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        Literature & Literary Studies
        June 2021

        Sara Paretsky

        Detective fiction as trauma literature

        by Cynthia Hamilton

        Sara Paretsky is known for her influential V.I. Warshawski series, which transformed the masculine hard-boiled detective formula into a vehicle for feminist values. But Paretsky does more than this. Her novels also illustrate the extent to which detective fiction acts as a literature of trauma, allowing Paretsky to address the politics of agency in ways that go beyond the personal, for trauma always has a social and a political dimension. Paretsky's work also exploits the way detective fiction mirrors the writing of history. Here, Paretsky uses the form to expose the partiality of historical accounts - whether they be personal, institutional, or national - that authorise 'forgetting' of a particularly insidious kind. Significantly, all these issues are explored within the framework of the traditional hard-boiled detective novel. As a result, Paretsky's achievement forces us to acknowledge the deeply subversive potential of detective fiction.

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        KHAYRA UMMAH SERIES (NO.1/9) MAQASIDIDC FRAMEWORK FORTHE FORMATION OF KHAYRA UMMAH (THE BEST OF PEOPLE)

        by Azrina binti Sobian, Haji Mohammad Rohaizad bin Haji Mohamad Rasid (Illustrator)

        This volume is part of The Khayra Ummah series, being itself the culmination of a sequence of colloquium of several themes organised by IKIM. The issues addressed in this series are: Islamic economics; Islamophobia; governance; moral deterioration; disruptive technology; the Islamic state and society; enviromental degradation; and the Islamic mind.

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        AN ANTHOLOGY OF TRADITIONAL MALAY LITERATURE

        by Muhammad Haji Salleh (Editor)

        This anthology of traditional and classical works is a collection of poetry and fiction, legal digests, epistles and religious treatises, narrated, sung or written in the Malay language, in the Malay Archipelago. This language was and is widespread in the Malay Peninsula, Singapore, Sabah, Sarawak, Brunei, in Kalimantan, (Indonesian Borneo), including Pontianak, Ketapang, Sintang, Banjarmasin, Kutai and Samarinda. It was the lingua franca for most of Insular Southeast Asia and even in parts of Continental Southeast Asia, and to be found in Southern Thailand, in the provinces of Satun, Patani and Nakorn Sithammarat, and some islands in Southern Philippines. This time-span of traditional Malay literature covers a period from the earliest beginnings of oral works, through the inscriptions on stone and metal, and through further developments in oral storytelling, the advent of writing. In the decades of the 18th and 19th centuries a collision with western colonial powers and their cultures has resulted in a literature that reflected this traumatic confrontation and also, the so-called ‘modern’ elements. Along with this too we notice the rise of the new genres of the report, the travelogue, the autobiography and biography, which interestingly are prominent antecedents of modern literature.

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        KEMBARA HENRI FAUCONNIER DI TANAH MELAYU

        by Muhammad Haji Salleh & Laurent Metzger (Editor)

        This collection of essays has been written by Malaysian and French scholars. At the same time, he was also a renowned novelist, who could read and draw on the meaningful aspects of the lives of the races in the country. He foregrounded their courtesy in their cross-racial relationships, and also, the sophistication of their literary expression that has captured the attention of many countries. His novel, Malaisie, has been translated into several languages; its Malaysian rendition is Nurani Tanah Melayu. These two contributions, in the rubber and palm oil industries, are now growing green and healthy, and his Malaysian narrative has also brought the proud face and soul of Malaysia to the world.

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        KHAYRA UMMAH SERIES (NO.5/9) THE FAILURE OF EXTREME CAPITALISM: IS ISLAMIC ECONOMICS THE ANSWER?

        by Muhammd Hisyam bin Mohamad, Nur Syahidah binti Abdul Jalil, Haji Mohammad Rohaizad bin Haji Mohamad Rasid

        This volume is part of The Khayra Ummah series, being itself the culmination of a sequence of colloquium of several themes organised by IKIM. The issues addressed in this series are: Islamic economics; Islamophobia; governance; moral deterioration; disruptive technology; the Islamic state and society; enviromental degradation; and the Islamic mind.

