Caramel specializes in the creation and packaging of children’s books destined for the mass-market. We are based in Brussels and have been serving as an international book packager since 1993. Caramel continues to innovate with new concepts, while also expanding its editorial program. We possess a wide range of eductional products from board books to activity books, that can easily be translated into more than 60 languages!
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Cartageo.com - Online bookshop and wholesale supplier of geographical maps and globes, wall maps, reproduction of antique maps. Touristic, topographic, geographical and antique maps. Vendita online di carte geografiche, carte murali, mappamondi e riproduzioni di carte antiche. Vendita al dettaglio via web e fornitura all'ingrosso per librerie, agenzie turistiche ed esercizi specializzati in genere.
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Gathers the voices of unique artists from the worlds of theatre, music and performance to discuss process and the making of interdisciplinary work.|Gathers the voices of unique artists from the worlds of theatre, music and performance to discuss process and the making of interdisciplinary work. ;
A wide-ranging look at the state of contemporary theatre practice, economics, and issues related to identity, politics, and technology. Contains a snapshot dissection of where theatre is, where it has been and where it might be going through the voices of established and emerging theatre artists and scholars from the UK, US and elsewhere. Offers an examination of how to make theatre in a time of crisis and why it is a vital form of communication are at the heart of the book's mission. Asks questions such as: where is theatre now taking place?; what is the relationship between play and performance?; how does funding work?; what states does theatre flourish under?; and if there is a current 'crisis of theatre' should it not be seen as a welcome opportunity to develop a vigorous 'theatre of crisis'?. The international list of contributors includes Jim Carmody, Phyllis Nagy, Michael Billington, Max Stafford-Clark, Peter Sellars, Dragan Klaic, Goat Island, Erik Ehn and many others, making up a vast array of practising artists, thinkers, and scholars. ;
En La educación de las hijas (1787), primer libro de la precursora del feminismo Mary Wollstonecraft, encontramos un manual de conducta destinado a brindar herramientas para una vida intelectual, económica y moralmente provechosa, en un mundo donde las mujeres poseían escasas alternativas tanto para ganar el sustento como para realizarse individualmente. La preocupación de Wollstonecraft por formar mujeres que fueran ciudadanas y madres responsables y competentes anticipa los desarrollos más innovadores y radicales de su obra más famosa, Reivindicación de los derechos de la mujer (1792). Creo que es un muy buen método que se dé a las niñas una cierta semanada para ropa. La madre puede fácilmente y sin que se note observar cómo se la gastan, y dirigirlas en consecuencia. De este modo aprenderán el valor del dinero y se verán obligadas a administrarlo. Esta sería una lección práctica de economía superior a todas las teorías que se puedan inventar. Asimismo, el hecho de tener un estipendio fijo les permitiría ser caritativas en el verdadero sentido de la palabra, porque estarían dando de lo que les pertenece; y, privándose de pequeños adornos y haciéndose sus propias cosas, aumentarían la suma destinada a fines de caridad.
Madrid, winter of 1620. The happiness of the marriage formed by Sebastián Castro, a renowned clerk of the Villa, and Margarita Carvajal staggers when both become the main suspects of a blood libel: lawsuits that blame the Jews for sacrificing Christian children to collect their blood and whose jurisdiction belongs to the Holy Inquisition. With the bonfire hanging over them, their son Alonso, a thirteen-year-old boy, begins a desperate search for a way to save them, a purpose that tears her out of her warm existence and shows her the ice of life. In spite of everything, three headlights turn on light in the shadows of her misfortune: friendship, hope and a dream. Friendship is provided by Juan and Antonio, two rogue vagabonds. Hope beats in a bag full of money that seems to be pulling the strings of destiny. And the dream awaits him in college, where he plans to study law, become a lawyer, and exercise a law capable of preventing innocent people like his parents from suffering the rigors of injustice. Blood Libel is a fascinating story of love and friendship set in Madrid during the Golden Age, a vibrant but bleak time in which, while faith in God lit hearts, crimes against it lit bonfires.
