Armin Lear Press
Armin Lear Press is home to award-winning editorial and design talent.
View Rights PortalArmin Lear Press is home to award-winning editorial and design talent.
View Rights PortalRepresenting rights for Duke University Press, Syracuse University Press, University of Georgia Press,University of Nebraska Press,University of New Mexico Press, University of North Carolina Press, Vanderbilt University Press and University of West Indies Press
View Rights PortalRucheng, Hunan, is the first large-scale centralized land recuperation after the Red Army's Long March. A story of "half-quilt" embodies the deep feelings of the military and civilians in the village of Shazhou in Rucheng. The revolutionaries Mao Zedong and Zhu De launched revolutionary activities in Rucheng, which has consolidated the mass foundation on this land.The book takes the "Half Quilt" story as the entrance, integrates the Long March story and revolution story of Rucheng, and the story of Shazhou Village's poverty eradication in the new era.
This book describes the whole process of the Red Army’s long march in an all-round and multi-perspective way,and it reflects the long march spirit by using typical examples,plain text,and appropriate pictures.It’s a book with correct direction,full and accurate historical data,and proper analysis.It’s of great enlightenment to modern peple,especially teenagers.
Half of the Quilt(Picture Book Edition) is based on the movie Heart for Heart (produced by Xiaoxiang Film Group and directed by Meng Qi). In October 1934, the fifth anti-encirclement failed, the Central Red Army evacuated the Soviet Union and began the Long March. The Red Army field hospital was bombed by enemy planes and suffered heavy casualties. Dong Xiuyun, a female soldier who stayed at the field hospital to look after the wounded, decided to take the wounded with her and chase the troops. Dong Xiuyun took in the soldiers of the various units who were left alone along the road, forming a special team. After the team came to Shazhou Village, the three female Red Army lived in Xu Xiexiu's house. When parting, Dong Xiuyun cut the only one quilt in half to Xu Xiexiu. This book nourishes the young people's spiritual world with red culture, inherits the red gene, and allows the spirit of the Long March to be passed on from generation to generation among children.
Half of the Quilt(Youth Edition) is based on the movie Heart for Heart (produced by Xiaoxiang Film Group and directed by Meng Qi). In October 1934, the fifth anti-encirclement failed, the Central Red Army evacuated the Soviet Union and began the Long March. The Red Army field hospital was bombed by enemy planes and suffered heavy casualties. Dong Xiuyun, a female soldier who stayed at the field hospital to look after the wounded, decided to take the wounded with her and chase the troops. Dong Xiuyun took in the soldiers of the various units who were left alone along the road, forming a special team. After the team came to Shazhou Village, the three female Red Army lived in Xu Xiexiu's house. When parting, Dong Xiuyun cut the only one quilt in half to Xu Xiexiu. This book nourishes the young people's spiritual world with red culture, inherits the red gene, and allows the spirit of the Long March to be passed on from generation to generation among children.
This book is a breakthrough composition about Xiang Army history. The book, taking Xiang Army history as its core, gives a comprehensive analysis to the Xiang Army: from construction, expansion, to decline. Starting from the repression of peasant uprising in early stage to suppression of border unrest and to anti-aggression war in its later stage, the book affirms Xiang Army’s important historical positions. Furthermore, the well-knit structure, clear thread, comprehensive contents and accurate historical materials are also highlights of the book.
China-Africa Economics and Trade Cooperation: Case Studies and Plans comes in 3 languages: Chinese(2 volumes), English(2 volumes), and French(2 volumes). This book series include 101 excellent case studies , which related to 21 Chinese provinces and cities and 31 countries in Africa, containing agriculture, manufacturing, commerce and trade, infrastructure, industrial parks, energy and mining, financing and other fields in China-Africa economic and trade cooperation. This set of books is practical and useful for all readers. In addition, the book gives the vivid interpretation on the concept of common prosperity, win-win cooperation, mutual negotiation and construction, shared innovation and progression of Belt and Road Initiative.
The diary was written by Zhu Mingxing, the leader of the village work in Dahua Village (Taohua,Taojiang). He recorded some typical angles of his work when he was in the village,finally comes out the diary for poverty alleviation.
China is facing a difficult time for poverty solving. The author has been to poverty areas to experience life in order to tackle the problem and created this long documentary literature.
