Thekla Verlag
We are a publisher from Germany with a selected list of children's and young adult books.
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Theart Press
Theart Press is a South African publisher specialisingin inspirational books - including poetry, children's books and biography.
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Promoted Content
Humanities & Social SciencesMay 2011Constitutions and political theory
Second edition
by Jan-Erik Lane
Since constitutional arrangements are what make politics work, they are a central concern of political theory. This book, now completely updated, was the first comprehensive exploration of the political theory of constitutions. Jan-Erik Lane begins by examining the origins and history of constitutionalism and answers key questions such as: what is a constitution? Why are there constitutions? From where does constitutionalism originate? How is the constitutional state related to democracy and justice? Constitutions play a major role in domestic and international politics in the early 21st century and an updated version of this classic textbook will introduce students to a number of different areas - theoretical, empirical and moral - which will aid their understanding of this important topic. ;
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Humanities & Social SciencesAugust 2000Discourse theory and political analysis
Identities, hegemoni
by David Howarth, Aletta J. Norval, Aletta Norval, Yannis Stavrakakis, Avril Ehrlich
One of the few books which systematically brings post-structuralist theory to bear on substantive political analysis. Offers accessible accounts of different strands of discourse theory such as deconstruction, psychoanalysis and genealogy, which are applied to the analysis of specific cases such as Northern Ireland and contemporary East European politics. Each chapter addresses a key theme and issue in contemporary politics. Draws on inspiration from Ernesto Laclau, Jacques Derrida, Michel Foucault and Jacques Lacan. Contains a clear introductory statement of the theoretical approach used and concludes with an assessment of the future directions of discourse theory in the social sciences. ;
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Literature & Literary StudiesJanuary 2019Taste of theory
by Zhao Qiang
The author is Zhao Qiang, deputy editor-in-chief of Global Times. The manuscript features more than 30 political essays created by the author during his studies at the Party School of the Communist Party of China. For example, "Confidence in the system, how do you feel confident", "I really admire you, respect for truth from facts", etc .; "Theoretical study, not too utilitarian", "Popular, and then popular", etc., in-depth thinking on how to use the weapon of theory; The author changed the face of the theoretical article that was boring, hard and cold, and refused to be thousands of miles away. The reasoning was based on trivial matters, making the article have a strong sense of responsibility, the weight of the theory and the ease of the form.
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Political science & theoryJuly 2015The political theory of the Irish Constitution
Republicanism and the basic law
by Eoin Daly, Tom Hickey
The political theory of the Irish Constitution considers Irish constitutional law and the Irish constitutional tradition from the perspective of Republican theory. It analyses the central devices and doctrines of the Irish Constitution - popular sovereignty, constitutional rights and judicial review - in light of Republican concepts of citizenship and civic virtue. The Constitution, it will argue, can be understood as a framework for promoting popular participation in government as much as a mechanism for protecting individual liberties. It will be of interest to students and researchers in Irish politics, political theory and constitutional law, and to all those interested in political reform and public philosophy in Ireland.
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Humanities & Social SciencesMarch 2009Men in political theory
by Terrell Carver
Men in political theory builds on feminist re-readings of the traditional canon of male writers in Political Philosophy by turning the 'gender lens' on to the representation of men in widely studies texts. It explains the distinction between 'man' as an apparently de-gendered 'individual' or 'citizen', and 'man' as an overtly gendered being in human society. Both these representations of 'man' are crucial to a clearer understanding of the operation of gender. Newly available in paperback, the book is the first to use the 'men's studies' and 'masculinities' literatures in re-thinking the political problems that students and specialists in the social sciences and humanities must encounter: consent, obligation, patriarchy, gender, sexuality, life-cycle, and discriminatory disadvantage related to sex, age, class, race/ethnicity and disability. It does this by re-examining the historical materials from which present-day concepts of citizenship, individuality, identity, subjectivity, normativity and legitimacy arise. The ten chapters on Plato, Aristotle, Jesus, Augustine, Machiavelli, Hobbes, Locke, Rousseau, Marx and Engels show the operation of the 'gender lens' in different ways, depending on how the philosopher deploys concepts of men and masculinity to pose and solve classic problems. They can all be read independently and are as suitable for those just making the acquaintance of these classic writers as for those with specialist knowledge and interests. ;
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Humanities & Social SciencesJuly 2021Critical theory and feeling
The affective politics of the early Frankfurt School
by Simon Mussell
This book offers a unique and timely reading of the early Frankfurt School in response to the recent 'affective turn' within the arts and humanities. Resisting the overly rationalist tendencies of political philosophy, it argues that critical theory actively cultivates a powerful connection between thinking and feeling, and rediscovers a range of often neglected concepts that were of vital importance to the first generation of critical theorists, including melancholia, hope, (un)happiness, objects and mimesis. In doing so, it brings the dynamic work of Walter Benjamin, Theodor Adorno, Ernst Bloch and Siegfried Kracauer into conversation with more recent debates around politics and affect. An important intervention in the fields of affect studies and social and political thought, Critical theory and feeling shows that sensuous experience is at the heart of the Frankfurt School's affective politics.
