Stories Imagined was created to have a voice in woman's fiction. Writing about an age group of women who are on their second wind. Ready to take on the world how they see fit. The juggle and struggle of womanhood, sexuality, motherhood and coming back to self.
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The nexus of human mobility and communication is intricate, and this volume uncovers the deep-rooted significance of tourism and media . From antiquity to modern day, Western communication systems have artfully crafted the allure of destinations, making places irresistible to the travellers. At its core, this book proposes that the impetus for travel is a primal human necessity, rooted in our inherent need for movement, consciousness expansion, and cultural development. Featuring Greek civilization as a case study, the book reveals how the rich cultural capital of modern Greece, long admired and assimilated by many global cultures, has immensely contributed to Greece's contemporary tourism "imaginary". Readers are challenged to look beyond prevailing practices where tourism management and marketing are the driving force for commercial exchange, but to encompass its broader essence as a vital human function, leading to richer experiences. Drawing on theory from communication studies, social psychology, social anthropology, cultural and tourism studies the book is: · an historical panorama, exploring how communication has continually influenced the allure of tourist destinations · an overview of philosophical essence of tourism as a basic human need intertwined with consciousness expansion. · written in an engaging style to stimulate thought in current issues around the tourism industry It will be of interest to academics within areas related to tourism studies, mobility studies, mass media, communication and cultural studies.
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Best known for his partnership with Raphael, the engraver Marcantonio Raimondi (c. 1480-c. 1534) enabled Renaissance artists to disseminate their designs in print, advancing a revolution in visual communication that still reverberates in our own information age. Yet Marcantonio did more than render compositions by famous artists in the novel medium of engraving. The entries and essays in this catalogue, written by a group of international scholars and published to accompany the first exhibition of Marcantonio's work in over three decades, reveal the diversity of Marcantonio's oeuvre and the scope of his innovation as the leading printmaker of the Italian Renaissance. In-depth studies of Marcantonio's engravings expand our knowledge of his collaboration with Raphael, while also probing Marcantonio's creative response to the dynamic humanist culture in his native Bologna and later in Venice and Rome. Contributions also examine engravings by Marcantonio's 'followers' and consider the importance of his work to the history of print collecting.
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This remarkable study represents a completely original presentation of the language and imagery used by the Orangists in the critical period in the mid-seventeenth century Netherlands as they sought the restoration of the stadholderate in the person of the young prince William III. Stern argues that the Orangists had no desire for the prince to become a monarch, rather that they viewed the stadholderate as an essential component of the Dutch constitution, the Union of Utrecht, and fulfilling a key role as defender of the rights and privileges of the citizenry against an overwheening urban oligarchy. Source material is drawn not only from books and political pamphlets but also from contemporary drama, poetry, portraits, prints, and medals. This enables the author to examine the imagery used by the supporters of the House of Orange, in particular the symbols of rebirth and regeneration which were deployed to propagate the restoration of the stadholderate in the person of William III. ;
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This interdisciplinary volume explores the role of images and narratives in different borderscapes. Written by experienced scholars in the field, Border images, border narratives provides fresh insight into how borders, borderscapes, and migration are imagined and narrated in public and private spheres. Offering new ways to approach the political aesthetics of the border and its ambiguities, this volume makes a valuable contribution to the methodological renewal of border studies and presents ways of discussing cultural representations of borders and related processes. Influenced by the thinking of philosopher Jacques Rancière, this timely volume argues that narrated and mediated images of borders and borderscapes are central to the political process, as they contribute to the public negotiation of borders and address issues such as the in/visiblity of migrants and the formation of alternative borderscapes. The contributions analyse narratives and images in literary texts, political and popular imagery, surveillance data, border art, and documentaries, as well as problems related to borderland identities, migration, and trauma. The case studies provide a highly comparative range of geographical contexts ranging from Northern Europe and Britain, via Mediterranean and Mexican-USA borderlands, to Chinese borderlands from the perspectives of critical theory, literary studies, social anthropology, media studies, and political geography.
