Kontexte, Blickwinkel, Sichtachsen und Perspektivwechsel Was wir machen Das Internet sollte Zugang zu Wissen organisieren und ist ein Werkzeug zum Austausch von Ideen, Visionen und Lösungen. – Suug Productions kreiert Projekte mit Sinn – und dem Anspruch, die Welt durch neue und ungewöhnliche Kontexte, Blickwinkel, Sichtachsen und Perspektivwechsel zu einem etwas reizvolleren Ort zu machen.
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Prometheus Publishers is a Dutch publisher that publishes a wide variety of quality fiction and non-fiction titles. Prometheus’s catalogue balances established talents with new voices that we introduce into the literary market. Amongst our fiction authors are renowned Dutch-language authors such as Connie Palmen, Griet Op de Beeck, Tom Lanoye, Tim Krabbé, and Esther Verhoef. Prometheus also publishes the Dutch translations of great international voices like Umberto Eco, Sandro Veronesi, Margaret Atwood, and Zadie Smith. Our non-fiction catalogue is filled with experts from across the scientific spectrum. Ranging from history to psychology and from physics to literary studies, Prometheus offers exciting new insights into a wide range of disciplines. Prometheus also publishes a philosophical series with musings on subjects that are relevant to our society today.
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Aus dem Englischen von Alice Jakubeit
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Bitte überprüfen Sie bei Ihrer Anfrage, ob die gewählte Übersetzung von dem/der hier genannten Übersetzer/in erstellt worden ist.
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New, up-to-date bibliography which should give this edition another twenty years of life.. Excellent, scholarly introduction which focusses on the values and social relevance of the poem.. Explanatory notes drawing on archaeological sources.. Prose translation. ;
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The book consisting of two volumes is a prose collection of Zhang Qiusheng's childhood autobiography. The author sincerely shares with the readers his childhood life and writing experience. There are dilemmas and self-help in childhood, happiness and impressiveness obtained from reading and writing, the feeling of being broad-minded and delightful after traveling on a long and arduous journey, and poetry and leisure in life. This is a collection of beautiful prose that enables readers to gain positive power.
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Two sisters living in two different cities, one in Port Harcourt, Nigeria and the other in Saskatoon, Canada have big announcements to make to their parents about marriage and finding love. While the older sister, Mondi appeared unsure of where she stood between convention and what she desired, her younger sister Yola was all set for an extreme adventure that threatened to tear their family apart.
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This essay collection deserves careful reading. It is a book of heart-to- heart talk. Ye Zhaoyan’s prose is free and approachable, just like talking with an old friend when you read them. He can observe the desolation and warmth of human nature and see clearly the pain and goodness of the world. With this book to accompany, one is not alone in the hard times.
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This book selects 32 pieces of prose written by Liang Heng from 1996 to 2011, and the main content is the comment and reflection on historical figures including Mao Zedong, Zhou Enlai, Peng Dehuai, Zhang Wentian, Qu Qiubai, Fang Zhimin, Deng Xiaoping, Zhuge Liang, Tao Yuanming, Han Yu, Fan Zhongyan, Wen Tianxiang, Liu Yong, Li Qingzhao , Lin Zexu, Wang Luobin, Ji Xianlin, Zhao Puchu, Wu Wenji and other celebrities.
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A collection of personal essays by the writer Liu Kebang. It is divided into six series: fleeting years, beautiful landscape, spiritual light, fresh memory, taste of life, and a sense of reading. A total of 40 articles, about 200,000 words. Each article can be touched with affection, and sincerity, integrity and kindness are revealed between the lines. The author has served in public office for many years. He has been working hard on history, reading people, and walking through the mountains and rivers. As he said in the acceptance speech of the 6th Bingxin Prose Award: "Everyone's life is a heavy and solid collection of essays. "; Just as Wang Yuewen's preface said in the manuscript of this book: "Akacheng is a native of Chicheng, and Pu Houqiwen". Purifying the soul, cultivating temperament, and conveying truth, goodness and beauty in prose. The manuscript of this book has a certain literary value.
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The book encompasses representative Chinese modern and contemporary poetry, novels, proses, and dramas created by several well-known Chinese writers, like Gong Zizhen, Xu Zhimo, Dai Wangshu, Lu Xun, Lao She, Cao Yu, etc. In this book, each piece of work is presented with author introdcution, analysis of theme and artistic characteristics, and questions to be answered by readers.
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The book provides a poetic portrayal of plants, animals, wind, nights, moon and dream in a village from the angle of 'an idle person', who only regards sunrise and sunset, the blooming and fading of flowers as big things and feels the dignity of everything in the world in a free and natural living situation, instead of being busy with spring sowing and autumn harvest. All the gazing and touching of everything in the world as well as dialogue with them fill the book with vitality and spirituality. It becomes a modern classic allowing people to get rid of the noisy social life and return to natural living situation. The prose collection A Village of One’s Own has great popularity all over China. It has been perceived as a must-read for those who want to experience the culture and tradition of Chinese rural scenery and life. From the perspective of an “idle person”, the author poetically depicts the woods, animals, winds, nights, moonlight, and dreams in this village. This “idle man” subordinates sowing and harvesting to observing the sun’s rising and setting, as well as the flowers’ booming and withering.He indulges himself in a natural way of living to feel the dignity of the universe. He lies down on the broad fields, listening attentively to the hum of insects, and smiles at a flower in this desolate place. He finds out the donkeys that push carts and work for human beings are sophisticated intellectuals, and the rats that are busy collecting foods may also joyously celebrate their gains...All these stares into, touches upon, and conversations with every living thing on the earth have breathed life into the book, hence rid this contemporary classic of chaos of the secular society, but let it embrace a natural way to survive and thrive.
