Self-Counsel Press
Livres Canada Books
View Rights PortalGAPSK and YLPSK are the standardized test of Chinese language for children from 3 to 15. From the world- renowned Peking University, GAPSK and YLPSK are certified and approved by the Chinese Ministry of Education as language proficiency measuring tool for children . GAPSK, YLPSK could be conducted on site or completely online. Come join over 100,000 students who taken the tests, contact us at info@gapsk.org. Find out more at www.ylpsk.org
View Rights PortalA collection of papers providing comparative and contrasting analyses of the changing characteristics of the countryside within the developed countryside of the UK, USA and Canada. An exploration of the issues of continuity and change associated with the operation of demographic, socio-economic and political processes as they impact upon and reshape the countryside.
Recent years have witnessed an explosion of interest in the 'spatialities of cinema' across the social sciences and humanities, yet to date critical inquiry has tended to explore this issue as a question of the 'city' and the 'urban'. For the first time, leading scholars in geography, film and cultural studies have been drawn together to explore the multiple ways in ideas of cinema and countryside are co-produced: how 'film makes rural' and 'rural makes film'. From the expanse of the American great west to the mountainous landscapes of North Korea, Cinematic countrysides draws on a range of popular and alternative film genres to demonstrate how film texts come to prefigure expectations of rural social space, and how these representations come to shape, and be shaped by, the material and embodied circumstances of 'lived' rural experience. At the heart of this volume's varied apprehensions of the 'cinematic countryside' is a concern to argue that ideas of rurality in film are central to wider questions of 'modernity' and 'tradition', 'self' and 'other', 'nationhood' and 'globalisation', and crucially, ones that are central to an account of the 'cinematic city'.
There are beginnings in literature that encapsulate in a few words the entire conflict and grandeur of a work. Thus begins Los galgos, los galgos: “From my father, I inherited a house, half a field, and some money. I cried a lot over his death, but I can’t say that the inheritance took me by surprise. Sitting in the morning light, toward the end of the wake, I suggested to my brother that I would exchange my house for his part of the field, and as he immediately agreed and I had to sign a lot of papers, I realized I had made a bad deal.” These are the words of Julián, the protagonist and narrator of this novel, which can certainly be read as a story of love and heartbreak, but is so much more: an essay on the erosion of our convictions by time, a subtle commentary on the customs and practices of a class, and the impact of those customs and practices on certain fantasies and dissatisfaction, as well as a representation of the countryside, animals and plants like no other in Argentine literature. First published in 1968, Los galgos, los galgos won the Municipal Literature Prize and is considered a major work within Sara Gallardo’s extraordinary oeuvre. Written in a state of grace, infused with a melancholic sense of fatality but imbued with intelligent and refined humor, this is a novel that leaves an indelible mark, profound admiration, and eternal sorrow.
A fresh anthropological look at a central but neglected topic: the profound changes in rural life throughout Western Europe today. As locals leave for jobs in cities they are replaced by neo-hippies, lifestyle-seekers, eco-activists, and labour migrants from beyond the EU. With detailed ethnographic examples, contributors analyse new modes of living rurally and emerging forms of social organisation. As incomers' dreams come up against residents' realities, they detail the clashes and the cooperations between old and new residents. They make us rethink the rural/urban divide, investigate regionalists' politicisation of rural life and heritage, and reveal how locals use EU monies to prop up or challenge existing hierarchies. They expose the consequences of and reactions to grand EU-restructuring policies, which at times threaten to turn the countryside into a manicured playground for escapee urbanites. This book will appeal to anyone seriously interested in the realities of rural life today.
A considered investigation of a long-standing army base's impact on the British countryside. What is it like to live next door to a British Army base? Beyond the barracks provides an eye-opening account of the sprawling military presence on Salisbury Plain, drawing on a wide range of voices from both sides of the divide. Targeted for expansion under government plans to reorganise the UK's global defence estate, the Salisbury 'super garrison' offers a unique opportunity to explore the impact of the military footprint in a particular place. But this is no ordinary environment: as well as being the world-famous site of Stonehenge, the grasslands of Salisbury Plain are home to rare plants and wildlife. How does the army take responsibility for conserving this unique landscape as it trains young men and women to use lethal weapons? Are its claims that its presence is a positive for the environment anything more than propaganda? Beyond the barracks investigates these questions against the backdrop of a historic landscape inscribed with the legacy of perpetual war.