This work, halfway between the personal testimony and the theological reflection, is divided into three parts. The first displays the historical and cultural situation that has provoked a radical change in the way of perceiving and understanding priestly ministry. The second identifies four features that may enlighten nowadays the image and mission of the priest: the disciple, apostolic, fraternal, and secular dimensions. The third part deepens into the basic tasks of his mission –the preaching of the Gospel, the sanctification by way of the sacramental and liturgical action, and the guidance of God’s people–, without forgetting that the criterion that must guide and feed the apostolic existence is the daily practice of the ministry, the true and proper way to holiness.
Did you know that the oxygen you breathe today has already passed through the lungs of Napoleon and Genghis Khan? Or that the water you just drank was acquainted with Jesus Christ’s kidneys? Or that astrology is still based on the location of celestial bodies, even though the universe is expanding? Penicillin was discovered by chance, and so was viagra. And post its only exist because of an attempt to not waste glue that turned out to be a failure (and because God is good). Newton thought that inventing calculus was important, but not as much as studying the distinguished science that was alchemy. This might just be why our brain tries so hard to fill in the blanks in our memory with false imagens and facts. Speaking of fake news, can we stop arguing over whether Columbus was Portuguese or Spanish, because the first people to arrive in America were the vikings.
The protagonist of this virtuoso first novel spends a year wandering through the interior of India. She comes from a comfortable background and has left behind a promising future to seek out what one seeks in India: meaning. Most of the foreigners who sporadicallyaccompany her are Westerners engaged in religious tourism as consumerist and bizarre as any other tourism. Unlike them, she complies with the rituals of asceticism and bareness: endless hours of meditation per day, countless trips in crowded trains, border runs to renew her visa to stay, always, just a little bit longer. With a humility that matches her wardrobe, always exposed to the torridness of the human and natural landscape, this book is a meticulous initiatory path; the most exciting part is that it never stops questioning itself. Does she find the meaning she’s searching for? With elegance and detachment, this admirable novel offers a possible answer to that question.
In ‘Dissident identity: themes for a new Brazilian History’, Edgard Leite continues the work done in 'Predators', which addresses the Brazilian history from the other side, rescuing facts, contradictions and ideas that, over the years and because of a historiography often biased, remained forgotten. A thorough job and an arduous task which the author is not exempt, but faces; as well as facing certain tradition in historical studies. With a concise writing, the author develops his argument from the idea that, since the Copernican revolution, mankind turned to quantity over quality. It is precisely this world that will emerge from Brazil, since the arrival of Europeans will just at a time when the effects of the Copernican turning shall introduce into Europe. Another important point for understanding the history of Brazil will be the secularization of the state, which is strengthened by the Enlightenment and the French Revolution is, above all, its most acute event. Understanding the relationship between state and religion and, especially, the understanding of the concept of mind, will be central to a discussion of the values that shape - or fail to shape - a society. The book ends with the 1964 event, and the reader will wait that the author addresses in forthcoming books, the continuation of Brazilian history. Always with his provocative and powerful bias.
The years is 1927 and the murder of a soldier in a military hospital in Morocco begins a chance for an extremely valuable artefact, disappeared for more than a thousand years: the Table of Salomon, King of Kings, that would give its owner the wisdom of a thousand wise men. And when the Bureau’s investigation gets to the weapon used in La Dame Chevalier’s parents’ murder, the agent decides to travel to north Africa looking for the artefact and answers. Along with the young Justine Carbonneau, both women go to the desert among a war between the empire and the Berbers, fighting for their independence. But Chevalier will have company. Mercenaries led by the mysterious organization Ostia Mithrae also
Historical is a journey through the lives of 15 women who made history, based on illustrations of them by Polish artist Joanna Styrylska-Gałażyn. These graphic representations are accompanied by texts of diverse literary genres, written especially for this edition by young writers of different nationalities: Chilean, Latin American, Catalan. For each character, a brief biography and a text is included that seeks to connect the reader to the woman being honored, mixing real information with fictitious events: some occur in the future, others explore the most intimate dimension of the protagonist or personify her through poetry. The illustrations and stories that make up this book seek to make visible the importance of women in the immense number of areas from which they have been systematically excluded: science, art, technology, sports, activism and academia, among others. In this way, the book concentrates different aspects of feminist struggles capable of transcending time and space.