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Humanities & Social SciencesNovember 2021De-centering queer theory
Communist sexuality in the flow during and after the Cold War
by Bogdan Popa, Gurminder Bhambra
De-centering queer theory seeks to reorient queer theory to a different conception of bodies and sexuality derived from Eastern European Marxism. The book articulates a contrast between the concept of the productive body, which draws its epistemology from Soviet and avant-garde theorists, and Cold War gender, which is defined as the social construction of the body. The first part of the book concentrates on the theoretical and visual production of Eastern European Marxism, which proposed an alternative version of sexuality to that of western liberalism. In doing so it offers a historical angle to understand the emergence not only of an alternative epistemology, but also of queer theory's vocabulary. The second part of the book provides a Marxist, anti-capitalist archive for queer studies, which often neglects to engage critically with its liberal and Cold War underpinnings.
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Humanities & Social SciencesJuly 2017Recognition theory and contemporary French moral and political philosophy
Reopening the dialogue
by Simon Tormey, Miriam Bankovsky, Jon Simons, Alice Le Goff
The revival of recognition theory has brought new energy to critical theory. In general terms, recognition theory aims to critically evaluate social structures against a standard of social freedom identified with norms of interaction which are freely recognised by all parties. Until now, attention has primarily focused on the categories and forms of recognition theory. However, the influence of contemporary French theory upon the development of theories of recognition has not yet received the consideration it merits. This collection outlines the current state of recognition theory, studies the impact of French theory, and uses French thought to identity aspects of the recognitive process which are often overlooked. Exploring French accounts of agonistic identity construction, vulnerability, power, ethical obligation and reflexive theory construction, this book supports the intentions of critical theory with heightened attentiveness to oppression in all of its forms.
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Humanities & Social SciencesJanuary 2012Recognition theory and contemporary French moral and political philosophy
Reopening the dialogue
by Miriam Bankovsky, Simon Tormey, Alice Le Goff, Jon Simons
The revival of recognition theory has brought new energy to critical theory. In general terms, recognition theory aims to critically evaluate social structures against a standard of social freedom identified with norms of interaction which are freely recognised by all parties. Until now, attention has primarily focused on the categories and forms of recognition theory. However, the influence of contemporary French theory upon the development of theories of recognition has not yet received the consideration it merits. The book takes up this task. With chapters by internationally recognised authors, the collection outlines the current state of recognition theory, studies the impact of French theory, and uses French thought to identity aspects of the recognitive process which are often overlooked. Exploring French accounts of agonistic identity construction, vulnerability, power, ethical obligation and reflexive theory construction, this book supports the intentions of critical theory with heightened attentiveness to oppression in all of its forms. ;
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The ArtsJune 2021Lukácsian film theory and cinema
A study of Georg Lukács' writing on film 1913–1971
by Ian Aitken
Lukácsian film theory and cinema explores Georg Lukács' writings on film. The Hungarian Marxist critic Georg Lukács is primarily known as a literary theorist, but he also wrote extensively on the cinema. These writings have remained little known in the English-speaking world because the great majority of them have never actually been translated into English - until now. Aitken has gathered together the most important essays and the translations appear here, often for the first time. This book thus makes a decisive contribution to understandings of Lukács within the field of film studies, and, in doing so, also challenges many existing preconceptions concerning his theoretical position. For example, whilst Lukács' literary theory is well known for its repudiation of naturalism, in his writings on film Lukács appears to advance a theory and practice of film that can best be described as naturalist. Lukácsian film theory and cinema is divided into two parts. In part one, Lukács' writings on film are explored, and placed within relevant historical and intellectual contexts, whilst part two consists of the essays themselves. This book will be of considerable interest to scholars and students working within the fields of film studies, literary studies, intellectual history, media and cultural studies. It is also intended to be the final volume in a trilogy of works on cinematic realism, which includes the author's earlier European film theory and cinema (2001), and Realist film theory and cinema (2006).
