KIA Literary Agency was founded in 2002 in Tehran with the aim of promoting and supporting fine literary works in all forms throughout the world. It brings about opportunities for authors, illustrators, publishers, translators, and those involved in this field to meet their counterparts. And at the same time, it introduces them to the world and will inform them of all the related events which take place in the world of art and literature.
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The book consists of dialogues between Chang Shuhong, the guardian of Dunhuang, and Daisaku Ikeda, a famous Japanese thinker. It contains five chapters, focusing on Dunhuang art and oriental civilization.
Dunhuang, Dunhuang—The Autobiography of Chang Shuhong tells the life of Mr. Chang Shuhong, the guardian of Dunhuang, who devoted all his life to Dunhuang.
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On Dunhuang Murals is general reading material about the art of Dunhuang murals, and it’s the ingenious work of Mr. Chang Shuhong, the pioneer of Dunhuang Studies in China.
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On Dunhuang Painted Sculptures is general reading material about the art of Dunhuang painted sculptures, and it’s the ingenious work of Mr. Chang Shuhong, the pioneer of Dunhuang Studies in China.
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Mogao Grottoes Art in Dunhuang is general reading material about the art of Dunhuang grottoes, and it’s the ingenious work of Mr. Chang Shuhong, the pioneer of Dunhuang Studies in China.
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Carefully selected and meticulously compiled, this collection features nearly four hundred artworks from the various stages of Mr. Chang Shuhong's artistic career. It encompasses a wide range of categories, including oil paintings, watercolors, copies, sketches, and more, offering a comprehensive showcase of the distinctive creative characteristics of Mr. Chang Shuhong across different periods and reflecting his artistic journey under different circumstances. Authored by experts from the Dunhuang Academy, the detailed annotations provide valuable insights into the background of each piece, aiding readers in gaining a deeper understanding of the stories behind the artworks and interpreting Dunhuang art.
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Carefully selected and meticulously compiled, this collection features nearly four hundred artworks from the various stages of Mr. Chang Shuhong's artistic career. It encompasses a wide range of categories, including oil paintings, watercolors, copies, sketches, and more, offering a comprehensive showcase of the distinctive creative characteristics of Mr. Chang Shuhong across different periods and reflecting his artistic journey under different circumstances. Authored by experts from the Dunhuang Academy, the detailed annotations provide valuable insights into the background of each piece, aiding readers in gaining a deeper understanding of the stories behind the artworks and interpreting Dunhuang art.
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Why is the search for democratic renewal so elusive? This book examines both the political and policy implications of efforts by the centre-left to transform democracy. This is a story not only about democratic change, but also the identity crisis of centre-left political parties. The book offers a fresh critique of the Big Society agenda, and analyses why both left and right are searching for democratic renewal. Drawing on high-profile interviews and examining an in-depth series of comparative cases, the book argues that the centre-left's search for democratic renewal contains a range of policy and political aims, contradictions and tensions. It will be of interest to students, academics, researchers, interest groups and policy analysts interested in consultation, democratic renewal, labour politics, and Australian and British politics. ;
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Half of the Quilt(Youth Edition) is based on the movie Heart for Heart (produced by Xiaoxiang Film Group and directed by Meng Qi). In October 1934, the fifth anti-encirclement failed, the Central Red Army evacuated the Soviet Union and began the Long March. The Red Army field hospital was bombed by enemy planes and suffered heavy casualties. Dong Xiuyun, a female soldier who stayed at the field hospital to look after the wounded, decided to take the wounded with her and chase the troops. Dong Xiuyun took in the soldiers of the various units who were left alone along the road, forming a special team. After the team came to Shazhou Village, the three female Red Army lived in Xu Xiexiu's house. When parting, Dong Xiuyun cut the only one quilt in half to Xu Xiexiu. This book nourishes the young people's spiritual world with red culture, inherits the red gene, and allows the spirit of the Long March to be passed on from generation to generation among children.
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Bajautopia is a book that aims to reflect on both the struggles and hopes of the Bajau Laut community. Bajautopia is both a manifesto and a provocation. This edited volume contains a collection of inspiring essays to reveal the life and culture of the Bajau Laut. The book brings together a wide range of essay contributors, led by the foremost writers and scholars from the fields of architecture, history, film studies, anthropology, tourism, political science, and urban planning in Malaysia. Considered as a dialogue between scholars/writers from different cultural backgrounds and epistemological contexts, this book explores a diverse range of topics integral to the livelihood of the Bajau Laut.
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The works of Juan Miramar presented in this book, as always, are distinguished by refined language, subtle humor and a peculiar philosophical view of life, as well as a bright oriental flavor. The story "Echo of Someone Else’s War" impresses with its fascinating dynamic plot. A scientist and writer, a former translator of international peacekeeping forces, suddenly finds himself in the thick of events of a modern secret war. The distant past extends its tentacles into the present, not only forcing the main character to remember his military experience, but also prompting him to choose a side in Arab and non-Arab conflicts that are foreign to him.
