East China Normal University Press Ltd. (ECNUP), established in 1957, is one of the two oldest publishers in China specializing in education publicationsas well as the top-ranking publisher in education. ECNUP is the top publishing house in Shanghai, and ranks among China's top 100 presses.
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MidnightSun Publishing has grown out of a disenchantment with the established publishing houses in Australia. We know there are plenty of fabulous manuscripts about unusual topics floating around, but publishing new and unknown writers poses a big risk. MidnightSun is prepared to take that risk. We want our readers to be entertained. We want to challenge, excite, enrage and overwhelm. Therefore, we publish books in any genre that have touched us in some way. Because we are a new publishing company, striving to become established, we expect our writers to be enthusiastic about their own work and able to promote it in the wider community.
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Ghassan, a musician and Oud player, leaves for New York, fleeing the Lebanese civil war after his extremist bother, Afif, murdered his older and pacifist brother Jamal, who sought to open the door to Muslim-Christian dialogue. In New York, Ghassan struggles to erase all his memories but his thoughts would always bring him back to his hometown, Dar El Ezz, as it was long before the war. ///Soon, he falls in love with and marries Kristin, becomes more emotionally stable, and embraces American culture. But when he must return to Lebanon for his father’s funeral, nostalgia for his homeland and a series of events force Ghassan to face a convergence of two cultures. ///“Efrah Ya Qalbi” (Rejoice, My Heart!) is a novel about love, music, identity, one’s sense of belonging, brotherly conflicts, and the diaspora. It dives into the lives, troubles, and dilemmas of the characters. ///The stories intertwine amid a fascinating narrative, thus revealing the turmoil and troubles of the Lebanese community torn by wars and outbursts. The novel also addresses the relationship between the East and the West, where struggling and cracked identities are silenced and offers a new vision through analysis and narration.
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Middle English literature is intimately concerned with sleep and the spaces in which it takes place. In the medieval English imagination, sleep is an embodied and culturally determined act. It is both performed and interpreted by characters and contemporaries, subject to a particular habitus and understood through particular hermeneutic lenses. While illuminating the intersecting medical and moral discourses by which it is shaped, sleep also sheds light on subjects in favour of which it has hitherto been overlooked: what sleep can enable (dreams and dream poetry) or what it can stand in for or supersede (desire and sex). This book argues that sleep mediates thematic concerns and questions in ways that have ethical, affective and oneiric implications. At the same time, it offers important contributions to understanding different Middle English genres: romance, dream vision, drama and fabliau.
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This book offers a nuanced snapshot of the complex geopolitical dynamics in the Persian Gulf, underlining the interaction between Iran, Saudi Arabia, and the US. Examining their interwoven relations since the 1970s, Luíza Cerioli's framework reveals how changes in US-Saudi ties have ripple effects on Iran-US and Iran-Saudi relations and vice versa. Using a historical lens, she explores how enduring US-Saudi connections hinge on order expectations, delves into the cognitive factors shaping US-Iran enmity and traces the source of oscillation in the Saudi-Iran ties. Employing Neoclassical Realism, the book investigates status-seeking, national identities and leadership preferences, offering a deeper understanding of the region's multipolar system. By combining International Relations and Middle East Studies, Cerioli's work contributes to both fields, unravelling the intricate interplay between international structures, regional nuances and agency in shaping Persian Gulf geopolitics.
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The novel blends imagination with reality, exploring the struggle between opposites: good and evil, truth and lies, spontaneity and intent. It addresses the essence of humanity, untethered by time or place, and delves into the timeless journey of human existence.
