Granta Books
Granta Books is one of the most independent-minded and prestigious literary publishers in the UK.
View Rights PortalGranta Books is one of the most independent-minded and prestigious literary publishers in the UK.
View Rights PortalHardie Grant is a leading independent publisher of non-fiction. We create beautiful, award-winning books across a range of subjects including Food and Drink, Home and Craft, Gardening and Nature, Travel and Gift, Wellness and Self-Help, Astrology and Witchcraft. With offices in Melbourne, Sydney, London and San Francisco, our titles are sold all over the world.
View Rights PortalGranny loves to dance, until she finally forgets how to. I want to help Granny remember the thing she loved the most in the world.
Something smells of adventure: summer holidays in the country can be like a whodunnit – where else can you find a missing Granny together with a real treasure and eight bare feet? Jörg Steinleitner brings his readers a true sense of well-being, in a world full of adventure. With varied and powerful illustrations by bestselling illustrator Daniela Kohl. Whoever thinks that summer holidays in the village are boring is mistaken: on the very first day of the holidays, Tanne’s Granny Schnitzel disappears without trace. It’s a good job that Corvin (9), Kiki (10), Ben (10) and Tanne (11) were just about to form a gang: the Barefoot Crew. And soon they have more than just bare feet and a kidnapped Granny to contend with – there’s also a real treasure! A hugely exciting criminal case with a breathtaking natural backdrop, together with varied feel-good factors that prompt readers to dream, discover and share in the story’s thrills. Best-suited for boys and girls aged 8+.
Mariana Savka's rhymes from the collection Does a Baboon Have a Granny? have amused more than a generation, and her heroes became favorites of little ones and their parents. In this book you will meet a family of donkeys and hippos, a stubborn billy goat, a little mouse that did not want to sleep, cheerful frogs and mischievous owls, a master beaver and, of course, a little baboon! Funny, cute, childish poetry, which was humorously illustrated by Oleh Petrenko-Zanevskiy, will give magical moments of family reading. From 3 to 6 years, 990 words. Rightsholders: Ivan Fedechko, ivan.fedechko@starlev.com.ua
Every person has a special little memory house where their close ones live. So Gran is there, on the porch of that little house. She is old, and cannot properly move. It is hard for her to talk. Yet, despite all this, her relatives still love her, value every precious minute spent together and accept each other the way they are. From 3 to 6 years, 505 words Rightsholders: hanna.bulhakova@ranok-school.com
China Story Picture Books is the first set of children's picture books launched by the Bingxin Award Committee. This set of books covers the works of seven Bingxin Award-winning writers of different ages including children's literature masters and promising young writers. The illustrations are full of traditional Chinese cultural elements such as dragon lantern dance, paper cutting, oil paper umbrella, and bamboo. Powerful painters at home and abroad are invited to do illustrations, which brings interesting fusion and collision of Chinese and foreign cultures to the books. In addition to the original illustrations, the stories are more touching. Every child can harvest the courage and wisdom for growing up from these stories. The series consists of 7 picture books: The Dragon Lantern, The Path of Golden Flowers, The Child in Three-Story Attic, The School Day Gifts, The Secret of Crossing, The Slope of Sisters. Grandma Doesn't Talk tells the story of "little Heidi" in China. Mai Xiaoduo's grandmother is wordless but has many skills. She can cut window flowers for the neighbors, knit sweaters, make medicine for Heidi's ailing grandfather, and take Mai Xiaoduo to the mountain to collect medicine and watch the sunset. Although grandma doesn't talk too much, her scissors, needles and frying pans can talk. In the process of accompanying her grandmother, Mai Xiaoduo heard the sound of life, history, and flowers, trees and the wind in nature.
In "The Big Belly of A Bread Wolf", many interesting stories happened. In a small bakery in Story Alley, Pete accidentally “eats” a mouse; Granny Goat’s cat got into Pete’s stomach to catch the mouse; Granny Goat walked in the same way into Pete's belly in order to save the kitten. The building of Granny Goat's house was also "eaten" into the belly... Eventually Pete's belly was broken by swallowing two many things. The grandpa had to help him fix his belly.
Aoife Lennon-Ritchie, literary agent and author, brings out the first title in her humorous Viking-fantasy teen series, A Viking Legend: The Violaceous Amethyst. This winter, siblings Ruairi and Dani Miller visit their grandmother in the legendary Viking island of Yondersaay. In less than twenty-four hours of their arrival, Ruairi is mistaken for the lost Boy King of Denmark, kidnapped by Vikings, and scheduled to be sacrificed at sundown. Granny isn’t very pleased. But when they are the only ones in town who fail to go “Viking,” the three turn to Granny’s extremely epic tales of the legends of Yondersaay, The Gifts of Odin, and King Dudo the Mightily Impressive for clues. But not all stories end happily, and Ruari, Dani, and Granny will have to write their own happy ending if things are to return to normal. The Princess Bride meets Vikings in this enchanted tale of high adventure, buried treasure, villainous treachery, violent ends, and true love.
