Ethir Veliyeedu
Contemporary Authors In Tamil Literature
View Rights PortalA compelling account of the project to transform post-war Manchester, revealing the clash between utopian vision and compromised reality. Urban renewal in Britain was thrilling in its vision, yet partial and incomplete in its implementation. For the first time, this deep study of a renewal city reveals the complex networks of actors behind physical change and stagnation in post-war Britain. Using the nested scales of region, city and case-study sites, the book explores the relationships between Whitehall legislation, its interpretation by local government planning officers and the on-the-ground impact through urban architectural projects. Each chapter highlights the connections between policy goals, global narratives and the design and construction of cities. The Cold War, decolonialisation, rising consumerism and the oil crisis all feature in a richly illustrated account of architecture and planning in post-war Manchester.
Colonial war played a vital part in transforming the reputation of the military and placing it on a standing equal to that of the navy. The book is concerned with the interactive culture of colonial warfare, with the representation of the military in popular media at home, and how these images affected attitudes towards war itself and wider intellectual and institutional forces. It sets out to relate the changing image of the military to these fundamental facts. For the dominant people they were an atavistic form of war, shorn of guilt by Social Darwinian and racial ideas, and rendered less dangerous by the increasing technological gap between Europe and the world. Attempts to justify and understand war were naturally important to dominant people, for the extension of imperial power was seldom a peaceful process. The entertainment value of war in the British imperial experience does seem to have taken new and more intensive forms from roughly the middle of the nineteenth century. Themes such as the delusive seduction of martial music, the sketch of the music hall song, powerful mythic texts of popular imperialism, and heroic myths of empire are discussed extensively. The first important British war correspondent was William Howard Russell (1820-1907) of The Times, in the Crimea. The 1870s saw a dramatic change in the representation of the officer in British battle painting. Up to that point it was the officer's courage, tactical wisdom and social prestige that were put on display.
As a child, she could not understand why people in films about the blockade of Leningrad were always lying down. And when Mariupol was besieged by the Russians, and she and her husband lived for many days without water, food and heat under constant shelling, she realized that when you lie down, you save strength and energy. "77 Days of February" included reports written by journalists of the Reporters media in the period between February 23 and May 9 — two symbolic dates for Russian military ideology. The invasion of Russian troops into Ukraine stopped the number of days and pushed Ukrainians back to the intervening time, where February — the month of the beginning of the great war — still lasts. In the meantime and in these candid stories, there is pain, fear, hatred, and sometimes despair. But the main thing is hope. This is a bare nerve and an honest voice of the new Ukrainian reality.
The politics of war reporting: Authority, authenticity and morality challenges the assumptions that reporters and their audiences have about the way the journalistic trade operates and how it sees the world. It unpacks the taken-for-granted aspects of the lives of war correspondents, exposing the principles of interaction and valorisation that usually go unacknowledged. Is journalistic authority really only about doing the job well? Do the ethics of war reporting emerge simply from the 'stuff' of journalism? This book asks why it is that the authoritative reporter increasingly needs to appear authentic, and that success depends not only on getting things right but being the right sort of journalist. This, in turn, depends on the uncalculating mastery of practices both before and during a journalist's career. This book includes interviews with war correspondents and others with an active stake in the field and combines them with the critical sociology of Pierre Bourdieu to construct a political phenomenology of war reporting - the power relations and unspoken 'rules of the game' underpinning the representation of conflict and suffering by the media. It considers the recent phenomena of pooling and embedding journalists as well as the impact of new technologies, and asks what changes in the journalistic area can tell us about authority, authenticity and morality in the cultural industries more broadly. Interdisciplinary in its approach, The Politics of War Reporting will be of interest to scholars and students in the fields of media and cultural studies, sociology and political theory. ;
Women of war is an examination of gender modernity using the world's longest established women's military organisation, the First Aid Nursing Yeomanry. These New Women's adoption of martial uniform and military-style training, their inhabiting of public space, their deployment of innovative new technologies such as the motor car, the illustrated press, advertisements and cinematic film and their proactive involvement in the First World War illustrate why the Corps and its socially elite members are a particularly revealing case study of gender modernity. Bringing into dialogue both public and personal representations, it makes a major contribution to the social and cultural history of Britain in the early twentieth century and will appeal to undergraduates, postgraduates and scholars working in the fields of military history, animal studies, trans studies, dress history, sociology of the professions, nursing history and transport history.
