Al Masriah Al Lubnaniah
Al-Masriah Al-Lubnaniahwas established to create and maintain a high status in the publishing field and the Arab world,andalways has the aim of producing quality books in its content and shape.
View Rights PortalAl-Masriah Al-Lubnaniahwas established to create and maintain a high status in the publishing field and the Arab world,andalways has the aim of producing quality books in its content and shape.
View Rights PortalMSL Master focuses on developing Chinese learning materials for young adult and adult students. We are keen to solve problems they face when learning Chinese. When students are not making progress, we usually find problems else where. Take a brief look at our products here: https://www.mslmaster.com/index.php/chinese-textbooks/9-books/165-msl-master-products-at-a-glance
View Rights PortalIn his novel, The Autumn of Innocence, prominent Lebanese poet and novelist Abbas Beydoun artfully weaves a tragic story of a father-son relationship that ends disastrously with the son's violent death. This story unfolds along with the Arab Spring movement and explores the motivations behind religious extremism and questions cultural constructs of masculinity. The novel opens with a letter from Ghassan to his cousin, describing how his father Massoud strangled his mother to death when Ghassan was just three years old. Afterward, Massoud flees the village in southern Lebanon. For 18 years, no one hears from him, and Ghassan grows up stigmatized by his father's violent crime. In time, Ghassan's aunt Bushra-Massoud's sister-makes a confession: She encouraged Massoud to kill his wife, believing that his wife's low socioeconomic status would bring embarrassment to their wealthy family. Bushra also reveals that Massoud was driven to kill his wife because he feared that she would tell someone that he was impotent, undermining his sense of manhood and social status. Meanwhile, Massoud has moved to southern Syria, where he remarried and had two more sons. During the Arab Spring, the militant groups fighting the Syrian regime transform him into a religious extremist. In the second half of the novel, Massoud return to the village in southern Lebanon. He brings with him a group of men. Together they seize control of the village and terrorize its inhabitants. After killing the dogs, they begin murdering the villagers in the name of religion. One of Ghassan's friends is among the victims, and Massoud also threatens his family. Ghassan decides that he must kill his father, avenging the death of his friend and the deaths of the other villagers. In the end, he fails and is beheaded by Bushra's son, his cousin, who is has joined Massoud's thugs. Beydoun captures the shifting points of view in a family shattered by the tyranny of normative masculinity and the resulting violence. The victims are women, of course, but also the men like Ghassan who reject these social and cultural expectations. The novel also portrays the rise of religious extremism and the terrorism it can inspire, which wreaks havoc on the lives of ordinary people. Beydoun's engaging language imbues the characters and the places they inhabit with a vibrancy and vitality that transcends the difficult subject matter.
Material Masculinities examines the material and consumer practices of over 1000 men from the middling and upper ranks of eighteenth-century society, c.1650-1850. It draws upon evidence from over 35 archives and museum collections to detail how material objects were integral for men in forming identities and shaping experiences. For men of all social ranks, ages, and geographic locations, material knowledge was imperative for masculine social identities to operate in a commercial society. Before the centralised factory and widespread mass-produced goods, men personalised and repaired their goods; products were shaped by men's attitudes and concerns. Objects were tools in men's identity formation and the exercise of social and gendered power. There was a reciprocal relationship between men and goods in this period; men were active agents of material and commercial change driving product and aesthetic innovation.
Imperial cities explores the influence of imperialism in the landscapes of modern European cities including London, Paris, Rome, Vienna, Marseilles, Glasgow and Seville. Examines large-scale architectural schemes and monuments, including the Queen Victoria Memorial in London and the Vittoriano in Rome. Focuses on imperial display throughout the city, from spectacular exhibitions and ceremonies, to more private displays of empire in suburban gardens. Cconsiders the changing cultural and political identities in the imperial city, looking particularly at nationalism, masculinity and anti-imperialism.
This book explores how and why Scottish Highlanders, Punjabi Sikhs, and Nepalese Gurkhas became identified as the British Empire's fiercest, most manly soldiers in nineteenth century discourse. As 'martial races' these men were believed to possess a biological or cultural disposition to the racial and masculine qualities necessary for the arts of war. Because of this, they were used as icons to promote recruitment in British and Indian armies - a phenomenon with important social and political effects in India, in Britain, and in the armies of the Empire. Martial Races bridges regional studies of South Asia and Britain while straddling the fields of racial theory, masculinity, imperialism, identity politics, and military studies. Of particular importance is the way it exposes the historical instability of racial categories based on colour and its insistence that historically specific ideologies of masculinity helped form the logic of imperial defence, thus wedding gender theory with military studies in unique ways. Moreover, Martial Races challenges the marginalisation of the British Army in histories of Victorian popular culture, and demonstrates the army's enduring impact on the regional cultures of the Highlands, the Punjab and Nepal. This unique study will make fascinating reading for higher level students and experts in imperial history, military history and gender history.
