Books from Ukraine
The Ukrainian Book Institute is a government entity, part of the Ministry of Culture and Information Policy of Ukraine.
View Rights PortalThe Ukrainian Book Institute is a government entity, part of the Ministry of Culture and Information Policy of Ukraine.
View Rights PortalCírculo de Poesía is a publishing group specialized in poetry with three publishing houses. In addition we publish the most widespread digital poetry magazine in the entire Spanish language world to share poems and information about books and authors with more than 12,000,000 readers (https://circulodepoesia.com/) We have built an extensive distribution and advertising networks specialized in poetry books.
View Rights PortalWhen reading this book, Taras Shevchenko's admirers will sincerely empathise with the poet, make unexpected biographical discoveries and enjoy his art and his quirky sense of humour. Non-fans, whose dislike for the Ukrainian genius stems from the Soviet rendering which still dominates the school curricula, have a chance to see a different Shevchenko. The book shows the great poet in situations that destroy his stereotypical image that was cultivated over the years. Last but not least, a thoughtful reader will be able to see that Russia in the times of Nikolas I is not too different from today's Russia and that the challenges Ukrainians faced in the mid-19th century repeat in the 21st century.
The twentieth century was a time for the brightest and daring ways of expressing themselves in creativity. It was a time to experiment with form and content, and the historical revolution was reflected in the texts of writers and poets. How Ukrainian poets saw this time and how they felt will be clearly shown by the Anthology of Ukrainian Poetry of the Twentieth Century. From Tychyna to Zhadan. Thanks to this book, the reader will find the already known works by Dmytro Pavlychko, Vasyl‘ Stus, Lina Kostenko, and get acquainted with the work of those who became famous at the end of the century — Yuriy Izdryk, Oleksiy Zhupanskiy, Serhiy Zhadan, Galyna Kruk. You may also meet and come to love other talented names. Ivan Malkovych gathered everyone under one cover and became the compiler of this collection himself, a poet, publisher and owner of the publishing house "A-ba-ba-ha-la-ma-ha".
The book contains the memories of military chaplains of various denominations who, since the beginning of the war in the east of Ukraine, performed pastoral care among Ukrainian soldiers.
The Frontline presents a selection of essays drawn together for the first time to form a companion volume to Plokhy’s The Gates of Europe and Chernobyl. Here he expands upon his analysis in earlier works of key events in Ukrainian history, including Ukraine’s complex relations with Russia and the West, the burden of tragedies such as the Holodomor and World War II, the impact of the Chernobyl nuclear disaster, and Ukraine’s contribution to the collapse of the Soviet Union. Juxtaposing Ukraine’s history to the contemporary politics of memory, this volume provides a multidimensional image of a country that continues to make headlines around the world. Eloquent in style and comprehensive in approach, the essays collected here reveal the roots of the ongoing political, cultural, and military conflict in Ukraine, the largest country in Europe.
Ukrainian literature of the 19th century was far more exciting and diverse than one might imagine. Mykhailo Nazarenko's anthology contains one hundred and fifty texts that are not known or very little known to the modern reader (some of them are reprinted for the first time after 150 years of oblivion). These texts help to understand Ukrainian literary movement in a wider context. The compilation starts with the "The Song of the Black Sea Army" by Anton Golovaty. This novel precedes the famous "Aeneid" and marks the beginning of the printed literature "in the contemporary Ukrainian language". "It is not time..." by Ivan Franko is the last one in the compilation and describes further evolution of the independent Ukrainian literary word. The compilation also contains fifty essays about each of the authors: why did they write in a particular that way and about what? Why did some turn out to be forgotten, while others are remembered for their works?
In recent years, Donbas has been at the epicenter of a heated public discussion. This book is a comprehensive study of the historical experience of the Donetsk and Luhansk regions. It highlights several problems of rapid social and economic growth and painful stagnation, powerful migration processes and the multi-ethnic population structure and, as a result, an unstructured identity and short historical memory. The authors explore the origins of the Soviet mythologemes of the "people of Donbas”, “All-Union stokehold”, “melting pot”, which have been influencing the formation of the consciousness of the region’s population and the collective image of the Ukrainian Donbas for a long time. This book presents a detailed analysis of the events of the Russian-Ukrainian war, the factors that preceded the creation of quasi-states, as well as possible ways and tools to overcome the social and cultural consequences of the military conflict.
Borys Khersonskyi is a famous poet, essayist, and translator, laureate of many international awards. Bow to a Tree is a collection of the author’s poems in Ukrainian, his auto-translations, and verses translated by Serhiy Zhadan, Volodymyr Tymchuk, and Oleh Honcharenko. The author travels through his poems from the most ancient times to the birth of Christ, the starting point of the hope revival through redemption. From the Soviet regime, he lived under to the present - a time full of pain, loss, war, and all the same faith and hope.
