Daniel Goleman - Foreign Audio
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View Rights PortalFounded in 1996 as an affiliate of Southern Publishing & Media Co.Ltd.(SPM),Guangdong Petrel Electronic & Audio-Visual Publishing House (PEPH) has now become an all-media publisher specializing in online publishing, as well as creating, publishing and distributing audio-visual products, electronic reading materials, and books,etc. PEPH has designed and produced lots of electronic &audio-visual publications and hundreds of books related to social,science,education,language,science and technology, culture,art,among which several series of books were oriented toward international copyright exchanges. Till now, PEPH has already established cooperative relationships with publishers from South-East Asia and North America, totally exporting more than 200 titles.
View Rights PortalWe all know that audio engineering is more than just acronyms. But what do they all mean? This practical textbook is designed to meet the special needs of events technicians. The textbook stands out from the crowd because it is designed specifically with the university curriculum and professional needs in mind, making it not only an excellent companion in the classroom, but a useful reference for on the job as well. The author, himself an instructor for special events technicians, covers the ground from physical fundamentals of acoustics and electronics to setting up mixing consoles and sound systems, providing a multitude of useful tips without confusing the reader with extraneous details. A chapter on video technology rounds off the book. Sample calculations put the material in a practical context, and sample problems at the end of each chapter (with solutions in the appendix) help review what has been learned and inspire further thought. Entertaining guest essays provide a broader perspective.
This book incorporates 5 articles and excerpts by YU Dafu. Each article comes with notes and appreciation. Readers can also listen to the recordings by scanning the two-dimension code of each article.
This book incorporates 29 well-known poems and articles by DU Fu—a poet of China’s Tang Dynasty. Each article is equipped with notes, appreciation and translation in modern Chinese. Readers can also listen to the recordings by scanning the two-dimension code of each article or poem.
This book incorporates 18 well-known articles by BAI Juyi—a poet of China’s Tang Dynasty. Each article comes with notes, appreciation and translation in modern Chinese. Readers can also listen to the recordings by scanning the two-dimension code of each article or poem.
This book incorporates 30 well-known poems by MAO Zedong. Each poem comes with notes, appreciation and translation in modern Chinese. Readers can also listen to the recordings by scanning the two-dimension code of each article or poem.
This book incorporates 17 well-known poems and articles by LI Bai—a poet of China’s Tang Dynasty. Each article comes with notes, appreciation and translation in modern Chinese. Readers can also listen to the recordings by scanning the two-dimension code of each article or poem.
This classic novel depicts the unforgettableyears of Sangsang’s primary school life, for he witnesses a succession of ordinary but emotional events, such as the pure love and friendship of the teenagers, the pathos of a misfortuned boy struggling for life, the indefatigable pursuit of dignity of a disabled boy, the noble personality of a dying old man, the delightful but complicated feelings between adults…all of these initiated Sangsang into the true meaningof life. The novel, with its elegant style and beautiful language, deeply touches the hearts of young readers. This book has sold 5,000,000 copies after the first edition was published in 1998.
This book incorporates classics from The Book of Songs. Notes and appreciations are added to each poem. Readers can also listen to the recordings by scanning the QR code on the page.
In his first YA novel, cultural journalist and author Abdo Wazen writes about a blind teenager in Lebanon who finds strength and friendship among an unlikely group. Growing up in a small Lebanese village, Bassim’s blindness limits his engagement with the materials taught in his schools. Despite his family’s love and support, his opportunities seem limited. So at thirteen years old, Bassim leaves his village to join the Institute for the Blind in a Beirut suburb. There, he comes alive. He learns Braille and discovers talents he didn’t know he had. Bassim is empowered by his newfound abilities to read and write. Thanks to his newly developed self-confidence, Bassim decides to take a risk and submit a short story to a competition sponsored by the Ministry of Education. After winning the competition, he is hired to work at the Institute for the Blind. At the Institute, Bassim, a Sunni Muslim, forms a strong friendship with George, a Christian. Cooperation and collective support are central to the success of each student at the Institute, a principle that overcomes religious differences. In the book, the Institute comes to symbolize the positive changes that tolerance can bring to the country and society at large. The Boy Who Saw the Color of Air is also a book about Lebanon and its treatment of people with disabilities. It offers insight into the vital role of strong family support in individual success, the internal functioning of institutions like the Institute, as well as the unique religious and cultural environment of Beirut. Wazen’s lucid language and the linear structure he employs result in a coherent and easy-to-read narrative. The Boy Who Saw the Color of Air is an important contribution to a literature in which people with disabilities are underrepresented. In addition to offering a story of empowerment and friendship, this book also aims to educate readers about people with disabilities and shed light on the indispensable roles played by institutions like the Institute.
This opera collection incorporates and researches on a variety of traditional operas of Chinese ethnic minorities, which are widely dispersed in 14 provinces and autonomous regions, including Yunan, Guangxi, Tibet, Xinjiang, Chongqing, etc. The selected 101 operas present the highest level of China’s achievement in this form of art. By reading it, you will find the history, characteristic and artistic value of each opera. This is the first volume of the series.
