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The ArtsAugust 2010Women artists between the Wars
'A fair field and no favour'
by Katy Deepwell
Starting with a critique of existing methodologies and histories of the period, this book examines the production of women artists, looking at different areas and aspects of their activities, and particularly contrasting the lives of different generations of women artists. Many of these women's names or their works are not familiar in art histories of the twentieth century. The book analyses how women artists' presence which was consistently one third of the artists in many major exhibiting groups became less than 10% of the museum purchases and in art historical texts for this period. Comparisons are made between the opportunities presented to women artists and those of their male peers in the light of considerable change and restructuring within the art world in Britain during this period, principally due to the growing influence of modernism in the art market. ;
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The ArtsMarch 2013Women, the arts and globalization
Eccentric experience
by Marsha Meskimmon, Amelia Jones, Dorothy C. Rowe, Dorothy Rowe, Marsha Meskimmon
Women, the arts and globalization: Eccentric experience is the first anthology to bring transnational feminist theory and criticism together with women's art practices to discuss the connections between aesthetics, gender and identity in a global world. The essays in Women, the Arts and Globalization demonstrate that women in the arts are rarely positioned at the centre of the art market, and the movement of women globally (as travelers or migrants, empowered artists/scholars or exiled practitioners), rarely corresponds with the dominant models of global exchange. Rather, contemporary women's art practices provide a fascinating instance of women's eccentric experiences of the myriad effects of globalization. Bringing scholarly essays on gender, art and globalization together with interviews and autobiographical accounts of personal experiences, the diversity of the book is relevant to artists, art historians, feminist theorists and humanities scholars interested in the impact of globalization on culture in the broadest sense. ;
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Business, Economics & LawDecember 2020Women before the court
Law and patriarchy in the Anglo-American world, 1600–1800
by Lindsay R. Moore
Women before the court offers an innovative, comparative approach to the study of women's legal rights during a formative period of Anglo-American history. It traces how colonists transplanted English legal institutions to America, examines the remarkable depth of women's legal knowledge and shows how the law increasingly undermined patriarchal relationships between parents and children, masters and servants, husbands and wives. The book will be of interest to scholars of Britain and colonial America, and to laypeople interested in how women in the past navigated and negotiated the structures of authority that governed them. It is packed with fascinating stories that women related to the courts in cases ranging from murder and abuse to debt and estate litigation. Ultimately, it makes a remarkable contribution to our understandings of law, power and gender in the early modern world.
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Humanities & Social SciencesFebruary 2022Women art workers and the Arts and Crafts movement
by Zoë Thomas, Lynn Abrams
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March 2022Women and Pilgrimage
by E. Moore Quinn, Alison T. Smith, Sharenda Holland Barlar, Maryjane Dunn, Susan Dunn-Hensley, Shirley du Plooy, Vivienne Keely, Sarah E. Owens, Emma Rochester, Lisa F. Signori
Women and Pilgrimage presents scholarly essays that address the lacunae in the literature on this topic. The content includes well-trodden domains of pilgrimage scholarship like sacred sites and holy places. In addition, the book addresses some of the less-well-known dimensions of pilgrimage, such as the performances that take place along pilgrims' paths; the ephemeral nature of identifying as a pilgrim, and the economic, social and cultural dimensions of migratory travel. Most importantly, the book's feminist lens encourages readers to consider questions of authenticity, essentialism, and even what is means to be a "woman pilgrim". The volume's six sections are entitled: Questions of Authenticity; Performances and Celebratory Reclamations; Walking Out: Women Forging Their Own Paths; Women Saints: Their Influence and Their Power; Sacred Sites: Their Lineages and Their Uses; and Different Migratory Paths. Each section will enrich readers' knowledge of the experiences of pilgrim women. Readers' understanding will be further enhanced by the book's: · interdisciplinary nature: The contributors hail from a wide range of disciplines, including Anthropology, Political Science, French, Spanish, Fine Art, and Religious Studies; · uniqueness: The text brings together previously scattered resources into one volume; · feminist perspective: Much of the subject matter utilizes feminist theories and methodologies and argues that further research will be welcome. The book will be of interest to scholars of pilgrimage studies in general as well as those interested in women, travel, tourism, and the variety of religious experiences.
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Humanities & Social SciencesFebruary 2001Women, scholarship and criticism c.1790–1900
Gender and knowledge
by Joan Bellamy, Anne Laurence, Gill Perry, Susan Williams
Brings together the varied artistic, critical and cultural productions by women scholars, critics and artists between 1790-1900, many of whom are little known in the canonical histories of the period. Questions the concepts of 'scholarship', 'criticism' and 'artist' across the different disciplines. Women discussed include authors (Mary Wollstonecraft Shelley, Sydney Morgan and Anna Jameson) actresses ( Elizabeth Siddons, Dorothy Jordan, and Mary Robinson) critics ( Margaret Oliphant and Mary Cowden Clarke) historians (Agnes Strickland, Lucy Aikin, Mary Anne Everett Green, Elizabeth Cooper and Lucy Toulmin Smith) as well as the writers and readers of Women's magazines, educationalists and translators. Makes a significant and original contribution to the development of gender studies by extending the frontiers of existing knowledge and research. ;
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June 2022Mogao Grottoes Art in Dunhuang
by Chang Shuhong (1904–1994), the author, was a famous artist and researcher on the art of Dunhuang. As the founder of Dunhuang Studies and a pioneer of Dunhuang cultural undertakings, he was honored as "the guardian of Dunhuang."
