Marshall Cavendish
Topical, authentic and high quality books under the Marshall Cavendish Editions imprint provide general interest content that informs, entertains and engages readers.
View Rights PortalTopical, authentic and high quality books under the Marshall Cavendish Editions imprint provide general interest content that informs, entertains and engages readers.
View Rights PortalJill Marshall is the author of the popular middle-grade series about Sensational Spylet, Jane Blonde, and many other titles and series for tweens, teens, YA and adult. Jill’s books have been published by Macmillan Children’s Books, Penguin and Hachette, in 22 countries, 11 languages and paperback, ebook and audio formats. Jane Blonde has been optioned for film and TV, with significant film interest in other Jill Marshall titles. Jill has also been an editor and manuscript assessor for trade publishers and societies, a creative writing teacher for over 1000 clients, and works in corporate communications. During lockdown in 2020, and with all rights for all titles successfully re-acquired, Marshall fulfilled two long-term ambitions. The first – to create an independent publishing house of her own titles, rebranded and re-imagined for a digital world. The second – to pull together Jane Blonde and three other ‘superhero’ characters, all with their own origin series, into an ensemble series, S*W*A*G*G (swaggbooks.com). The third ambition was one that she couldn’t have foreseen: the wish to provide quality fiction for tween readers and upwards, in readily accessible digital formats and for free, in a world ravaged by a global pandemic. In May 2020, Jill Marshall Books was born, and all three ambitions met. JMB has gathered momentum and fandom during those months, and it’s now time to partner with like-minded book people – innovative, passionate, caring – to extend the reach of JMB titles across formats, locations and media. Welcome to Jill Marshall Books. We look forward to connecting at Frankfurt 2020.
View Rights PortalThe true story of a soldier, a pacifist, and the woman who loved them both. Frustrated with the dating scene, Ann Garretson decided she couldn’t leave love to chance. So she set her sights on “The One”: her pen pal, Lieutenant Jack Sigg, a tank commander on the German-Czech border. In 1964, she skipped her college commencement to tour Europe with him, hoping to return as his fiancée. But a month into their rendezvous, her best friend, Terry, proposed marriage - by mail - throwing all their lives into turmoil. Jack offered the military life Ann had grown up with. Terry, a conscientious objector, would leave for the Peace Corps at summer’s end, unless the draft board intervened and sent him to jail. Her dilemma: she loved them both. Ann had to make an agonizing choice—a choice made all that much harder by her meddling parents, Terry’s passionate pleas, and Jack’s irresistible charm. A Rendezvous to Remember is an intimate portrayal of relationships in the early sixties, written by a young woman finding her way in a changing world and by the man who ultimately won her heart. Provocative and delightfully uncensored, this coming-of-age memoir is a tribute to the enduring power of love and family.
This is the first in-depth study of the science fiction television devised and written by Terry Nation. Terry Nation was the inventor of the Daleks and wrote other serials for 'Doctor Who'; he also wrote the BBC's 1970s post-apocalyptic drama 'Survivors' and created the space adventure series 'Blake's 7'. Previously television science fiction in Britain has received little critical attention. This book fills that gap and places Nation's work in the context of its production. Using Terry Nation's science fiction work as a case study, the boundaries around the authorship and authority of the television writer are explored in detail. The authors make use of BBC's archival research and specially conducted interviews with television producers and other production staff, to discuss how the programmes that Terry Nation created and wrote were commissioned, produced and brought to the screen. The book makes an important contribution to the study of British television history and will be of interest to enthusiasts of Terry Nation's landmark drama series as well as students of Television Studies.
