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The Parisian Agency
Founded in 2010, the Parisian agency is a literary agency based in Paris. We represent a selected group of international writers of literary fiction such as multi-awarded Icelandic author Gudrun Eva Minervudottir and Hungarian novelist Arpad Kun, winner of the prestigious Aegon Award. We also represent the stunning illustrated books of the British and the Bodleian Library (UK) abroad. Last, we are now open to represent new lists in literary fiction, crime fiction and non fiction. Welcome to the Parisian Agency!
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Promoted Content
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Promoted Content
April 2009Cultural Exchange
by Hu Taichun
This volume introduces the Chinese cultural exchange with other cultures during its development, which is informative, readable and interesting. It is well-illustrated and suitable for all readers interested in Chinese culture.
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December 2015Interviews on 523 Project and the Discovery of Artemisinin
by Youyou TU,etc；Interviewed and compiled by Runhong LI
On May 23, 1967, Project 523 was started in China.In this huge project, the most significant discovery is artemisinin.Youyou Tu is the very researcher who participated in Project 523.This book has made a comprehensive and systematic review of the history of discovering artemisinin and has made itself the first works keeping complete records of the discovery of artemisinin.
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Humanities & Social SciencesJune 2023Border images, border narratives
The political aesthetics of boundaries and crossings
by Johan Schimanski, Jopi Nyman
This interdisciplinary volume explores the role of images and narratives in different borderscapes. Written by experienced scholars in the field, Border images, border narratives provides fresh insight into how borders, borderscapes, and migration are imagined and narrated in public and private spheres. Offering new ways to approach the political aesthetics of the border and its ambiguities, this volume makes a valuable contribution to the methodological renewal of border studies and presents ways of discussing cultural representations of borders and related processes. Influenced by the thinking of philosopher Jacques Rancière, this timely volume argues that narrated and mediated images of borders and borderscapes are central to the political process, as they contribute to the public negotiation of borders and address issues such as the in/visiblity of migrants and the formation of alternative borderscapes. The contributions analyse narratives and images in literary texts, political and popular imagery, surveillance data, border art, and documentaries, as well as problems related to borderland identities, migration, and trauma. The case studies provide a highly comparative range of geographical contexts ranging from Northern Europe and Britain, via Mediterranean and Mexican-USA borderlands, to Chinese borderlands from the perspectives of critical theory, literary studies, social anthropology, media studies, and political geography.
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Children's Picture Book Series of Excellent Traditional Chinese Culture
by Gao Hongbo
Children's Picture Book Series of Excellent Traditional Chinese Culture, created for children aged 5-8, comprises 100 volumes in its first edition, with contents focusing on China’s traditional virtues, classic stories, cultural celebrities, civilization achievements, cultural common sense, and human geography. The project invites the most influential scholars, writers, and painters in China to systematically present children the basic knowledge of Chinese traditional culture and traditional aesthetics, so as to help them establish an overall “Chinese culture concept”.
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Humanities & Social SciencesSeptember 2023Negotiating relief and freedom
Responses to disaster in the British Caribbean, 1812-1907
by Oscar Webber
Negotiating relief and freedom is an investigation of short- and long-term responses to disaster in the British Caribbean colonies during the 'long' nineteenth century. It explores how colonial environmental degradation made their inhabitants both more vulnerable to and expanded the impact of natural phenomena such as hurricanes, earthquakes, and volcanic eruptions. It shows that British approaches to disaster 'relief' prioritised colonial control and 'fiscal prudence' ahead of the relief of the relief of suffering. In turn, that this pattern played out continuously in the long nineteenth century is a reminder that in the Caribbean the transition from slavery to waged labour was not a clean one. Times of crisis brought racial and social tensions to the fore and freedoms once granted, were often quickly curtailed.
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October 2020The Classic of Mountains and Seas (Picture Version)
by Huang Xuran, Tang Sulan
"The Classic of Mountains and Seas (Picture Version)" is a children's traditional cultural enlightenment book with a fresh perspective. Selected representative and interesting chapters in "The Classic of Mountains and Seas" were drawn into the book, which depicts a series of images in "The Classic of Mountains and Seas" such as water systems, mountains, vegetations, trees, mountain gods, sacred beasts, water monsters, etc. In this imaginative picture book, images are vivid and the story theme is ups and downs. The author extracts nourishment from the profound ancient myths, and then creates new stories that children can understand. The whole book takes a retro and creative form with concise and simple text and simple and freehand ink painting through the mountain and sea scriptures, depicting a mythical world where the heavens and the earth are prevalent and the gods and monsters are in chaos.