Mogao Grottoes Art in Dunhuang is general reading material about the art of Dunhuang grottoes, and it’s the ingenious work of Mr. Chang Shuhong, the pioneer of Dunhuang Studies in China.
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December 2022Art Works of Chang ShuhongVol.1
by The author Chang Shuhong (1904-1994) was a renowned artist and Dunhuang art researcher. He is considered the founder of Dunhuang studies and the pioneer of Dunhuang cultural career in China, earning him the title "Guardian of Dunhuang."
Carefully selected and meticulously compiled, this collection features nearly four hundred artworks from the various stages of Mr. Chang Shuhong's artistic career. It encompasses a wide range of categories, including oil paintings, watercolors, copies, sketches, and more, offering a comprehensive showcase of the distinctive creative characteristics of Mr. Chang Shuhong across different periods and reflecting his artistic journey under different circumstances. Authored by experts from the Dunhuang Academy, the detailed annotations provide valuable insights into the background of each piece, aiding readers in gaining a deeper understanding of the stories behind the artworks and interpreting Dunhuang art.
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December 2022Art Works of Chang ShuhongVol.2
by The author Chang Shuhong (1904-1994) was a renowned artist and Dunhuang art researcher. He is considered the founder of Dunhuang studies and the pioneer of Dunhuang cultural career in China, earning him the title "Guardian of Dunhuang."
Carefully selected and meticulously compiled, this collection features nearly four hundred artworks from the various stages of Mr. Chang Shuhong's artistic career. It encompasses a wide range of categories, including oil paintings, watercolors, copies, sketches, and more, offering a comprehensive showcase of the distinctive creative characteristics of Mr. Chang Shuhong across different periods and reflecting his artistic journey under different circumstances. Authored by experts from the Dunhuang Academy, the detailed annotations provide valuable insights into the background of each piece, aiding readers in gaining a deeper understanding of the stories behind the artworks and interpreting Dunhuang art.
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Humanities & Social SciencesJanuary 2021Women art workers and the Arts and Crafts movement
by Zoë Thomas
This book constitutes the first comprehensive history of the network of women who worked at the heart of the English Arts and Crafts movement from the 1870s to the 1930s. Challenging the long-standing assumption that the Arts and Crafts simply revolved around celebrated male designers like William Morris, it instead offers a new social and cultural account of the movement, which simultaneously reveals the breadth of the imprint of women art workers upon the making of modern society. Thomas provides unprecedented insight into how women navigated authoritative roles as 'art workers' by asserting expertise across a range of interconnected cultures: from the artistic to the professional, intellectual, entrepreneurial and domestic. Through examination of newly discovered institutional archives and private papers, Thomas elucidates the critical importance of the spaces around which women conceptualised alternative creative and professional lifestyles.
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Humanities & Social SciencesApril 2024Women in exile in early modern Europe and the Americas
by Linda Levy Peck, Adrianna E. Bakos
Exile, its pain and possibility, is the starting point of this book. Women's experience of exile was often different from that of men, yet it has not received the important attention it deserves. Women in exile in early modern Europe and the Americas addresses that lacuna through a wide-ranging geographical, chronological, social and cultural approach. Whether powerful, well-to-do or impoverished, exiled by force or choice, every woman faced the question of how to reconstruct her life in a new place. These essays focus on women's agency despite the pressures created by political, economic and social dislocation. Collectively, they demonstrate how these women from different countries, continents and status groups not only survived but also in many cases thrived. This analysis of early modern women's experiences not only provides a new vantage point from which to enrich the study of exile but also contributes important new scholarship to the history of women.
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The ArtsJuly 2005The Art History of the War of Resistance Against Japan
by Huang Zongxian
The fine arts reflecting the War of Resistance Against Japan extended their trails of development in a particular historical period, in which the Chinese fine arts developed in an unprecedented manner. Taking pencils and painters as their weapons, artists threw themselves in the War of Resistance Against Japan, which was like a raging fire. With patriotic enthusiasm, they created reputable works in the history of Chinese fine arts and invented a series of methods in creation influencing later generations. After the founding of New China in 1949, a group of artists in the army and other artists created paintings and pictures reflecting the various periods of the War of Resistance Against Japan, e.g. Tunnel Warfare, Five Heroes on Langya Mountain, A Great Campaign Waged by a Hundred Regiments, The Massacre in Nanjing, Eight Women Soldiers Would Rather Drown Themselves in a River Than Surrender and so on. The book collects art works of this theme made during the War of Resistance Against Japan and since 1949. More than 500 pictures with abundant notes referring to the background exhibit the history of the fine arts reflecting the War of Resistance Against Japan and artists' participation in culture.