The transformation of a mental Ukraine into a real Ukraine, people - into a nation, a territory – into a state is a semantic axis of this trilogy. Book 1. Ukraine and Ukrainians in 1917-1939 The first book is devoted to the interwar period – a key stage of ethnic modernization and mobilization of Ukrainians, the culmination of the Ukrainian Revolution, and the battle for Ukraine in the context of the First World War. Book 2. Between World War II and the Cold War: Wars in the Destiny of Ukraine The second book tells about Ukrainians in the Second World War, after which the Ukrainian lands were united within one state, and in the Cold War, which made possible the sovereignty of Ukraine. Book 3. 30 Years of Independence: Challenges, Trials, Answers The third book is dedicated to the period of Ukrainian Independence and summarizes the thirty years of Ukrainian post-totalitarian transit. Contradictions of internal development, geopolitical challenges, three modern Ukrainian revolutions, and the Russian-Ukrainian war are the focus of understanding the path of Ukraine and Ukrainians in the global world.
In 2014, the Russian army, with support from local militants, had occupied parts of Ukraine’s two easternmost regions, the regions that were the beating industrial heart of the socialist utopia in the Soviet era, and where coal extraction has exhausted both the human population and the natural resources. The regions have suffered from the post-Soviet chaos for decades. In the late 2016, the author set out on a research trip to the East to answer the common questions of those who’ve never been to the region. He takes his readers on a complicated, painful and hopeful trip across the Ukrainian East, guiding them through conversations with the locals, archival research, and conversations with prominent cultural fi gures like writer Serhij Zhadan or released after 700 days of terrorist captivity historian Ihor Kozlovskyi that were born in the region. The readers will meet the miners, the Belgian and British investors who founded the eastern cities, the priceless coal, events of the First and Second World War, the bloody Soviet history, the activists who are now working to improve the country, and sweet memories of the lost paradise.
Borys Khersonsky is one of Ukraine's leading Russian-speaking poets, winner of numerous international awards. In recent years Khersonsky has written not only in Russian language but also in Ukrainian language as well translated his Russian-language poems into Ukrainian. The collection "There was no Stalin" includes both new poems written in Ukrainian and self-translations from Russian poems made in 2016 and 2017. The themes and stylistics of the poems are typical for the author - surrealist attempts to comprehend the history of totalitarianism, "biographical lyrics", essays on the life in the 50s and 60s of the 20s century. The poems are intertwined with the parallels made to the Middle Ages and biblical motifs. The attentive reader will also find reviews of classical examples of Ukrainian poetry.
The Rules of Ukrainian Cooking (Cook in Sorrow) is a guide to Ukrainian cuisine written in an entertaining style of ironic ethnography. It is structured into thirty “recipes”, each exploring one aspect of the Ukrainian culinary tradition. From cooking Borsch (which is never perfect) to brewing homemade wine and hosting guests, the book provides an entertaining account of probably the most cherished aspect of Ukrainian culture. The Ultimate Guide to Ukrainian Cooking puts Ukrainian dishes in social context, offering readers insights about complicated relationship of Ukrainians with cooking, eating, their relatives and even uncovers true love to famous Kherson tomatoes, now under the Russian occupation. The book is beautifully designed and illustrated by a cohort of Ukrainian artists, who represent some of the most prominent names in Ukrainian contemporary book design.
The monograph "Ukrainian nobility from the end of XIV to the middle of XVII centuries. Volyn and Central Ukraine" by doctor of history, professor Nataliya Yakovenko is dedicated to the history of elites in Ukraine as a part of Grand Duchy of Lithuania and Polish Crown. The author examines the formation of different groups and princely elites of the united "noble people" as well as its development during the two ages from the joining of its lands to the GDL and to the Cossack revolution of 1648. An origin and social structure, legal and property status, as well as personal and numerical strength of Ukrainian nobility are the main objects of the author's research. The first edition of the book, written at the end of 1980th, was published in 1993.This researh immediately became a bestseller and bibliographic rarity as it inspired a range of further fruitful scientific studies by Ukrainian and foreign historians in the same field. The new edition has been fundamentally revised and updated.
Called “the most influential Ukrainian book since independence,” Oksana Zabuzhko’s Fieldwork in Ukrainian Sex became an international phenomenon when it shot to number one on the Ukrainian bestseller list and remained there throughout the 1990s. The sexual odyssey of the artist and poetess, unfolding in Ukraine and America at the end of the 20th century, turns into a true medieval mystery in which the heroine goes through the circles of recent Ukrainian history to meet the Devil face to face.