In an age when engraving and photography were making artistic images available to a much wider public, artists were able to influence public attitudes more powerfully than ever before. This book examines works of art on military themes in relation to ruling-class ideologies about the army, war and the empire. The first part of the book is devoted to a chronological survey of battle painting, integrated with a study of contemporary military and political history. The chapters link the debate over the status and importance of battle painting to contemporary debates over the role of the army and its function at home and abroad. The second part discusses the intersection of ideologies about the army and military art, but is concerned with an examination of genre representations of soldiers. Another important theme which runs through the book is the relation of English to French military art. During the first eighty years of the period under review France was the cynosure of military artists, the school against which British critics measured their own, and the place from which innovations were imported and modified. In every generation after Waterloo battle painters visited France and often trained there. The book shows that military art, or the 'absence' of it, was one of the ways in which nationalist commentators articulated Britain's moral superiority. The final theme which underlies much of the book is the shifts which took place in the perception of heroes and hero-worship.
This is a study of Britain's presence in China both at its peak, and during its inter-war dissolution in the face of assertive Chinese nationalism and declining British diplomatic support. Using archival materials from China and records in Britain and the United States, the author paints a portrait of the traders, missionaries, businessmen, diplomats and settlers who constituted "Britain-in-China", challenging our understanding of British imperialism there. Bickers argues that the British presence in China was dominated by urban settlers whose primary allegiance lay not with any grand imperial design, but with their own communities and precarious livelihoods. This brought them into conflict not only with the Chinese population, but with the British imperial government. The book also analyzes the formation and maintenance of settler identities, and then investigates how the British state and its allies brought an end to the reign of freelance, settler imperialism on the China coast. At the same time, other British sectors, missionary and business, renegotiated their own relationship with their Chinese markets and the Chinese state and distanced themselves from the settler British.
This collection of essays examines the ways in which poverty was conceptualised in the social, political, and religious discourses of eighteenth-century Europe. It brings together experts with a wide range of expertise to offer pathbreaking discussions of how eighteenth-century thinkers thought about the poor. Because the theme of poverty played important roles in many critical issues in European history, it was central to some of the key debates in Enlightenment political thought throughout the period, including the controversies about sovereignty and representation, public and private charity, as well as questions relating to crime and punishment. The book examines some of the most important contributions to these debates, while also ranging beyond the canonical Enlightenment thinkers, to investigate how poverty was conceptualised in the wider intellectual culture, as politicians, administrators and pamphlet writers grappled with the issue.
This book offers a micro-global history of humanitarianism and medical care during the 'long' Second World War, which challenges the traditional and Eurocentric chronological boundaries of 1939/1945. It takes as its starting point the Japanese invasion of Manchuria in 1931, which led to the progressive dislocation of the League of Nations, with the Japanese, German and Soviet departures in the 1930s. It ends with the termination of the Korean War in 1953, and the subsequent dismantlement of the first United Coalition and UN Peace enforcement operation. It considers the slow, messy and ambivalent transformation of humanitarian actors' relations to the suffering of distant others through a study of humanitarian encounters, practices, spaces and affects. Paying close attention to a variety of actors, such as French colonial doctors, Swiss ICRC delegates, Egyptian relief workers, Chinese-style physicians, Peruvian and Ecuadorian nurses or American member of the Unitarian Service Committee, the book provides a more holistic story of humanitarianism.
Red Flowers tells the story of how, in the late 1960s, a group of college students, including the protagonist, came to the Dehua Electric Motor Manufacturing Factory, learned and practiced in the manufacturing workshop, and achieved personal development. For the protagonist, his master, who was nicknamed "Beard Mo," was both a master and a rival. Conflicts arose almost everywhere between the two. However, the conflicts also reflected their awe of ordinary work, pursuit of perfection, persistence in dreams, and flawless interpretation of the craftsmanship spirit.
The book is a collection of essays about the transformation of America, which has turned from a united nation to one more divided than ever. Some pundits predict that, if things don’t change, another civil war could occur. Have we reached a point of no return? Hopefully, America is mature enough to learn from its mistakes and avoid further scars along its evolving history. "Trumplandia is a welcome addition toward understanding current events, Washington’s international policy, and the present American society; a society polarized and divided as it has not been since the Civil War.” NICHOLAS DIMA, Ph.D., Adjunct Professor and Research Associate, Nelson Institute, James Madison University, Virginia. "The book is fascinating. It provides background to, and insights into [the] current and past political history as well as offering a personal view... of the country and society. Presented in thematic form in chapters and sections, the insights offered provide a suggestive radiography...” Dr. DENNIS DELETANT, OBE, School of Foreign Service, Georgetown University, Washington DC. "There has been this backsliding in... what a truly functioning rule-of-law state is, that has proper separation of co-equal powers, which, if you don’t keep working on that, you backslide. And I am even worried about that here, in the United States right now, about backsliding.” OBIE MOORE, Esq., OLM Advisors LLC, Washington DC “Indeed, Trumplandia should be a welcome addition to any scholar, student or layman’s library, especially in its international edition. If anyone loses sleep over its challenging assertions, then it will have been well worth it.” ERNESTO MORALES HIZON, Ph.D. Candidate in American and Comparative Politics at Claremont Graduate University, Member, Integrated Bar of the Philippines ABOUT THE AUTHOR: TIBERIU DIANU has practiced law in Romania (as a corporate lawyer, judge, senior counselor at the Ministry of Justice, university professor and senior legal researcher), and in the United States (as a legal expert for the judiciary). He published several books and a host of articles in law, politics, and post-communist societies. Tiberiu currently lives and works in Washington, DC.
