PalmArtPress is an international publishing house located in Berlin. It publishes books in both German and English languages and distributes them in Germany and English-speaking areas. Our program includes literature, poetry, philosophy, and art books.PalmArtPress connects not just different genres, but also people of different nationalities and cultures, who are brought together in the press’ space for readings and exhibitions.
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"A historiografia sobre as artes cênicas no ocidente, em linhas gerais, concorda que a moderna encenação teatral possui sua certidão de batismo em dois textos fundadores: 1884, A arte da encenação: ensaio de estética teatral de Louis Bec de Fouquières, e 1903, Conversas sobre a encenação de André Antoine. Assim, em termos de cultura teatral ocidental, pode-se considerar que o conceito de moderna direção teatral e consequentemente o perfil do diretor possuiriam pouco mais de cem anos de idade. O que dizer então do processo de transmissão deste jovem ofício às novas gerações? Ensaiar, dirigir, encenar, performar. Esses são verbos que, na língua portuguesa, sinalizam atitudes criativas distintas em relação ao palco. O comportamento criativo do coordenador da cena teatral reflete a mentalidade de sua época. Assim, o ensaiador luso-brasileiro esteve condicionado pela técnica teatral associada aos gêneros dramáticos; o moderno diretor passou a ser o porta-voz, o mediador poético das palavras do autor da peça; enquanto que o encenador procurou expressar, por meio de uma escrita cênica arrojada, mais sobre si próprio e suas inquietações sobre o mundo do que sobre o resíduo escrito por outrem; e o performador vem performando na contemporaneidade, atritando mais do que nunca o real e o ficcional, o autobiográfico e o discurso sobre as minorias e temas atinentes à pós-modernidade, reciclando formas e gêneros. Como estabelecer então os fundamentos desta formação técnica e desta arte centenária? Simples. Leia este livro que você tem em mãos e aventure-se. Descubra o diretor teatral que existe em você. Conciliando fundamentos do ensino dispensado nos Conservatórios europeus com a teoria e prática do teatro advindas do ensino universitário, Gláucio Machado nos oferece caminhos seguros os quais associam esforço criativo e trabalho intelectual para oferecer uma sólida iniciação à formação do diretor teatral. — WALTER LIMA TORRES NETO (Professor titular de Estudos Teatrais na UFPR em Curitiba)."
Durante la función de la vida, no hay guión que no se improvise. Cuando se levanta el telón de las pasiones, cada cual se procura un palco de primera haciendo de su imaginación el único escenario factible, donde la ovación final se alce sobre las dificultades ... y sea posible. No hay mayor blasfemia que la de mancillar las caderas cubriéndolas con telas de miedo, ni límite que pueda restringir la insolencia de quien se viste de conocimiento. No puede darse cuenta de belleza que en equilibrio con la verdad no haga de la sensualidad su método, ni existe peor pudor que el de permanecer ante la calidez, siendo hielo. No cabe sutileza más nítida que la de pasearse desnuda de prejuicios ante los rebuznos del pueblo, ni erotismo más elevado que el de insinuar la piel bajo la trama de la que se viste el deseo. Creemos firmemente, como Gil de Biedma: Que la vida iba en serio .
Luz & Tom Os diferentes eixos temáticos (amor, política, transcendência, humor, a cidade, entre outros) podem ser encontrados neste livro onde alguns poemas ganham o palco enquanto poesia encenada e/ou canção, valendo-se Laureatti da sua primeira formação em teatro. Isto é, um poeta-ator que, de seus próprios escritos, e do diálogo com o teatro em poemas encenados e, talvez, sobretudo na interatividade com a própria cultura de saraus na qual está inserido, enquanto sujeito coletivo e histórico, apresenta-nos inesgotáveis possibilidades de significações e ressignificações do mundo e do trabalho poético, inclusive até, é claro, com algumas canções e cenas teatrais do livro de poemas escrito de próprio punho, Luz & Tom.”.(Cláudio Antônio da Silva. Em artes, Cláudio Laureatti. Natural de São Paulo. Poeta e ator, participa da cena poética dos saraus desde os anos 90. Integrou a Cooperifa e foi um dos vencedores da Quinta Bienal de Arte, Ciência e Cultura da UNE. Light & tone The different thematic axes (love, politics, transcendence, humor, city, among others) can be found in this book where some poems come into the scene as poetry and/or staged song, where Laureatti is making use of his first training, in theater. In other words, an actor-poet who, from his writings, and from the dialogue with the theater in staged poems and, perhaps, mainly in interactivity with the very culture of soirees in which he is inserted, as a collective and historical subject, presents himself in the inexhaustible possibilities of meanings and reinterpretations of the world and poetic work, including, of course, some songs and theatrical scenes from the book of poems by its own author, Light & Tone.” (Cláudio Antônio da Silva. Known as Cláudio Laureatti. Born in São Paulo, poet and actor, participates in the poetry scene of soirees since the 90s. He was a partner at Cooperifa and was one of the winners of the 5th Biennial of Art, Science and Culture at UNE.
