presence on Salisbury Plain, drawing on a wide range of voices from both sides of the divide. Targeted for expansion under government plans to reorganise the UK's global defence estate, the Salisbury 'super garrison' offers a unique opportunity to explore the impact of the military footprint in a particular place. But this is no ordinary environment: as well as being the world-famous site of Stonehenge, the grasslands of Salisbury Plain are home to rare plants and wildlife. How does the army take responsibility for conserving this unique landscape as it trains young men and women to use lethal weapons? Are its claims that its presence is a positive for the environment anything more than propaganda? Beyond the barracks investigates these questions against the backdrop of a historic landscape inscribed with the legacy of perpetual war.
Scale insects feed on plant juices and can easily be transported to new countries on live plants. They sometimes become invasive pests, costing billions of dollars in damage to crops worldwide annually, and farmers try to control them with toxic pesticides, risking environmental damage. Fortunately, scale insects are highly susceptible to control by natural enemies so biological control is possible. They have unique genetic systems, unusual metamorphosis, a broad spectrum of essential symbionts, and some are sources of commercial products like red dyes, shellac and wax. There is, therefore, wide interest in these unusual, destructive, beneficial, and abundant insects. The Encyclopedia of Scale Insect Pests is the most comprehensive work on worldwide scale insect pests, providing detailed coverage of the most important species (230 species in 26 families, 36% of the species known). Advice is provided on collection, preservation, slide-mounting, vouchering, and labelling of specimens, fully illustrated with colour photographs, diagrams and drawings. Pest species are presented in two informal groups of families, the 'primitive' Archaeococcids followed by the more 'advanced' Neococcids, covered in phylogenetic order. Each family is illustrated and diagnosed based on features of live and slide-mounted specimens, with information on numbers of genera and species, main hosts, distribution, and biology. For the important pest species, coverage includes information on the morphology of live and slide-mounted specimens, common names, principal synonyms, geographical distribution, plant hosts, plant damage and economic impact, reproductive biology, dispersal, and management strategies including biological, cultural and chemical control, sterile insect techniques, regulatory control, early warning systems and field monitoring. An additional complete list of scale insect pests worldwide is provided, comprising 642 species in 28 scale insect families (about 8% of the 8396 species of living scales known), with information on plant hosts, geographical distribution and validation sources. Beneficial uses of scale insects as sources of red dyes, natural resins and waxes, as agents for invasive weed control. The importance of their honeydew to bees for making honey, and as a food source to other animals, are included. Academic researchers, students, entomologists, pest management officials in agribusiness or government including plant quarantine identifiers, extensionists, farmers, field scientists and ecologists will all benefit from this book.
DEKEL PUBLISHING GROUP: A BRIEF PROFILE Dekel Publishing House was established in 1975, initially as an academic publisher for university students, but it quickly expanded to include more popular genres under its imprint Tamar Books. Within a few years, Dekel became one of Israel’s leading publishing houses with both fiction, such as novels and thrillers, and nonfiction titles, mainly related to hobbies, cooking, and various sports and leisure activities. In the nineties, Dekel first entered the international publishing scene, taking part in most of the Frankfurt Book Fairs and the London Book Fairs, as well as many Book Expo America, the Salon du Livre in Paris, and also the Beijing Book Fair. Dekel maintains friendly collaboration with many overseas publishers in various languages to whom it licenses their own language rights or co-publishing agreements. It also publishes both digital and print titles via its American imprint in Monterey, California, and its German imprint in Frankfurt. Dekel’s bestselling Krav Maga series, which focuses on the original Israeli renowned self-defense system, has been translated and published in many languages, most with successive reprints, including Japanese, Korean, and Chinese. Recently, Dekel has developed titles in the high-tech and start-up domain, including fiction & nonfiction. Despite its dynamic activity, Dekel is a family-owned company managed by father and son Zvi and Dory Morik. Their company often proves itself to be a pioneer in the international publishing industry in promoting new and intriguing themes. CONTACT: Imprints: Samuel Wachtman’s Sons, Lindenfels von Pressel Verlag Post: P.O. Box 16109, Tel Aviv 6116002, Israel Tel/Fax: 972-3-6044627 E-mail: zvimor@dekelpublishing.com Managing Director: Mr. Zvi Morik Export Manager: Mr. Dory Morik
A fine collection of science fiction by children’s literature writer Mu Ling. Mu Ling’s science fictions pursue a scientific basis of “organic imagination”, has a positive outlook and good spirit of seeking truth. This series collects Mu Ling’s three masterpieces full of fantasy and humanistic concern: Dream Machine, Hei Wa, Yu Wang Bei Mi, which are rare sci-fi theme in children’s literature works of China. This series will lead children step by step to “hard science fiction” which is full of intellectual challenges through “light science fiction” and “soft science fiction”.
The Arc and the machine is a timely and original defence of narrative in an age of information. Stressing interpretation and experience alongside affect and sensation it convincingly argues that narrative is key to contemporary forms of cultural production and to the practice of contemporary life. Re-appraising the prospects for narrative in the digital age, it insists on the centrality of narrative to informational culture and provokes a critical re-appraisal of how innovations in information technology as a material cultural form can be understood and assessed. The book offers a careful exploration of narrative theory, a sophisticated critique of techno-cultural writing, and a series of tightly focused case studies. All of which point the way to a restoration of a critical - rather than celebratory approaches - to new media. The scope and range of this book is broad, its argumentation careful and exacting, and its conclusions exciting. ;
This book focuses on the subdivision of the food book market of wall breaking machine. Starting from the knowledge of the structure and precautions of wall breaking machine, the food produced covers a total of 150 dishes in 5 categories, including the production of cold drinks, fruit and vegetable juice, soup, porridge, pulp, grinding powder, sauce and so on. All use wall breaking machine as the main tools, with detailed steps and descriptions.
Designed to help students and teachers better appreciate science and engineering in a global context, this eBook describes the very important role American military satellites have played and continue to play in providing the information needed to stabilize a nuclear-armed world. A wealth of images help bring the topic to life.
Colonial war played a vital part in transforming the reputation of the military and placing it on a standing equal to that of the navy. The book is concerned with the interactive culture of colonial warfare, with the representation of the military in popular media at home, and how these images affected attitudes towards war itself and wider intellectual and institutional forces. It sets out to relate the changing image of the military to these fundamental facts. For the dominant people they were an atavistic form of war, shorn of guilt by Social Darwinian and racial ideas, and rendered less dangerous by the increasing technological gap between Europe and the world. Attempts to justify and understand war were naturally important to dominant people, for the extension of imperial power was seldom a peaceful process. The entertainment value of war in the British imperial experience does seem to have taken new and more intensive forms from roughly the middle of the nineteenth century. Themes such as the delusive seduction of martial music, the sketch of the music hall song, powerful mythic texts of popular imperialism, and heroic myths of empire are discussed extensively. The first important British war correspondent was William Howard Russell (1820-1907) of The Times, in the Crimea. The 1870s saw a dramatic change in the representation of the officer in British battle painting. Up to that point it was the officer's courage, tactical wisdom and social prestige that were put on display.