Popular culture is invariably a vehicle for the dominant ideas of its age. Never was this truer than in the late-nineteenth and early twentieth centuries, when it reflected the nationalist and imperialist ideologies current throughout Europe. It both reflects popular attitudes, ideas and preconceptions and it generates support for selected views and opinions. This book examines the various media through which nationalist ideas were conveyed in late-Victorian and Edwardian times: in the theatre, "ethnic" shows, juvenile literature, education and the iconography of popular art. It seeks to examine in detail the articulation and diffusion of imperialism in the field of juvenile literature by stressing its pervasiveness across boundaries of class, nation and gender. It analyses the production, distribution and marketing of imperially-charged juvenile fiction, stressing the significance of the Victorians' discovery of adolescence, technological advance and educational reforms as the context of the great expansion of such literature. An overview of the phenomenon of Robinson Crusoe follows, tracing the process of its transformation into a classic text of imperialism and imperial masculinity for boys. The imperial commitment took to the air in the form of the heroic airmen of inter-war fiction. The book highlights that athleticism, imperialism and militarism become enmeshed at the public schools. It also explores the promotion of imperialism and imperialist role models in fiction for girls, particularly Girl Guide stories.
Politics and war are crucial to the history of masculinity, yet have been neglected in the emergent historiography of masculinity. This book opens up new avenues in gender history by mapping masculinity's part in making revolution, waging war, building nations, and constructing welfare states. Preceded by extensive historical and theoretical introductions, the volume is clearly divided into sections on revolution, nation, politics and subjectivity. An innovative collection with contributions from an international group of eminent historians who are recognised experts in their fields, with essays on Europe, the United States, Latin America, Australia, Africa and Asia. Written in a highly accessible style, targeted at both students, professional historians and the interested general reader. ;
This is a book about the risk politics of food safety. Food-related risks regularly grab the headlines in ways that threaten reasoned debate and obstruct sensible policy making. In this book, Ed Randall explains why this is the case. He goes on to make the case for a properly informed and fully open public debate about food safety issues. He argues that this is the true antidote to the politics of scare, scandal and crisis. The book skilfully weaves together the many different threads of food safety and risk politics and offers a particularly rewarding read for academics and students in the fields of politics and media studies. It will also appeal to scholars from other disciplines, particularly social psychology and the food sciences. The book is a lively and exceptionally readable account of food safety and risk politics that will engage policy makers and the general reader. It promises to help us all manage food safety issues more intelligently and successfully. ;
Do we still need feminism in Europe? Equality or difference feminism? A new generation of feminists has now broken away from the feminism of the 1960s. The old white Cis man has been discredited, by the "#MeToo" movement at the latest. Sexualised violence against women has been outlawed, perpetrators taken to court. So everything’s good? No, of course not. Men still dominate public discourse; men are unchallenged in leadership positions in politics, society and business; male power still prevails in the domestic environment as well. The extent to which men fight back when they feel threatened by feminism is also evident in the revival of authoritarian nationalist politicians in Europe and around the world. The seven authors shed light on feminist struggles in different areas of life, and illustrate the range of feminism today.
In this book, Brenda M. King challenges the notion that Britain always exploited its empire. Creativity, innovation and entrepreneurship were all part of the Anglo-Indian silk trade and were nurtured in the era of empire through mutually beneficial collaboration. The trade operated within and without the empire, according to its own dictates and prospered in the face of increasing competition from China and Japan. King presents a new picture of the trade, where the strong links between Indian designs, the English silk industry and prominent members of the English the arts and crafts movement led to the production of beautiful and luxurious textiles. Lavishly illustrated, this book will be of interest to those interested in the relationship between the British Empire and the Indian subcontinent, as well as by historians of textiles and fashion.
Sid is a lonely boy who detests idle, lonely trees. He has good reasons though. At least he likes to think so. He does not notice the friendship between the dangling leaves, dancing to the song of the wind. He ignores countless birds returning to the safety of their comfy homes, nestled in the soft spots of rough branches, after a long day of collecting worms. So when he is called a brainless tree for missing a save in soccer at school, it is easy for him to decide he never wants to be a tree, until one morning he wakes up to have transformed into one. Srividhya Venkat spins a delectable fantasy around thinking twice about what you wish for, or not and depicts the transformation of Sid’s lonely life after he embraces the excitable voices of kids twisted in his vines and the ecosystem hovering above him. Nayantara Surendranath’s eccentric combination of art collage and digital creation expresses the refreshing quirks that breathe life into the tale.