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This fully updated edition responds to themes emerging over the decade since publication of the first edition and transmits the content into the 2020s. The themes include technological change, ethical consumption, and the tourist response to health risk, political instability and other uncertainty. Examples are introduced from all parts of the world, capturing the explosion of research on tourist behaviour, to produce a text that is strong both on theory and practical application. The second edition: - Compares classic and contemporary studies. - Evaluates recently emergent themes. - Discusses worldwide examples. - Contains extensive use of figures/tables and full colour photographic images. This is the go-to text for students and academics interested in tourist behaviour both from within the tourism field and from other fields and disciplines.
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"Rat-a-tat, a little drum turns like a windmill faster and faster. Puff-a-puff, an old man blows a sugar figure harder and harder." As soon as Little Douzi’s grandpa shouts out, the lane is alive with kids coming out. With the passage of time, Litte Douzi grows up, while Grandpa gets old and sick. Little Douzi and Dad carries Grandpa's sugar load, and blows, kneads, pulls and cuts the sugar syrup. Then a sweet sugar figure warms the bleak autumn, cold winter and the sick Grandpa. Love will finally overcome all difficulties.
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Nurses encounter patients whose body image reality has been changed by disease, injuries or traumas on a daily basis. In a world where a flawless body is so highly valued, these patients may struggle to adapt to and accept these changes which can lead to body image disturbances. This handbook provides all those professionals caring for people with amputations, skin disorders, stoma, breast cancer and other diseases with information on the concept of body image and how to assess it, as well as describe possible symptoms and causes of body image disturbances and offers interventions to improve patients’ body image. Target Group: health scientists, geographers, doctors (epidemiologists).
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This work explores the idea of the Celt and the definition of the so-called "Celtic Fringe" over the last 300 years. It is an in-depth study of the literary and cultural representation of Ireland, Scotland and Wales over this period, and is based on a wide-ranging grasp of issues of national identity and state formation. The idea of the Celt and Celticism is once again highly fashionable. Is there such a common Celtic heritage? What is the place of the "Celtic Fringe" in British identity? Pittock begins by assessing the term "Celtic" itself, by questioning its validity, going on to examine its historic uses and heroic notions of Scotland's past. The Celtic Revival of the late 19th century is examined in detail together with its impact on Irish nationalism. Pittock asks how far the "Celtic" experience in Britain can be described as a colonial one, and examines the importance of the Celtic languages in preserving a sense of identity. Contemporary issues such as the literary language of the Troubles in Northern Ireland and the growth of modern Scottish nationalism are also considered. ;
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Destinations are a central feature of tourism and the focus of much tourism research. Destinations have been studied from diverse perspectives using multiple concepts and a range of approaches. As a result, destination research today has become increasingly fragmented as studies have become more specialized. There is a need for a more integrated approach, one which systematically draws together these different research threads to provide a comprehensive and coherent picture and a fuller understanding of destinations, their structure and how they function. This book provides such a synthesis by critically reviewing a wide range of international research and incorporating in one volume many different facets of destinations from studies which have appeared in related but often divergent literatures. Conceptual and methodological issues are illustrated with empirical examples from Europe, North and South America, Asia and Oceania. This material is drawn together around two major structural themes: spatial and organizational structure. Spatial structure concerns the physical location, distribution, configuration and inter-connectedness of products, services and actors and the factors which underlie the resultant patterns of these. Organizational structure focuses on the diverse configurations and the ways in which multiple actors, collectively and individually, come together, interact and behave to produce the experiences sought by tourists. The originality and contribution of this work lies in the systematic examination and combination of these two themes across destinations from the national to the local scale. This integrated approach provides fresh insights, produces a comprehensive understanding of destinations and identifes avenues for future research.