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        KHAYRA UMMAH SERIES (NO.3/9) GOOD GOVERNANCE IN ISLAM

        by Mohd Sani bin Badron, Suzana binti Md. Samsudi, Haji Mohammad Rohaizad bin Mohamad Rasid

        This volume is part of The Khayra Ummah series, being itself the culmination of a sequence of colloquium of several themes organised by IKIM. The issues addressed in this series are: Islamic economics; Islamophobia; governance; moral deterioration; disruptive technology; the Islamic state and society; enviromental degradation; and the Islamic mind.

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        1995

        Die Abenteuer des Hadji Baba

        Ein orientalischer Abenteuerroman

        by James Morier, Hermann Rosenau

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        2020

        La rosa en el viento

        by Sara Gallardo

        "The rose that is destroyed in the wind lets its petals fly in a burned light," says this hallucinatory novel by Sara Gallardo, her latest publication, an extraordinary culmination for a dazzling, always precise, always unique, always captivating body of work. In La rosa en el viento, all the characters move, embarking on journeys that are sometimes physical and sometimes emotional, but in every case, they take them far from whom they were at the beginning. Olaf, a Swedish immigrant who has escaped a terrible episode in Italy, becomes a sheep breeder in Patagonia alongside Andrei, a Russian journalist who, in turn, seeks to win over an unconquerable woman, whose story reaches us in flashes, much like that of Oo, the Indian woman bought by Andrei, or Lina, who follows Andrei south, and Olga, who two generations earlier followed Alexis the revolutionary to an America that, for these characters, is both a land of promises and forgotten dreams that never truly materialize. Kaleidoscopic, polyphonic, synthetic, and modern, La rosa en el viento brings together all of Sara Gallardo's talent for storytelling and emotional impact, and it demands that we read it again.

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        Fiction

        Dirt and Stars

        by Ahmad Lufti

        How do you imagine the Arabs before Islam? People who drink alcohol, milk goats, and fight each other for trivial reasons? Or perhaps you imagine them ignorant in an environment of darkness and sand?   In this short story collection, Ahmad Lufti presents a fresh picture of the Arabian Peninsula before Islam, its legends and poets, its kings and its oral traditions. Inspired by the storytelling form of Scheherazade in “One Thousand and One Nights”—in which one narrator tells a story about another narrator, and another—as well as traditional Arab tales, Lufti’s stories explore and exalt Arab history and culture as well as larger themes of love, weakness, and power.     Commentary from the Author:   I am trying to reintroduce prose in Arab stories, as an attempt to praise authors whose books were highly underestimated. These works of art were deeply criticized for focusing on the pre-Islamic era or for adopting a classical rigid style.   It is crucial to revive Arab stories, this pristine and rich field that would never fail to exist, even if all authors were to perish. This has proven of importance in modern stories, which are the reflection of the contemporary human. How can we refute modern stereotypes, if Arab literature is absent from today’s books?

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        2024

        Los galgos, los galgos

        by Sara Gallardo

        There are beginnings in literature that encapsulate in a few words the entire conflict and grandeur of a work. Thus begins Los galgos, los galgos: “From my father, I inherited a house, half a field, and some money. I cried a lot over his death, but I can’t say that the inheritance took me by surprise. Sitting in the morning light, toward the end of the wake, I suggested to my brother that I would exchange my house for his part of the field, and as he immediately agreed and I had to sign a lot of papers, I realized I had made a bad deal.” These are the words of Julián, the protagonist and narrator of this novel, which can certainly be read as a story of love and heartbreak, but is so much more: an essay on the erosion of our convictions by time, a subtle commentary on the customs and practices of a class, and the impact of those customs and practices on certain fantasies and dissatisfaction, as well as a representation of the countryside, animals and plants like no other in Argentine literature. First published in 1968, Los galgos, los galgos won the Municipal Literature Prize and is considered a major work within Sara Gallardo’s extraordinary oeuvre. Written in a state of grace, infused with a melancholic sense of fatality but imbued with intelligent and refined humor, this is a novel that leaves an indelible mark, profound admiration, and eternal sorrow.