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Family & home stories (Children's/YA)February 1905Little Women
by Louise May Alcott
Little Women "has been read as a romance or as a quest, or both. It has been read as a family drama that validates virtue over wealth", but also "as a means of escaping that life by women who knew its gender constraints only too well".[6]:34 According to Sarah Elbert, Alcott created a new form of literature, one that took elements from Romantic children's fiction and combined it with others from sentimental novels, resulting in a totally new format. Elbert argued that within Little Women can be found the first vision of the "All-American girl" and that her multiple aspects are embodied in the differing March sisters.
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The ArtsSeptember 2022SUBСONSCIOUS ART. ARTISTIC REFLECTIONS. UKRAINE AFTER 2013
by Olesia Gerashchenko (Shambur)
The book contains over fifty interviews with artists, curators, and art critics, who talk about their reactions to contemporary events in Ukraine as citizens and as artists. Together with the author, they reflect on creative response of the modern art community to the events in Ukraine during the Revolution of Dignity and the war with Russia (before the full-scale invasion) and the role of art and artists in conflict. The book includes over 100 reproductions of visual works that have been provided by the courtesy of artists, Ukrainian museums, and private galleries.“Artists who record the overstrain of the present leave behind the artifacts for future cultural archaeologists. Socially engaged artists practice art because they understand the urgency of the situation, but even those artists who claim that they do not address the theme of war demonstrate the opposite in their works. It is this zone of conscious and subconscious artistic influence that creates the environment of this book.” — Olesya Gerashchenko (Shambur)
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Biography & True StoriesJanuary 2021Artistic glory of Ukraine
Looking for yevshan-herb
by Roman Bereza
The book, in the form of essays-stories, depicts the life and work of individual personalities who played a significant role in the formation and development of Ukrainian thought, culture, and art. Using colorful means of the artistic word, the author depicts many little-known facts from the lives of outstanding Ukrainian artists, who made a bright contribution to the flourishing of Ukrainian and world culture. The book will be valuable for a narrow circle of specialists and a wide range of readers. It will also be of help to writers, cultural experts, and art critics, as well as to all those who are interested in studying the history of Ukraine based on the examples of the lives and creative achievements of its notable personalities.
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Humanities & Social SciencesJuly 1997Picturing women in late medieval and renaissance art
by Christa Grossinger
This extensively illustrated book discusses the representation of women in the art of the late Middle Ages in Northern Europe. Drawing on a wide range of different media, but making particular use of the rich plethora of woodcuts, the author charts how the images of women changed during the period and proposes two basic categories - the Virgin and Eve, good and evil. Within these, however, we discover attitudes to sinful, foolish, married and unmarried women and the style and use of these images exposes the full extent of the misogyny entrenched in medieval society. ;
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Humanities & Social SciencesJanuary 2013Women of the English Nobility and Gentry, 1066-1500
by Jennifer Ward
While there is increasing interest in the lives of medieval women, the documentary evidence for their activities remains little known. This book provides a collection of sources for an important and influential group of women in medieval England, and examines changes in their role and activities between 1066 and 1500. For most noble and gentry-women, early marriage led to responsibilities for family and household, and, in the absence of their husbands, for the family estates and retainers. Widowhood enabled them to take control of their affairs and to play an independent part in the local community and sometimes further afield. Although many women's lives followed a conventional pattern, great variety existed within family relationships, and individuality can also be seen in religious practices and patronage. Piety could take a number of different forms, whether a woman became a nun, a vowess or a noted philanthropist and benefactor to religious institutions. This volume provides a broad-ranging and accessible coverage of the role of noble women in medieval society. It highlights the significant role played by these women within their families, households, estates and communities.
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May 2015Grace: Cultural Relics Exhibition of Women in Ancient China
by The Nanjing Musuem
This is a catalogue about an exhibition on cultural relics related to women in ancient China, enhanced by abundant information and high-quality images, covering all aspects of women’s daily lives in the past. Relying on the collections in Nanjing Museum, the book is designed with the theme of “femininity” and “art”. It makes a breakthrough in its idea and form of the exhibition.
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March 2021Collector's Edition of Illustrations of Yan Zhen's Works: Because of Women
by Yan Zhen
"Because of a Woman" is a full-length novel. The heroine Liu Yiyi, like all intellectual women, yearns for love and pursues independence, but after graduating from university, she was brutally encircled and suppressed by men, money and desire. She rushed from the left to the right and couldn't break through. She looked around at a loss and went to sink. The one who should love realizes that it is even more of a dead end. In the end, he succumbed to fate and walked into a dull marriage. She has never used her feet to stand firmly on the ground, allowing her love to last forever with a certain spiritual connotation, she just wove a beautiful dream floating and dizzy, counting on someone to help her To achieve the highest happiness in her life. In the face of every reality, because she was a woman, she repeatedly chose to compromise and choose temporary satisfaction, losing to the weakest part of human nature. The author conducts a detailed anatomy of this common story. Liu Yiyi's plight represents the true plight of some intellectual women. The novel deeply embodies the author's sense of anxiety.