This opera collection incorporates and researches on a variety of traditional operas of Chinese ethnic minorities, which are widely dispersed in 14 provinces and autonomous regions, including Yunan, Guangxi, Tibet, Xinjiang, Chongqing, etc. The selected 101 operas present the highest level of China’s achievement in this form of art. By reading it, you will find the history, characteristic and artistic value of each opera. This is the second volume of the series.
This opera collection incorporates and researches on a variety of traditional operas of Chinese ethnic minorities, which are widely dispersed in 14 provinces and autonomous regions, including Yunan, Guangxi, Tibet, Xinjiang, Chongqing, etc. The selected 101 operas present the highest level of China’s achievement in this form of art. By reading it, you will find the history, characteristic and artistic value of each opera. This is the third volume of the series.
This opera collection incorporates and researches on a variety of traditional operas of Chinese ethnic minorities, which are widely dispersed in 14 provinces and autonomous regions, including Yunan, Guangxi, Tibet, Xinjiang, Chongqing, etc. The selected 101 operas present the highest level of China’s achievement in this form of art. By reading it, you will find the history, characteristic and artistic value of each opera. This is the fourth volume of the series.
This opera collection incorporates and researches on a variety of traditional operas of Chinese ethnic minorities, which are widely dispersed in 14 provinces and autonomous regions, including Yunan, Guangxi, Tibet, Xinjiang, Chongqing, etc. The selected 101 operas present the highest level of China’s achievement in this form of art. By reading it, you will find the history, characteristic and artistic value of each opera. This is the fifth volume of the series.
This opera collection incorporates and researches on a variety of traditional operas of Chinese ethnic minorities, which are widely dispersed in 14 provinces and autonomous regions, including Yunan, Guangxi, Tibet, Xinjiang, Chongqing, etc. The selected 101 operas present the highest level of China’s achievement in this form of art. By reading it, you will find the history, characteristic and artistic value of each opera. This is the sixth volume of the series.
This opera collection incorporates and researches on a variety of traditional operas of Chinese ethnic minorities, which are widely dispersed in 14 provinces and autonomous regions, including Yunan, Guangxi, Tibet, Xinjiang, Chongqing, etc. The selected 101 operas present the highest level of China’s achievement in this form of art. By reading it, you will find the history, characteristic and artistic value of each opera. This is the seventh volume of the series.
This opera collection incorporates and researches on a variety of traditional operas of Chinese ethnic minorities, which are widely dispersed in 14 provinces and autonomous regions, including Yunan, Guangxi, Tibet, Xinjiang, Chongqing, etc. The selected 101 operas present the highest level of China’s achievement in this form of art. By reading it, you will find the history, characteristic and artistic value of each opera. This is the eighth volume of the series.
This opera collection incorporates and researches on a variety of traditional operas of Chinese ethnic minorities, which are widely dispersed in 14 provinces and autonomous regions, including Yunan, Guangxi, Tibet, Xinjiang, Chongqing, etc. The selected 101 operas present the highest level of China’s achievement in this form of art. By reading it, you will find the history, characteristic and artistic value of each opera. This is the ninth volume of the series.
This opera collection incorporates and researches on a variety of traditional operas of Chinese ethnic minorities, which are widely dispersed in 14 provinces and autonomous regions, including Yunan, Guangxi, Tibet, Xinjiang, Chongqing, etc. The selected 101 operas present the highest level of China’s achievement in this form of art. By reading it, you will find the history, characteristic and artistic value of each opera. This is the tenth volume of the series.
One of Egypt’s leading literary voices offers a first-hand look at political, social, cultural events of the last 40 years and how they influenced his writing. Ibrahim Abdelmeguid, called “the quintessential writer about Alexandria” by The National newspaper, looks back over his decades-long writing career this book, which what he calls a “literary autobiography.” In it, he reflects on the social, political, and cultural influences in Egypt and elsewhere that have shaped him as a writer. He shares his views on major political events, such as the 1967 defeat after the Six-Day War, and explanations of their profound impact on his personal life and works of fiction. Abdelmeguid devotes a portion of his work to discussing the development of his views on Egypt’s second president, Gamal Abdel Nasser, over the course of his turbulent tenure in office. The book is divided into a brief introduction and four chapters. Abdelmeguid guides the reader through his literary career, moving masterfully between the factual and the meditative. He explores how each of his novels and many of his short stories was conceived. He also describes cultural, political, and social contexts in which his writing evolved and was received by literary critics and casual readers. He spends considerable time describing the creative process behind his Alexandria trilogy— No One Sleeps in Alexandria, Birds of Amber, and Clouds Over Alexandria. The first book, No One Sleeps in Alexandria, is set during World War II. Abdelmeguid visited numerous key sites in Alexandria and surrounding areas and read every newspaper he could get his hands on. The result of his devotion to research is a vibrant portrayal of Alexandria that shines throughout the epic novel. Of particular note is his successful communication of the cultural and religious diversity of the city and the impact of that on the promotion of a culture of tolerance. Beyond Writing is a rare and important addition to the modern Arabic literary map. Few Arab authors are willing to so transparently share their writing process, preferring to highlight the polished final product while concealing the hard work that brought it into existence. Readers are lucky that it is a writer as prominent, thoughtful, and engaging as Abdelmeguid is willing to draw back the curtain.