Test Portal 2 Fischer Rowohlt
This is a test portal - no actual rights are sold here.
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View Rights PortalIn search of a better life, the ancient Greek family travels from Miletus to Tyras, distant Black Sea regions, where there are already several Greek settlements. His grandmother stayed in Miletus and gave him a bag of olives for the journey. In the new place, the ancient culture is intertwined with the local one, the steppe culture. What is it like to travel for a long time in the sea into the unknown? Which part of home can be brought with you? What will remain only a poignant memory? This life-affirming story will give parents support to help their children experience complex emotions: homesickness, anxiety, boredom.
Christmas brings the indestructibility of hope in times of the greatest hopelessness. As long as we celebrate this holiday, we can neither be defeated nor destroyed. This is the message that Ukraine is trying to convey to the world. And this is what our book is about.' From Christmas music to gifts and food, as well as a look back through the country's rich and troubled history through the perspective of the festive season, this beautifully illustrated and powerful book introduces readers to Ukraine's unique Christmas traditions. In a country where East and West meet, this is a fascinating and unmissable guide to capturing the spirit of one of the most important times of year and a powerful reminder of the strength of holding on to your culture and beliefs, even as others try to take everything from you.
An outstanding Cossack figure, romanticized in European culture: his image was inspired by Voltaire, Hugo, Liszt, and Byron. Even during the hetman's life, the Russian tsar launched an information war against Mazepa, and for the fourth century, he has been cursed by Moscow and glorified by Ukrainians. Who is he? A hero of his homeland, a traitor, a romantic lover? This book is an attempt to look once again at what we know about Mazepa, his significant role in the history of Europe, his difficult decisions and his bright life.
Chornobyl is not only a city or a nuclear power plant but also an Exclusion Zone, a tragedy and a symbol. This book aims to explain the tragic events to people who were born after it happened, so that “Chornobyl” is not only a word by which Ukraine is recognized but also a historical experience worth acknowledging. The event is shown in the book through several dimensions: technical, emotional, natural, and political. The authors are using both verbal and visual communication to tell the story of a large-scale tragedy in a simple way, yet still able to provoke emotions. The book brings up the topics of responsibility and the cost of human life; “the right to know”; heroics; totalitarian regimes; ecology.
What toys and dreams could a Sarmatian girl who lived many centuries ago in the Black Sea steppes have? For example, to tame a wild horse. And to shoot bows as accurately as her mother, a glorious warrior. The main thing is to save a willful horse from a devastating storm in time and manage to hide in her tiny house. The story of Fati from the Sarmatian tribe is about character, struggle with fears, friendship, losses and discoveries.
Home, family, blooming pomegranates, children’s mischief. One day all of this is swept away by World War II. And the next day, after so many losses, it turns out that being a Crimean Tatar is a sentence. Hasty deportation, weeks in the freight trains, heavier losses yet, unfriendly new settlements, hard work. Memories of the lost Crimea. How can one find meaning, strength to live, and faith in people?
We see Lesya Ukrainka’s name every day on monuments and street signs, banknotes, and in-school classrooms. But how did Lesya herself see the world every day? As a living person, and not someone from an official portrait. What did she love, what did she laugh at and felt sad about, what did she write about in letters to the relatives, who was she friends with? Funny nicknames for siblings, homeschooling, stylish outfits, reluctance to perform in public, and long journeys — probably everyone will find something in common with Lesya, who called herself boule vagabonde — a “traveling ball”.
The book introduces its readers to teaching methods and subjects in different times, from Kyivan Rus to the USSR, and shows how different schooling used to be. It also tells about some punishments for disobedience and misconduct which, luckily, can only be found in books today. All this makes “School Studies” an exciting and optimistic book which can rekindle the love for school even in those who are not very enthusiastic about studies. Written with lots humor and insights.
The soviet realia are not entirely clear to modern adolescents. Childhood in the late Soviet Union was not like it is now. Back in those days, everything was different and even scary to some point: a premonition of the nuclear war, propaganda, shortages, and confusing household items. The main characters of the book, a teenage Matvii and his father Petro, go to Lviv to visit their grandmother. There are still heaps of Soviet things in her ceiling cabinet and they are good at telling stories. Paretns are good at this as well, if you ask them well. The book gives a reason to talk about feelings of nostalgia and values.