Organized by Fernanda Arêas Peixoto, professor at the Department of Anthropology of the University of São Paulo, and Adrián Gorelik, professor at the University of Quilmes, this book is the result of a collective research project about the cultural urban history in South America, which was developed by a group of South American researchers. Using as a compass the notion of “cultural arena”, this work performs a reflection on the city as a place of cultural germination, experimentation and resistance. Some cities – Buenos Aires, Santiago, Lima, Recife, Rio de Janeiro, São Paulo, Salvador, Montevideo, among others – are studied in order to capture the intimate and inextricable relations between city and culture.
This collection presents six of the most remarkable architectural projects by Lina Bo Bardi: Glass House, São Paulo Art Museum (MASP), Sesc Pompeia Factory, Oficina Theater (all in São Paulo), Unhão Manor (Bahia) and Espírito Santo do Cerrado Church (Minas Gerais). Besides texts by the editor Marcelo Carvalho Ferraz, this work features contributions by researchers and professionals who worked with Lina. The six volumes also contain writings by Bardi and a rich iconographic material composed of drawings, building plans and photographs. São Paulo Art Museum | with texts by Lina Bo Bardi and Aldo van Eyck | 64 pages Sesc Pompeia Factory | with texts by Lina Bo Bardi, Marcelo Carvalho Ferraz and Cecília Rodrigues dos Santos | 64 pages Oficina Theater | with texts by Lina Bo Bardi, Edson Elito and José Celso Martinez Corrêa | 48 pages Glass House | with texts by Lina Bo Bardi and Marcelo Carvalho Ferraz | 48 pages Espírito Santo do Cerrado Church | with texts by Lina Bo Bardi and Edmar de Almeida | 48 pages Solar do Unhão | with texts by Lina Bo Bardi and André Vainer | 48 pages
Women in the history of rock are not few; but few are the ones remembered. However, armies of other female musicians fought with them, though their stories never gained the spotlight. But the moment to tell them has arrived. That’s why Rocket Girls is first of all a request for attention. A reading that encourages us to look beyond labels and consider female music not a genre in itself, but a world as rich and multi-faceted as the male one. You will meet fifty women who have fought the patriarchy of rock. One song for every artist, from the ’50s to this day.Nina Simone, M.I.A., Lauryn Hill, Saint Vincent, Madonna, Fiona Apple, Patti Smith, Joni Mitchell, Björk, Amy Winehouse, Tina Turner, Siouxie, Courtney Love, Janis Joplin, Marianne Faithfull, Nico, Sinead O’Connor, Whitney Houston, Cat Power, Tori Amos, PJ Harvey, Cher, and many more.
This book presents an overview of Amazonian history and analyzes the novel Cycle of the Far North, by Dalcidio Jurandir, a work that represents the social inequality and exclusion inherent to Amazonian society. Willi Bolle rescues the work of this important, albeit unknown, author, emphasizing Dalcidio Jurandir’s contribution to our understanding of Amazonian culture. In his work, Jurandir describes the quotidian of those living in the periphery of society, and advocates, quite emphatically, quality education for the poor. He also registers the social dialect of the inhabitants of the Amazon, in a document of the cultural memory of the region.
When the dance teacher announces that she’s entered her students in the Young Dance Competition, everyone is thrilled! Well…, almost everyone. Alice is twelve and, even though she’s done ballet for five years, she’s never gotten over her stage fright. Of course, what happened last year – when she turned right and everyone else turned left… right there… right in front of everyone… – only made things worse! So, just forget it! There’s no way Alice is going on stage! That is, unless Leonardo, who’s just joined the class, can change her mind…
“Between reality and Dreaming, a third force emerged... capable of destroying both!” Allow yourself to embark on an epic journey through a universe hidden in the dreams of human consciousness. Endowed with incredible worlds and beings, heroes unlikely and powerful forces in the midst of the outbreak of war, this combination explosive promises to give the reader a unique experience to be lived in one breath! Together with Aziz Mandral, a frustrated and bankrupt young journalist, unveil dreamlike secrets of a reality that can only be seen with closed eyes. Travel with him through ‘lucid dreams’ showered with a lot of rock n ’roll, confusions and selfdiscoveries, all mixed with a dose of frank humor that will captivate from start to finish. Live a world where time is nothing more than a piece to be shaped by skillful hands, like Kazuo's - The Cartographer of Dreams. And if you still with your eyes closed, get drunk on Seiji's confused adventures Miura: a mercenary and warrior monk from the forests of Mt. Ōmine will drive through trails, at least, mindblowing! But don't be fooled by the charms of the dream world and don't whistle so loudly carefree songs, my dear Onironaut... for here you never know what that lurks behind the blackness of the night. Know that where the grass scorching sands are on the rise - and the term ‘nightmare’ gets new Meanings... Yes, a lifetime in one night ... this is the proposal, no less. But you're not a coward, are you? So sleep now: you are challenged to be won over!