The work of the famous American-Ukrainian Slavologist and Ukrainian scholar Hryhoriy Hrabovych interprets the history of Ukrainian literature in several main ways: theoretical, comparative, immanent and historiographical. The book includes his studies, essays, and polemics written over the years. They were mainly produced in times of a sharp confrontation between official Soviet and Western approaches to literary studies. Today, after Ukraine gained its independence, there is an urgent need for a thorough reassessment of various scientific traditions and paradigms as well as a review of the canon of Ukrainian literature, its histography and methodology. The vast majority of these works were published in English or in sources unavailable for the Ukrainian reader, including specialist researchers. This edition can significantly reorient our understanding of the history of Ukrainian literature and enable a rethinking of Ukrainian cultural and intellectual processes.
The publication is an anthology of rear and previously unpublished texts written by thirty-four representatives of the Ukrainian avant-garde: artists who act as critics and scientists; art critics acting as analysts and conceptualists; poets and writers who act as creators and analysts of contemporary artistic forms. The reader receives a thematic, personal, and philosophical variety of views on the creative "systematisation" of the artistic form in Ukrainian visual art of the 1910s-1930s. The reader is put amidst the creative disputes, the struggle of ambitions and the agreements on methodologies, a kaleidoscope of multidirectional search for artistic truth and seclusion in the social inevitability of historical events The genre of the texts vary. From a didactic nature of journalistic essays to the sharpness of manifestos and sometimes angry desperation of discussions — forms a stereoscopic sketch of trends and groups of that time in all the complexity, inconsistency, and therefore poignancy of the proclaimed positions.
Our team continues to study Ukraine, the results of which we share with you. This book is a story of the Ukrainian land, told by the Ukrainian people and filmed by the Ukraїner team. It was not enough to travel around all regions of Ukraine just one time to get to know it. Therefore, during 2019-2021, we drove the second expedition circle and brought even more stories about our incredible country and its inhabitants. Like all Ukraїner materials, these are stories of real people and the places they take care of, with dialogues and without directing. Traveling around the country, we want to capture it for every Ukrainian and for the whole world. And with the beginning of the annexation war started by Russia, this book has another important goal: to show Ukraine as it was before February 24, to keep it in our memory so that after the victory it could be rebuilt, and made even better.
This book is the first detailed look at the contribution of artists from Ukraine to the phenomenon known as the School of Paris. Many Ukrainian artists, such as Alexander Archipenko, Mykhailo Boichuk, Sonia Delaunay, Sophia Lewitska, Vladimir Baranoff-Rossiné, and Hannah Orloff were living and working in Paris at the same time as Picasso, Modigliani and Chagall. In the early 1920s they were joined by Oleksa Hryshchenko (Alexis Gritchenko), Mykhailo Andriienko, Vasyl Khmeliuk, and many others. Some of these artists achieved fame, others are long since forgotten. The book also tells about Ukrainian events that unfolded in the French capital between 1900-1939. The book's Appendix includes a list of over 250 Ukrainian artists in Paris as well as a chronology of Ukrainian events in Paris.
Znak. Ukrainian Trademarks 1960—1980 is research by U, N, A collective (Uliana Bychenkova, Nika Kudinova, Aliona Solomadina) on the history of Ukrainian graphic design, in particular, on the area of corporate identity during the period of Thaw, Stagnation, and Perestroyka. Visual and textual narratives coexist in the book, as this type of material needs not only visual but also textual support. They address the given subject in the wider chronological order: from the 20th century avant-garde to the present. Most importantly, the publication focuses on the Kharkiv school of industrial graphics and the accomplishments of Volodymyr Pobiedin. The publication displays archive materials, identifies the names, describes the processes and highlights the influences in Ukrainian graphic design in the local and global contexts.
The first and the most diverse edition of the selected works of the famous poet, laureate of the Shevchenko National Literary Prize of Ukraine collected under the title “The Window that Flies”. It includes all the best that was written by the author on the eve of his sixtieth birthday. The ancient world of native mythology and fairy tales comes to life in the work of the most prominent post-sixties poet Vasyl Holoborodko. Probably, this search for something nationally specific, which stretched on for years continues to this day.
The phenomenon of the Ukrainian avant-garde was first revealed to the Western world in 1973 at the "Tatlin's dream" London exhibition where for the first time, world-class paintings by little known Ukrainian avant-garde artists Vasyl Yermylov and Oleksandr Bohomazov were exhibited. This famous show raised awareness also of other world-famous masters who, by origin, upbringing, self identification, and national traditions were associated with Kyiv, Kharkiv, Lviv, and Odesa. Apart from the above-mentioned artists, the book mentions “the most faithful son of Ukraine” Davyd Burliuk, as well as Kazymyr Malevych, a Pole who considered himself Ukrainian; Volodymyr Tatlin, a professor of Kyiv Art Institute and bandura player; Oleksandra Ekster, a founder of the Ukrainian school of constructivist scenography; artists of the "Culture League"; Oleksandr Arkhypenko, a phenomenal sculptor. Supplemented with extensive cultural studies and personal memories of the author, the book is designed to present the reader with a complete picture of the origins and formation of the Ukrainian artistic avant-garde. Compiled by Oleksiy Sinchenko.