S&P Literary - Publishing Division of Sosia & Pistoia SRL
Chiara Melloni Irene Pepiciello
View Rights PortalChiara Melloni Irene Pepiciello
View Rights PortalA dangerous challenge at sea through a rock arch battered by strong waves. She ends up seriously injured in a leg when her friend Aurelio arrives at the cove. Overcoming her pain, she hides her injuries from Aurelio and tells him the extraordinary story of her mother, which propelled her to undertake such a madness. The story begins 6 years ago in Tenerife, with Nayra's expulsion from Philosophy class for the third time in a week, causing Pablo, her father, to pick her up from school and embark on a long day of disputes, confessions, and finally, complicities between them. Walking around Santa Cruz, canceling classes and professional commitments, Pablo and Nayra spend the day discovering a personal and sentimental reality that surprises them. The problems Nayra mentions with a group of immigrant classmates, along with the aggression Nayra shows towards her mother, Lola, prompt Pablo to tell her the unfinished story with Andreea, a high-class Romanian prostitute. Pablo cannot control the level of intimacy of the tale despite his own amazement, hearing himself say things he thought were unspeakable. Nayra responds, between disputes and affection, interspersing her own confidences, some of them having a strong impact, like the adventure with an immigrant who arrived on the beaches of Fuerteventura during a summer excursion. Neither tells the most intimate details of their stories truthfully, but they are accessible to the reader. Despite frequent arguments due to the teenager's incisive and groundbreaking language, their complicity grows and they end up spending the day together, walking through different places in the city. The story with Andreea takes on dramatic tones that completely captivate the young woman. Two suicides, the chase by Romanian mafia, returning to her hometown, searching for Pablo, Andreea’s struggle to regain her dignity and her artistic capacity through painting, and the apparent disappearance of her father's life, capture Nayra’s attention. Despite the narrative tricks used by Pablo, when night falls and they reach home, Nayra connects the dots and is surprised to discover that her perfectionist and successful mother, a recognized painter from Santa Cruz, with whom she has had a very conflictive season, is Andreea Constantin, the Romanian immigrant her father met as a high-class prostitute. After an initial reaction of rejection due to the ignorance in which she was kept, she understands her mother's situation. All the questions she always had about many details of her life arise with the discovery. A few years after discovering her identity, Andreea disappears from home. A call from Romania alerts them to the discovery of two charred bodies near her birthplace and the presence of her old exploiter nearby, who cursed her for life through a Transylvania ritual when she abandoned prostitution. Knowing she was discovered in Tenerife, Andreea tried to keep her family away from danger and returned to her country, where she was easy prey for the mafia. Pablo and his daughter Nayra fly to Bucharest to identify Andreea’s body, which may have been brutally murdered and burned. When it seems the identification will be negative, a small detail of the clothing makes them doubt. Desolate, they receive medical and psychological support from the Romanian team, but it turns out to be a false lead. Andreea is rescued from a hideout and has survived due to a misunderstanding by her captors. Protected by the Romanian police, she later becomes a key witness whose testimony ends the dangerous band of her pimp. But that bravery comes at a price; 2 years later, she does not return from an art exhibition in Paris. The police believe that her exploiter’s curse was fulfilled by a nephew who visited him in prison shortly before his death and was seen in Paris during the days Andreea had the exhibition. After a year of anguish, Nayra can no longer bear the situation and decides to mourn her mother at the cove where she painted her last picture. It had as its background the rock arch symbolizing the risk of living and facing life’s challenges. Nayra considers her mother lost and throws Andreea’s ashes into the sea, symbolized by those of a magnolia branch she planted many years ago. With this, she internalizes the loss and the fighting values Andreea taught her. The exit from the volcanic cove is a song to the life that continues and to the young woman who represents it. The novel is dedicated to the memory of Andreea Constantin and the thousands of women sexually exploited around the world.