Terry Gilliam presents a sustained examination of one of cinema's most challenging and lauded auteurs, proposing fresh ways of seeing Gilliam that go beyond reductive readings of him as a gifted but manic fantasist. Analysing Gilliam's work over nearly four decades, from the brilliant anarchy of his Monty Python animations through the nightmarish masterpiece Brazil to the provocative Gothic horror of Tideland, it critically examines the variety and richness of Gilliam's sometimes troubled but always provocative output. The book situates Gilliam within the competing cultural contexts of the British, European and American film industries, examining his regular struggles against aesthetic and commercial pressures. He emerges as a passionate, immensely creative director, whose work encompasses a dizzying array of material: anarchic satire, childhood and adult fantasy, dystopia, romantic comedy, surrealism, road movie, fairy tale and the Gothic. The book charts how Gilliam interweaves these genres and forms to create magical interfaces between reality and the illuminating, frightening but liberating worlds of the imagination. Scrutinising the neglected importance of literature and adaptation in Gilliam's career, this study also observes him through the lenses of auteurism, genre, performance, design and national culture, explaining how someone born in Minnesota and raised in California came to be one of British television and film's most compelling figures.
Terry Gilliam presents a sustained examination of one of cinema's most challenging and lauded auteurs, proposing fresh ways of seeing Gilliam that go beyond reductive readings of him as a gifted but manic fantasist. Analysing Gilliam's work over nearly four decades, from the brilliant anarchy of his Monty Python animations through the nightmarish masterpiece Brazil to the provocative Gothic horror of Tideland, it critically examines the variety and richness of Gilliam's sometimes troubled but always provocative output. The book situates Gilliam within the competing cultural contexts of the British, European and American film industries, examining his regular struggles against aesthetic and commercial pressures. He emerges as a passionate, immensely creative director, whose work encompasses a dizzying array of material: anarchic satire, childhood and adult fantasy, dystopia, romantic comedy, surrealism, road movie, fairy tale and the Gothic. The book charts how Gilliam interweaves these genres and forms to create magical interfaces between reality and the illuminating, frightening but liberating worlds of the imagination. Scrutinising the neglected importance of literature and adaptation in Gilliam's career, this study also observes him through the lenses of auteurism, genre, performance, design and national culture, explaining how someone born in Minnesota and raised in California came to be one of British television and film's most compelling figures. ;
Helicobacter pylori is a globally significant pathogen that infects half of the population of the world. Its recognition enabled the development of new therapeutic and preventative strategies for serious health conditions such as gastric cancer, of which it is the major causative agent. Providing a broad overview of the current understanding of this pathogen and emphasising its world health impacts, this book explores a range of topics including virulence factors, vaccine development and obstacles, epidemiology, antibiotic resistance and the role of Nod receptors, with a foreword by Barry Marshall, the Nobel Laureate and co-discoverer of H. pylori. It is an essential resource for researchers, students and medics in infectious and Helicobacter-associated diseases.
Speaking at West Point in 1962, Dean Acheson observed that Britain had lost an empire and had still to find a new role. This book explains why, in the following years, as Britain's Labour government contemplated withdrawal from east of Suez, ministers came to see that Britain's future role would be as a force within Europe. To this end, and in order to gain entry into the European Economic Community, a close relationship with the Federal Republic of Germany would be essential. This account of Anglo-German relations during the 1960s reveals fascinating insights into how both governments reacted to a series of complex issues and why, despite differences which might have led to strains, a good understanding was maintained. Terry Macintyre's innovative approach brings together material covering NATO strategy, détente and European integration, making the volume fascinating and essential reading for students and enthusiasts of contemporary British and German political history. This book makes an important contribution to what we know about Cold War history, and should help to redefine some of the views about the relationship between Britain and Germany during the 1960s. ;
Vorlesen, singen, backen – Weihnachtsspaß für Groß und Klein Draußen vor dem Fenster rieseln die ersten Schneeflocken. Im Kamin zischt behaglich das Feuer. Zeit, es sich mit der Familie und dem großen Weihnachtshaus gemütlich zu machen. Darin stecken sieben Hefte voller weihnachtlicher Anregungen mit Liedern, Gedichten, Geschichten zum Vorlesen und Rezepten von unseren kleinen Berühmtheiten. Weihnachtshaus mit sieben Büchern unter einem Dach. Geschichten, Bastelanleitungen, Lieder und Rezepte zur Vorfreude auf Weihnachten. Die perfekte Ergänzung für eine schöne Adventszeit mit der Familie.