POPLAR Publishing Co., Ltd., a leading independent publisher of children's books in Japan, has been in business for more than 70 years. As it started as a children's books publisher, it has always tried to provide children with enjoyable and exciting books. Today, the company's goals remain unchanged: everything it publishes should be enjoyable and enrich people's lives.
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This collection brings together studies of popular performance and politics across the nineteenth century, offering a fresh perspective from an archivally grounded research base. It works with the concept that politics is performative and performance is political. The book is organised into three parts in dialogue regarding specific approaches to popular performance and politics. Part I offers a series of conceptual studies using popular culture as an analytical category for social and political history. Part II explores the ways that performance represents and constructs contemporary ideologies of race, nation and empire. Part III investigates the performance techniques of specific politicians - including Robert Peel, Keir Hardie and Henry Hyndman - and analyses the performative elements of collective movements.
Penny politics offers a new way to read early Victorian popular fiction such as Jack Sheppard, Sweeney Todd, and The Mysteries of London. It locates forms of radical discourse in the popular literature that emerged simultaneously with Brittan's longest and most significant people's movement. It listens for echoes of Chartist fiction in popular fiction. The book rethinks the relationship between the popular and political, understanding that radical politics had popular appeal and that the lines separating a genuine radicalism from commercial success are complicated and never absolute. With archival work into Newgate calendars and Chartist periodicals, as well as media history and culture, it brings together histories of the popular and political so as to rewrite the radical canon.
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The documents in this stimulating volume span from 1245 to 1424 but focus on the 'contagion of rebellion' from 1355 to 1382 that followed in the wake of the plague. They comprise a diversity of sources and cover a variety of forms of popular protest in different social, political and economic settings. Their authors range across a wide political and intellectual horizon and include revolutionaries, the artistocracy, merchants and representatives from the church. They tell gripping and often gruesome stories of personal and collective violence, anguish, anger, terror, bravery, and foolishness. Of over 200 documents presented here, most have been translated into English for the first time, providing students and scholars with a new opportunity to compare social movements across Europe over two centuries, allowing a re-evaluation of pre-industrial revolts, the Black Death and its consequences for political culture and action. This book will be essential reading for those seeking to better understand popular attitudes and protest in medieval Europe.
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Accessible, introductory student guide which identifies key feminist approaches to popular culture from the 1960s to the present.. The only introduction to both feminist cultural studies and feminism and popular culture published in the UK.. Presents its information in a reader friendly series of case studies on: women's film romantic fiction soap opera consumption and material culture fashion and beauty proactices youth culture and popular music. Will appeal to students across a wide range of disciplines as a variety of popular cultural forms are discussed. ;
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Our Inventions and Their Inventions is a set of popular science picture books introducing the encounter and exchange of ancient Chinese and Western civilizations. It traces the birth process of the great inventions in history and their influence on the civilization process, and uses the contrast between the East and the West to show the convergence and collision of human civilizations. While cultivating children's national self-confidence and pride, it also broadens their horizons and encourages them to look at the historical process and future development of human civilization with an open, humble and tolerant mind. The series consists of 5 volumes, the themes of which are "gunpowder", "compass", "silk", "iron" and "clock"."Iron Smelting" describes the history of iron smelting in China.
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Our Inventions and Their Inventions is a set of popular science picture books introducing the encounter and exchange of ancient Chinese and Western civilizations. It traces the birth process of the great inventions in history and their influence on the civilization process, and uses the contrast between the East and the West to show the convergence and collision of human civilizations. While cultivating children's national self-confidence and pride, it also broadens their horizons and encourages them to look at the historical process and future development of human civilization with an open, humble and tolerant mind. The series consists of 5 volumes, the themes of which are "gunpowder", "compass", "silk", "iron" and "clock"."The Clock" introduces the invention, use, and dissemination process of clocks and watches with both pictures and texts.
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Our Inventions and Their Inventions is a set of popular science picture books introducing the encounter and exchange of ancient Chinese and Western civilizations. It traces the birth process of the great inventions in history and their influence on the civilization process, and uses the contrast between the East and the West to show the convergence and collision of human civilizations. While cultivating children's national self-confidence and pride, it also broadens their horizons and encourages them to look at the historical process and future development of human civilization with an open, humble and tolerant mind. The series consists of 5 volumes, the themes of which are "gunpowder", "compass", "silk", "iron" and "clock"."The Silk" introduces the invention, use and dissemination process of silk with both pictures and texts.