Leitura obrigatória para se compreender a complexidade da exploração sexual e seus modos de enfrentamento. O livro contribui para o debate das ciências sociais com a análise sobre os modos de conceituar o problema, suas ambiguidades e deslizamentos morais. Apresenta também a diversidade de experiências de enfrentamento em distintos territórios — cidades de fronteiras, da região amazônica, turísticas, ligadas à exploração do petróleo e rodovias.
You're already a feminist! Doubt? This second edition of the book organized by journalists Nana Queiroz and Helena Bertho, from Revista Azmina, has been updated and expanded. In addition to the test to know which current feminism you identify with most, the glossary with terms about gender diversity and affective-sexual orientation and other issues that were already present in the first edition, new essential themes were included, such as Christian feminism, fatophobia, disruption of the family cycle of domestic work, types of domestic violence, the relationship - troubled - of many women with their vaginas, and many others. Come to be included or deepen in the fight for women's rights you too!
Este libro ha querido poner de relieve el cruce de caminos en la historia del diseño en Latinoamérica e interrogar ese lugar pleno de diversidades. Como resultado de un proceso consciente, se ofrecen diez ensayos escritos por autores provenientes de las instituciones universitarias más destacadas de la región que abordan, en primera instancia, la historiografía del diseño —en un sentido amplio— en México, Venezuela, Colombia, Chile, Brasil y Argentina.
More than three hundred years of slavery have bequeathed to Brazil a society in which racism infiltrates daily life in the most perverse ways. From the coloring pencils used at school to the terms with which people define themselves, resulting from the range of tones that miscegenation - recognized or not - produces, the beauty of color and diversity is only now beginning to be noticed.
This book is an initiative of the Regional Groups of Historical Memory (GRMH), which, together with the National Center for Historical Memory since 2013, generated proposals for the construction of historical memory in Colombia. The objective of the consolidation of the GRMH has been to recognize local research processes carried out by university professors to build bridges between the country's institutions and communities victimized in the framework of the internal armed conflict in Colombia. Although the participatory social research bets are nourished by multiple edges, disciplines, and schools of thought, there are methodological peculiarities in the investigations that are formulated in the key of historical memory that, on this occasion, are transversal and are deepened in each chapter.
La propuesta que las autoras presentan ofrece a todos los profesionales relacionados con la educación, maduración y acompañamiento del niño, una herramienta útil que engloba todas las características a tener en cuenta para lograr su pleno desarrollo, respetando su propia personalidad y de acuerdo con los parámetros sociales adecuados.Los niños necesitan tiempo para lograr su desarrollo de forma natural y para alcanzar la integración de los patrones de movimiento motor y sensorial necesarios para desarrollar sus habilidades fisiológicas. La obra muestra la importancia del movimiento en la escuela y evidencia por qué hay que potenciar el neurodesarrollo de los niños mediante el movimiento de modo que este llegue a formar parte de la cotidianidad. Las últimas investigaciones sobre el cerebro avalan y ponen de manifiesto las incontables ventajas del movimiento.El libro, hace un breve recorrido por diferentes aspectos fisiológicos del desarrollo del niño que tienen influencia tanto en el logro de sus competencias como en su comportamiento y en su aprendizaje, entendiendo que la falta de maduración motora y sensorial, y la falta de integración de los reflejos primarios, están en la base de muchas de las dificultades específicas actuales de la infancia. Es necesario un cambio de paradigma y una adaptación curricular a las necesidades reales de los niños, para poder convertir las dificultades de aprendizaje en retos superables para todos.
Peace is an idea, an abstract concept, which must be grounded in concrete realities. And building peace involves moving from an initial state, which may or may not be conflict, to a second moment in which people have learned to know, relate, meet, and live together. This book tries to elaborate on the construction of peace from an educational process, in which individuals learn to recognize themselves as subjects of equal dignity and with the capacity to carry out projects oriented to the common good. Similarly, educational settings, the so-called learning environments, are not confined exclusively to the walls of the classroom or the boundaries of formal education institutions: peace education occurs in any environment in which two or more coincide. people with potential conflicts of interest or collective construction.