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        September 2015

        Deine Briefe lege ich unter die Matratze

        Ein Briefwechsel 1971 - 2002

        by Astrid Lindgren, Sara Schwardt, Lena Törnqvist, Birgitta Kicherer, Steffi Pelzl

        "Deine Briefe lege ich unter die Matratze" ist ein tief berührendes Werk, das aus einer einzigartigen Brieffreundschaft zwischen der legendären Kinderbuchautorin Astrid Lindgren und der jungen Sara Schwardt hervorgeht. Beginnend mit einem Brief von der damals zwölfjährigen Sara an Lindgren im Jahr 1971, entwickelt sich über die Jahre ein außergewöhnlicher Austausch, der nicht nur Einblicke in persönliche Gedanken und Erlebnisse beider bietet, sondern auch eine Generationen übergreifende Verbundenheit offenbart. Trotz eines Altersunterschieds von 50 Jahren teilen sie ihre Sichtweisen auf das Leben, die Liebe und menschliche Beziehungen, was diesen Briefwechsel zu einem Zeugnis tiefer Menschlichkeit und Verständnis macht. Bereichert wird das Buch durch zahlreiche Fotos und Faksimiles der Originalbriefe, die einen authentischen und sehr persönlichen Blick in das Leben und den Charakter von Astrid Lindgren gewähren. Einzigartiger Einblick in das Leben von Astrid Lindgren: Dieses Buch bietet eine seltene Gelegenheit, die persönlichen Gedanken und Ansichten einer der beliebtesten Kinderbuchautorinnen aller Zeiten zu entdecken. Tiefe, generationenübergreifende Freundschaft: Eine berührende Geschichte einer ungewöhnlichen Freundschaft, die zeigt, wie zwei Menschen unterschiedlichen Alters einander verstehen und bereichern können. Umfangreiches Material: Angereichert mit Fotos und Faksimiles der Originalbriefe, bietet das Buch einen authentischen und visuell ansprechenden Einblick in den Briefwechsel. Inspirierend und bewegend: Die Offenheit und Ehrlichkeit, mit der Sara Schwardt und Astrid Lindgren ihre Gedanken und Gefühle teilen, macht dieses Buch zu einem inspirierenden Leseerlebnis. Hoher literarischer Wert: Die Kritiken heben die literarische Qualität und die menschliche Tiefe des Buches hervor, was es zu einem wertvollen Bestandteil jeder Bibliothek macht. Empfohlen für alle Altersgruppen: Obwohl es die Korrespondenz zwischen einer Erwachsenen und einem Kind darstellt, ist das Buch sowohl für Jugendliche als auch für Erwachsene eine bereichernde Lektüre. Pädagogisch wertvoll: Das Buch wird empfohlen für alle, die mit Kindern, Jugendlichen oder Familien arbeiten, da es wertvolle Einblicke in die Gedankenwelt junger Menschen und die Bedeutung einer Mentorfigur bietet.

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        Fiction
        2015

        Pantalones azules

        by Sara Gallardo

        Pantalones azules is a novel with a deceptively simple appearance. As Leopoldo Brizuela has noted, fifty years after its first publication, it "reveals itself as the recounting of a process infinitely more subtle" than an impossible love affair, which was the key interpretation by its contemporaries. On the contrary, Pantalones azules is a story of multiple disillusionments: those of Alejandro, the young protagonist from a well-to-do family, Catholic and anti-Semitic, who encounters the limits of his convictions upon meeting Irma, an immigrant with a Jewish mother who lost her parents in the European war; those of Irma, who receives not compassion but the inhuman brutality of Alejandro’s convictions; and those of Elisa, Alejandro’s virgin fiancée, who must decide her position within the patriarchal family structure and whether to accept her role as a future wife subjected to the tacit violence of her fiancé. But more than a story of love and disillusionment, Pantalones azules is a prodigious representation, for its freshness and vitality, of the distances that separate social groups, cultures, generations, and genders within the same time and place. A prime example of Sara Gallardo’s extraordinary ability to bring her characters to life with wisdom, humor, a touch of malice, and a surprising economy of resources, this second novel by the author also broadens her perspective on the landscape: the countryside, the city, and the river are depicted here with unusual accuracy, possible only for someone who has experienced landscape and language as a unique amalgam, a defining characteristic of her works. First published in 1963, Pantalones azules has circulated only minimally since then. Fiordo is proud to bring this superb novel by one of Argentina’s greatest writers back to readers.

