Linwood Messina Literary Agency is a boutique agency based in Paris representing rights on behalf of French and English language publishers, agencies and authors. Our list is quite diverse covering mostly every genre except for SF and children's books.
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This volume proposes new insights into the uses of classical mythology by Shakespeare and his contemporaries, focusing on interweaving processes in early modern appropriations of myth. Its 11 essays show how early modern writing intertwines diverse myths and plays with variant versions of individual myths that derive from multiple classical sources, as well as medieval, Tudor and early modern retellings and translations. Works discussed include poems and plays by William Shakespeare, Christopher Marlowe and others. Essays concentrate on specific plays including The Merchant of Venice and Dido Queen of Carthage, tracing interactions between myths, chronicles, the Bible and contemporary genres. Mythological figures are considered to demonstrate how the weaving together of sources deconstructs gendered representations. New meanings emerge from these readings, which open up methodological perspectives on multi-textuality, artistic appropriation and cultural hybridity.
Eagle, grasshopper, jaguar, butterfly, dog, monkey, feathered serpent, all these animals, real or mythological, tiny or majestic, carry a message. Forty works drawn with pen or brush have a dialogue with the texts of Elisabeth Foch, By taking us to a journey through the museums of Anthropology, the Templo Mayor in Mexico and the collections of the musée du quai Branly in Paris, this book takes us into the world of an ancient Mexico.
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The twin towers of the World Trade Center were blown up on behalf of the US government. Vapour trails in the sky contain chemicals that cause disease. The moon landing never took place; it was staged in a studio. Many people believe in conspiracy theories: supporting evidence can seem plausible, until you look closely. To refute conspiracy theories often requires scientific and technical knowledge. Dr. Holm Gero Hümmler has precisely this sort of knowledge, and he is able to communicate it clearly for laypeople. In his book “Conspiracy Myths” he provides guidelines on how to deal with questionable facts. He gives valuable tips for personal research and shows how to deconstruct well-known conspiracy theories – from 9-11 to the “earthquake machine” HAARP, to chemtrails and “Nazi UFOs”. Sometimes, refutation is easy: you only need a sand pit and game pieces ...
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The adventures of Odysseus are not just a classic literary epic but also shine a light on intriguing questions for geography, archaeology and biology. Phenomena like the Cyclops and magic potions were only understood in recent decades thanks to phytochemical and pharmacological research that enabled new insights into the effect of plant substances on the mind and body. Monika Niehaus and Michael Wink embark on an enjoyable excursion in their book on a scientific foray for knowledge – from ancient myths to medieval drug excesses and the world of comics.
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The book analyses more than 20 Russian myths fabricated to legitimise the annexation of Crimea. The annexation of the Ukrainian peninsular of Crimea by Russia in 2014 caused the largest political crisis in Europe since the Second World War. It also gave rise to the unprecedented growth of propaganda to justify the aggressive policy of the Russian Federation in the eyes of the world. Is Crimea really an original Russian land? Is it true that the Crimean Tatars are all traitors? Was the peninsula really integrated into Ukraine illegally? And what, after all, were the events of February–March 2014–the illegal occupation of the foreign territory or the “restoration of historical justice”?
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Six stories to make young and old travel through history, the imaginations of Africa. The myth of Shango, the legend of the buffalo woman, the legend of the mother of the Tuaregs, the story of King Agokoli, then that of the Amazons of Dahomey and finally that of the Ablafo
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This collection draws together original scholarship from international contributors on a range of aspects of professional and semi-professional medical work and its relations to British culture. It combines a diverse spectrum of scholarly approaches, from medical history to book history, exploring literary and scientific texts, such as satiric poetry, essays, anatomies, advertisements, and the novel, to shed light on the mythologisation and transmission of medical (mis)information through literature and popular culture. It analyses the persuasive and sometimes deceptive means by which myths, as well as information and beliefs, about medicine and the medical professions proliferated in English literary culture of this period, from early eighteenth-century household remedies to the late nineteenth-century concerns with vaccination that are still relevant today.
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Colonial war played a vital part in transforming the reputation of the military and placing it on a standing equal to that of the navy. The book is concerned with the interactive culture of colonial warfare, with the representation of the military in popular media at home, and how these images affected attitudes towards war itself and wider intellectual and institutional forces. It sets out to relate the changing image of the military to these fundamental facts. For the dominant people they were an atavistic form of war, shorn of guilt by Social Darwinian and racial ideas, and rendered less dangerous by the increasing technological gap between Europe and the world. Attempts to justify and understand war were naturally important to dominant people, for the extension of imperial power was seldom a peaceful process. The entertainment value of war in the British imperial experience does seem to have taken new and more intensive forms from roughly the middle of the nineteenth century. Themes such as the delusive seduction of martial music, the sketch of the music hall song, powerful mythic texts of popular imperialism, and heroic myths of empire are discussed extensively. The first important British war correspondent was William Howard Russell (1820-1907) of The Times, in the Crimea. The 1870s saw a dramatic change in the representation of the officer in British battle painting. Up to that point it was the officer's courage, tactical wisdom and social prestige that were put on display.
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Myth Made ManifestOver 4000 years ago in ancient Sumer, some of the first mythographers inscribed the stories and myths of the Goddess Inanna on clay tablets in cuneiform. These incredible findings were unearthed, and the fragments were painstakingly pieced together and translated. What they discovered were the ways Inanna was heralded as a goddess who embodies polarities: impatient and deliberate, an attentive lover and fierce warrior, connected to fertility as well as death-making her an accessible, relatable, and inspiring representation of the Divine Feminine as she stands in her power and multidimensionality. The Way of Inanna is a field guide to heart-centered living through the wisdom of the Sumerian Goddess of Love. Each chapter deconstructs sacred narratives in which the Goddess navigates the seven gates of her soul's journey from awakening to ascension. More than a simple retelling, the book is myth made manifest in which Inanna becomes a means to accessing our own ascension and alchemical magic within our modern, contemporary context.