Un libro sobre amistad, empatía y migración. Retrata la llegada de un nuevo compañero de clase al aula. Pase lo que pase, un cambio de contexto siempre es relevante para alguien. Un compañero se identifica con ella y la recibe. Obra ganadora del concurso nacional de relatos ilustrados para la primera infancia del Ministerio de Desarrollo Social en conjunto con la CNCA 2016. Libro que habla acerca de la llegada de una compañera nueva a la escuela, ideal para hablar de empatía, migración, inclusión, amistad, diversidad.
Los Círculos de encuentro llevan el nombre de Marisa Moresco como reconocimiento a su aportación como acompañante y testigo, que se plasmó en su decisión determinada y sostenida en el tiempo de generar vida, desde la confianza incondicional en Aquel que es la Vida y con la mediación del acompañamiento.Los Círculos tienen vocación de encuentro entre distintas personas y colectivos vinculados por el acompañamiento espiritual. Lo nuestro es crear espacios de intersección, construir puentes que vinculen, tejer la diversidad, transitar por lugares conocidosrecreándolos y por territorios nuevos que invitan a habitarlos.Estos primeros Círculos de encuentro se preguntan cómo acompañar la vida en las periferias existenciales, creando espacios seguros en los que la Vida se acoge, se comparte y se despliega a favor de todos, especialmente de los más vulnerables. Quieren ser, también un homenaje a la persona de Marisa Moresco.Con este volumen se inicia la publicación de las contribuciones de los Círculos de encuentro Marisa Moresco, impulsados por el equipo Ruaj.
“Lo ch’ixi apareció en mi horizonte cognitivo cuando todavía no sabia nombrar aquello que había descubierto a través de mis esfuerzos de reflexión y de práctica, cuando decía ‘esa mezcla rara que somos’. Aprendí la palabra ch’ixi de boca del escultor aymara Víctor Zapana, que me explicaba qué animales salen de esas piedras y por qué ellos son animales poderosos. Me dijo enconces ‘ch’ixinakax utxiwa’, es decir, existen, enfáticamente, las entidades ch’ixi, que son poderosas porque son indeterminadas, porque no son blancas ni negras, son las dos cosas a la vez. La serpiente es de arriba y a la vez de abajo; es masculina y femenina; no pertenece ni al cielo ni a la tierra pero habita ambos espacios, como lluvia o como río subterráneo, como rayo o como veta de la mina. Sobre las premisas de una brújula ética y la igualdad de inteligencias y poderes cognitivos –ciertamente expresables en una diversidad de lenguas y epistemes- podrá tejerse quizás una epistemología ch’ixi de carácter planetario que nos habilitará en nuestras tareas comunes como especie humana, pero a la vez nos enraizará aún más en nuestras comunidades y territorios locales”.
Exposición múltiple es el encuentro de veinte creadores. Diez narradores y diez fotógrafos se combinan a ciegas en la construcción de diez historias. Ninguno de ellos podría haber previsto el resultado final de sus creaciones. La diversidad de los relatos y la riqueza visual de las fotografías nos sumerge en un mundo donde Fenimore, apodado Mario Baracus, es un integrante de un grupo anarquista clandestino. También corre en las páginas del libro Lobo, un perro heroico. Beto declara que no tiene ningún apuro en regar las plantas, ni en recibirse, ni en dejar la casa, ni en casarse. Los estorninos vuelan juntos como un fantasma diurno de las alturas. ¿Qué bichos andan debajo de la corteza y dibujan surcos en el tronco? ¿Qué secreto esconde el sabor de la savia? Al terminar el día, la luna llena asoma entre los árboles del bosque cuando un perro pasa como una sombra y corre dando saltos. A lo lejos se escucha un grito agudo, Corazón, Corazón… Exposición múltiple es una creación de:Guillermo Álvarez Castro, Gustavo Espinosa, Henry Trujillo, Horacio Cavallo, Inés Bortagaray, Inés Garland, Leonardo Cabrera, Manuel Soriano, Mercedes Estramil, Rosario Lázaro IgoaÁlvaro Percovich, Carlos Contrera, Guillermo Carballa, Jorge Ameal, Manuela Aldabe, Marcelo Casacuberta, Mariana Méndez, Pablo Bielli, Santiago Mazzarovich, Tali Kimelman
Lady Fantasia es una colección de poemas que se centra en la diversidad y la diversión. Contiene doce historias en rima cuyos personajes, originales y bastante locos, nos cuentan sus aventuras, sueños, ilusiones ... Conoceremos a una sirena que quiere ser ballena; un adorable ogro que tiene problemas con el viento; un gnomo viajero; un dragón enamorado de una princesa; un mago despistado; un duende rebelde; un unicornio que es enfermera; una bruja de gran corazón con un gato miope; una valkyrie con un trabajo muy importante; un árbol parlante que protege los bosques y un genio que quiere ser libre.