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Co-published with Springer, An Anthology of the Twentieth Century Chinese Literature is a major Chinese Literature Going-Out Project. It is funded by the State General administration of Press,Publication, Radio, Film and Television(SGAPPRFT) in China. The anthology contains six volumes: Novels, Novelettes and Short Stories, Poetry, Drama, Prose and Literary Theory Criticism. In this anthology, there are well-chosen representative works written by leading Chinese authors or literature theory critics in the 20th century, including dozens of Chinese literary masters such as Lu Xun, Mao Dun, Ba Jin, Lao She, Shen Congwen and Qian Zhongshu. This anthology is aimed at systematically introducing the overall perspective of Chinese literary creation and theoretical criticism in the 20th century, promoting the development of Chinese literature to the whole world. It is comparable to The Norton Anthology of World Literature and The Longman Anthology of World Literature.
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A lone bird hungry for magic pecks at alphabet shapes. It looks through glass windows of book stores and glances at the t-shirts of pedestrians with the hope of solving the mystery hidden behind those letters. Soon, the words become familiar and the bird determinedly starts collecting scraps of paper to build a nest, wanting to hatch its ideas with warmth and nurture them through potential and free imagination. The unusual combination of Ken Spillman’s simple yet eloquent prose and Malavika PC’s inspired images combine in perfect harmony to express the powerful story of The Magic Bird. The bird reminds the reader of the extraordinary components which create something as ordinary as language, and the value of spreading our wings to take stories to others.
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Aadya looks just like her mother (Aai)—same little nose, same delicate ears, same big eyes, and identical thick, long hair. But one day, Aai goes away to a big hospital with a promise to return before Aadya learns her next Math lesson. The long-awaited return shocks Aadya because now her mother looks completely unlike her. She wonders if Aai will ever greet her with her usual, cheery, ‘Hello! Mini-me.’ Or will Aadya have to take matters into her own hands just to hear that again?With lyrical prose and a tender touch, Aai and I is an empowering story of the bond between a mother and a daughter, and of the little one finding her own identity as she finds herself no longer 'looking' the same as her mother. Mamta Nainy captures with elan Aadya’s innocence, impatience, and dilemma, and Sanket Pethkar’s vibrant, gorgeous artwork brings to life a typical Indian household in the state of Maharashtra.
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Adopting the story-within-a-story structure of Arabian Nights, author Osama Alaysa weaves together a collection of stories portraying centuries of oppression endured by the Palestinian people. This remarkable novel eloquently brings together fictional characters alongside real-life historical figures in a complex portrayal of Bethlehem and the Dheisheh Refugee Camp in the West Bank. The common thread connecting each tale is madness, in all its manifestations. Psychological madness, in the sense of clinical mental illnesses such as schizophrenia, finds expression alongside acts of social and political madness. Together, these accounts of individuals and communities provide a gateway into the histories of the city of Bethlehem and Palestine. They paint a picture of the centuries of political oppression that the Palestinian people have endured, from the days of the Ottoman Empire to the years following the Oslo Accords, and all the way to 2012 (when the novel was written). The novel is divided into three sections, each containing multiple narratives. The first section, “The Book of a Genesis,” describes the physical spaces and origins of Bethlehem and Dheisheh Refugee Camp. These stories span the 19th and 20th centuries, transitioning smoothly from one tale to another to offer an intricate interpretation of the identity of these places. The second section, “The Book of the People Without a Book”, follows parallel narratives of the lives of the patients in a psychiatric hospital in Bethlehem, the mad men and women roaming the streets of the city, and those imprisoned by the Israeli authorities. All suffer abuse, but they also reaffirm their humanity through the relationships, romantic and otherwise, that they form. The third and final section, “An Ephemeral Book,” follows individuals—Palestinian and non-Palestinian—who are afflicted by madness following the Oslo Accords in 1993. These stories give voice to the perspectives of the long-marginalized Palestinian population, narrating the loss of land and the accompanying loss of sanity in the decades of despair and violence that followed the Nakba, the 1948 eviction of some 700,000 Palestinians from their homes. The novel’s mad characters—politicians, presidents, doctors, intellectuals, ordinary people and, yes, Dheisheh and Bethlehem themselves—burst out of their narrative threads, flowing from one story into the next. Alaysa’s crisp, lucid prose and deft storytelling chart a clear path through the chaos with dark humor and wit. The result is an important contribution to fiction on the Palestinian crisis that approaches the Palestinians, madness, and Palestinian spaces with compassion and depth.