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Amnon Shamosh, who made his name as an author with the well-known family saga “Michel Ezra Safra & Sons” as well as with the dozens of enthralling short stories that appeared in the collections entitled “My Sister the Bride” and “Wheels of the World,” surprises us once again with a novel that is modern, brilliant, and profound. The story revolves around age-old traditions and historical facts that complement one another, mingling in Shamosh’s imagination and impassioning the reader. In the year 1400, the great conqueror Timur Lang arrives in the Syrian city of Haleb (Aram Zoba) and from it sends ten Jewish families of silk dyers into exile, banishing them to Samarkand, capital of Timur’s empire, on the Silk Road. Timur Lang also kidnaps Jewish virgins, sequestering them in his harems. One of the virgins captures the heart of Timur’s son, a man of intellect and creation, who ruled under him. King Elias, “son of the Jewess,” who was raised in the Islamic faith, embarks on a quest to Spain in an effort to get to know and understand the Christian world as well as the Jewish one, which was flourishing in Spain at the time. Elias, seeking an identity and also a bride, finds them in Haleb, city of his maternal forefathers. His young wife came from the Dayan family, with ties to the dynasty of the House of David. The novel moves through three story lines. One is situated in the fifteenth century and centers mainly on the royal family and on the harem in Samarkand. The second occurs at the beginning of the twentieth century, in Jerusalem’s Bokharan Quarter, where immigrants from Bokhara and Haleb are crowded together, and the leaders of the new Jewish immigrant society visit the neighborhood. Story line number three concerns the last decade of the century, with the massive immigration of Soviet Jewry; the story here focuses mainly on the Bokharan immigrants. The spotlight is on Oshi Shauloff Ben-Shaul, born in the Bokharan Quarter, whose mother, of Halev origin, is a descendant of the above-mentioned House of Dayan and has roots in one of the families that were exiled from Haleb to Samarkand. This novel, excitingly erotic yet refined and restrained, has a style that is at once powerful and inspiring – as we have been led to expect from the works of Amnon Shamosh. Born in Syria in 1929, Amnon Shamosh immigrated to Tel Aviv as a child and later became one of the founding members of Kibbutz Ma'ayan Baruch, where he resides today. A graduate of the Hebrew University in Jerusalem, author of both poetry and prose for children and adults, his work has been translated into English, Spanish, and French. Amnon Shamosh is a recipient of the Agnon Prize, named after the celebrated Israeli Nobel Laureate in Literature, the Prime Minister's Prize for Creativity, the President of Israel's Award for Literature, and numerous other literary awards. 288 pages, 14.5X21 cm
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Concepts of 'race' and racism are central to British history. They have shaped, and been shaped by, British identities, economies and societies for centuries, from colonialism and enslavement to the 'hostile environment' of the 2010s. Yet state and societal racism has always been met with resistance. This edited volume collects the latest research on anti-racist action in Britain, and makes the case for a multifaceted, historically contingent 'tradition' of British anti-racism shaped by local, national and transnational contexts, networks and movements. Ranging from Pan-Africanist activism in the 1890s to mutual aid women's groups in the 1970s, from anti-racist trade union marches in Scotland to West African student groups in North East England - this book explores the continuities and interruptions in British anti-racism from the nineteenth century to the present day.
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This book takes the origin, introduction, and development of religions in Southeast Asia as the research object, takes "dissemination" and "evolution" as the analysis dimensions, explores the influence of historical evolution and social changes in Southeast Asia on the development of religions, and analyzes the spread of foreign religions and their relationship with local beliefs. Combining the path of evolution, sort out the flow and interaction among religions in Southeast Asia, and summarize the development laws and characteristics of religious history in Southeast Asia. The time period is from ancient times to the middle of the 20th century
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Drawing on the everyday experiences of 43 British-Bangladeshi Muslims living in East London, this book explores stories of migration and belonging vis-à-vis dress and language. In narrating those stories, the book is framed within the broader socio-political conversations happening regarding Muslims in Britain and their 'place' in this society. Recent work on Muslims focuses on their religious identity and its formation, not paying attention to the role of dress and language. With the former, much of it tends to, obsessively, focus on Muslim women only. This book, alternatively, explores religious identity formation in addition to examining the British-Bangladeshi Muslim community's relationship with their ethnic identity vis-à-vis dress and language. As such, the analysis provides a rich, bottom-up analysis of the community, and readers will be able to understand a community holistically, away from the over-sensationalised community within broader socio-political context.
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Turkey facing east is about the importance of Turkey's relations with its Eastern neighbours - Azerbaijan, Armenia and the Soviet Union - during the emergence of the modern Turkish nation-state from the ruins of the Ottoman Empire. The principal strength of this book is that it not only combines historical and theoretical arguments in order to provide a better understanding of the foreign relations of a predominantly Muslim country from a critical and interdisciplinary perspective, but it also applies the new approach to the analysis of Turkish foreign policy towards the South Caucasus between 1918 and 1921. Hence, it stands out with its original interdisciplinary approach to the Turkish transition and foreign policy-making that offers perspectives on the extant possibilities for the particular transitional states resulting from the Arab spring uprisings.
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The novel poses the problem of identity, as it is the essence of the psychological and intellectual conflict of the main character (Hassoun), who is disputed by two contradictory identities; He was born in the land of Yemen from a Muslim father and a Jewish mother and carried the inheritance of the two religions and their old and new conflict.Hassoun's internal journey continues with his own human crises and transformations that he witnesses along with his external journey through various societies that he went through in transitional stages of their history. Over two thousand seven hundred years, Hassoun seeks to discover himself and reach his identity by retiring at times, and by experimenting at other times, thus he goes through multiple experiences to get closer to himself.
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Humans, who hold the power and exercise it for their own benefit, do not see the other beings of that universe. The invisibility and the political and social relations of micro and macro powers are intertwined in the maximum of coexistence and coexistence between different beings in a common territory.