The effective process of a good read is not only related to speed but also depends on a good understanding that is supported by analyzing, synthesize, apply and construct written information, with the benefit of acquiring new knowledge and give them a meaning of their own. The ability to understand also provides intellectual stimulation, increase of the cultural heritage, development and improvement of language. Therefore, this second cycle is dedicated to increase and enhance this ability. The goal during these five weeks is to keep increasing the eye speed, but above all that now incorporates understanding, attention and visual concentration of texts, symbols and images, for such reasons new reading techniques are exposed, with which he will use the whole brain; this system methodology will teach you to read sentences and paragraphs (more complete ideas) at a single glance and to take scan readings, incorporating all the strategies and skills acquired. It is essential to work in this second cycle the TOTAL UNDERSTANDING, without leaving a side the speed. Practice and perseverance will be your best companions.
In this series, a compilation of texts by researchers and specialists seeks to sketch an updated and detailed panorama of Brazilian cinema. In this first volume, Brazilian cinema is analyzed from the 1910s onwards, addressing silent movies, the beginning of sound film, the chanchada (musical comedies) and the independent cinema of Rio de Janeiro in the 1930s-1950s, and the educational role of cinema in Getúlio Vargas’s government. The book concludes with an essay on Companhia Cinematográfica Vera Cruz, an important Brazilian film studio of the 1950s. Ebook version brings aditional texts: “Cinema in Rio Grande do Sul (1918-1934), by Glenio Povoas, and “Massaini, producer and distributor (1935-1992): a lesser known aspect of Brazilian cinema”, by Luciano Ramos.
This second volume of New History of Brazilian Cinema covers Brazilian cinema from the postwar period up to the present, discussing the Cinema Novo and Cinema Marginal movements, the state-owned producer Embrafilme, pornochanchada (soft-core sex comedies) and the crisis and revival of Brazilian film production from the late 1980s to the mid-1990s, ending with an overview of experimental filmmaking, documentary film and contemporary film fiction up to 2016. Ebook version brings additional texts: “Brazilian New Cinema (1960-1972)”, by Bertrand Ficamos, and the extensive filmography “Brazilian films released from 1969 to 2016”, by Luiz Felipe Miranda
"La fiesta de Ana" es la versión infanil de "Ana te presta su espejo", que tiene como objetivo de transmitir a los más pequeños de la casa el mensaje de inclusión. En esta ocasión Ana tiene 8 años y cursa 3º de primaria. En su clase alguien está organizando una fiesta. Aunque para Ana y su amigo Sergio parece que no quedan invitaciones… ¿Alguna vez te ha pasado esto?
Este libro incide sobre una experiencia sui generis de construcción de paz en Colombia, los Laboratorios de paz. Situados en algunas de las zonas más conflictivas del país, constituyeron programas multidimensionales de construcción de paz desde la base, sostenidos por la sociedad civil, y con el respaldo y participación de la Unión Europea y del Estado colombiano. Esta investigación evalúa en qué medida los laboratorios de paz abrieron caminos novedosos y “fórmulas” alternativas para la paz a nivel local y regional.
Relations. How is your relationship with the people around you? Are you one of those who change your way of being with certain people? This volume will show you the variables that exist in relationships and in communication between human beings, it will teach you to be more understanding, sensitive and respectful with others. Among other things, it also highlights the importance of knowing how to listen.