K2 Literary
A literary agency in Toronto, Canada, representing authors and rights sales for several independent Canadian publishers.
View Rights PortalA literary agency in Toronto, Canada, representing authors and rights sales for several independent Canadian publishers.
View Rights PortalSince opening its doors in 1999, BookEnds Literary Agency has never strayed from our original goal: Achieving dreams and doing what we love. Representing fiction and nonfiction for adults and children alike, BookEnds agents continue to live their dreams while helping authors achieve theirs.
View Rights PortalObjects of affection recovers the emotional attraction of the medieval book through an engagement with a fifteenth-century literary collection known as Oxford, Bodleian Library Manuscript Ashmole 61. Exploring how the inhabitants of the book's pages - human and nonhuman, tangible and intangible - collaborate with its readers then and now, this book addresses the manuscript's material appeal in the ways it binds itself to different cultural, historical and material environments. In doing so it traces the affective literacy training that the manuscript provided its late-medieval English household, whose diverse inhabitants are incorporated into the ecology of the book itself as it fashions spiritually generous and socially mindful household members.
Volume 1: introduction to reading, introduction to literacy methods, 1-10 lessons, introduction to 88 Chinese characters, 166 words, 22 short sentences, 10 long sentences, literacy card.
On the basis of continuing the main content of the original book, the revised version of "Everyone Talks about the Core Literacy of Fine Arts" has made the following changes: First, it adds "the fifth part: New Language about the Core literacy of fine arts", which is divided into "the first part: Everyone talks about the new language" and "the next part: Doctor's micro talk". The courseware taught by Yin Shaochun, Hu Zhifan, Zhou Fengfu, Wang Dagen, LAN Gang and other experts in the fine Arts group of the Ministry of Education in important academic seminars has been added. The second is to sort out the main literature of "core literacy" and "core literacy of fine arts", including periodical literature, newspaper literature and monographs literature (including translated works), which is conducive to master's and doctor's researchers and front-line teachers who are interested in in-depth exploration of the core literacy of fine arts, according to their own research and writing needs, to refer to it according to the steed. The third is to add a bookmark in the form, with the editor's message "core quality, Da Dao Yan". In addition, with the addition of Rongmedia technology, besides the interview recording, video resources are also added: wonderful teaching clips of first-class teachers such as Wei Ruijiang, Xu Jun and Tang Xiao, and wonderful lecture video clips of Yin Shaochun.
Volume 3 content: 21 ~ 30 lessons, 88 Chinese characters, 306 words, 28 essays, literacy cards.
Volume 5 content: 41 ~ 50, 89 Chinese characters, 358 words, 3 essays, 10 stories, literacy cards.
Volume 4 content: 31 ~ 40 lessons, introduce 88 Chinese characters, 332 words, 7 essays, 10 stories, literacy cards.
The content of Volume 6: lesson 51 ~ 6 - introduces 111 Chinese characters, 360 words, 11 stories and literacy cards.
Volume 2 content: 11 ~ 20 lessons, introduce 88 Chinese characters, 200 words, 12 short sentences, 7 long sentences, 25 short essays, literacy cards.
People and Places introduces children to the works of Indian artists from the Mughal era up to contemporary times. They are encouraged to develop a visual understanding of their culture and environment, including people, neighbourhood and workplaces. Games such as Spot the Difference, Sort & Order, Search & Spell, have been imaginatively adapted to make children seek alternative avenues of creativity. The book takes an interdisciplinary approach to enhance visual literacy and cognitive skills in early learners.
Magical World of the Wild is a theme-based book which introduces children to miniature, folk, modern and contemporary Indian art. It encourages them to observe and explore the world of animals through compelling artworks by well-known artists. Games such as Spot the Difference, Let’s Count, Join the Dots have been imaginatively adapted to make children seek alternative creative avenues. The book takes an interdisciplinary approach to enhance visual literacy and cognitive skills in young readers.
Zeng Guofan is an influential figure in modern Chinese history. Based on historical facts, this book makes appropriate fictions about the event description and plot details, so that the life of Zeng Guofan, an influential historical figure, reappears to readers. This book not only writes about Zeng Guofan's literary and martial arts strategy, but also his attitude towards others and life; not only his difficulties and successes, but also his gains and disfavors. Zeng Guofan's strategy of winning wars, military administration and administration, his unique outlook on life, philosophy of life, his cultural literacy and personality taste, etc., are all wonderfully reflected in the book.
This study overturns twentieth-century thinking about pasticcio opera. This radical way of creating opera formed a counterweight, even a relief, to the trenchant masculinity of literate culture in the seventeenth century. It undermined the narrowing of nationalism in the eighteenth century, and was an act of gross sacrilege against the cult of Romantic genius in the nineteenth century. In the twentieth century, it found itself on the wrong side of copyright law. However, in the twenty-first century it is enjoying a tentative revival. This book redefines pasticcio as a method rather than a genre of opera and aligns it with other art forms which also created their works from pre-existing parts, including sculpture. A pasticcio opera is created from pre-existing music and text, thus flying in face of insistence on originality and creation by a solo genius.