The first comprehensive account of the public and cultural diplomacy campaigns carried out by the US in Yugoslavia during the height of the Cold War, this book examines the political role of culture in US-Yugoslav bilateral relations and the fluid links between information and propaganda. Tito allowed the US Information Agency and the State Department's cultural programmes to enter Yugoslavia, liberated from Soviet control. The exchange of intellectual and political personnel helped foster the US-Yugoslav relationship, yet it posed severe ideological challenges for both sides. By providing new insights into porous borders between freedom and coercion in Tito's regime, this book shows how public diplomacy acted as an external input for Yugoslav liberalisation and dissident movements. Using extensive archival research and interviews, Konta analyses the links between information and propaganda, and the unintended effects of propaganda beyond the control of producers and receivers.
China Story Picture Books is the first set of children's picture books launched by the Bingxin Award Committee. This set of books covers the works of seven Bingxin Award-winning writers of different ages including children's literature masters and promising young writers. The illustrations are full of traditional Chinese cultural elements such as dragon lantern dance, paper cutting, oil paper umbrella, and bamboo. Powerful painters at home and abroad are invited to do illustrations, which brings interesting fusion and collision of Chinese and foreign cultures to the books. In addition to the original illustrations, the stories are more touching. Every child can harvest the courage and wisdom for growing up from these stories. The series consists of 7 picture books: The Dragon Lantern, The Path of Golden Flowers, The Child in Three-Story Attic, The School Day Gifts, The Secret of Crossing, The Slope of Sisters. The Secret of Crossing tells the story of the growth of children in villages and small towns. The mud road to the canteen is narrow, several places collapse from the foot of the wall, and one of them breaks into a big gap. Why not fill in the big gap? It's really a lion in the way, and the girl has to cross it carefully, with all her strength.
Since the mid-2000s, the harsh reality of call centre employment for a generation of young workers in Portugal has been impossible to ignore. With its endless rows of small cubicles, where human agents endure repetitive telephone conversations with abusive clients under invasive modes of technological surveillance, discipline and control, call centre work remains a striking symbol of labour precarity, a condition particularly associated with the neoliberal generational disenchantment that 'each generation does better than its predecessor'. This book describes the emergence of a regime of disciplined agency in the Portuguese call centre sector. Examining the ascendancy of call centres as icons of precarity in contemporary Portugal, this book argues that call centre labour constitutes a new form of commodification of the labouring subject. De Matos argues that call centres represent an advanced system of non-manual labour power exploitation, due to the underestimation of human creativity that lies at the centre of the regimented structures of call centre labour. Call centres can only guarantee profit maintenance, de Matos argues, through the commodification of the human agency arising from the operators' moral, relational and social embedded agentive linguistic interventions of creative improvisation, decision-making, problem-solving and ethical evaluation.
'The silence of Barbara Synge' provides a fascinating companion volume to Bill McCormack's acclaimed 'Fool of the family' (2000), a biography of the playwright J.M. Synge (1871-1909). Taking the alledged death of Mrs John Hatch (née Synge) in 1767 as a focal point, this book explores the varied strands of the Synge family tree in eighteenth and nineteenth century Ireland. Key events in the family's history are carefully documented, including a suicide in 1769 which is echoed in an early Synge play, the effects of the famine which influenced 'The playboy of the western world' in 1907, and the behaviour of Francis Synge at the time of the union. 'The silence of Barbara Synge' is a unique work of cultural enquiry, combining archival research, literary criticism, and religious and medical history to pull the strands together and relate them to the family's literary descendent J.M. Synge. ;
Exiting war explores a particular 1918-20 'moment' in the British Empire's history, between the First World War's armistices of 1918, and the peace treaties of 1919 and 1920. That moment, we argue, was a challenging and transformative time for the Empire. While British authorities successfully answered some of the post-war tests they faced, such as demobilisation, repatriation, and fighting the widespread effects of the Spanish flu, the racial, social, political and economic hallmarks of their imperialism set the scene for a wide range of expressions of loyalties and disloyalties, and anticolonial movements. The book documents and conceptualises this 1918-20 'moment' and its characteristics as a crucial three-year period of transformation for and within the Empire, examining these years for the significant shifts in the imperial relationship that occurred and as laying the foundation for later change in the imperial system.