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Personal & social issues: self-awareness & self-esteem (Children's/YA)Picture Books about Emotion Management for Girls
by Le Fan, Liu Chanjuan, Liu Jiaxi
While growing up, girls are more likely than boys to receive contradictory expectations from different aspects of their lives: parents, teachers, peers, society, and themselves. They could be rebellious but at the same time remain "good girls". They could express anger against bullies at school while simultaneously meeting teachers' expectations of nonaggressive behavior. They could be powerful and competitive at the same time that they worry about being considered "unfeminine". Girls struggle with these conflicting messages in their everyday lives, trying to please all these other people and losing track of themselves. Writer Le Fan, who has experienced the same contradictions as growing up, hopes that girls could love themselves, put themselves first a little more. So here comes the Picture Books about Emotion Management for Girls. The series contains five stories of five courageous little girls who were experiencing confusion in their lives. Little Le Fan in I am not Just a Good Girl tried to find the balance between two sides of herself—a cool girl and a good girl. Xiaoxiao in I love myself learned to be more confident and accepted her new look after her baby teeth fell out. Jiang in I'm so Jealous learned to deal with jealousy towards her best friend. A timid girl Xiao in I can Say No strived to express herself and stop the little boy's bullies. Feng in I Really Want to Win embraced her inner "tomboy" with daddy's encouragement. All the five little girls, though struggling, broke out of cultural and societal stereotypes swirling around them and became their true selves.
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January 2021Everyone is amazing-Xiaoxiang Family Letters 2020
by Xiaoxiang Family Letters Activity Organization
In the context of the "Xiaoxiang Family Letters" activity carried out across the province, the organizing committee extensively collected family letters and selected 100 family letters to show the spirit of the people in the new era. The main content of the letter includes the gratifying changes in the fight against poverty in Sanxiang, the affectionate concern of the wandering children and the fathers and elders in the hometown, the home and country feelings of heroes and the most beautiful people, and the silent persistence of various industries in specific positions, and so on. The structure of each chapter of the book is divided into two parts: introduction (mainly including the information of the writer and recipient, refer to "Anti-epidemic") and the main text. The structure of the whole book includes the preface, table of contents, main text, and postscript. Further reading or content links. The structure is characterized by conciseness, conciseness and conciseness.
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Humanities & Social SciencesMarch 2017
The Arctic in the British imagination 1818–1914
by Andrew Thompson, John M. MacKenzie, Rob David
The Arctic region has been the subject of much popular writing. This book considers nineteenth-century representations of the Arctic, and draws upon an extensive range of evidence that will allow the 'widest connections' to emerge from a 'cross-disciplinary analysis' using different methodologies and subject matter. It positions the Arctic alongside more thoroughly investigated theatres of Victorian enterprise. In the nineteenth century, most images were in the form of paintings, travel narratives, lectures given by the explorers themselves and photographs. The book explores key themes in Arctic images which impacted on subsequent representations through text, painting and photography. For much of the nineteenth century, national and regional geographical societies promoted exploration, and rewarded heroic endeavor. The book discusses images of the Arctic which originated in the activities of the geographical societies. The Times provided very low-key reporting of Arctic expeditions, as evidenced by its coverage of the missions of Sir John Franklin and James Clark Ross. However, the illustrated weekly became one of the main sources of popular representations of the Arctic. The book looks at the exhibitions of Arctic peoples, Arctic exploration and Arctic fauna in Britain. Late nineteenth-century exhibitions which featured the Arctic were essentially nostalgic in tone. The Golliwogg's Polar Adventures, published in 1900, drew on adult representations of the Arctic and will have confirmed and reinforced children's perceptions of the region. Text books, board games and novels helped to keep the subject alive among the young.
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Children's & YA2016Mega Gajah Cooks for Her Class
by Andy Bianchi
Mega and her class are preparing for a parade. Mega wants to sew costumes but she can't because she doesn't have fingers. But Mega has a trunk and she is very good at cooking. She can do something that other kids in the class can't do!