The fruit of an extensive research by Professor Percival Tirapeli, this richly illustrated work covers three centuries of Colonial and Baroque art, and is divided in three parts: “Colonial Urbanism”, “Ecclesiastical Architecture” and “Sacred Art – Furniture and Ornamentation”. “Colonial Urbanism” explains the differences and approximations of the layout and planned urbanism between Hispano-American and Portuguese-Brazilian cities. “Ecclesiastical Architecture” analyzes the cathedrals of the viceroyalties, the audiences and the Brazilian sees. The section “Sacred Art – Furniture and Ornamentation” completes the analysis of churches, examining their retable façades, the furniture of the altars and their ornamental complements, such as sculptures and paintings.
Este libro explica cómo fue el abandono de niñas y niños en la Barcelona del siglo XV, deteniéndose en tres etapas esenciales: la escena del abandono, el cuidado de los lactantes en manos de nodrizas y el aprendizaje en casas ajenas. En cada fase se revisan las condiciones de integración y marginación, la presencia de lo femenino y los relatos de amores y desamores. Las historias que aquí se recogen permiten comprender las diferentes dimensiones del abandono, acto que involucraba no solo a los infantes expuestos, sino también a su entorno. Los niños en su mayoría eran abandonados en las puertas del Hospital de la Santa Creu de Barcelona durante las horas menos transitadas para evitar el juicio social. Las cartas que acompañaban a los infantes reflejan el drama de la pobreza y, por ende, la incapacidad forzosa de las madres para asumir el rol de la crianza. Al reconstruir el contexto de la época, el lector tiene la posibilidad de realizar un ejercicio de empatía que vuelve el foco de atención al presente. Es inevitable percibir las duras realidades que se mantienen a lo largo del tiempo y el casi irreparable sufrimiento que causa la soledad en los primeros años de vida.
Juan Izuzkiza is a Philosophy teacher from the Basque Country who reflects with irony, a warrior spirit and love for his students on the dependency of current school curricula. Why are the students bored? Why do teachers assume a role of victims? What role do parents play in all of this? The high school anecdotes that reflect the ineffectiveness of prescribed norms outside of reality give rise to reflections on the true spirit of teaching. Do we want standard students or to help our children have a future? The thought references used by Juan Luis Izuzkiza range from ancient Greek philosophers to current philosophers, intellectuals from our country or psychologists. With them we can rethink the relationships between parents and children, students and teachers, school and society in short. Nine short chapters to enjoy an entry into reality. There are quite a few impotent and upset parents at work, dreading the phone call. (“ *Your son got up without permission at 10:09. ”Message received at 10:17). There are many children who are upset knowing they are constantly being watched. There are a lot of upset teachers because everyone is upset. *Fragment of the chapter entitled "Bichos haciendo gestos raros" ("Bugs making strange gestures")
The autumn of 2001 has barely begun. An elderly prisoner wakes up in his cell like every morning since an eternity. Tired of the endless confinement, he awaits for his own death as the only way out from the nightmare that haunts him. During the summer of that same year, three young men, partners in a modest audiovisual company, are hired by an eccentric millionaire to make some nature documentaries in Kenya. Excited, they face the opportunity of their lives: a dream job and the possibility of refloating his battered economy. However, they will soon discover that not all that glitters around their patron is gold. In the troubled Germany of 1938, Eyal Bérkowitz was one among hundred Jewish prisoners who were transferred from the Dachau concentration camp to the newly opened Flossenbürg. There they will work from sunrise to sunset in the neighboring quarry, extracting the granite necessary for the constructions that Albert Speer has designed for Hitler's imperialist Germany. The Jewish group, with Bérkowitz leading, will suffer in their flesh the abuse of power by the head of their barracks, Ludwig von