DeA Planeta Libri’s products include books for children (fairy tales, boardbooks, novelties, non fiction, ativity etc.), MG& YA fiction, non ficton and essays and it operates with the brands DeA, De Agostini, DeA Planeta, UTET, AMZ, Abracadabra. Our foreign righst catalogues are available on: https://www.deaplanetalibri.it/aiuto/foreign-rights
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Griots Lounge and its imprints offers traditional publishing and sundry services to creative talents across Africa, as well as children friendly literature.
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Reanimating grief is a wide-ranging study of the poetics of bereavement in theatre, literature and song. It examines the way cultural works reanimate the dead in the form of ghosts, memories or scenes of mourning, and uses critical and creative writing to express grief's subjectivity and uniqueness. It cover classic texts from Greek tragedy and Shakespeare to works by Anton Chekhov, Samuel Beckett, Enda Walsh, Sally Rooney and Maggie O'Farrell. The book argues that the return of the dead in theatre and fiction is an act of memorial and an expression of love that illustrates the relationship between art, enchantment and impossibility.
When Noorie’s sister Zoya dies, everything in Noorie’s world becomes silent. She knows her sister has gone forever. But what’s with Mummy’s silly lies that Zoya will always be around, by their side? And what is she to do about Zoya’s best friend Dhara, who just won’t leave Noorie alone? Boo! When My Sister Died is a story about finding strength in love and loss. Gautam Benegal blends a playful watercolour and wash-style with a somber digital crosshatch to bring together warmth in the memories of the sisters’ togetherness and the intensity of Noorie’s grief. Richa Jha’s spare and simple text keeps the story poignant, believable, and full of hope.
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What happens when a mother dies? Death affects us in many ways, because of the absence and the emptiness it provokes. Sometimes the sadness is such that it makes us wonder through life aimlessly. Then we settle in nostalgia.
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The Gothic and death offers the first ever published study devoted to the subject of the Gothic and death across the centuries. It investigates how the multifarious strands of the Gothic and the concepts of death, dying, mourning and memorialisation ('the Death Question') - have intersected and been configured cross-culturally to diverse ends from the mid-eighteenth century to the present day. Drawing on recent scholarship in such fields as Gothic Studies, film theory, Women's and Gender Studies and Thanatology Studies, this interdisciplinary collection of fifteen essays by international scholars combines an attention to socio-historical and cultural contexts with a rigorous close reading of works, both classic and lesser known. This area of enquiry is considered by way of such popular and uncanny figures as corpses, ghosts, zombies and vampires, and across various cultural and literary forms such as Graveyard Poetry, Romantic poetry, Victorian literature, nineteenth-century Italian and Russian literature, Anglo-American film and television, contemporary Young Adult fiction and Bollywood film noir.
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This title, written by board certified psychotherapist and Reiki masterRobert Jackman, offers wise advice for the healing journey throughoutour life, loves and losses. In The Tender Path of Grief & Loss, if you're seeking expert guidanceon healing losses you feel deep inside, this book is for you. RobertJackman invites you to acknowledge and honor your grief instead ofpushing it away. Accessible and relatable, this book offers practicalwisdom to guide you on your journey through pain and into hope. Itshares heartfelt, encouraging stories of those who discovered their innerstrength in times of overwhelming loss, offering practical advice to helpyou move forward.
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This novel by Can Xue presents a whole range of characters with strong personality, such as Joe, Maria, Vincent, Lisa, Reagan and Ida. They are full of vitality and are accordingly unsatisfied with their present status. They actively explore unknown field of life and firmly embark on the journey of spiritual exploration. The novel focuses the complicated and intertwining relationship between husbands, wives and lovers to uncover the hidden inner desire of each character. Boiling wild nature and advanced civilization collide with each other before they finally become one unity. For the readers, entering the world of these characters is like entering their own inner world.
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A portrait of a Ukrainian woman more often shows her being silent than speaking. However, without this silence there would be no voice that sounds in this collection. The voice that defends the right to speak sincerely about acute grief, generational traumas, the courage of love, and disappointment with emptiness behind masks. Since speaking out is the only way to remain oneself and to be the voice of hundreds speechless sisters.
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Death in modern theatre offers a unique account of modern Western theatre, focusing on the ways in which dramatists and theatre-makers have explored historically informed ideas about death and dying in their work. It investigates the opportunities theatre affords to reflect on the end of life in a compelling and socially meaningful fashion. In a series of interrelated, mostly chronological, micronarratives beginning in the late nineteenth century and ending in the early twenty-first century, this book considers how and why death and dying are represented at certain historical moments using dramaturgy and aesthetics that challenge audiences' conceptions, sensibilities, and sense-making faculties. It includes a mix of well-known and lesser-known plays from an international range of dramatists and theatre-makers, and offers original interpretations through close reading and performance analysis.
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What to do if someone close to you has an incurable disease? Where to run, where to seek support, how to behave with a sick person? This book contains practical recommendations that provide answers to these and other difficult questions. The book is written is a friendly, simple language, with the knowledge of the Ukrainian medical and social realities, sometimes with humor. It contains sincere and poignant stories of real people who share their own experiences in similar situations, showing that even illness and death will not seem so terrible if you approach them consciously and with love.
