Narrative Landscape Press Ltd
Narrative Landscape Press is an independent publisher and a provider of publishing services and independent authors in Nigeria.
View Rights PortalNarrative Landscape Press is an independent publisher and a provider of publishing services and independent authors in Nigeria.
View Rights PortalGCA supports the planning, production, distribution, overseas expansion of contents including videos and films, music, publishing, webtoons and animations, games, etc
View Rights PortalThis second edition of Soils for Landscape Development provides a clear, practical and systematic template for specifying landscape soils based on scientific criteria. The soil specifications provide essential information and a universally applicable method for landscape architects and designers, specification writers, landscape contractors and soil supply companies to ensure quality and fit-for-purpose soils. A strong emphasis is placed on reducing environmental impacts by reuse of on-site soil, promoting appropriate minimal soil intervention, and using recycled products. The first edition won the Award of Excellence for Research and Communication in Landscape Architecture at the AILA NSW (Australian Institute of Landscape Architects) Awards in 2014. The authors won a 2nd award for this book through The Australian Institute of Horticulture (AIH) in 2015).
Southern Africa played a varied but vital role in Britain's maritime and imperial stories: it was one of the most intricate pieces in the British imperial strategic jigsaw, and representations of southern African landscape and maritime spaces reflect its multifaceted position. Representing Africa examines the ways in which British travellers, explorers and artists viewed southern Africa in a period of evolving and expanding British interest in the region. Drawing on a wide range of archival sources, contemporary travelogues and visual images, many of which have not previously been published in this context, this book posits landscape as a useful prism through which to view changing British attitudes towards Africa. Richly illustrated, this book will be essential reading for scholars and students interested in British, African, imperial and exploration history, art history, and landscape and environment studies.
The landscape of pre-Conquest England can often be reconstructed in minute detail. Yet this is one of the first attempts at such a project. Here the evidence is examined for the West Midlands - the counties of Worcestershire, Warwickshire and Gloucestershire, much of which formed the Anglo-Saxon kingdom of the Hwicce. Della Hooke reveals the intimate local landscape through the medium of place names, contemporary documents and archaeological evidence. Her detailed picture brings the Anglo-Saxon countryside very much to life. The patterns which emerge in this period go far to explain the nature of later medieval patterns of settlement and field systems, and provide the key to understanding territorial organisation in the region. ;
Landscape Kāsaka is the first prose collection of Li Xiuwen. Most of the works have been written by Li during the turbulent decade among places such as forest and townlet, temple and studio, inn and train and so forth, all of which constitute Li’s Landscape. He has painstakingly recorded the emotion and dignity of ordinary people: doorkeeper and peddler, umbrella mender and tinker, courier and cleaner, real estate broker and sales representative...Also, there are some chapters about traveling and poetry, traditional Chinese opera and day dream. By writing these, Li Xiuwen finally affirms his destiny: as for himself, writing, is not only the faith leading him out of fatigue, but also the Kāsaka during his wandering life.
In recent years landscape and wildlife conservation has attracted increased attention from environmentalists and policy-makers. There have been policies within the European Union aimed at conserving wildlife and landscape in Europe for more than a decade and appraisal of these policies is opportune. A workshop was therefore held at the University of Hohenheim in September 1996 to examine critical issues associated with these policies. This workshop was one of a series, each focusing on a key theme as part of the EU Concerted Action, “Policy measures to control environmental impacts from agriculture”. This book presents a selection of revised papers from this workshop. The overall perspective is an economic one, with several chapters reviewing analytical methods, economic valuation of the benefits of agricultural landscapes and the costs and benefits of wildlife conservation. These are set in the context of the Common Agricultural Policy and environmental policies in the EU. The book represents important reading for agricultural and environmental economists, as well as those concerned with ecology and conservation.