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This volume is the first ever attempt to unite and translate some of the key texts which informed Johan Huizinga's famous study of the Burgundian court, The Waning of the Middle Ages, a work which has never gone out of print. It combines these texts with sources that Huizinga did not consider, those that illuminate the wider civic world that the Burgundian court inhabited and the dynamic interaction between court and city. Through these sources, and an introduction offering new perspectives on recent historiography, the book tests whether Huizinga's controversial vision of the period still stands. Covering subjects including ceremonial events, such as the spectacles and gargantuan banquets that made the Burgundian dukes the talk of Europe, the workings of the court, and jousting, archery and rhetoric competitions, the book will appeal to students of late medieval and early modern Europe and to those with wider interests in court culture, ritual and ceremony.
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During the first half of the twentieth century, world politics was reshaped in pursuit of a new international order. The ideological foundations of the 'new diplomacy' (and its fate during the interwar period) are well known. This book instead examines the practices of internationalism and diplomacy from the First Hague Conference of 1899 to the aftermath of the Second World War. By focusing on these practices, such as disarmament regimes or public diplomacy, and their use as instruments to build international order(s), it emphasises the constructed, contested, and experimental character of what subsequently became a standard repertoire of international politics. Essays from a range of interdisciplinary scholars address well-established principles such as self-determination, and also less prominent practices such as small arms control or parliamentary inquiry. The book makes a major contribution to the growing historiography on twentieth-century internationalism.
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Nearly fifty symbols of traditional Chinese culture with strong symbolism, high recognition and extensive influence are selected in this book, whose connotation covers the fields like architecture, collection, dress and personal adornment, military affairs, health preservance and folk arts. The symbols are of special postion and meaning in the history of traditional Chinese culture since they are stereo, multidimensional, and full of fresh color and life with profound historical origins and cultural significance; therefore they not only bring people a visional impact and enjoyment, but conform with the Chinese aesthetic ideas and cultural complex in their innermost hearts; furthermore created originally by the Chinese ethnic peoples, they have a very deep brand of traditional Chinese aesthetic sentiment and historical memory, meanwhile they make a great effect on the development of culture and arts of mankind. With a view to make the panoramic scan of “traditional Chinese cultural symbols” this time, the compilers intend to display the essence of the culture of Chinese symbols and record the new growth of traditional Chinese culture truthfully through plentiful exqusite pictures in the lively and concise language on the basis of the principle of respecting history and deep exploration.
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In an age when engraving and photography were making artistic images available to a much wider public, artists were able to influence public attitudes more powerfully than ever before. This book examines works of art on military themes in relation to ruling-class ideologies about the army, war and the empire. The first part of the book is devoted to a chronological survey of battle painting, integrated with a study of contemporary military and political history. The chapters link the debate over the status and importance of battle painting to contemporary debates over the role of the army and its function at home and abroad. The second part discusses the intersection of ideologies about the army and military art, but is concerned with an examination of genre representations of soldiers. Another important theme which runs through the book is the relation of English to French military art. During the first eighty years of the period under review France was the cynosure of military artists, the school against which British critics measured their own, and the place from which innovations were imported and modified. In every generation after Waterloo battle painters visited France and often trained there. The book shows that military art, or the 'absence' of it, was one of the ways in which nationalist commentators articulated Britain's moral superiority. The final theme which underlies much of the book is the shifts which took place in the perception of heroes and hero-worship.
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— Analysis of how we view Europe's North and how this image emerged — An outsider's perspective on Nordic societies and their self image — Serves as an introduction into Northern European culture and society Our image of Northern Europe has been shaped by projections and desires in the long history of encounters: berserkers and war atrocities, bad weather, beautiful nature, stable political systems, social welfare, equality and prosperity, peacefulness, low corruption, hygge and Bullerby – all this is part of the Nordic narrative. But what about the religious, linguistic and ethnic homogeneity, what about the muchvaunted Nordic cooperation? How do politics "work" in the North? Why are Northern Europeans the happiest people?
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