In the aftermath of the Battle of Kinsale in 1601 as many as 10,000 Irish emigrated from Ireland to Galicia in the north-west of Spain. Between 1601 and 1608 the brunt of this immigration fell on the city of La Coruña, which became a virtual encampment of starving homeless Irish nobles, soldiers, women, children, elderly and poor. This is the story of that community and how its members adapted to their new circumstances, and how they themselves, their social structures and beliefs were transformed by their immigrant experience. Through an examination of the community across a broad range of social cultural aspects such as family, literacy, material culture, the acquisition of honours, religious sentiment, and social ascent, important new insights into Irish socio-cultural history have been uncovered. ;
“Peeping Leopard” is a collection of poetry reviews by Hu Liang. With profound theoretical literacy and extensive and in-depth reading experience, the author has commented on poems of 99 poets, who are representatives of contemporary Chinese poetry. The comments are fair and concise, with both profound and unique viewpoints and vivid writings. The author is therefore praised by the famous scholar Jing Wendong as "one of the few people who saved poetic criticism from the bottom."The author is familiar with Western modern criticism, is also good at Chinese classical poetics, and puts new poetry into specific cultural position, thus drawing a number of newer and more accurate conclusions. The author has a strong criticism of stylistic consciousness and has formed a unique discourse style.
Citizenship, nation, empire investigates the extent to which popular imperialism influenced the teaching of history between 1870 and 1930. It is the first book-length study to trace the substantial impact of educational psychology on the teaching of history, probing its impact on textbooks, literacy primers and teacher-training manuals. Educationists identified 'enlightened patriotism' to be the core objective of historical education. This was neither tub-thumping jingoism, nor state-prescribed national-identity teaching, but rather a carefully crafted curriculum for all children which fused civic as well as imperial ambitions. The book will be of interest to those studying or researching aspects of English domestic imperial culture, especially those concerned with questions of childhood and schooling, citizenship, educational publishing and anglo-British relations. Given that vitriolic debates about the politics of history teaching have endured into the twenty-first century, Citizenship, nation, empire is a timely study of the formative influences that shaped the history curriculum in English schools
Essays in this fascinating and important collection examine the lifestyles and attitudes of the gentry in late medieval England. They consider the emergence of the gentry as a group distinct from the nobility, and explore the various available routes to gentility. Through surveys of the gentry's military background, administrative and political roles, social behaviour, and education, the reader is provided with an overview of how the group's culture evolved, and how it was disseminated. Studies of the gentry's literacy, creation and use of literature, cultural networks, religious activities and their experiences of music and the visual arts more directly address the practice and expression of this culture, exploring the extent to which the gentry's activities were different from those of the wider population. Joining the editors in contributing essays to this collection is an impressive array of eminent scholars, all specialists in their respective fields: Christine Carpenter, Peter Fleming, Maurice Keen, Philippa Maddern, Nicholas Orme, Tim Shaw, Thomas Tolley and Deborah Youngs. As a whole, the book offers a broad view of gentry culture that explores, reassesses, and sometimes even challenges the idea that members of the gentry cultivated their own distinctive cultural identity. It will appeal to students looking for a comprehensive introduction to late medieval gentry culture, as well as to researchers interested in gentry studies more generally. ;
This book uses 100 world classic fables, combined with the new curriculum standard must-read fables, to cultivate children's morality and quality. The whole book uses a model that combines fables and growth inspirations, and selects the key points of knowledge in the story to endorse the child's growth, so that the child can quickly and accurately grasp the essence of the story during reading and obtain beneficial inspiration. In addition, the book is equipped with exquisite color illustrations to perfectly present the classic storyline. Let children feel the concrete and aesthetic description of the scene while reading the text, increasing the pleasure of reading. The book is divided into twelve chapters. Chapters 1-7 focus on improving children's quality, morality and literacy. The main contents include: integrity, gratitude, humility, self-confidence, perseverance, courage, and cooperation; chapters 8-12 focus on improving children's understanding of the world Such abilities mainly include: thinking ability, cognitive ability, social ability, decision-making ability, and action ability.
A 420-page collection of poetry by Tunisian Moncef Ouhaibi, The Penultimate Cup covers a wide variety of topics. Rich in artistic, philosophical, literacy and historic values, Ouhaibi’s poems offer readers rich experiences, not just poetically but with the imparting of crucial knowledge, too, as his writing is steeped in his own extensive personal experiences. The Penultimate Cup begins with an autobiographical piece entitled "The Family," in which the poet chronicles his ancestral home and gives an account of his family life and childhood before poetry. "The Family" becomes a venue where his family members—those who influenced him the most—arrive in succession: his father, the village chief; his grandfather, the astrologer; his uncle, the chess player, his mother and the rest, while the places where he lived fashion the corners of the poem like furniture: the house, the jungle behind it, the sky above the Roman Amphitheater. Ouhaibi’s poetry combines several art genres, with few of the poems relying on narratives to merge reality with fiction. Poetic imagery is in abundance, his words transform into virtual art, music and philosophical ideas. "The Scream" poem for example, relates not to the sound of a person in pain but his image, which reminds the reader of the famous painting by Norwegian artist Edvard Munch. “Oh Youssef,” writes Ouhaibi, “take my hand, while I scream like Munch in the wilderness”. Once Ouhaibi has established his distinctive style, he takes us deeper into his world, through a myriad of imagery; portraits painted with words. The author says that poetry should be attributed to the language itself, not geography, and in his work we see a host of cities and countries being constantly featured alongside his beloved hometown of Kairouan, making it easy to grasp the deep connection he has with the land. The nearly 60 poems in this collection are eloquent in expression, spanning events from the past, present to the future, sharing a contemporary voice that takes readers on a journey to numerous ancient cities and lands and referencing the works of other poets, artists and novelists, such as Rodin, Darwish, Valéry and the aforementioned Munch.