Landscape today is no longer just a cultural aspect, intended as an elitist phenomenon, but emerges as an essential element in the definition and the application of a modern approach in sustainable development. Historical locally adapted distinctive and ingenious combinations of management practices have contributed and continue to contribute tremendously to the biodiversity of the world, resulting not only in outstanding aesthetic beauty, but, in the sustained provision of multiple goods and services, food and livelihood security and quality of life. The development of policies to preserve and manage landscape resources, has to face both the degradation of cultural landscape due to socio-economic development and the need to develop appropriate methods and approaches. This book presents different methodologies developed to analyse, manage and plan landscape resources. It reports recent research findings and case studies from Europe and North America, suggesting also the revision of some orientations and views of the current policies concerning forestry, rural development and nature conservation, often contributing to degrade cultural landscapes.
This book presents a horticultural overview of the main plant families of trees and shrubs from temperate regions that are cultivated in urban and rural landscape schemes. Most of the plants used come from a limited number of plant families and within these families, certain genera contribute very significantly.The largest chapter in the book describes 37 plant families according to their identification, functional use and management in landscape schemes. With this information readers will be able to assess the suitability of species and prepare planting designs for prevailing sites.
For large-scale agroecosystems, patterns of pest population increases (graded increases or abrupt outbreaks) and declines (graded suppression or abrupt crashes) vary considerably and are influenced by factors within crop fields and across broader landscape scales. Better understanding of pest population dynamics and the implications of spatial interactions on the function and development of pest management approaches are the main themes of this important book. The book builds from a 60+ year history of field-based pest management by focusing on the drivers of pest management in large-scale agroecosystems and the landscape-scale processes that affect these drivers and contribute to variation in pest outbreaks and suppression. These drivers include abiotic and biotic influences such as weather, spatial composition and arrangement of landscape elements, and widely applied managed inputs such as planting and crop rotation schedules, crop varietal selection, and land and soil conservation efforts. The book introduces general concepts, opportunities, and challenges of arthropod management in large-scale agroecosystems. Case studies from major field crop-based agroecosystems are used to present research approaches and improve understanding and management of pest and beneficial insects in large-scale agroecosystems. Specific research findings are provided on multi-trophic interactions within the system as influenced by climate, landscape, and other ecological, agricultural, and social/economic components of the agroecosystem. The book concludes with a synthesis of these concepts and prospectus for future research and developments in arthropod management in large-scale, plant-based agroecosystems. The book is essential reading for researchers in applied entomology and ecology and for pest management practitioners.
The book encompasses representative Chinese modern and contemporary poetry, novels, proses, and dramas created by several well-known Chinese writers, like Gong Zizhen, Xu Zhimo, Dai Wangshu, Lu Xun, Lao She, Cao Yu, etc. In this book, each piece of work is presented with author introdcution, analysis of theme and artistic characteristics, and questions to be answered by readers.
What do the alteration of typical characters in Chinese TV series and the sudden rise of reality show say about the great transformation of Chinese society? How does Chinese avant-garde art, a representative of Chinses elite culture, develop following the social and economic reform? What kind of social psychology has been reflected by the burgeoning internet-based grassroots media in China? Answers all lie in this masterpiece edited by Professor Zhou Xian. Observing Chinese social transformation from the unique perspective of visual culture, the book not only portrays a complete landscape of contemporary Chinese visual culture which covers mass culture, avant-garde art, grassroots media, city image, scopic regime and visual technology, but also reveals the interrelationship between visual culture and the social and individual construction since 1970s.
This book brings together for the first time five French directors who have established themselves as among the most exciting and significant working today: Bruno Dumont, Robert Guédiguian, Laurent Cantet, Abdellatif Kechiche, and Claire Denis. Whatever their chosen habitats or shifting terrains, each of these highly distinctive auteurs has developed unique strategies of representation and framing that reflect a profound investment in the geophysical world. The book proposes that we think about cinematographic space in its many different forms simultaneously (screenspace, landscape, narrative space, soundscape, spectatorial space). Through a series of close and original readings of selected films, it posits a new 'space of the cinematic subject'. Accessible and wide-ranging, this volume opens up new areas of critical enquiry in the expanding interdisciplinary field of space studies. It will be of immediate interest to students and researchers working not only in film studies and film philosophy, but also in French/Francophone studies, postcolonial studies, gender and cultural studies. Listen to James S. Williams speaking about his book http://bit.ly/13xCGZN. (Copy and paste the link into your browser) ;
The first in-depth, comprehensive study of Korean cinema offering original insight into the relationships between ideology and the art of cinema from East Asian perspectives. Combines issues of contemporary Korean culture and cinematic representation of the society and people in both North and South Korea. Covers the introduction of motion pictures in 1903, Korean cinema during the Japanese colonial period (1910-45) and the development of North and South Korean cinema up to the 1990s. Introduces the works of Korea's major directors, and analyses the Korean film industry in terms of film production, distribution and reception. Based on this historical analysis, the study investigates ideological constructs in seventeen films, eight from North Korea and nine from South Korea.