Victorian demons provides the first extensive exploration of largely middle-class masculinities in crisis at the fin de siècle. It analyses how ostensibly controlling models of masculinity became demonised in a variety of literary and medical contexts, revealing the period to be much more ideologically complex than has hitherto been understood, and makes a significant contribution to Gothic scholarship. Andrew Smith demonstrates how a Gothic language of monstrosity, drawn from narratives such as 'The Strange Case of Dr Jekyll and Mr Hyde' and 'Dracula', increasingly influenced a range of medical and cultural contexts, destabilising these apparently dominant masculine scripts. He provides a coherent analysis of a range of examples relating to masculinity drawn from literary, medical, legal and sociological contexts, including Joseph Merrick ('The Elephant Man'), the Whitechapel murders of 1888, Sherlock Holmes's London, the writings and trials of Oscar Wilde, theories of degeneration and medical textbooks on syphilis.
Practicing shame investigates how the literature of medieval England encouraged women to safeguard their honour by cultivating hypervigilance against the possibility of sexual shame. A combination of inward reflection and outward comportment, this practice of 'shamefastness' was believed to reinforce women's chastity of mind and body, and to communicate that chastity to others by means of conventional gestures. The book uncovers the paradoxes and complications that emerged from these emotional practices, as well as the ways in which they were satirised and reappropriated by male authors. Working at the intersection of literary studies, gender studies and the history of emotions, it transforms our understanding of the ethical construction of femininity in the past and provides a new framework for thinking about honourable womanhood now and in the years to come.
Die Biographie eines der größten Dichter jiddischer Sprache (weltweit die erste umfassende überhaupt) ist nach Inhalt und Form außergewöhnlich. Die Lebensgeschichte des Itzik Manger (1901 – 1969) wird verschränkt mit einer lebendigen Schilderung der jiddisch-säkularen Kultur Osteuropas zwischen den Weltkriegen. Und passend orientiert sich die Texteinrichtung durch die Autorin an der Seitengestaltung des Talmud: mit erzählendem Haupttext, Abbildungen und erläuternden Seitentexten. „In Mangers Lebens- und Schaffensgeschichte verkörpern sich Entwicklung und Reichtum der jiddischen Kultur bis 1939, ihre Zerstörung und der tragische Bruch, den die Shoah hinterlassen hat. Mangers Werk entspringt dem jüdischen Osteuropa mit seinen rumänischen, galizischen, polnischen und baltischen Landschaften, in denen seit der zweiten Hälfte des 19. Jahrhunderts eine jiddisch-säkulare Kultur sich rasch entfaltete … Itzik Manger zog es, wie die meisten seiner Kollegen, nach Warschau, weil man dort auf unterschiedlichste Weise jiddisch denken, leben und schöpferisch tätig sein konnte. Sie dachten Europa jenseits des Gegensatzes von Eigenkultur und Fremdkultur … Im zunehmend nationalistischen und antisemitischen Polen war das jiddische Europa ein kosmopolitischer Entwurf, ein imaginierter, herbeigeschriebener Ort, an dem jiddisches Leben beheimatet war.“
This collection explores the role of martial masculinities in shaping nineteenth-century British culture and society in a period framed by two of the greatest wars the world had ever known. It offers a fresh, interdisciplinary perspective on an emerging field of study and draws on historical, literary, visual and musical sources to demonstrate the centrality of the military and its masculine dimensions in the shaping of Victorian and Edwardian personal and national identities. Focusing on both the experience of military service and its imaginative forms, it examines such topics as bodies and habits, families and domesticity, heroism and chivalry, religion and militarism, and youth and fantasy. This collection will be required reading for anyone interested in the cultures of war and masculinity in the long nineteenth century.
In this book, Brenda M. King challenges the notion that Britain always exploited its empire. Creativity, innovation and entrepreneurship were all part of the Anglo-Indian silk trade and were nurtured in the era of empire through mutually beneficial collaboration. The trade operated within and without the empire, according to its own dictates and prospered in the face of increasing competition from China and Japan. King presents a new picture of the trade, where the strong links between Indian designs, the English silk industry and prominent members of the English the arts and crafts movement led to the production of beautiful and luxurious textiles. Lavishly illustrated, this book will be of interest to those interested in the relationship between the British Empire and the Indian subcontinent, as well as by historians of textiles and fashion. ;
'Independence' was an important ideal for men in Georgian England. In this period, however, the word meant much more than simply the virtues of self-sufficiency and impartiality. Most people believed that obligations absolutely compromised freedom and conscience, whereas 'independence' was associated with manly virtue and physical vigour. Fundamentally, the political world was thought to consist of 'independent men', exercising their consciences and standing up for the general good. As such, Georgians thought about political action and masculine virtue very differently to the ways in which we do today. In study, newly available in paperback, Matthew McCormack establishes the links between the histories of masculinity and politics, highlighting the centrality of 'manly' ideals in the political world and - conversely - the role of politics in the operation of gender ideology. ;