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Our Inventions and Their Inventions is a set of popular science picture books introducing the encounter and exchange of ancient Chinese and Western civilizations. It traces the birth process of the great inventions in history and their influence on the civilization process, and uses the contrast between the East and the West to show the convergence and collision of human civilizations. While cultivating children's national self-confidence and pride, it also broadens their horizons and encourages them to look at the historical process and future development of human civilization with an open, humble and tolerant mind. The series consists of 5 volumes, the themes of which are "gunpowder", "compass", "silk", "iron" and "clock"."The Compass" introduces the invention, use and dissemination process of the compass with both pictures and texts.
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Earth’s Epic: How Far is 4.6 Billion Years is a new book from Professor Miao Desui, an internationally renowned paleontologist and science writer. He has written many popular science works with good sales and reputation, and has won dozens of honors. In Earth’s Epic, he explains earth science to teenagers for the first time. In Earth’s Epic: How Far is 4.6 Billion Years, the author tells about the history of earth’s evolution, secrets in rocks, crustal movement, life evolution history recorded by fossils, earth minerals using popular and poetic language, showing readers the epic scene of earth’s evolution. As a popular science book, the Earth’s Epic is characterized by the concept of general education. In the book, Professor Miao Desui uses straightforward language, builds a scientific and rigorous knowledge system with multiple humane philosophies interwoven within the text, eliminates the barriers between science and liberal arts, and integrates geography, biology, history, physics, chemistry, literature, and other multiple disciplines. The book transmits the spirit of science, inspires interdisciplinary thinking, and enables readers of all ages to read and obtain knowledge from it. Since published, Earth’s Epic has repeatedly appeared on the authoritative lists of the industry and won the Best China Books of 2021. It has been recommended by multiple media, such as China Book Review, China Publishing Today, China Reading Weekly, China Science Daily, China Press Publication Radio Film and Television Journal, and We Love Science. Besides, Shen Shuzhong, academician of the Chinese Academy of Sciences; Chen Qifan, vice chairman of the China Science Writers Association; and Zhou Shangyi, professor of the Faculty of Geographical Science of Beijing Normal University, and many other experts have also given it high praise.
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Our Inventions and Their Inventions is a set of popular science picture books introducing the encounter and exchange of ancient Chinese and Western civilizations. It traces the birth process of the great inventions in history and their influence on the civilization process, and uses the contrast between the East and the West to show the convergence and collision of human civilizations. While cultivating children's national self-confidence and pride, it also broadens their horizons and encourages them to look at the historical process and future development of human civilization with an open, humble and tolerant mind. The series consists of 5 volumes, the themes of which are "gunpowder", "compass", "silk", "iron" and "clock"."The Gunpowder" introduces the gunpowder as one of the four ancient inventions of China, which have affected the destiny of people all over the world.
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Design and Popular Entertainment offers a selection of nine essays that examine the range of design for popular entertainment, from theatre and film, to television and radio. Investigating entertainment design from the late nineteenth century to the 1960s, the book is divided into two sections. The first addresses the 'hardware' of popular entertainment, in other words the objects through which images, sound and performance are transmitted. The second explores the construction of cinematic and televisual imagery and the design of objects for the screen, the 'software' of entertainment. In so doing it offers important insights into this little explored aspect of design. Topics covered by the collection include the design of theatrical lighting and stage sets, cinema and radio design, the representation of designers within film, and the relationship between design and television. The book's concentration on the 1950s and 1960s reflects the profound changes in modes of entertainment that took place during that period, in particular the spread of television, which not only attracted a huge popular audience but also stimulated experimental designing approaches and thinking. With particular focus on the way that both the objects and the construction of entertainment have altered audience's experience, the essays present a novel approach to the subject. This book will be of particular interest to students and teachers working in design and cultural history as well as film and theatre studies. ;
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The author of this book opened a class and interpreted 12 classic popular science works around the theme of "universe and man", which is both ethereal and realistic. At the same time, the book will broadcast the same popular science program "science classics interpretation course" broadcast on Himalayan FM.