"What can you learn in war? Do you become numb, do you get used to it at some point? Does war make you "hard", uncaring, above pain? No. These are just clichés. Every day brings new horrors. At best, one learns for some time to suppress strong feelings, because to give in to them would weaken one's life instinct." In a very stirring and shocking, but sometimes humorous language, Christoph Brumme tells of the situation in Ukraine, the everyday life of his family and friends, of fears, longings and political assessments. The diary entries of the war and the resistance of the Ukrainians, starting from the first signs of the impending war in mid-January 2022 until the printing of this book, 1st May 2022, impressively bear witness to the brutality of these events.
The book is divided into several parts, such as the study of Hunan culture, historical stories, Hunan famous characters, folk customs, appreciation of scenery in Hunan, Hunan art and literature, etc., to show Hunan's history, culture and events from different perspectives. The book is supported with theories, historical materials, and also is of interest. It is of positive significance to the advancement of the research and development of Hunan culture.
This book tells the story of WW1 in a clear and interesting way with historical facts. This book is totally different from any history book you have read. Readers can take a lot of joy and also understand the history of WW2 at the same time.
A Vision of Battlements is the first novel by the writer and composer Anthony Burgess, who was born in Manchester in 1917. Set in Gibraltar during the Second World War, the book follows the fortunes of Richard Ennis, an army sergeant and incipient composer who dreams of composing great music and building a new cultural world after the end of the war. Following the example of his literary hero, James Joyce, Burgess takes the structure of his book from Virgil's Aeneid. The result is, like Joyce's Ulysses, a comic rewriting of a classical epic, whose critique of the Army and the postwar settlement is sharp and assured. The Irwell Edition is the first publication of Burgess's forgotten masterpiece since 1965. This new edition includes an introduction and notes by Andrew Biswell, author of a prize-winning biography of Anthony Burgess.
This book tells the story of WW2 in a clear and interesting way with historical facts. This book is totally different from any history book you have read. Readers can take a lot of joy and also understand the history of WW2 at the same time.
This book tells the story of WW2 in a clear and interesting way with historical facts. This book is totally different from any history book you have read. Readers can take a lot of joy and also understand the history of WW2 at the same time.
This series is written according to the United States, Japan, Britain, Australia and other countries' latest historical data, presenting in-depth analysis on the America-Japan sea battle in WW2, the hottest issues of twenty-first Century, and the national marine strategies and so on.
This series is written according to the United States, Japan, Britain, Australia and other countries' latest historical data, presenting in-depth analysis on the America-Japan sea battle in WW2, the hottest issues of twenty-first Century, and the national marine strategies and so on.
A Novel Based on the Author’s Life From the cobble stoned streets of Zagreb, Yugoslavia to sun-bleached Adelaide, Australia, Olga’s Secret is a novel about love and friendship tested by separation and war. Is there a time in life when it’s too late to leave your country forever? Anya returns to her homeland after her new life in Australia ended in heartbreak. Back in her homeland she renews her friendship with Olga and rekindles her past love with Filip. But both relationships are marred by secrets and the country she came back to will self-destruct in a war. Returning once again at the war’s end, Anya finds her home country in ruins. Her closest attachments, like the country, are in danger of being destroyed when her best friend reveals a disturbing secret. Juxtaposing landscapes and cultures to evoke the nature of displacement and belonging, this is a story of love in all its forms involving the three protagonists. Written with sensitivity and compassion Olga’s Secret explores life’s universal questions: What is the nature of friendship and love? Is there a limit to their endurance?