There is an idea by D.H. Lawrence: 'we are the secret dreams of our grandmothers.' But not the dreams they openly accepted and pursued, rather the secret dreams: those they denied, and merely thinking about them plunged them into fear and guilt. This Hugo Roca's definitive exploration of this concept: It begins with the death of his grandmother and ends with the imminent birth of his daughter, and in between, he narrates his struggle to establish a different flow, where through a process of re-educating himself (which leads to confront the most horrible demons of his lineage), he seeks to stop lying and to have no more secrets: to decipher his hidden dreams so as not to pass on the curse of embodying them to his daughter. A narrative that redefines parenthood and embarks on a profound quest for new forms of beauty.
"Fu Long Ji" takes the Wuyun Mountain as the diverging point, and contains 12 stories such as "Moving Wood", "Forgetting Vine", "Hua Ren" and "Xue Pu". It tells the story of 12 kinds of strange flowers and herbs on the mountain. For example, in "Snow Puff", it starts from the perspective of the human protagonist "Granny" to tell the story of her getting together with "Snow Puff" because of fireworks. In the second half, it tells the story from the perspective of "Snow Puff" to tell what she thinks and does when she sees the heroine trapped in a fire. This book is not about love between men and women, but about human desires.This book illustrates the author's thoughts on human nature through a deeply interesting story and beautiful illustrations.
Little Shilu loves to dance around naked. She wants to be like the animals; like Pirate, her cat. When her grandmother Nannu says she can’t because she is now a big girl, Shilu gets down to understanding why she can’t. Peppered with Nannu’s loving chiding, intimate grandma-granddaughter bonding over conversations, and a heart-to-heart between the mother and this little inquisitive daughter, this book is a reflection of the wild and free nature of childhood. Rhuchi Mhasane’s soft evocative illustrations rendered in pencil with watercolour, and put together digitally, create a dreamlike charm. Richa Jha’s gentle, affectionate and lyrical text takes the reader into the mind of the little girl who can’t wait to get the answers to her ‘Why can’t I?’
Hurra, endlich Badetag! Das kleine Nilpferd freut sich riesig, denn es ist eine echte Wasserratte. Doch was ist das? Die Wanne ist ja noch ganz leer. Wo ist denn die Seife? Durch Schütteln, Klatschen und Stupsen kann dem Nilpferd geholfen werden, und so wird der Badetag doch noch zu einem echten Hit! Eine von Nanna Neßhöver interaktiv erzählte und von Anja Grote charmant illustrierte Bilderbuchgeschichte zum Mitmachen und Spaßhaben – auch für Bademuffel. Interaktives Vorleseerlebnis für Kinder ab 2 Jahren, das die Freude am gemeinsamen Lesen und der Bade-Routine steigert. Fördert die Kreativität und Vorstellungskraft von Kleinkindern. Ideal sowohl für Wasserliebhaber als auch für Bademuffel - das Buch schafft eine positive Assoziation mit der Badezeit und ist ein wertvolles Hilfsmittel für Eltern, um Kindern Lust aufs Baden zu machen. Schöner Bestandteil des abendlichen Schlafenszeit-Rituals.
There were rumors; a smell of fear in the air. And yet, it all happened with incredible suddenness. The Soviets were abandoning the city; the Germans were at the gates. Mera Stollar grabbed her baby and ran for her life. From that day on, her life became an odyssey of flight and survival. Thanks to her son’s Aryan appearance (as long as he did not lower his pants…), her resourcefulness and wisdom, they escaped from the city after the murder of its Jewish inhabitants. Without documents, the mother and child wandered among the back lanes of Occupied Poland under the guise of Polish refugees, until they reached Warsaw. On the way, they endured the ever present fear of capture, hunger, cold, illness and the cruelty and indifference of people; but there are also instances of compassion and mercy. Their flight is accompanied by many dangers and threats. They are thrown into the street by a Christian family for having crossed themselves left-handed; a Ukrainian informer turns them in to the police – meaning transport to Treblinka; the convoy is bombed and on the first day of the Liberation, Mera is found guilty of collaborating with the German enemy, a sin carrying a sentence of execution. A SUNDAY AFTERNOON IN KILINSKI PARK also tells the stories of Rocheleh, thrown into prison over a pair of boots; Stiepan the Ukrainian policeman whose love for Vera does not prevent him from murdering her entire family; of Lieber, protected by his father’s corpse in the Susenki killing pits; Sonia the convert, who was not saved by the crucifix she wore on her throat; Granny Jadzia, the Pole who was prepared to sacrifice her life for Libi, whom she loved like a grandchild; Alex and Irena, the two Ukrainian circus artists who, ironically, come under Mera’s protection; and Rudolph, the German paratrooper whose courtship and love for Mera lead to disillusion. Arieh Stav was born in 1939 in Rovno, Poland at that time, Ukraine today. In 1951, he made aliyah with his mother. He was educated at Kibbutz Givat Haim, served in the IDF as a paratrooper and was a member of the Kibbutz until 1963, when he left and moved to Tel Aviv. He studied psychology, philosophy and drama at Tel Aviv University. Arieh Stav is the Director of the Ariel Center for Policy Research, a non-partisan organization devoted to inclusive research and discussion of political and strategic issues concerning Israel and the Jewish people. Stav is the editor of Nativ, a bi-monthly periodical on politics and the arts, author and editor of numerous books and research studies. He has translated (to Hebrew) and published numerous volumes of epic poems which were written throughout the ages and in a myriad of languages.
