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Patriots Publishing SDN BHD
Patriots Publishing is the printed and electronic reading material publishing division of the renowned digital content writing group, The Patriots Asia. This publication is wholly owned by Patriots Holding Sdn Bhd. Starting with the TP Press brand in 2015, the publication then underwent a brand change with the new name Patriots Publication in 2017. Until 2019 after thriving, the publication is now known as Patriots Publishing Sdn Bhd.
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January 2020John James Audubon, Updated Edition
by Patrice Sherman
Artist, writer, naturalist, and frontiersman John James Audubon explored America's wilderness during the early 19th century, observing and recording the wonders he found there. From the Kentucky frontier to the Mississippi bayou to the icy coast of Labrador, he took his sketchbook and journal with him wherever he went. His collected paintings, Birds of America, became one of the nation's greatest works of art and natural history. His journals document an era when America's forests still teemed with ivory-billed woodpeckers, Carolina parrots, passenger pigeons, and other species now extinct. Audubon was the first to sound the alarm over the destruction of the wilderness. Today, the Audubon Society, founded in his name, serves as his legacy, educating people about the value of biological diversity throughout the world. Readers will explore the illustrated world of John James Audubon in this colorful eBook.
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The ArtsJanuary 2019Patrice Leconte
by Lisa Downing
Lisa Downing's comprehensive study of the films of Patrice Leconte traces lines of continuity and revision through a body of apparently disparate films whose "messages" often appear both contradictory and controversial. Pursuing a close reading of the recurrent themes, styles, intertexts and techniques which structure Leconte's filmmaking, Downing re-evaluates Leconte's status as an enigmatic artist offering complex and paradoxical commentary on contemporary questions of sexuality, ethics and identity. This book is the first full-length critical work in English on Leconte's cinema. It provides essential reading for both enthusiasts of French cinema and for those fascinated by the relationship between popular culture and theory.
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October 2017Bonaparte
1769-1802
by Patrice Gueniffey
An Biographien über Napoléon herrscht kein Mangel. Die neue umfangreiche Schilderung seines Lebens von Patrice Gueniffey unterscheidet sich fundamental von den bisherigen Darstellungen. Sie rückt Bonaparte in den Zusammenhang der Moderne. Für Gueniffey ist diese historische Gestalt beispielhaft für die Neuzeit: Er repräsentiert jenen Typus, der seiner Meinung nach selbst die widrigsten Umstände bezwingen kann, vorausgesetzt, er hat die entsprechende Begabung, Energie und Tatkraft. Diese Vorstellung des modernen Menschen ist, wie diese Biographie für Bonaparte belegt, mit den historischen Gegebenheiten nicht vereinbar: Sie deckt hinter den Intention von Bonaparte die Selbstlogik unabhängiger Prozesse wie die Initiierung solcher angeblich historischen Abläufe die Spuren subjektiven Handelns auf.Bonaparte zeigte sich in relativ kurzer Zeit in vielen, voneinander abweichenden, Rollen: er war unter anderem korsischer Patriot, (während der Französischen Revolution) Verfechter des Jakobinismus, Thermidorianer, ein »Feldherr«, er war Diplomat, Schöpfer eines neuen Rechts, republikanischer Diktator, Begründer einer Erbmonarchie: Die vorliegende Biographie widmet sich in aller Ausführlichkeit und Genauigkeit diesen Positionen: von der des jungen Napoléon bis zur Selbstermächtigung als Konsul auf Lebenszeit im Jahre 1802. Damit macht Patrice Gueniffey, verständlich, unterhaltsam, anhand neuer Forschungsergebnisse und überraschender Einblicke und Synthesen, nachvollziehbar, warum Bonaparte zu Napoléon wurde.
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The ArtsNovember 2013Out of the ivory tower
The Independent Group and popular culture
by Anne Massey, Christopher Breward, Bill Sherman
The Independent Group is now the subject of global scholarly interest, and this book, a sequel to The Independent Group: Modernism and mass culture in Britain, 1945-59, explores the Anglo-American phenomenon from a new perspective. The Group included fine artists Magda Cordell, Richard Hamilton, Nigel Henderson, Eduardo Paolozzi and William Turnbull; architects Alison and Peter Smithson, James Stirling and Colin St John Wilson; graphic designer Edward Wright; music producer Frank Cordell; and writers Lawrence Alloway, Reyner Banham, John McHale and Toni del Renzio. This radical collective met at the ICA in London during the early 1950s, and worked with and within the new world of both the avant-garde and popular culture. This sequel includes an in-depth discussion of the recent historiography of the Independent Group, and examines its history from an alternative perspective - that of popular culture. The themes of domestic space, Hollywood film, fashion, mass-circulation magazines, science-fiction and popular music are explored, broadening our general understanding. ;
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The ArtsFebruary 2015Crafting design in Italy
From post-war to postmodernism
by Catharine Rossi, Christopher Breward, Bill Sherman
Crafting design in Italy is the first book to examine the role that craft played in post-war Italian design, one of the most celebrated design episodes in the twentieth century. Craft was vital to the development of Italian design, and it has been so far overlooked. This book examines the multiple ways craft shaped Italian design from 1945 to the 1980s in the context of bigger socio-economic, cultural and political change; from post-war reconstruction to the economic 'miracle' of the 1960s, to the rise of the countercultural Radical Design movement and advent of postmodernism. It consists of case studies on design areas including product, furniture, fashion, glass and ceramics to bring to light previously unknown makers and objects as well as re-examine design 'icons' such as Gio Ponti's Superleggera chair and Ettore Sottsass's Memphisware. It also offers a model for analysing design and craft's relationship in other contexts, including today. ;
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Humanities & Social SciencesApril 2010Arts and Crafts objects
by Imogen Hart, Christopher Breward, Bill Sherman
