Spicy Fish Cultural Production Ltd.
Established in 2006 by publishing Fleurs des lettres (字花), a literary bimonthly in Chinese, Spicy Fish is a 15 year-old literary arts non-profit organization based in Hong Kong.
View Rights PortalEstablished in 2006 by publishing Fleurs des lettres (字花), a literary bimonthly in Chinese, Spicy Fish is a 15 year-old literary arts non-profit organization based in Hong Kong.
View Rights PortalKontexte, Blickwinkel, Sichtachsen und Perspektivwechsel Was wir machen Das Internet sollte Zugang zu Wissen organisieren und ist ein Werkzeug zum Austausch von Ideen, Visionen und Lösungen. – Suug Productions kreiert Projekte mit Sinn – und dem Anspruch, die Welt durch neue und ungewöhnliche Kontexte, Blickwinkel, Sichtachsen und Perspektivwechsel zu einem etwas reizvolleren Ort zu machen.
View Rights PortalMogao Grottoes Art in Dunhuang is general reading material about the art of Dunhuang grottoes, and it’s the ingenious work of Mr. Chang Shuhong, the pioneer of Dunhuang Studies in China.
Carefully selected and meticulously compiled, this collection features nearly four hundred artworks from the various stages of Mr. Chang Shuhong's artistic career. It encompasses a wide range of categories, including oil paintings, watercolors, copies, sketches, and more, offering a comprehensive showcase of the distinctive creative characteristics of Mr. Chang Shuhong across different periods and reflecting his artistic journey under different circumstances. Authored by experts from the Dunhuang Academy, the detailed annotations provide valuable insights into the background of each piece, aiding readers in gaining a deeper understanding of the stories behind the artworks and interpreting Dunhuang art.
Carefully selected and meticulously compiled, this collection features nearly four hundred artworks from the various stages of Mr. Chang Shuhong's artistic career. It encompasses a wide range of categories, including oil paintings, watercolors, copies, sketches, and more, offering a comprehensive showcase of the distinctive creative characteristics of Mr. Chang Shuhong across different periods and reflecting his artistic journey under different circumstances. Authored by experts from the Dunhuang Academy, the detailed annotations provide valuable insights into the background of each piece, aiding readers in gaining a deeper understanding of the stories behind the artworks and interpreting Dunhuang art.
The book is divided into several parts, such as the study of Hunan culture, historical stories, Hunan famous characters, folk customs, appreciation of scenery in Hunan, Hunan art and literature, etc., to show Hunan's history, culture and events from different perspectives. The book is supported with theories, historical materials, and also is of interest. It is of positive significance to the advancement of the research and development of Hunan culture.
The book consists of dialogues between Chang Shuhong, the guardian of Dunhuang, and Daisaku Ikeda, a famous Japanese thinker. It contains five chapters, focusing on Dunhuang art and oriental civilization.
As a national-level cultural heritage, bamboo engraving in Baoqing enjoys a great reputation. This book mainly introduces this precious engraving technique from five aspects: history, categories, materials and tools, production process, and artistic features. In the fourth part, methods of engraving in bamboo outer skin, bamboo root, and bamboo reed are the emphasis, which can help you have a clear understanding of the process. Also, through this book, you have the opportunity to enjoy the fine collection of bamboo engraving in Baoqing created by the author and other great masters.
This is a collection of works on the theme of corporate culture. There are four chapters in the book: "Enjoy•Value", "Enjoy•Ecology", "Enjoy•Life", "Enjoy•Culture". The first chapter elaborates the development of Changsha Bank into a big, party building as the soul, management as the foundation, service as the key, love as the beauty, and technology as the first from the three dimensions of management, products and the future. It records the birth and development of Changsha Bank’s products Growth, imaginative business planning, etc.; Chapter 2 shows the steps of Changsha Bank to explore ecological banking, build a financial ecosystem, cross-border brand alliances, openness and win-win, compatibility and inclusiveness; Chapter 3 tells the story of employees' hard work, etc.; The fourth chapter presents the research results of the Changsha Bank’s Corporate Culture Construction Expert Advisory Committee.
On Dunhuang Murals is general reading material about the art of Dunhuang murals, and it’s the ingenious work of Mr. Chang Shuhong, the pioneer of Dunhuang Studies in China.
On Dunhuang Painted Sculptures is general reading material about the art of Dunhuang painted sculptures, and it’s the ingenious work of Mr. Chang Shuhong, the pioneer of Dunhuang Studies in China.
Exhibiting the empire considers how a whole range of cultural products - from paintings, prints, photographs, panoramas and 'popular' texts to ephemera, newspapers and the press, theatre and music, exhibitions, institutions and architecture - were used to record, celebrate and question the development of the British Empire. It represents a significant and original contribution to our understanding of the relationship between culture and empire. Written by leading scholars from a range of disciplinary backgrounds, individual chapters bring fresh perspectives to the interpretation of media, material culture and display, and their interaction with history. Taken together, this collection suggests that the history of empire needs to be, in part at least, a history of display and of reception. This book will be essential reading for scholars and students interested in British history, the history of empire, art history and the history of museums and collecting.
This is a catalogue about an exhibition on cultural relics related to women in ancient China, enhanced by abundant information and high-quality images, covering all aspects of women’s daily lives in the past. Relying on the collections in Nanjing Museum, the book is designed with the theme of “femininity” and “art”. It makes a breakthrough in its idea and form of the exhibition.