Living Portrayals from the International Council of Thirteen Indigenous Grandmothers Grandmothers’ Wisdom is a vibrant tribute to the lives of thirteen indigenous Grandmothers who came together to protect our planet in crisis and envision a future for the next seven generations. These remarkable wisdom keepers of traditional medicine and Indigenous spirituality, preserve the ancient wisdom traditions and traditional ecological knowledge that have served our planet Earth for millennia. This special work is a living portrayal of their upbringing, encounters with the violence of colonialism and forced assimilation, their awakening to fierce activism, and the ceremonial practices they carry forward from their lineages with tenacity, grace and devotion.
Als Cees Nootebooms Reisebericht erstmals erscheint, ist man sich einig: Mit Der Umweg nach Santiago liegt das Spanienbuch schlechthin vor. Nooteboom bricht von Barcelona nach Santiago de Compostela auf, ohne jede Eile, denn der Weg ist das Ziel. Der große niederländische Erzähler ergänzt sein erfolgreiches Reisebuch nun durch weitere Texte über das Land seiner Leidenschaft.
Root-knot nematodes are the most economically important group of plant-parasitic nematodes worldwide, and their control presents a major global challenge. Advances are being made in understanding their biology, host-parasite interaction and management strategies, and this comprehensive guide with many colour photos and contributions from international experts covers the taxonomy, classification, morphology, life-cycle biology, genomes, resistance, sampling, detection, and management strategies of these pests, providing an essential reference for researchers, students and lecturers in plant nematology, plant pathology, agriculture, and agronomy.
“Excuse me, but the war has begun.” These words of the writer Vladyslav Ivchenko marked the beginning of February 24th. It was the day when life changed forever. Standing in line at the draft board, he realized that he had his own war story now. “My granny had one, my parents had none, and I was always sure that I’d never have mine own.” After the 24th is a collection of short stories and poetry about war, a record of what Ukrainians have experienced and are experiencing now. The book is about those who are ready to die for freedom and those who are ready to survive at any cost; it is about lovers and beloved; it is about losses that make one howl in pain, and laughter that helps preserve sanity. It is about betrayal and fear; it is about those at the frontlines and those away from them. Something is true to life and something is fictional. Be careful as the texts are deceptive, and often the ones you will believe to be true, will turn out to be fictional and vice versa.
A fine collection of science fiction by children’s literature writer Mu Ling. Mu Ling’s science fictions pursue a scientific basis of “organic imagination”, has a positive outlook and good spirit of seeking truth. This series collects Mu Ling’s three masterpieces full of fantasy and humanistic concern: Dream Machine, Hei Wa, Yu Wang Bei Mi, which are rare sci-fi theme in children’s literature works of China. This series will lead children step by step to “hard science fiction” which is full of intellectual challenges through “light science fiction” and “soft science fiction”.
“Between the sea and the mountain -and more precisely: between the force of the tide and the imminence of earthquakes- the transits of Cuaderno de California occur. The vulnerable -poetic and political- observation of the exterior landscape provokes incessant movements in the interior landscape of a couple, “two very old souls”, who travel: sometimes they are tiny movements, sometimes close to earthquakes. A chronicle of travel, memory and love, Santiago Espinosa's is a work wise in its beauty and beautiful in its beautiful in its beauty and beautiful in the depth of its reflection: it is not easy to think so sharply when we are so moved, in pause, by the beauty that captures us. Giuseppe Caputo[...]No one knows the origin of the word California.Someone told us: “I come from California”.Which in my language means “no place”.[...]”
