Epigram Books
Singapore's largest independent publisher of fiction and non-fiction for all ages. Check out our latest catalogue here: July – December 2018 (PDF.)
View Rights PortalSingapore's largest independent publisher of fiction and non-fiction for all ages. Check out our latest catalogue here: July – December 2018 (PDF.)
View Rights PortalWe are a boutique publishing house producing quality books on Asian subjects. We also provide publishing services and consultancy.
View Rights PortalThe “Clinical Handbook of Psychotropic Drugs” has become a standard reference and working tool for psychiatrists, psychologists, physicians, pharmacists, nurses, and other mental health professionals.• Independent, unbiased, up-to-date• Packed with unique, easy-to-read comparison charts andtables (dosages, side effects, pharmacokinetics, interactions…)for a quick overview of treatment options• Succinct, bulleted information on all classes of medication:on- and off-label indications, (US FDA, Health Canada),recommended dosages, US and Canadian trade names, sideeffects, interactions, pharmacodynamics, precautions inthe young, the elderly, and pregnancy, nursing implications,and much more – all you need to know for each class of drug• Potential interactions and side effects summarized incomparison charts• With instantly recognizable icons and in full color throughout,allowing you to find at a glance all the information you seek• Clearly written patient information sheets available fordownload as printable PDF files This book is a must for everyone who needs an up-to-date, easyto- use, comprehensive summary of all the most relevant information about psychotropic drugs. Tables, graphs, and overviews make this handbook a practical tool for professionals. For:• psychiatrists und psychologists• physicians and pharmacists• nurses, and other mental health
It is a coming-of-age story for Generation Z. How to grow up or even live in a world where no steady jobs are available, you can’t pay your rent and can’t afford medical or living expenses. Moreover, it touches on how to be a socially engaged artist in such a world, and more so, a woman in a post-me too world? Dijana, a daughter of working-class immigrants, tells the story of her difficult childhood and adolescence, how should became a journalist and later a writer in a society full of prejudices, glass ceilings and obstacles. How she gradually became a stereotypical ‘success story’, even though she still struggles with writing, because she can’t afford a ‘room of her own’. Dijana is a daughter of working-class immigrants, who came to Slovenia in the eighties in search of a better future. The family is building a house but is made redundant from the local factory when Yugoslavia is in the midst of an economic crisis. When her parents get divorced, Dijana, her older sister and mother struggle with basic needs. She is ashamed of their poverty, her classmates bully her because of her immigrant status, but mostly because of her being ‘white trash’. In the local school she meets teachers with prejudices against immigrants, but is helped by a librarian who spots her talent. When Dijana goes to secondary school, she moves in with her older sister who lives in Ljubljana, the capital of Slovenia. Her sister is into rave culture and Dijana starts to explore experimenting with drugs, music and dance. At the secondary school, she is again considered ‘the weird kid’, as she isn’t enough of a foreigner for other immigrant kids because she is from the country, yet she isn’t Slovenian enough for other native kids. She falls even deeper into drug addiction, fails the first year of school and has to move back to live with her mother. She takes on odd jobs to make ends meet. Whilst working as a waitress she encounters sexism and sexual violence from customers and abuse from the boss. She finishes night school and graduates. She meets many ‘lost’ people of her generation along the way, who tell her their stories about precarious, minimum wage jobs, lack of opportunities, expensive rent, etc. Dijana writes for numerous newspapers but loses or quits her job, because she isn’t allowed to write the stories she wants or because of the bad working conditions or the blatant sexual harassment. Due to the high rent in the capital, Dijana has to move to the countryside to live with her mother. She feels lonely there, struggles with anxiety and cannot write a second book, because she is constantly under pressure to make a living. She realises that she must persevere regardless of the obstacles, she must follow her inner truth and by writing about it, try to create a community of like-minded people, a community of people who support each other – all literature/art is social.
All books have either writing, pictures or both in it, but the book that Ellen got as a gift has neither. It does, however, have extraordinary recording powers. Like in so many of Sandro’s stories, in The Strange Book it is completely natural for dreams to merge with reality. Through the matter-of-fact occurrence of unlikely events, The Strange Book tells a story of growing up without abandoning the inner child.