The book has a total of 22 chapters and 1.5 million words. It was written by more than 20 experts and scholars in the field of Confucianism. The book has two main lines: Confucianism of famous thinkers in the past and Confucianism of folk beliefs. It integrates and interprets Confucianism of more than two thousand years in a clear way, including thoughts of benevolence, righteousness, etiquette, wisdom, integrity, filial piety, friendship, shame, courage, forgiveness, happiness, natural principles, conscience and etc.
These thirty three drawings by Moshe Kaufman, selected from hundreds of drawings, are the fruition of his sketching trips to the historic and picturesque landscapes of the Holy Land. They reflect the artist’s admiration of the majestic sceneries he has witnessed while touring the various regions of the country. Kaufman's formative years were spent in Jerusalem, where the urban landscapes of the holy city were first absorbed. As a young architecture student in Haifa, he enjoyed many trips to the mountains of the Carmel and the Galilee. In later years, being involved in the planning of the town of Eilat, he had the opportunity to be in close contact with the mountainous desert views of the Negev and the Arava. Moshe Kaufman is a painter and retired architect. His landscapes, in black and white, as well as in color, were exhibited in several successful one-man shows in Israel, Florida, and New York. “...Moshe Kaufman, with only pen and ink on paper, he paints the simple country scenes, and the intensity with which they are felt, make them rise off the page as from the page of the Old Testament. The simple jagged desert tree, with a few bushes and a hill behind them is the stuff with which Moshe Kaufman can make magic.” Bruno Pulmer Poroner “ARTSPEAK” New York “...Kaufman does not copy nature in a realistic style. He rather adopts the impressionist tinge with a personal touch. His drawings consist of mysticism and imagination combined with realism. His expressive landscapes reveal a concealed force of the artist, as well as his inner truth that characterizes him.” “WORLD OF ART” Tel Aviv
Post-photographic research, which explores traces of a traumatic historical event in everyday practices and in contemporary landscape and tests the limits of photography as a medium in trauma representation. The starting point of this project was the personal sense of guilt which accompanies the acts of throwing food away. This feeling is common in contemporary Ukrainian culture and originates in our postmemory - it was imprinted into our generation’s behavioral patterns by the stories of our grandparents - survivors of the man-made famine of 1932-33 in Soviet Ukraine called the Holodomor, which killed millions. The ink prints document the thrown-away food while fragments of found black-and-white photographs of unrecognisable landscapes demonstrate the lack of the famine’s traces in the landscape – unlike many collective traumas which have exact geographic locations and present in the landscape in the form of ‘places of memory’.
Woodblock new year painting is an old handicraft of China, going back thousands of years. People celebrate the Spring Festival by posting up woodblock new year paintings, praying for their good wishes. Chief edited by the contemporary Chinese author, artist, and cultural scholar Feng Jicai, the Representative Works of Chinese Woodblock New Year Paintings is a collection of the masterpieces selected out of over ten thousand woodblock new year paintings. It has two volumes, the Northern and the Southern, from which one can see the differences in the custom of the two regions. The book has received support from scholars and institutions worldwide, among which the Japanese museums' collections of Gusu woodblock new year paintings in the early Qing Dynasty and the Russian museums' collections of late Qing and early Republic China are disclosed to the world for the first time. So the book is not only a historical art collection, but also of high cultural heritage significance.