Evita – de Dvora Schechner Esta es la fascinante historia de Eva Perón (1919-1952) en su corta pero intensa trayectoria. Trata de las pasiones, los temores y los odios, las gentes, las situaciones y el entorno que la hicieron ser “Evita”. “Confieso que tengo una ambición, una gran ambición personal: quisiera que el nombre de Evita figurase alguna vez en la Historia de mi Patria” escribió unos meses antes de morir. Indudablemente ha conquistado su lugar. Más, ese lugar ?donde se encuentra? Numerosas son las obras que protagoniza, tanto estudios académicos como novelas, cine, teatro, poesía. La mayoría adopta uno de los mitos contradictorios de quien fue la mujer más amada, pero también la más odiada y temida en su tiempo. Para unos es La Abanderada de los Trabajadores, La Madre de los Humildes, Santa Evita. Para otros, La prostituta, La Mujer del Látigo, La Nazi-Peronista. A 20 años de su muerte, hubo jóvenes que creían que si Evita viviera, sería una guerrillera Montonera. En esta biografía Evita es observada desde otras latitudes. Se analiza la revolución peronista y se revisa nuevamente la doctrina de Juan Perón, en la cual ensambla perfectamente la Evita real, que plasma su propio carisma para actuar en un régimen populista autoritario. Esta, la Evita de verdad, es más interesante y rica en facetas, que cualquier leyenda. La autora, Dvora Schechner – escritora y educadora israelí, miembro del kibbutz Gazit en la Baja Galilea – es nacida en Buenos Aires en 1930. En su adolescencia se opuso al peronismo hasta que emigró a Israel en 1952, dos meses antes de la muerte de Eva Perón. Una película documental con las fotos de los millones de argentinos llorándola la impulsó a tratar de descifrar el enigma de esa personalidad histórica. ?Quién fue Evita; qué hay detrás del amor y del odio que despierta es mujer hasta hoy mismo? Dvora Schechner estudió Humanidades en el Seminario Oranim, es licenciada en Filosofía e Historia en la Universidad de Tel Aviv. Escribió: La Guerra Civil Española (1962 – 1970), La Inquisición Española (1972), Evita (1995), Una Muchacha Política (2003).
En la ruta de la seda por Amnon Shamosh Amnon Shamosh, quien se dio a conocer como autor con la famosa saga familiar “Michel Ezra Safra y sus hijos” como también con docenas de cuentos cortos cautivantes que aparecieron en las colecciones tituladas “Mi hermana, la novia” y “Ruedas del mundo,” nos sorprende nuevamente con una novela moderna, brillante, y profunda. La historia gira alrededor de tradiciones de los antiguos tiempos y hechos históricos que se complementan. Todo ello mezclado con la imaginación de Shamosh, logra apasionar al lector. En el año 1400, el gran conquistador Timur Lang llega a la ciudad siria de Jalab (Aram de Soba) y desde ella envía diez familias judías de tintoreros de seda al exilio, desterrándolos a Samarkand, capital del imperio de Timur, en la ruta de la seda. Timur Lang también rapta vírgenes judías, y las retiene en sus harenes. Una de las vírgenes conquista el corazón del hijo de Timur, un hombre inteligente y creativo que gobierna bajo sus órdenes. El rey Elías, “hijo de la judía,” que fue criado en la fe islámica, embarca rumbo a España con el propósito de conocer y comprender el mundo cristiano y judío, en pleno apogeo en esa época en España. Elías, en busca de una identidad y también una novia, encuentra a ambas en Jalab, ciudad de sus ancestros maternos. Su joven esposa procede de la familia Dayan, con parentescos de la dinastía de la tribu de David. La novela está compuesta de tres líneas narrativas. La primera, acontece en el siglo quince y se centra principalmente en la familia real en el harén en Samarkand. La segunda, al principio del siglo veinte, en el barrio Bujaro de Jerusalén, donde inmigrantes de Bujaría y Jalab están apiñados juntos, y reciben la visita de los líderes de esta sociedad de nuevos judíos inmigrantes a la vecindad. La tercera línea narrativa acontece en la última década del siglo, con la inmigración masiva de judíos rusos; la historia se concentra en los inmigrantes Bujaros. El protagonista es Oshi Shauloff Ben-Shaul, nacido en el barrio Bujaro, cuya madre, de origen sirio (Jalab), es descendiente de la familia Dayan, anteriormente mencionada, y sus raíces pertenecen a una de las familias que fueron exiliadas de Jalab a Samarkand. Esta novela, emocionantemente erótica, mas refinada y moderada, tiene un estilo inmediato poderoso e inspirador – como esperamos de los trabajos de Amnon Shamosh.