Fun Coloring Sticker Book for Babies consists of stickers and coloring. It guides children to use hands and brains simultaneously, and stimulates children's unlimited potential with multidirectional play. It's specially designed for children aged 2-5. Children can not only play stickers, but also paint in the process of reading. The figures are cute and colorful, enabling children to easily recognize the common things around and improve the ability of visual discernment and concentration, making babies’ early education enlightenment more diversified and intelligent!
For ages 3+ ‘‘My Little Picture Book of Animals (From A to Z)’’ helps children identify animals in their environment. It contains both domestic and wild animals. The animals are placed in alphabetical order to ease the learning process.
This story is a recreation of a fable originally written in “Kalila and Demna”, an ancient book with Indian roots. In the original story, an old egret tricks the fish into thinking that they are being taken to a safe lake, but they are in fact becoming the egret’s food. Until one day, the crab also asks the egret to take him to the lake and sees the remaining fish bones while riding on his back. He then returns and informs the others. “Believe Me, I’m not an Egret!” is a parody of the original fable, encouraging the children to think about and question what they hear.
People of two neighboring planets have been living together in peace until a scientist invents a device to look at the sky with. The trouble begins when the map of the sky is different for each planet, but whose map is the correct one? The book tries to help children towards thinking objectively despite their biases. It also aims to encourage critical thinking and seeing the differences while taking something into account.
Fully early pandemic “locked down” in an old age home, 70-year-old boomer, Maggie, ditches her bra, browses an old diary and reconnects with her artist self. While the world is happier with its oldies locked away, the lovable and maverick elders of Hazyview Mansions, galvanised by Maggie and her four close friends, have their own ideas. Romance, old loves; individual, local and global issues drive the story of this consequential movement with sustained and gentle humour. This book is both enormous fun and truly weighty.
This book examines and demonstrates some part of The Books of Songs, and presents the author's personal perspective in a clear way. It is divided into 10 chapters: Chapter 1 Research on the movement Da Wu composed in the Western Zhou Dynasty and its evolution Chapter 2 Study on The Song of Zhou and the corresponding rituals Chapter 3 Ode to the Success of King of the Age—— A Study of the Theme of the Three Ode in The Book of Songs Chapter 4 Discussion on characteristics of the times reflecting from The Song of Zhou ......
In this novel about being seen and what is not seen, the previously hidden is revealed when the unexpected happens. In the unusually wet winter of 2010, two teenage girls set off to a party on a farm across a river, and disappear without a trace.
This ethnographic novel explores and tells the stories of the people who live in the Art Deco buildings of Springs now. It is the imagined lives of those who live in a space that is not theirs historically but one that they have reclaimed. In times of doom and complaint, here is a new narrative: one of revival, vigour and celebration.
A little girl does not like spaghetti. When she sees that mother has made spaghetti for dinner, she sulks and leaves the table. Doesn’t mother know that she doesn’t like spaghetti and salad? But mother says, “These dishes are not really spaghetti and salad!” In this story, the mother uses her creativity and imagination in the art of decorating and presenting food in appetizing animal shapes to delight her child.
My God! There is a Bogey in mommy’s tummy. Does it eat everything that goes into mom’s belly? I know it’s going to eat me as well! But I’m ready! I will put on my Zorro cape and call out: “Get Ready Bogey!” The Bogey in Mommy’s Tummy helps children cope with the fear of a new sibling. It aims to explore the point of view of a little child regarding her mother’s pregnancy and how this affects her life.
A little mouse who loves watching the sunset comes across a snake on its way one day. Scared for his life, the mouse tries his best to come up with anything that would create a friendship between him and the snake. Would his efforts work? “First Things First” is a sweet story in the appreciation of friendship. It helps children understand that sometimes the unlikeliest friendships could be built with enough effort, passion, and care.
Following a horrific tragedy, Tambaya leaves Kano for Accra to live with her brother, Aminu. Sadly, her dream of a new beginning is dashed when she can no longer endure the indignity she suffers at the hands of her brother’s new wife. Vulnerable, and surrounded by malice, corruption and greed, Tambaya struggles to shape her destiny. An Abundance of Scorpions charts one woman’s journey through grief and uncertainty to a road that leads to self-discovery, redemption and love.