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Crimea. It was here that the main character of the novel spent her childhood, youth and met first love. It was here that she realized that she is Ukrainian. Neither grandfather, lieutenant colonel of the KGB, nor Russian blood in his veins stood in the way of her self-identification. The novel intertwines Crimean Tatar culture, Ukrainian history and family skeletons in closets like an ornament. Together with the main character and her friends, Aliye who is a Crimean Tatar, and Alyona who is a Ukrainian, the reader travels a long way from their childhood to the present — the occupation of the peninsula by Russia. «There is a land beyond Perekop» is an ode to Crimea. Not to its natural beauty and uniqueness, but to people. This is an attempt to open the mainland for Crimea, and Crimea for the mainland. After all, there is land both there and there. It should be known and stitched.
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5+ It is a story of self-discovery and finding one's place in the world—a metaphor for the search for happiness and connection with life. Through creative energy and responsibility, a person transforms a rocky island into a beautiful garden. - A journey of self-discovery, finding one’s purpose, and experiencing happiness through trying new things.- Patience, perseverance, and keen observation pave the way to achieving goals, even those as elusive as happiness.- Modern illustrations in soft pastel tones that appeal to both children and adults.- Highlights a rare profession — ognithologist — and its unique challenges.- Draws attention to endangered species and the importance of their preservation.
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Since February 24, thousands of women like Justyna have crossed the border every day. With children, pets, and sick parents, they ran away from the horrors brought by the Russian army into Ukraine. Justyna recently retired but hasn’t lost a taste for life. But the war changed everything. An intelligent and smart teacher, she becomes a refugee in Europe, along with thousands of other Ukrainian women. “Who are you?” “I am Justyna,” she would always answer the question that seemed to come from everywhere. Together with Justyna, readers travel through a long road toward the search for the self in the world that dramatically expanded and yet existed only at home, in Ukraine. Foregrounding the traumatic experience of becoming a refugee, the loss of home, and a reconsideration of a new life, the novel answers the question of who really is Justyna as well as every Ukrainian woman who lived through the experience of forced displacement.
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He could have been showing his son the world, and just stayed by his side. Instead, he joined the army to protect his country in the Russo-Ukrainian war. Despite the exhausting days of combat, the main character doesn’t forget that he is a father, too. This book came to be as a conversation with the son who remains far away, yet always close — in his father’s heart. The book doesn’t include battle scenes or combat descriptions. Valeriy Puzik tries to demonstrate that even at the time of the most ruthless wars, a human remains at the center of everything. He leads readers through fragments of memories, reflections about today, and dreams about the future, creating his own battlefield reality. This book is about the here and now that thousands of soldiers experience during the war. It’s a raw nerve that leaves no space for feelings of indifference towards the world around. It’s a narrow path over the precipice that must be crossed to finally see the light — children, loved ones, and a peaceful homeland.
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This is a reference book on the developmentof nursing practice in healthcarefacilities. The authors present person-centered nursing practice in itsbasic principles and with a model. Theydescribe paths, roles and examples of aperson-centered development culture.Using examples, they show how theconcept of person-centeredness canbe developed, planned, implemented,applied, evaluated, researched andtaught.
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What makes human beings human? Is it a life in society that makes us what we are? We often hear stories of persons who have survived in the wild without social contact or who were supposedly raised by wild animals. Kaspar Hauser is probably the most well-known example, but certainly not the only one. P. J. Blumenthal has taken up the hunt for the “wild man” Homo ferus on the boundary between man and animal.
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Despite the abundance and quality of recent historical writing on consumerism, it cannot be said that the modern Co-operative movement (Co-op) has been well served. It has also been by-passed in studies that locate Britons' identity in their consumption. The reasons for this can be found in the widely perceived decline of the Co-op since the 1950s, but also in various historiographical agendas that have resulted in its relative invisibility in modern British history. This book, by demonstrating the variety of broader issues that can be addressed through the Co-op and the vibrancy of new historical research into consumption, seeks to remedy this. Taking stock, both of the Co-op in a broader context and of new approaches to the history of consumption, combines the work of leading authorities on the Co-op with recent scholarly research. It explores the Co-op's distinctive interface between everyday issues and grander idealistic concerns. The chapters intersect to examine a broad range of themes, notably: the politics of consumerism including consumer protection, ethical and fair trading and alternatives to corporate commerce; design and advertising; the Co-op's relations with other components of the labour movement; and its ideology, image and memory. The collection looks at the Co-operative movement locally (through specific case studies), nationally and also in comparison to the European movement. This collection will appeal to academics, researchers, teachers and students of the economic, cultural and political history of twentieth-century Britain. It will also be of interest to academics and students of business studies, and co-operative members themselves. ;