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Kuafu Chased the Sun recounts ancient myths by children's literature writer Zhou Jing and contemporary painter Ye Xiong, the latter recarving stories and characters in the style of Chinese ink painting. The integration of the poetry of the text and the richness of the paintings is a wonderful interpretation of ancient myths, expressing the unique Chinese charm and Chinese spirit. Kuafu Chased the Sun is a classic Chinese myth that every child should know. In this book, Kuafu is brave and fearless, passionately loving nature from his heart, and devotes all his energy to pursuing his dreams, and finally gains lightness and happiness like never before. Through the interpretation of the author and the painter, the story became vivid on the paper.
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In recent years there has been a significant growth in interest of the so-called "law in context" extending legal studies beyond black letter law. This book looks at the relationship between statute law and legal practice. It examines how law is applied in reality and more precisely how law is perceived by the general public in contrast to the legal profession. The authors look at a number of themes that are central to examining ways in which myths about law are formed, and how there is inevitably a constitutive power aspect to this myth making. At the same time they explore to what extent law itself creates and sustains myths. The book will be of general interest to a number of different disciplines such as legal theory, general law, criminology and sociology.
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The book by Ivan and Marta Dzyuba consists of texts (memoir essays, articles and interviews) that comment on the life and work of Serhiy Paradzhanov, one of the most outstanding and original artists of Ukraine and the world. His image is made up of myths and mythologemes, mostly created by Paradzhanov himself. The authors of the book expand this image by supplementing it with details of everyday life, visualisations and conceptual interpretations of the filmmakers’ actions, in both everyday and artistic life. This book also gives the reader an idea of how Parajanov's artistic universe was formed, how he transitioned from a film director who worked with the myths of communist ideology to an artist who spoke the language of national mythologies in avant-garde and surprisingly modern way.
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This volume illustrates the cultural characteristics of Chinese food, Chinese cooking, food-related myths and legends, food and worship, food and celebrities, and literature.
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Pangu Creats Heaven and Earth was recounted by children's literature writer Zhou Jing and contemporary painter Yang Hongfu, the latter recarving stories and characters in the style of Chinese painting. The integration of the poetry of the text and the richness of the painting is a wonderful interpretation of ancient myths, which expresses the unique Chinese charm and Chinese spirit. Pangu Creates Heaven and Earth is an essential story that must be mentioned in ancient Chinese myths. It describes how the ancient ancestors of Chinese think on the origin of our universe. This book tells the story of how Pangu creates the heaven and earth, focusing on the exploration of Pangu's inner world and description of Pangu's psychological activities. It showed the courage and strength of Pangu, and endowed the founding image of Pangu with heroic temperament and arduous spirit.
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Nüwa Repairs the Heaven was recounted by children's literature writer Zhou Jing and contemporary painter Ye Xiong, the latter recarving stories and characters in the style of Chinese painting. The integration of the poetry of the text and the richness of the painting is a wonderful interpretation of ancient myths, which expresses the unique Chinese charm and Chinese spirit. Nu Wa Repairs the Heaven is a classic story in ancient Chinese mythology. It contains philosophical questions of how human beings examined themselves and thought about their origins. It is a famous piece of myths passed over generation by generation via words of mouth. Through the writer's new narrative, this book boldly breaks through the tradition but does not lose sight of it. It uses poetic words to describe the tranquility and beauty of the world in its initial stage, and makes the female figure more delicate and fuller in the book.
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The Classic of Mountains and Rivers, also known as Shan Hai Jing, has been regarded as a "strange book" since its appearance in China pre-Qin Dynasty. On the basis of its title, most people would assume that it is a survey record of ancient geography, but its descriptions of the "mountains and rivers" include encyclopedic entries—such as animals, plants, minerals, religion, history, medicine, customs, and ethnic groups. Also, it gives accounts of many folk legends of mythic geography, monsters, and witchcraft. No matter labeled as a book of geography, a book of history, or a book of strange stories, it is a Chinese ancient classic that deserves to be read over and over again. But as a book compiled about 2,500 to 3,000 years ago, its context and words are difficult to understand for modern readers. The Classic of Mountains and Rivers for Teenagers series is just designed to make this classic more understandable and readable. It illustrates the most essential parts of the Classic of Mountains and Rivers with simple words, animated illustrations, and interdisciplinary approaches, and introduces young readers to the understandings of Chinese ancestors on land and nature. Not only is it a book series for teenagers, but also an encyclopedia of traditional Chinese geography and culture for adults. Gorgeous Stories and Myths is the third book of the Classic of Mountains and Rivers for Teenagers series. It presents the extracts of myths in the Classic of Mountains and Rivers and the stories related to them, including "The Mythical Bird Jingwei Trying to Fill Up the Sea with Pebbles", "Houyi Shooting Down Nine Suns", and "Kuafu Racing with the Sun". In order to find what is behind the myths, the author probes into the history, nature, geography and culture of ancient China. It inspires the young readers, opens up their views and encourages them to explore the origin of China's myths and how they had grown.
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This series contains 31 titles of picture books. It is a collection of traditional Chinese classic tales, including fables, myths, idioms and folk legends. It’s playful and readable with attractive illustrations and concise text.
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This series contains 31 titles of picture books. It is a collection of traditional Chinese classic tales, including fables, myths, idioms and folk legends. It’s playful and readable with attractive illustrations and concise text.