It is just a regular day at the office until IT worker Osaretin finds a cryptic note on his desk that sends his day into overdrive, thrusting him into a frantic world of ruthless operatives, shape-shifting villains, portable time turners and futuristic landscapes. Looming over this magical tale are the exploits of a father he barely knew. Osaretin has no choice but to come into his own. Armed with the promise of magical powers and a bunch of eccentric companions, Osaretin must defeat the rampaging forces that threaten all that he holds dear. But is Osaretin who they believe he is? Is he really The One? Looming over this magical tale are the exploits of a father he barely knew. Osaretin has no choice but to come into his own. Armed with the promise of magical powers and a bunch of eccentric companions, Osaretin must defeat the rampaging forces that threaten all that he holds dear. But is Osaretin who they believe he is? Is he really The One?
Children of the World Illustrate the Bible It all began when we were looking forward to the fiftieth year Jubilee of the State of Israel. We were looking for a way, something unconventional, to bring Israel to the attention of hundreds of millions of people throughout the world. And so we came up with the idea, rather self-evident: The Bible. The Book of Books, which speaks to each and every one in dozens of countries and countless cultures. We asked ourselves: Who will bring this message? And then the idea came up: A worldwide competition among children to draw the stories of the Bible. We did not limit the subjects. Anything would be accepted as long as it was in line with the stories of the Bible. And wonder of wonders: Just like a fire in a field of thorns, the message went from country to country, from city to city, from school to school, from family to family: The children of the world are drawing the Bible. And the project reached 91 countries. Hundreds of thousands of drawings reached us. Only a handful of the thousands are brought in this album, which is the first in the series of titles flowing from the illustrations that were sent to Israel and were chosen by our staff of curators. And indeed from this handful we can already see their uniqueness. We all know the stories of the Bible, but here they materialize before our very eyes. As the children from five continents described them in their imagination, it seems that even the authors of the Bible themselves would not believe how alive and full were their heroes, as depicted with the brushes of these little children. Not only did we find a drawing of a story, but also a wide rainbow of emotions, notions, beliefs and outlooks of the world. And above all: Personal expression and riveting exposition without filters, analysis or criticism. We conducted the project throughout the world for three years, and at the end, when the thousands of drawings began streaming to the country, we were astounded by this enormous and absorbing crop. We could not avoid falling captives to the charm, strength of expression and intensity of experience that flowed from these drawings. It seems that thanks to the remarkable coming to the rescue by the children of the world, the stories of the Bible won an inspiring, artistic revival. Amos Rolnik This book was previously published by Mallmedia Publishing House& Rolnik Publishing, Something Different In 2002. 273 Pages, 25X32 cm, Color Illustrations,
In her Great Books of Record Anne Clifford places herself within the dynamic history of the ancient Clifford family, providing an unbroken view into medieval and early modern life for nearly six centuries. In this annotated edition, we glimpse the lives of simple widows, traders, farmers, and labourers juxtaposed with the adventures of soldiers, lords and ladies, princes and princesses. Throughout, Anne Clifford asserts the centrality of women to the success of noble families, including the monarchy. Her Great Books draws upon medieval traditions and early modern scholarship and builds upon these through biographies of the Clifford lords and ladies, along with an extended biography of her mother Margaret Russell and her own autobiographical 'Life of Mee'. Those interested in the lives of medieval and early modern women, changes in culture, the effect of the political upon individuals, and the inspiring life of Anne Clifford will find this a rich and rewarding book.
Tamara’s book is something you can hold in your hands and read now but before it was just a dream. Tamara’s dream was kept in a beautiful box and when the box was opened up, it became possible for the dream to come true. This book is evidence that dreams can come true.
This book is a result of the author's search for these facts and truths as a student and farmer and his endeavor as a teacher to present them in a simple manner to others. The object in presenting the book to the general public is the hope that it may be of assistance to farmers, students and teachers, in their search for the fundamental truths and principles of farming.