Häussler, captain of the SS. With the background of World War II, the attack on Reinhard Heydrich and Operation Valkyrie, Eyal Bérkowitz will devise a risky plan that can save his own life ... and mortgage that of others. * * * Apenas comenzado el otoño de 2001, un anciano prisionero despierta en su celda como cada mañana desde hace una eternidad. Hastiado de ese interminable encierro, aguarda su propia muerte como única salida a la pesadilla que le atormenta. Durante el verano de ese mismo año, tres jóvenes, socios de una modesta empresa audiovisual, son contratados por un excéntrico millonario para realizar unos documentales de naturaleza en Kenia. Entusiasmados, se ven ante la oportunidad de sus vidas; un trabajo soñado y la posibilidad de reflotar su maltrecha economía. Sin embargo, pronto descubrirán que no es oro todo lo que reluce en torno a su mecenas. En la convulsa Alemania de 1938, Eyal Bérkowitz forma parte del centenar de presos judíos que son trasladados del campo de concentración de Dachau al recién inaugurado Flossenbürg. Allí trabajarán de sol a sol en la cantera vecina extrayendo el granito necesario para las construcciones que Albert Speer ha proyectado para la Alemania imperialista de Hitler. El grupo judío, con Bérkowitz a la cabeza, sufrirá en sus carnes el abuso de poder por parte del jefe de su barracón, Ludwig von Häussler, capitán de las SS. Con el trasfondo de la Segunda Guerra Mundial, el atentado contra Reinhard Heydrich y la Operación Valkiria, Eyal Bérkowitz ideará un arriesgado plan que puede salvar su propia vida… e hipotecar la de otros.
What do these six women have in common, apart from having lived in an extraordinary world and era? They are better known as companions of the male protagonists of their time - Man Ray, Max Ernst, Samuel Beckett, André Breton, TS Eliot or Jean Cocteau, among others - than for their own works. However, they were much more than a name on a caption or a handsome face adorning parties and literary salons.
"Destiempo is a song to the fight for internal revolutions and the desire to free ourselves from the vital ropes that bind us." - Armando Requeixo. Diario cultural. Radio Galega Destiempo illuminates the we as the truly human space. An older woman asks her grandson to come back to Galicia from the United States to spend the summer with her. She wants him to attend a kind of social fight that she is carrying out with her friends. They look for action as the only thing that can give meaning to their lives. Silvia Bardelás mixes different generations that share the same problem: the weight of a standardized world, full of discourses, oblivious to vitality. The possibility of feeling alive and real again makes everything move in an unstoppable way. The story is a coming and going of past and present, of ideas and actions that reveal the silent social power and the inner need to feel free. Destiempo (Outside of time) is a community novel. Beyond individuality, beyond the group is the we, which can only emerge genuinely when individuals become singular beings, when they become aware of the myths, the ideology, the discourses that have dominated their lives and those of their ancestors. The narrator puts the focus on the interrelation. He lights up scenes where the characters discover themselves through others.
An Italian princess who went from spending her life in the most lavish palaces to being interned in a Nazi concentration camp, and was almost written out of the history books: Mafalda of Savoy. Weimar, 1945. Just after the liberation of the Buchenwald concentration camp, seven men from the Italian Royal Navy enter the cemetery of the German city and head to a grim section covered with numbered stakes. Once there, they seek out the stake that has demanded hard work and good luck, in equal measure, to locate: number 262 where, according to the register, lie the remains of an unbekannte Frau (‘unknown woman’). When they pull out the stake, they see a previously hidden name that confirms the great significance of their mission. They substitute the simple stake with a stone and wooden cross made of beech obtained through bartering during those early days of peace. The tomb is now complete, and that somber number has been converted into a name of noble lineage and carved with care: Mafalda of Savoy.