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Why is the so-called “coolness” of sadness currently fading? Why is sadness increasingly being medicalized? Why is sadness the most humane of all feelings? And: can animals be sad? Twelve conversations with philosophers, psychiatrists, experts in cultural studies, and psychoanalysts focus on sadness from different perspectives – and they have something positive to say about this emotion. Target Group: For non-specialists and experts – everyone who is interested in the broad spectrum of human sadness
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This concise workbook is written as a guide for veterinary professionals to support owners through the many challenges they face before, during and after the death of their companion animal.This unique text provides a wealth of practical advice to be used when supporting both adults and children through the grief process. It offers support when discussing subjects such as natural death versus euthanasia and guiding owners through after death services. Also, it covers the difficulties experienced by owners due to separation for other reasons, such as when a pet has to be rehomed. The book:- Gives highly practical guidance on pet bereavement support for vet staff before, during and after animal loss, including communicating with highly distressed people; - Includes exercises and activities which can be downloaded and shared with owners to help them cope with the destabilising effects of grief;- Helps gain a deeper understanding of the owners' perceptions of the process, including their fears and feelings; - Addresses the importance of self-care and peer support within the veterinary team or animal welfare organisation;- Contains numerous case studies and practical examples in the book and via additional online resources.
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Assisted suicide has been the subject of much passionate debate in many societies. The philosopher and theologian Jean-Pierre Wils does not deny autonomy, but asks – on the basis of his profound historical and ethical knowledge – about the social consequences. Does the right to assisted suicide not in the long run lead to the obligation to decide for or against it? And does not the pressure towards a supposedly reasonable decision increase, as soon as the causation of one‘s own death is seen as a final act of self-realisation and emancipation, or even commended as such? Wils makes a strong plea for the debate to be held in a broader context, to remove our finiteness from cultural amnesia – and in doing so, lays the foundation for a contemporary discussion on assisted suicide.
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This is a autobiography-style prose collection. Applying the unique writing technique, Can Xue has revealed the perceivable childhood inward world and all aspects of her childhood. Unlike her obscure novels, this collection attempts to grasp memory fragments through critical thinking and recall the childhood days. As a child, Can Xue is imaginative and obstinate, which has influence on her literary creation later. This spiritual autobiography serves as the key to the artistic world of Can Xue.
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A novel for young readers that explores a strange, miraculous world combining reality and myth, the book mainly focuses on the character of a beast and the physical and spiritual transformations between his huge, strong body and a blackberry plant. The focus turns to the relationship between the beast and the orphan child Salma, dealing with the love between them, which does its magic until he becomes a tree. His past is then revealed, including his suffering at the hands of humans, and how his transformations played a role in healing his wounds and grief, bringing him back to a pure, benevolent truth. Age Range: 10+ years
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The novel narrates the “possible” amour of Lady X, which arouses the discussion of local people. Every character has his own view towards this event which even acquires a more vital status than the event itself. The characteristic narration style of Can Xue has imbued the ordinary event with distinct aesthetic connotation.
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Lady Lv Fangshi is born in a family with many siblings. She was not a good-looking girl and no one in her family cared about her. All her family lived in two small and dark rooms with both warmness and horror. As a 21-year-old lady, Lv Fangshi had already met some guys. Zeng Laoliu, the carpet dealer, was quite mysterious to her though he was not the one that excited her most. Is the lifestyle of Lady Lv Fangshi ever possible? We could frequently be face with this kind of question in our daily life.
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The Borderland has narrated the weird life of several strangers in Xiaoshi Town in the border area. Years ago, Liujin’s parents came to Xiaoshi Town in pursuit of love. They found that Xiaoshi Town was a place where everything was invisible rather than visible, and they had gradually discovered the way how the anomalies impacted people’s life. As an adult, Liujin decides to trace the road that her parents had taken in Xiaoshi Town. By virtue of contacts with various people in the borderland who possess unique sensory ability, she even gains some absurd and fantastic perspectives and imaginations towards things in the borderland such as snow mountains, snow leopards, geckos, birds and rocks.
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This fascinating work challenges many of the accepted facts about the concentration camps run by the British during the South African War. The author demonstrates that much of what we have traditionally understood about these camps originates the testimony which was solicited, selected and published by key women activists within Boer proto-nationalist circles. Using detailed archival evidence, she shows that much of the history of the camps results from a deliberate imposition of 'post/memory' - a process by which what was 'remembered' was shaped and reshaped to support the development of a racialised nationalist framework. Many of the camps' occupants died from successive epidemics of measles, typhoid, enteritis and pneumonia rather than deliberate ill-treatment, yet the book shows how mourning for those who died was overridden by state commemorative activities concerned with promoting pan-Boer nationalist aspirations. The innovative and groundbreaking approach of the author invites the reader to step into and explore with her the commemorative sites passed by nationalist land acts, which still powerfully mark the South African landscape. ;