The author explores answers to these questions: What kind of law can effectively respond to the actual needs to construct a fair and orderly society? With a vast expanse of rural areas different from the urban areas, what should China do to deal with its basic judicial system for the rural society? Just like Mr. Fei Xiaotong, the pioneering sociologist and anthropologist, Professor Su Li stayed in the countryside, studied the rule of law at the grassroots level and solved practical problems, thus making his contribution in law for the grassroots people. This book presents ideas that are quite new and subversive to Chinese intellectuals who are accustomed to the principles of Western jurisprudence, and has aroused heated debate in China’s jurisprudential circle since its publication.
British rural landscapes on film offers insights into how rural areas in Britain have been represented on film, from the silent era, through both world wars, and on into the twenty-first century. It is the first book to exclusively deal with representations of the British countryside on film. The contributors demonstrate that the countryside has provided Britain (and its constituent nations and regions) with a dense range of spaces in which cultural identities have been (and continue to be) worked through. British rural landscapes on film demonstrates that British cinema provides numerous examples of how national identity and the identity of the countryside have been partly constructed through filmic representation, and how British rural films can allow us to further understand the relationship between the cultural identities of specific areas of Britain and the landscapes they inhabit.
As an ordinary woman in the countryside of Hunan, Hu Yuyin makes a fortune via labor work but suffers repeatedly. The novel has reflected the historical process of social changes in rural China by the experience of Hu Yuyin, and deeply disclosed the disaster of “ultra-Left trend of thought”. With the narration of the social customs in the countryside of south China from 1963 to 1979, the novel has exposed the harm of “ultra-Left trend of thought” and highly praised the victory of the route of Third Plenary Session of the 11th Central Committee of the Chinese Communist P
This is an essay collection about the life in the countryside, which contains childhood memory and life documentary. The author lived in the countryside and he played in the field or under the windbreak everyday and met small animals again and again. The author liked to observe them and obtained great imagination after he observe them. That beauty and cozy feeling urges the author to record these animals and interest when he grows up. Hopefully, the readers will follow me to walk into the world of nature and discover the nature, and cherish the nature.
An excellent novel for adolescents written on the basis of the author’s adult novel The Red Tiles. Set against the background in a 1970s countryside in China, a group of adolescents pass through middle school in a house with a red tile roof, and then complete high school in a house with a black tile roof. Under the red tiles and black tiles of this beautiful countryside, they experience the hardships of life and grow up together. This novel can be regarded as the sequel to Straw House .
There are 4 volumes in the series, one volume per quarter and each volume containing six short stories. From the perspective of children, they can experience the beauty of spring, summer, autumn, harvest, winter collection, seasonal scenery, and thousands of ecological beauty. This volume is "Winter". This volume tells that winter was finally arrived and it is soon the time when Nini's parents would pick her up. However, Nini, who has gradually become accustomed to rural life, began to truly fall in love with the four distinct seasons of the countryside. With the arrival of “Dahan”, the last big cold solar term in the twenty-four solar terms, she reluctantly returned to her home in the city with her parents. The charm of nature and the taste of agriculture that countryside life revealed to her has become her eternal precious wealth.