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New Year picture research
by Liang Chou
This book studies the evolution of traditional Chinese New Year pictures in the last century and the reasons behind the evolution, hoping to provide some reference for the future of the current art form of New Year pictures and its development research. The book is divided into five parts. Starting with the causes that lead to the evolution of traditional New Year pictures and specific New Year pictures, the book studies and analyzes how the traditional language of New Year pictures was transformed and what kind of schema it evolved in a specific historical period.For the research on the development of specific historical periods, the author uses the method of longitudinal view to carry out the historical stages, and carries out horizontal comparative research and analysis on the situation of specific historical periods.This paper focuses on the author's doctoral dissertation, which has been downloaded nearly 2000 times and quoted nearly 100 times on Zhixin, providing an important foundation for relevant researchers.
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Humanities & Social SciencesDecember 2022Class, work and whiteness
Race and settler colonialism in Southern Rhodesia, 1919–79
by Nicola Ginsburgh
This book offers the first comprehensive history of white workers from the end of the First World War to Zimbabwean independence in 1980. It reveals how white worker identity was constituted, examines the white labouring class as an ethnically and nationally heterogeneous formation comprised of both men and women, and emphasises the active participation of white workers in the ongoing and contested production of race. White wage labourers' experiences, both as exploited workers and as part of the privileged white minority, offer insight into how race and class co-produced one another and how boundaries fundamental to settler colonialism were regulated and policed. Based on original research conducted in Zimbabwe, South Africa and the UK, this book offers a unique theoretical synthesis of work on gender, whiteness studies, labour histories, settler colonialism, Marxism, emotions and the New African Economic History.
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Children's & YAApril 2016First Trip away from Home
by Tang Sulan
A baby koala was born and rested in pouch of his mother all the day, never walking out. When he grows up, he needs to see the outside world. Could he become a brave boy?
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A Sugar Figure for Grandpa
by Pi Kou, Duzi Dudu
"Rat-a-tat, a little drum turns like a windmill faster and faster. Puff-a-puff, an old man blows a sugar figure harder and harder." As soon as Little Douzi’s grandpa shouts out, the lane is alive with kids coming out. With the passage of time, Litte Douzi grows up, while Grandpa gets old and sick. Little Douzi and Dad carries Grandpa's sugar load, and blows, kneads, pulls and cuts the sugar syrup. Then a sweet sugar figure warms the bleak autumn, cold winter and the sick Grandpa. Love will finally overcome all difficulties.
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December 2020Festivals of Chinese Ethnic Groups·Ewenki: The God of Fire Festival
by Yan Xiangjun, Zha Xuan
This book mainly describes the origin of the Ewenki ethnic group's god of fire sacrificial custom. According to legend, a poor hunter went hunting a long time ago, but he ran for a whole day without catching any prey. When he was tired and hungry, a cave appeared in front of his eyes. He walked into the cave in a daze and fell asleep. When he woke up, he found two completely different houses, one was owned by the rich and the other was by the poor. The hunter went to the rich's house for help, but was expelled by the rich with disgust. The hunter then went to the poor's house and was warmly welcomed. At this time, the hunter heard someone talking on the roof: "Let me punish the greedy rich!" Then the hunter realized that the man on the roof was the god of fire, whom everyone feared. The Ewenki people regard the 23rd of December every year as the God of Fire Festival.
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The ArtsRepresentative Works of Chinese Woodblock New Year Paintings
by Feng Jicai
Woodblock new year painting is an old handicraft of China, going back thousands of years. People celebrate the Spring Festival by posting up woodblock new year paintings, praying for their good wishes. Chief edited by the contemporary Chinese author, artist, and cultural scholar Feng Jicai, the Representative Works of Chinese Woodblock New Year Paintings is a collection of the masterpieces selected out of over ten thousand woodblock new year paintings. It has two volumes, the Northern and the Southern, from which one can see the differences in the custom of the two regions. The book has received support from scholars and institutions worldwide, among which the Japanese museums' collections of Gusu woodblock new year paintings in the early Qing Dynasty and the Russian museums' collections of late Qing and early Republic China are disclosed to the world for the first time. So the book is not only a historical art collection, but also of high cultural heritage significance.