The book tells about 100 heirlooms from the soldiers’ families in the 90 years of People’s Army and recounts stories behind them. The heirlooms not only belong to ordinary solders, but belong to senior officials as well, covering a time span of over 90 years. All the heirlooms represent the spirit of the Red Army to the Party and the tradition of serving people wholeheartedly.
The book is written by Chen Ximi, the wife of Chinese famous writer Shi Tiesheng. It is a heart-touching memorial essay collection. The death of Shi left Chen in endless loneliness, which made her start to make a effort to write this book. She tried to converse with the great philosopher in human history by reading, meditation, walking and writing, searching the meaning of void. By this way, she deepened her thinking, became a broad-minded woman, learnt to explore the meaning of life. The stylish writing skill and touching heart whisper is on the page .In her true and beautiful word, readers can find the meaning of life and death, love, honesty, solitary, time and life, feel the light of wisdom.
A Vision of Battlements is the first novel by the writer and composer Anthony Burgess, who was born in Manchester in 1917. Set in Gibraltar during the Second World War, the book follows the fortunes of Richard Ennis, an army sergeant and incipient composer who dreams of composing great music and building a new cultural world after the end of the war. Following the example of his literary hero, James Joyce, Burgess takes the structure of his book from Virgil's Aeneid. The result is, like Joyce's Ulysses, a comic rewriting of a classical epic, whose critique of the Army and the postwar settlement is sharp and assured. The Irwell Edition is the first publication of Burgess's forgotten masterpiece since 1965. This new edition includes an introduction and notes by Andrew Biswell, author of a prize-winning biography of Anthony Burgess.
A Millennium from the Perspective of Arts – China in Classical Paintings tells the stories of China from paintings of different ages. It consists of six volumes, covering the Northern Song Dynasty, the Southern Song Dynasty, the Yuan Dynasty, the Ming Dynasty, the Qing Dynasty, and the Republic of China. By introducing the details of the works and observing the artists' creative mentality, the book not only tells the big pictures of politics, military, economy, technology, and humanity in different historical periods, but also shows the daily life and aesthetics of ancient China. As a Norwegian Chinese cultural scholar, the author Li Shubo adopts a special perspective in the book by combining the achievements of overseas Chinese studies with contemporary archaeology and art history, and uses simple language presenting a comprehensive, profound and thought-provoking picture of Chinese civilization.
"Never invest beyond theShanhai Pass", as the saying goes.The particular cultural environment and openness make the brain drain in Northeast China extremely serious. However, Miao Qing, a seemingly delicate doctoral student from a famous school, resolutely went northward because she had a personal plan thatwas related to both her father and herself, namely, to design a world-leading large aircraft. Her father once said that just as a poet without imagination must be a lousy poet, a country without advanced aircraft could never escape the fate of a backward country. For this reason, Miao Qing started her career atKunpeng Group, later went to Feiying Company to produce a leading small low-altitude aerial drone, and then sheplayed the leading role in the national G-31 project that designed a stealth supersonic aircraft and made a successful trial flight.
"The Story of the Stone" (c. 1760), also known as "The Dream of the Red Chamber", is one of the greatest novels of Chinese literature. The fifth part of Cao Xueqin's magnificent saga, "The Dreamer Awakes", was carefully edited and completed by Gao E some decades later. It continues the story of the changing fortunes of the Jia dynasty, focussing on Bao-yu, now married to Bao-chai, after the tragic death of his beloved Dai-yu. Against such worldly elements as death, financial ruin, marriage, decadence and corruption, his karmic journey unfolds. Like a sleepwalker through life, Bao-yu is finally awakened by a vision, which reveals to him that life itself is merely a dream, 'as moonlight mirrored in the water'.