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The ArtsJanuary 2019Realist film theory and cinema
The nineteenth-century Lukácsian and intuitionist realist traditions
by Ian Aitken
'Realist film theory and cinema' embraces studies of cinematic realism and 19th century tradition, the realist film theories of Lukács, Grierson, Bazin and Kracauer, and the relationship of realist film theory to the general field of film theory and philosophy. This is the first book to attempt a rigorous and systematic application of realist film theory to the analysis of particular films. The book suggests new ways forward for a new series of studies in cinematic realism, and for a new form of film theory based on realism. It stresses the importance of the question of realism both in film studies and in contemporary life. Aitken's work will be of interest to scholars and advanced students of film studies, literary studies, media studies, cultural studies and philosophy.
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Humanities & Social SciencesSeptember 2021Critical theory and demagogic populism
by Paul K. Jones
Populism is a powerful force today, but its full scope has eluded the analytical tools of both orthodox and heterodox 'populism studies'. This book provides a valuable alternative perspective. It reconstructs in detail for the first time the sociological analyses of US demagogues by members of the Frankfurt School and compares these with contemporary approaches. Modern demagogy emerges as a key under-researched feature of populism, since populist movements, whether 'left' or 'right', are highly susceptible to 'demagogic capture'. The book also details the culture industry's populist contradictions - including its role as an incubator of modern demagogues - from the 1930s through to today's social media and 'Trumpian psychotechnics'. Featuring a previously unpublished text by Adorno on modern demagogy as an appendix, it will be of interest to researchers and students in critical theory, sociology, politics, German studies, philosophy and history of ideas, as well as all those concerned about the rise of demagogic populism today.
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Philosophy: epistemology & theory of knowledgeJune 2017Critical theory and epistemology
The politics of modern thought and science
by Anastasia Marinopoulou. Series edited by Darrow Schecter
This volume in the Critical Theory and Contemporary Society series explores the arguments between critical theory and epistemology in the twentieth and twenty-first centuries. Focusing on the first and second generations of critical theorists and Luhmann's systems theory, the book examines how each approaches epistemology. It opens by looking at twentieth-century epistemology, particularly the concept of lifeworld (Lebenswelt). It then moves on to discuss structuralism, poststructuralism, critical realism, the epistemological problematics of Foucault's writings and the dialectics of systems theory. This unique work takes a comparative look at structuralism and post-structuralism's epistemological theory with special reference to scientific reason. It also investigates Luhmann's works in epistemology. The aim is to explore whether the focal point for epistemology and the sciences remain that social and political interests actually form a concrete point of concern for the sciences as well.
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The ArtsFebruary 2006Film theory
An introduction
by Robert Lapsley
Film theory: an introduction offers a highly readable account of film theory and is an indispensable resource for students. The discussion ranges from the late 1960s to the present, a period in which a number of conceptual strands, notably politics, semiotics and psychoanalysis were woven together in an ambitious synthesis. In this book, the authors chart the construction of this synthesis and its subsequent fragmentation, and clearly explain the various intellectual currents which have contributed to it. Divided into two parts, the first covers the conceptual background of film theory, dealing with historical materialism, semiotics and psychoanalysis, whilst in the second the authors concentrate on particular topics such as authorship, narrative, realism, the avant-garde and postmodernism. For this new edition, the authors have added a new foreword, a fully updated and expanded bibliography, and a 60-page Retrospect outlining developments within film theory since the book's original publication in 1988. This Retrospect identifies a number of broad readings of Theory, each with a different perspective on the main content of the book. As such, it provides a new and original mapping of the 'post-theory' moment in this complex and often fractured terrain. Accessible and authoritative, this book is essential reading for students of film theory, or indeed anyone seeking a deeper understanding of modern cinema. ;
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Literature & Literary StudiesJune 2022Critical theory and dystopia
by Patricia McManus, Darrow Schecter
Critical theory and dystopia offers a uniquely rich study of dystopian fiction, drawing on the insights of critical theory. Asking what ideological work these dark imaginings perform, the book reconstructs the historical emergence, consolidation and transformation of the genre across the twentieth century and into our own, ranging from Yevgeny Zamayatin's We (1924) and Aldous Huxley's Brave New World (1932) to Anthony Burgess's A Clockwork Orange (1963) and Suzanne Collins's Hunger Games series (2000s and 2010s). In doing so, it reveals the political logics opened up or neutered by the successive moments of this dystopian history.
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Humanities & Social SciencesNovember 2018The political materialities of borders
by Olga Demetriou, Rozita Dimova, Hastings Donnan, Sarah Green
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Humanities & Social SciencesDecember 2018Records of Reform and Opening-up in Hunan
Volume 2018
by Hunan Provincial Research Institue of Party History
This book focuses on Hunan province, takes the historical development of socialism with Chinese characteristics since the reform and opening up as a clue, combines the three volumes of party history and historical research in socialism with Chinese characteristics, and selects typical events as the topics to reflect the decisions, policies, and actions that have significant influence and local characteristics in the process of reform and opening up.