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        October 2023

        The Nile of the Living

        by Mohamed Abdallah

        “In the old days, passing on an inheritance was rarely an issue. Oh, there were always old men to complain about the folly of the new generations and cheeky brats ready to mock their elders, but, on the whole, the world of sons resembled that of fathers, and the lessons of the latter were passed on without much difficulty. Today, each era seems to create its own world, bringing its own new life into it. The challenge is not to lose sight of the aspects of continuity that reign from one era to the next.” Mohamed Abdallah Egypt, its neighbors. Cairo, a city that has created an arena for itself between the jaws of the desert. Its river emerges from elsewhere, the Nile, always there, meandering amiably between Cairo's buildings, sometimes disappearing behind a mosque or cinema, before reappearing for good, an ancient comrade in a procession backwards through the decades. Its nourishing trickles are laden with secrets, the destinies of men and women and the mysteries of millennia. One era? No, several. At the beginning, or rather at the end, two novelists, two cousins who don't know each other but remember the same universe. In their books, they recount its beauty, greatness and pettiness, successes and failings. The root of this painful poetics? A revived horizon, refracted from one era to the next. Revolutions wished for, sung about, mourned. A world, several continents believing themselves to be in the hollow of a valley where faces emerge, voices rise, psalms are declaimed, music dances, scents run through the streets... Oumm Koulthoum, Youcef Cha-hine, Tawfiq al-Hakim, Ahmad Shawqi, Cheikh Imam, Fouad Nagm, Soad Hosny and... take their place at Café Isfet in the El Gamaliyya district. Broken, twisted, surviving, magnificent friendships. Unspoken loves, over-thought, under-experienced. Good-natured, jovial, albeit frazzled, witnesses. And, in the midst of this field of superb ruins, life, its aspirations, the arts and their.

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        March 2023

        “Witness to the Mutilations of the Sky”

        Fiction and testimony in the work of Mohammed Dib

        by Hervé Sanson

        From his earliest writings, Algerian writer Mohammed Dib (1920-2003) never gave in to the use of didactic, transparent language, nor to the expectations of so-called “commissioned” literature. It's the work of the language in its syntactic cutting, the weighing of the letter, that's important. In fact, the Dibian witness is masked: he conceals within himself what I'd like to call a literary witness, i.e. a textual device, plural in its declensions, which, going against the expected, allows for other times, (re)plays the texts in their unspoken, questions the memory of the texts, renews the very conception of the witness and asks the following question: what witness when fiction gets involved? This essay, covering fifty years of uninterrupted creation, sets out to delineate the various passages of witness that Dib's work encourages, but cannot avoid questioning the very nature of exegesis and the position of the exegete: do I become, at the end of this relay, the ultimate witness who wishes, from the depths of his heart, to pass the baton to a new guarantor? Translated with www.DeepL.com/Translator (free version)

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        LENGGONG - Crossroads Of The Ancient World (A Graphic History)

        by Saadon Ishak, Sabrina Sofiadin, Imran Mansur

        This illustrated Graphic Novel vividly tells the story of Malaysia's earliest prehistoric society, going back as far as 74,000 years. The Lenggong Valley is listed as a UNESCO World Heritage Site and is celebrated for its archeological significance, which demonstrates a pivotal point in human history. LENGGONG - Crossroads Of The Ancient World ( A Graphic History ) brings to life the discovery of the 'PERAK MAN' one of the oldest , most complete skeletal remains found in Southeast Asia, from the perspective of the esteemed Prof. Emeritus Datin Paduka Dr. Siti Zuraina Majid- Malaysia's first archaeologist. Her research put the Lenggong Valley on the archeological world map, proving that early humans migrated from Africa to Australia through Sundaland, a large landmass that passed through Peninsular Malaysia.

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        Literature & Literary Studies
        June 2015

        Sara Paretsky

        by Cynthia S. Hamilton

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