Dunhuang, Dunhuang—The Autobiography of Chang Shuhong tells the life of Mr. Chang Shuhong, the guardian of Dunhuang, who devoted all his life to Dunhuang.
Consisting of three volumes, Crucial Ten Years mainly focuses on China urban design, China cultural heritage preservation and museums establishment. The preservation of our cultural heritage has never been this important due to the acceleration of the urbanization process. With his solid experience, Jixiang Shan, the author, has revealed the importance of heritage and museum establishment in a brand new way. This book was sponsored by Chinese government as a national publishing project.
Because of the long-standing Canada-U.S. lumber trade dispute and the current pressure on the world's forests as a renewable energy source, much attention has been directed toward the modelling of international trade in wood products. Two types of trade models are described in this book: one is rooted in economic theory and mathematical programming, and the other consists of two econometric/statistical models--a gravity model rooted in theory and an approach known as GVAR that relies on time series analyses. The purpose of the book is to provide the background theory behind models and facilitate readers in easily constructing their own models to analyse policy questions that they wish to address, whether in forestry or some other sector. Examples in the book are meant to illustrate how models can be used to say something about a variety of issues, including identification of the gains and losses to various players in the North American softwood lumber business, and the potential for redirecting sales of lumber to countries outside the United States. The discussion is expanded to include other products besides lumber, and used to examine, for example, the effects of log export restrictions by one nation on all other forestry jurisdictions, the impacts of climate policies as they relate to the global forest sector, and the impact of oil prices on forest product markets throughout the world. This book will appeal to practising economists and researchers who wish to examine various policies that affect international trade, whether their interest is local or international in scope. Because the book provides the theoretical bases underlying various models, students and practitioners will find this a valuable reference book or supplementary textbook.
Brazil has one of the most significant and productive film industries in Latin America. This ground-breaking study provides an entertaining insight into the Brazilian films that have most captured the imagination of domestic audiences over the years. The recent international success of films such as Central Station and City of God, has stimulated widespread interest in Brazilian film, but studies written in English focus on the 'auteur' cinema of the 1960s. This book focuses on individual films in their socio-historical context, drawing on extensive fieldwork in Brazil and Latin America. It argues that Brazilian cinema has almost always been grounded in intrinsically home-grown cultural forms, dating back to the nineteenth century, such as the Brazilian music-hall, the travelling circus, radio shows, carnival, and, later, comedy television. Combining a chronological structure with groundbreaking research and a lively approach, Popular cinema in Brazil is the ideal introduction to Brazilian cinema.
Cultural Perplexity in Agonized Travel is the salable classic cultural prose of Yu Qiuyu, which was first published in 1992. From then, Yu has painstakingly modified and rewritten this book in subsequent republications during the last 25 years. Cultural Perplexity in Agonized Travel (ultimate revised edition with illustrations), published by Hunan Literature and Art Publishing House, has went through lots of supplement and revise on the basis of the old versions. The most vital revise is deleting the fourth part "Life Journey", adding several significant articles in Mountain Home Notes, and increasing 23 illustrations. This version is examined and approved by Yu Qiuyu himself. Several articles in the book have been selected into the Chinese textbooks of middle school.
The book contains over fifty interviews with artists, curators, and art critics, who talk about their reactions to contemporary events in Ukraine as citizens and as artists. Together with the author, they reflect on creative response of the modern art community to the events in Ukraine during the Revolution of Dignity and the war with Russia (before the full-scale invasion) and the role of art and artists in conflict. The book includes over 100 reproductions of visual works that have been provided by the courtesy of artists, Ukrainian museums, and private galleries.“Artists who record the overstrain of the present leave behind the artifacts for future cultural archaeologists. Socially engaged artists practice art because they understand the urgency of the situation, but even those artists who claim that they do not address the theme of war demonstrate the opposite in their works. It is this zone of conscious and subconscious artistic influence that creates the environment of this book.” — Olesya Gerashchenko (Shambur)
"Never invest beyond theShanhai Pass", as the saying goes.The particular cultural environment and openness make the brain drain in Northeast China extremely serious. However, Miao Qing, a seemingly delicate doctoral student from a famous school, resolutely went northward because she had a personal plan thatwas related to both her father and herself, namely, to design a world-leading large aircraft. Her father once said that just as a poet without imagination must be a lousy poet, a country without advanced aircraft could never escape the fate of a backward country. For this reason, Miao Qing started her career atKunpeng Group, later went to Feiying Company to produce a leading small low-altitude aerial drone, and then sheplayed the leading role in the national G-31 project that designed a stealth supersonic aircraft and made a successful trial flight.
What happens when the elitist space of 'Western' classical music seeks to diversify itself? And what are the social effects worked through diversity discourses in classical music institutions? Sounding difference addresses these concerns by critically examining how diversity work takes shape in a cultural sector so deeply implicated in hierarchies of class, structures of whiteness, and legacies of imperialism. The book draws from ethnographic and interview data to analyse how diversity discourses become constructed in the organisational and creative processes of music production. From rehearsal and performance practices to the impact of the Covid-19 pandemic on the sector's commitment to change, Kolbe reveals the institutional constraints and precarious labour relations that form around diversity work in classical music and skilfully considers what these processes can tell us about the remaking of class, race, and racism today.