Max moves from the city to the countryside with his parents. He didn’t want to move, and now he is sitting with his phone in a dark bedroom, without helping his parents unpacking his things! They promised him that here, in the countryside, he will get a dog, but he says he doesn’t need one. Suddenly, his phone's screen goes out and he has to look for a charger. He goes down to the courtyard and sees a dog named Rosa. Rosa notices him and immediately runs away. He tries to befriend her, and Rosa runs away again. Max sees Rose`s escape as a challenge. From 5 to 8 years, 4580 words. Rightsholders: hanna.bulhakova@ranok-school.com
Chun Cao is the story of an ordinary woman in the countryside who, apart from hard work, has nothing to be happy about. However, she does have one personality that affects her whole life: unyielding obstinacy. With the dream of living a better life in her heart, she is not reconciled to her destiny. Instead, she struggles with all her might. She marries a man she has chosen for herself, braves the world, goes to work in the city, and establishes her own business. She experiences repeated failures and hardship. From the countryside to the city, from a petty peddler to a cleaning woman and nurse, she struggles, bears hardship, keeps her chin up, and never vents her grievances. Her praiseworthy quality lies in the fact that she wants to be the master of her own destiny. She has thus been labeled as the Chinese “Oshin”. This book, after being introduced to Japan and the United States, has become a textbook for Advanced Chinese at the Ohio State University of the US.
The hottest summer of the century. Four houses lost among the wheat fields. The big ones are locked in the house. Six children, on their bicycles, venture into the burning and abandoned countryside. In the middle of that sea of ears hides a frightening secret, a secret that will change forever the life of one of them, Michele, a 9-year-old boy. The story is set in the torrid summer of 1978, in the countryside of an unidentified southern Italy, but evoked with rare descriptive force. In this landscape dominated by the contrast between the blinding light of the sun and the darkness of the night, Ammaniti alternates, with wise narrative moments, comedy, the world of children's relationships, the language and the burlesque wisdom of children, their tenacity, the strength of friendship and the drama of betrayal. And at the same time he sketches an unforgettable display of adult characters. A novel of self-discovery through the most extreme risk and the need to face it, Io non ho paura becomes a poignant farewell to the age of play and amazement, to the magical energy that makes us fight monsters. And it insinuates itself under the skin of all of us, like a light stab in the chest.
This is a collection of works by writer Zhang Chengzhi. The Black Steed, Rivers of the North, and Golden Pastures included in this collection have already been translated into different languages. The Black Steed, through the life experience of a man leaving and returning to the countryside and through a beautiful but sad love story, reflects the choices of the Mongolian nationality in the conflict between old and new concepts and the struggle and outcry of the new generation of the grassland.
Agroforestry and silvopastoralism are ancient ways of managing forestland that should be encouraged as they increase productivity in the short, medium and long terms (in comparison with forestland), biodiversity (in comparison with farmland) and the sustainability of land (multi-product system). This book addresses important problems that need to be solved by indicating adequate means of managing forestry and grasslands. These problems are related to issues such as the multiple benefits of forests, fire and erosion risk reduction and countryside conservation. This book is based on papers resentedat a conference held in Spain in April 2004.
There are 4 volumes in the series, one volume per quarter and each volume containing six short stories. From the perspective of children, they can experience the beauty of spring, summer, autumn, harvest, winter collection, seasonal scenery, and thousands of ecological beauty. This book is "Autumn". This book tells about the autumn. Nini experienced the change from “Liqiu” (the beginning of autumn) to “Shuangjiang” (the frost season) and felt the joy of the autumn harvest. The influence and enlightenment of countryside life revealed to her the charm of nature and the taste of agriculture.
There are 4 volumes in the series, one volume per quarter and each volume containing six short stories. From the perspective of children, they can experience the beauty of spring, summer, autumn, harvest, winter collection, seasonal scenery, and thousands of ecological beauty. This book is "Spring". It tells about the arrival of spring, Nini was sent to the countryside grandmother’s house, she was first immersed in missing her parents and then gradually started to feel the vitality of the growth of everything on earth. Significant changes in nature awakened her heart to perceive the beauty of nature.
There are 4 volumes in the series, one volume per quarter and each volume containing six short stories. From the perspective of children, they can experience the beauty of spring, summer, autumn, harvest, winter collection, seasonal scenery, and thousands of ecological beauty. This volume is "Summer". This volume tells about the summer. Nini experienced the change of solar terms from “Lixia” (the beginning of summer) to “Dashu” (the great heat) in the countryside: “Xiaoshu” (the small heat) and “Dashu”, frogs and cicadas, and different stages of farming. Nini felt that it was completely different from the urban life.