Saga Publications
Independent Press
View Rights PortalEstablished by Alberto Mondadori in 1958, il Saggiatore is an independent publishing house focused on literary fiction and non-fiction, with a particular emphasis on science, history and economics. Our wide-ranging non-fiction list comprises the likes of Claude Lévi-Strauss, Jean-Paul Sartre, Fernand Braudel, Noam Chomsky, Howard Zinn, Nassim Nicholas Taleb, Daron Acemoglu, Paul Mason, Jaron Lanier, Joseph Mazur, Mark Cousins and Piero Camporesi, among others. Our ever-growing literary fiction list includes Allen Ginsberg, Witold Gombrowicz, Joan Didion, Geoff Dyer, Olivia Laing, Esther Kinsky, Mircea Cărtărescu, László Darvasi, Akwaeke Emezi, Emma Glass, Mike McCormack and David Peace, to name just a few. Shortly after the birth of the publishing house, speaking to an Italian newspaper, Alberto Mondadori said: “I’m an explorer, I like to travel in time”. Sixty years later, his words and his vision live on, and il Saggiatore’s project is still the same: to publish books that can stand the test of time.
View Rights PortalDrawing from the latest research on interoception— which examines how our senseof self arises from subjective appraisal of bodily signals and how those appraisal habits develop in childhood—the book argues for a reframing of depression, anxiety, PTSD, and other “mental health” issues as social-emotional illnesses rooted in the body. Saga Briggs harnesses psychedelic science to show how interoception can be altered by psychoactive substances, providing an additional framework for understanding their therapeutic benefits.
Die Geschichte der lebenslangen Freundschaft zwischen Lila und Elena begeisterte Millionen. Als Kinder begegnen sich die beiden zum ersten Mal im Neapel der 50er Jahre. Sehr bald gehen sie getrennte Wege. Jede für sich erlebt Liebe, Arbeit, Ehe, Mutterschaft, die Umwälzungen im Land, das Vergehen der Jahre, und doch bleiben sie zeit ihres Lebens unmissverständlich aufeinander bezogen. Bis die eine spurlos verschwindet und der anderen nichts bleibt, als dagegen anzuschreiben: Die Neapolitanische Saga beginnt. Vier Bände, ein literarisches Ereignis, jetzt im Schuber zum großartigen Preis.
Originally, The Motherland Saga ended in 1983, and what came thereafter was a brief epilogue. However, the past thirty-eight years have witnessed unimaginable changes in the fabric of the people, the culture, and the politics of Turkey. The emerging history of this great land compelled the writing of this fourth volume, THE FOOTSTEPS OF FOREVER. While the period from 2005 to 2020 has witnessed a sea change in the fortunes of this tortured nation and what appears to be a complete reversal in Turkey’s international alliances and its worldview, THE FOOTSTEPS OF FOREVER, Volume Four of the saga, concentrates on the period 1983-2005, which set the scene for what occurred thereafter. While it might be helpful to the reader to read LEGACY, EMERGENCE, and COMING OF AGE first, it is not really necessary, for you are traveling on a time train through the Twentieth and into the Twenty-First Century, and if you choose to get on the train in 1897 or today, your ultimate destination will be the same. Perhaps one day there will be a sequel … and another … and another. Published by Pangæa Publishing Group,2019 Volume Four - 328 pages – 23 cm x 15 cm
A turbulent era. An impossible love affair. A moving saga. Hamburg 1886. Lily, whose father is a ship owner, dreams of becoming a writer. During a ship-naming ceremony, Lily gives a short speech during which her hat is blown off her head. One of the workers tries to get it back for her and is badly injured. Lily is shocked that no one sympathises with the young man’s fate. Then Johannes Bolten comes to the ship owner’s villa to demand compensation for his injured friend. Lily wants to help and allows herself to be drawn into a dangerous game of hide-and-seek. She begins a passionate affair with him. But Jo, who comes from the notorious gangland area, has a secret that Lily must never discover…
Sweet Darusya, Maria Matios’ best-known novel, has been rightly called "a tragedy matching the history of the 20th century", and Darusya herself is "an almost biblical figure". This “drama in three lives” has nothing unambiguous: neither characters nor circumstances nor resolution. There are no epoch-making people or events, heroes or villains, but, as one critic noted, "your heart breaks when you read this book." Sweet Darusya recreates the true spirit of the past through a family saga and touches upon topics that until now prevent a part of modern society from perceiving Ukrainian history without omissions, censorship and irritability. This unique view that Maria Matios offers in this novel, measures the essence of human urges, suffering, true love, and human nature in general. Authentic writing style, deep psychologism, and a complex plot that unfolds in reverse chronological order create a unique piece of prose.
A sweeping historical saga about a city that defies the eroding power of time In one of the first Arabic novels about the COVID-19 pandemic, relationships begin and end much like the pandemic itself. From his balcony in Beirut, Ezzat notices a solitary light on a lone balcony in the building opposite. From that moment, a connection begins to form across the empty space between the buildings, communicated through the air and signals. The events unfold after the owner of the shadow steps out onto her balcony, confronting the voyeur. They share time, confusion... and desire. Ezzat and Tamer successively both fall in love with the same woman, and a cautious friendship develops between the two men. It soon evolves into more dangerous forms. The story also portrays the experiences of other building residents during the pandemic, who imposed strict isolation on themselves. The protagonists, particularly the two elderly lovers, live on the edge of catastrophic expectations, as when they imagine that a woman pressing the intercom downstairs to ask for food could be a sign of an impending widespread famine. The story does not conclude in a stalemate but rather with losers.
This novel has been recognized by Ukrainian and foreign critics not only as the most outstanding work of Ukrainian literature since independence, but also as one of the most important in all Eastern European literature since the fall of communism. Awarded the Central European Literary Prize "Angelus" (2013), translated into English, German, Polish, Czech, Russian, repeatedly awarded as "Book of the Year" (in Ukraine, Germany, Switzerland, Poland), "Museum of Abandoned Secrets", Nobel novel class ”(Newsweek Polska); rightly became the calling card of new Ukrainian literature. This is a modern epos of contemporary Ukraine: a family saga of three generations, the events of which cover the period from the 1940s to the spring of 2004. Great literature and ugly truth about the power of the past over the future, about love, betrayal and death, about the original war of man for the right to be himself.
Nowhere in modern literature has any story exceeded COMING OF AGE in the drama that symbolizes, no matter how large or small a role one plays, how important each human being is in the web of history. The never-ending fight to bring freedom of the press, freedom of speech, and freedom to simply live a life where one can attain peace, without fear of tomorrow, lies at the very core of this monumental tour de force, a gargantuan buffet for those who gorge on historical fiction. Here, the reader endures the agony of shattering defeats, the depths of tragically lost love, and the lowest level to which human depravity can descend, yet ultimately celebrates the triumph of the human spirit as the three protagonists of this epic fight to bring about tikkun olam, the repair of a world in chaos. Above all, this is a COMING OF AGE story: the coming of age of Modern Turkey. If humankind does not learn from the lessons of the past, we are doomed to repeat them over and over, into eternity. This tale is as ancient as our history, yet as immediate as tomorrow. Like Fiddler on the Roof, its universality crosses every border and is common to every culture. And as you come to the end of this mammoth tale, you find yourself reading slower and slower, hoping it does not come to an end, hoping there will be more to this story. Published By Pangæa Publishing Group,2019. Volume Three - 284 pages – 23 cm x 15 cm