A series of beautifully illustrated gift books for a age group 9-99. Every title takes the reader in a special journey at the discovery of FOOD, MUSIC, FASHION and TIME from curious and unusual perspectives. In the series: LALALA - Music ZIP - Fashion YUM - Food GONG - Time
Carlos García is told in the newspaper that his name is too common. For this reason, when he begins to write the chronicles of FC Barcelona, he signs as K. Behind the mask of the pseudonym, the student who dreamed of newsrooms engulfed in smoke and screams at closing time begins his promising career without having left university. But dreams are seldom made of real material. Between football stadiums, ballpoint pen caps and lonely hotel rooms, K. imposes on himself a happiness that he will never own. The rise and fall of a legendary team, the decrepitude of a profession that only finds refuge in the big headlines and some journalists who hide behind their screens set a chronicle of chronicles in which the final result remains to be discovered. Soccer players, journalism or K. Who will accept the final defeat?
With the suggestive title 'Imperfect knots’, Mayra S. Mayor tells the parallel, but at the same time, crisscrossing stories of Lulu, Nana, kill and Sofia. In Rio de Janeiro youth destined to live deep and intimate experiences, the more independent they become, the more are hostages of their own personal conflicts. Vaporous dialogues, the most sweeping statements, draws attention in this work, the writer's ability to begin, develop and create links between the conflicts in the degree that explores the personalities of the four protagonists, weaving the actions of this with their transformations in the future.
Adolescence is a time of many doubts, anxieties and uncertainties. In this phase, sexuality is unfolding, and we are going through — because everyone has gone, is going or will go through — self-questions about all conditions, all desires, including regarding sexuality. If on the one hand, we see in beautiful social networks beautiful movements of self-acceptance and discovery, on the other hand we live in a time of great obscurantism and attempt to cage the desires and contain the experiences of young people – whether at home or at school, and unfortunately, many times, with public authority initiative. This book asks this of young people, who often find themselves trapped by a cultural need (or family pressure) to create heteronormative bonds, when, in fact, they feel the desire for people of the same sex. But this book also understands that it is necessary to take this issue to the world, so that everyone reflects on otherness, sexuality and, mainly, the many possibilities of affection and desire. Por que não consigo gostar dele/dela? is a book with two sides, two covers, four stories and many testimonials.
Three lives intertwined at random. An orphan of 25 years, a psychiatrist with cancer and the girl by the bridge - a young woman with suicide attempt history - will discover how grievances, absences, anxieties and sorrows can transform us through affection, gratitude and hope after the chaos. 'The girl by the bridge', the writer and psychiatrist Diego Mello, is a novel that deals with the feeling of 'an exaggerated amount of life', even through pain and disappointments. The reader is transported to the movements that develop within the chaotic and turbulent psychological functioning and that question the certainties of life. The arduous task of facing feelings, the author indicates that you need to 'look in the stars some sort of encouragement to pain' and see how the other interferes with our psyche and can save us or condemn us. The work challenges us to walk the path of the characters and the discovery of who we really are, or want to be. In the words of one character, 'You have to get lost to find yourself.'
How will our future look like? This volume recounts, through clear and funny illustrations, the life of a typical family of 2050. The main themes are represented with two large boards: an introductive scene to contextualize the subject, focusing on items and everyday situations, and the following spread zooming in with realistic examples of the various innovations which will characterize our daily life. Every item represented in the book is actually going to exist, based on scientific records and discove so that children of today will learn about the actual future they are going to live in.
Football shapes cities, and derbies turn them upside down. Two friends travel to ten European cities (Istanbul, Belfast, Belgrade, Sheffield...) to narrate and photograph them, and use football as their gateway and common thread. Because the king of sports is an instrument as effective as any other to delve into the political, social, economic and cultural reality of a place.