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The most complete study of Blier's work to date, Harris traces the director's career from the early 1960s until the present. Outlines the forms, themes and style which dominate in Blier's work, and challenges the many labels that have been used to describe both the corpus of films and the man himself. Provides an original and controversial discussion of Blier's alleged 'misogyny', and invites the reader to understand the scatological and corporeal aspects of Blier's filmmaking in terms of long-established traditions of popular dramatic culture. Brings to light the comic mechanisms underpinning Blier's films and identifies strategies which navigate through one of the most entertaining and disconcerting bodies of work of recent years. The first book on Blier published in English.
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The book mainly explores Chinese classical opera in terms of the existence, cutural essence and functions, artistic features, and the position in Chinese traditional culture. The author conducts study based on theories of popular culture and folk culture, historical resources of Chinese classical opera, along with various survival tactics for opera like opera adptation and opera prohibition.
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This is the first book to survey in comparative form the transmission of imperial ideas to the public in six European countries in the nineteenth and twentieth centuries. The chapters, focusing on France, Britain, the Netherlands, Belgium, Germany and Italy, provide parallel studies of the manner in which colonial ambitions and events in the respective European empires were given wider popular visibility. The international group of contributors, who are all scholars working at the cutting edge of these fields, place their work in the context of governmental policies, the economic bases of imperial expansion, major events such as wars of conquest, the emergence of myths of heroic action in exotic contexts, religious and missionary impulses, as well as the new media which facilitated such popular dissemination. Among these media were the press, international exhibitions, popular literature, educational institutions and methods, ceremonies, church sermons and lectures, monuments, paintings and much else.
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A concise history of smoking in British popular culture from the early nineteenth century to the present day.. Provides the historical backdrop to the current debates about the politics of tobacco and health, demonstrating that both pro- and anti-smokers have consistently failed to understand the position of smoking within popular culture.. Important themes explored include: the importance of consumption to constructions of masculinity and femininity, the role of the state in the official regulation of the 'minor vices', the morality of consumption and the position of scientific knowledge within popular culture.. Traces the production, promotion and consumption of tobacco as well as outlining the arguments that have variously opposed this ever-controversial drug.. Genuinely interdisciplinary, combining elements of social, cultural and economic history whilst contributing to debates in sociology and cultural studies, the anthropology of material culture, design history, medical history and public health policy. ;
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This collection draws together original scholarship from international contributors on a range of aspects of professional and semi-professional medical work and its relations to British culture. It combines a diverse spectrum of scholarly approaches, from medical history to book history, exploring literary and scientific texts, such as satiric poetry, essays, anatomies, advertisements, and the novel, to shed light on the mythologisation and transmission of medical (mis)information through literature and popular culture. It analyses the persuasive and sometimes deceptive means by which myths, as well as information and beliefs, about medicine and the medical professions proliferated in English literary culture of this period, from early eighteenth-century household remedies to the late nineteenth-century concerns with vaccination that are still relevant today.
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Brazil has one of the most significant and productive film industries in Latin America. This ground-breaking study provides an entertaining insight into the Brazilian films that have most captured the imagination of domestic audiences over the years. The recent international success of films such as Central Station and City of God, has stimulated widespread interest in Brazilian film, but studies written in English focus on the 'auteur' cinema of the 1960s. This book focuses on individual films in their socio-historical context, drawing on extensive fieldwork in Brazil and Latin America. It argues that Brazilian cinema has almost always been grounded in intrinsically home-grown cultural forms, dating back to the nineteenth century, such as the Brazilian music-hall, the travelling circus, radio shows, carnival, and, later, comedy television. Combining a chronological structure with groundbreaking research and a lively approach, Popular cinema in Brazil is the ideal introduction to Brazilian cinema.
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Emigrant Homecomings addresses the significant but neglected issue of return migration to Britain and Europe since 1600. While emigration studies have become prominent in both scholarly and popular circles in recent years, return migration has remained comparatively under-researched, despite evidence that in the nineteenth and twentieth centuries between a quarter and a third of all emigrants from many parts of Britain and Europe ultimately returned to their countries of origin. Emigrant Homecomings analyses the motives, experiences and impact of these returning migrants in a wide range of locations over four hundred years, as well as examining the mechanisms and technologies which enabled their return. The book examines the multiple identities that migrants adopted and the huge range and complexity of homecomers' motives and experiences. It also dissects migrants' perception of 'home' and the social, economic, cultural and political change that their return engendered.