The twentieth century saw an outbreak of new styles in world art, among which Art Nouveau was the first chronologically. Ukraine absorbed all-new European creative ideas, filling them with Ukrainian meanings and forms. For those unfamiliar with Ukrainian art, this book will be a handy and attractive starting entry point to the world of Ukrainian visual culture. Art experts will be able to look at their field from a new angle: to see images of rare works of Ukrainian art nouveau from regional museums and trace the links between national and world trends in the art of the twentieth century.
We know that the daughters of Yaroslav the Wise all married European kings. But who were they really? The author imagined what the childhood of Kyiv princesses could have been. Clever, derisive, playful girls — and at the same time, future rulers that have to learn princely virtues and honor books. From 5 to 8 years, 5433 words Rightsholders: a.makhnyk@portalbooks.com.ua
Two boys look at the crescent moon in the sky: Orkhan sees in it a Muslim symbol, and young Petrus — a Cossack chaika (boat). The events of The Crescent over Kinburn date back to the time when there were constant clashes between the Christian and Muslim worlds on the Kinburn Foreland near the Black Sea. Everyone has their own truth and their own path to freedom, so this story teaches mercy and acceptance because the path of revenge and violence can only bring more offence and mistrust in the world. From 5 to 8 years, 4819 words Rightsholders: a.makhnyk@portalbooks.com.ua
Nulle veine n'est fumante quand la joie est borgne is a book that one must go to meet as one goes to discover the song of the world. For this impulse of life and dream that emanates from poetic expression. For the need for tenderness that is born on the page. Finally, for the breath of life that words breathe in the face of the daily chaos that erodes hope.
»Lösungen für unsere dringenden gesellschaftlichen und psychologischen Probleme hat das Theater nicht parat. Über das Portal meines Theaters würde ich schreiben: Wir sind nicht die Ärzte, wir sind der Schmerz.« Tankred Dorst
A journey to the Italian cinema that overturns established views and opens up new perspectives and interpretations. Its itinerary is organized in four stages. The first is an analysis of the theories of Cesare Zavattini on neorealism which overturns widely accepted positions both on Zavattini and on neorealism. The second confronts a key film of the post-war Italian cinema, Roberto Rossellini's Paisà, by examining the nature of its realism. The third is dedicated to Luchino Visconti: to questions of the use of language exemplified in his La terra trema, the use of settings, costume and light as agents of meaning in his Il Gattopardo and Vaghe stelle dell'Orsa. The final voyage of the film is to the physical and symbolic construction of heaven and earth in the work of Pasolini. Particular attention is given to the representation of the body in his last four films: the grotesque and mythical bodies in popular tradition in his Trilogia di vita and the tortured bodies destroyed by the mass media in Salò.
"Vielleicht ist, was ich sagen wollte, Wir sind am Anfang, und du glaubst es nicht. Vielleicht sind alle diese Briefe nur eine Wand, durch die du mich nicht siehst. Vielleicht sind wir nur wintermüde und wünschen nichts so sehr als helles Licht. Vielleicht verlieren wir einander, nur weil die Göttin, die uns gut will, niest." Goethes römische Verse, die im Titel des neuen Gedichtbuches von Uwe Kolbe berufen werden, sind nicht Portal und Programm, aber doch mehr als eine geheimnisvolle Tapetentür in ein Buch, das sich an wohlgewählten "Orten" ereignet, an denen der Mythos noch aufscheint. Zunächst auf den Wassern von Rhein und Neckar, doch ein Hölderlinschwung trägt den Dichter weiter, nach Thrakien. Auf dem Fuße folgen scheinbar ungebundene Verse, und doch sind gerade sie Gedichte der Liebe, an Orten, die der Romantik zuwinken. Aber erst auf der letzten Station findet sich wahre, wirkliche Heimat: "In Büchern, in Preußen". Hier liegt der Ursprung: Preußens, ja, der Welt. Wie in den früheren Lyrik-Bänden verbindet Uwe Kolbe seine neuen Gedichte leichthändig und kunstvoll zu einem fest gefügten Zyklus von Versen. Ein melancholischer Grundton des Verlusts, der zum Pathos hinüberschwingt, nimmt den Leser mit auf eine Rundreise.