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Despite its small size, it managed to take its place among the best modern literature books in recent years. From the title and cover, going through its amazing preface and eloquent language, and to the element of surprise and unexpected ending. Abdallah Al-Zioud was able to make the reading journey of this novel a meaningful journey despite its shortness; a journey introduces readers to new terms that manipulate their imaginations and puts them in the eye of the event through a visual language that conveys the reader from paper to the visual world of the novel. It teaches them some of writing tricks and simplifies what seems complicated at the beginning so that the reader believes in its ordinary before discovering that he has fallen victim to fraud.I can say that the most beautiful thing about this novel is that it was not written in a style and did not follow a context. it rebelled against the ordinary, uniquified in style, and combined simplicity and complexity in a way predicting an amazing ability and counted in its writer favor.
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In 2014, the Russian army, with support from local militants, had occupied parts of Ukraine’s two easternmost regions, the regions that were the beating industrial heart of the socialist utopia in the Soviet era, and where coal extraction has exhausted both the human population and the natural resources. The regions have suffered from the post-Soviet chaos for decades. In the late 2016, the author set out on a research trip to the East to answer the common questions of those who’ve never been to the region. He takes his readers on a complicated, painful and hopeful trip across the Ukrainian East, guiding them through conversations with the locals, archival research, and conversations with prominent cultural fi gures like writer Serhij Zhadan or released after 700 days of terrorist captivity historian Ihor Kozlovskyi that were born in the region. The readers will meet the miners, the Belgian and British investors who founded the eastern cities, the priceless coal, events of the First and Second World War, the bloody Soviet history, the activists who are now working to improve the country, and sweet memories of the lost paradise.
Four children have to deal with the killing of their father in violent, 1970's Northern Mexico. Grief does not stop because nobody in the family wants to talk about the murder for fear of disrupting family unity. The story is written from the perspective of four narrators. The first is a woman who tries to find the truth using her own recollection, photographs and a USB. A second narrator is a police detective who was the lead investigator of the killing and keeps a detailed file and realizes something doesn´t quite add up. A third narrator is a middle-aged woman, facing a cancer diagnosis and who, in the middle of treatment, starts remembering things about her father. The novel takes us deep into the dark wolrd of the 23 September Communist guerrilla in Mexico, weaving elements of historical fact and fiction, and trying desperately to answer questions about the need to for the truth.
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‘In the Footsteps of Enayat Al-Zayyat’ is a book that traces the life of an unknown Egyptian writer who died in 1963, four years before the release of her only novel. The book does not follow a traditional style to present the biography of Al-Zayyat, or to restore consideration for a writer who was denied her rights. Mersal refuses to present a single story as if it is the truth and refuses to speak on behalf of the heroine or deal with her as a victim, but rather takes us on a journey to search for the individuality that is often marginalised in Arab societies. The book searches for a young woman whose family burned all her personal documents, including the draft of her second novel, and was completely absent in the collective archives. The narration derives its uniqueness from its ability to combine different literary genres such as fictional narration, academic research, investigation, readings, interviews, fiction, and fragments of the autobiography of the author of the novel. The book deals with the differences between the individuality of Enayat, who was born into an aristocratic family, graduated from a German school and wrote her narration during the domination of the speeches of the Nasserism period, and that of Mersal, a middle-class woman who formed her consciousness in the 1990s and achieved some of what Enayat dreamed of achieving but remained haunted by her tragedy. The book deals with important political, social and cultural issues, as we read the history of psychiatry in modern Egypt through the pills that Enayat swallowed to end her life on 3 January 1963, while her divorce summarises the continuing suffering of women with the Personal Status Law. We also see how the disappearance of a small square from her neighbourhood reveals the relationship between modernity and bureaucracy, and how the geography of Cairo changes, obliterated as the result of changes in political regimes. In the library of the German Archaeological Institute, where Enayat worked, we find an unwritten history of World War II and, in her unpublished second novel, we see unknown stories of German scientists fleeing Nazism to Cairo. We also see how Enayat’s neglected tomb reveals the life story of her great-grandfather, Ahmed Rashid Pasha, and the disasters buried in the genealogy tree.
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If you are not ready to face your reality, if you are running away from yourself and avoid facing yourself, then this book is not for you! In this book, you will be shocked by discovering many things and facts that you thought were part of the postulates of life. Also, this book will deal with many bold and realistic matters in our Arab societies that were not discussed in detail in the past, and it will be enough to cause a bout of awareness within you.Get ready for a unique journey that will enable you to see things differently, know your true self, your psychological complexes, and how to have a decent and real life.The book addresses the following points: How are we indoctrinated intellectual legacies? And to what extent does the influence of parents in shaping our id entity and our reactions? A detailed psychological analysis of the most important psychological complexes that exist in the aspects of relationships, work, money, Authority, love, and others. A detailed explanation of the methods of deception and emotional manipulation in relationships. How do we become mature? Why are we afraid of confrontation and expressing our thoughts? How do we overcome our fears? The relationship between the psychological complexes and gender.And many other things.