In this groundbreaking reassessment of the conventional understanding of a cohesive 'Arts and Crafts movement' in Britain, Imogen Hart argues that a sophisticated mode of looking at decorative art developed in England during the second half of the nineteenth century. Bringing to light a significant number of little-known visual and textual sources, Arts and Crafts Objects insists that the history of British design between the 1830s and the 1910s is more complex and interwoven than concepts of clearly differentiated 'movements' allow for. Reinvesting the objects with the original importance ascribed to them by their makers and users, this book places furniture, metalwork, tiles, vases, chintzes, carpets, and wallpaper at the centre of a rigorous reassessment of the concept of 'Arts and Crafts'. The book offers radical new interpretations of the Arts and Crafts Exhibition Society and the homes of William Morris, alongside illuminating analyses of less familiar but equally rich contexts. ;
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Humanities & Social SciencesJune 2004Dress and globalisation
by Margaret Maynard, Christopher Breward, Bill Sherman
Dress and globalisation is the first work to survey dress around the world, drawing together issues of consumption, ethnicity, gender and the body, as well as anthropological accounts and studies of representation. It examines international western style dress, including jeans and business suits, headwear and hairdressing, ethnicity and so called 'ethnic chic', clothes for the tourist market, the politicisation of traditional dress, 'alternative' dressing, and T-shirts as temporary markers of identity. It also considers dress and environmental issues, touching on adventure gear, the 'green' consumer and the possible impact of 'smart' clothing. Dispelling the myth of universal 'world' attire, this book demonstrates that western-style clothing transcends geographical boundaries but along with other forms of dress, can form a montage of differing tastes, ethnic preferences and national and local imperatives. By discussing the nature of globalisation, this book shows that, if economics permit, all cultures are selective in their choice of what to wear. Dress and globalisation will be welcomed by students of dress history and cultural studies. ;
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The ArtsJuly 2016Making sense of the Bayeux Tapestry
Readings and reworkings
by Anna Henderson, Bill Sherman
This book aims to make sense of the Bayeux Tapestry by bringing together answers to a number of questions which this famous hanging presents to the viewer. How did the embroiderers organise the stitching of the Bayeux Tapestry? Are its limited colours used with greater sophistication than viewers have recognised? What do we know of the Tapestry's supporting cast: naked figures in the margins and clerics present at events in the main register? Can we learn anything about the original purpose of the Tapestry from detailed examination of Bayeux Cathedral's 1476 Inventory, the first known reference to the Tapestry's existence? This book combines up-to-the-minute research with an introduction that draws on the contributors' personal observations in order to interrogate the Tapestry's enduring value. Bringing together contributions from leading specialists and newer voices in the field, it will be essential reading for students and scholars of the Bayeux Tapestry, medieval art and culture. ;
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MedicineAugust 2017Proceedings of the 11th International Veterinary Behaviour Meeting
by Sagi Denenberg
This book contains the proceedings from the 11th International Veterinary Behaviour Meeting. Keynote Presentations include 'Use of Psychopharmacology to Reduce Anxiety and Fear in Dogs and Cats: A Practical Approach' by Barbara L. Sherman, 'A Multimodal Approach to Resolving Tension Between Cats in the Same Household: A Practical Approach' by Sarah E. Heath, 'The Importance of the Welfare of Research Animals to Maximise the Quality of Behavioural Research: Do We Measure True Behaviours?' by Patrick Pageat and 'Making Animal Welfare Sustainable - Human Behaviour Change for Animal Behaviour: The Human Element' by Jo White and Suzanne Rogers.
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History of Art / Art & Design StylesOctober 2016Hot metal
Material culture and tangible labour
by Jesse Stein. Series edited by Bill Sherman, Christopher Breward
The world of work is tightly entwined with the world of things. Hot metal illuminates connections between design, material culture and labour between the 1960s and the 1980s, when the traditional crafts of hot-metal typesetting and letterpress were finally made obsolete with the introduction of computerised technologies. This multidisciplinary history provides an evocative rendering of design culture by exploring an intriguing case: a doggedly traditional Government Printing Office in Australia. It explores the struggles experienced by printers as they engaged in technological retraining, shortly before facing factory closure. Topics explored include spatial memory within oral history, gender-labour tensions, the rise of neoliberalism and the secret making of objects 'on the side'. This book will appeal to researchers in design and social history, labour history, material culture and gender studies. It is an accessible, richly argued text that will benefit students seeking to learn about the nature and erosion of blue-collar work and the history of printing as a craft.
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Humanities & Social SciencesFebruary 2021The birth of modern London
by Christopher Breward, Bill Sherman, Elizabeth Mckellar
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The ArtsMarch 2018Art versus industry?
New perspectives on visual and industrial cultures in nineteenth-century Britain
by Christopher Breward, Kate Nichols, Bill Sherman, Rebecca Wade, Gabriel Williams
This book is about encounters between art and industry in nineteenth-century Britain. It looks beyond the oppositions established by later interpretations of the work of John Ruskin, William Morris and the Arts and Crafts movement to reveal surprising examples of collaboration - between artists, craftspeople, designers, inventors, curators, engineers and educators - during a crucial period in the formation of the cultural and commercial identity of Britain and its colonies. Across thirteen chapters by fourteen contributors, Art versus industry? explores such diverse subjects as the production of lace, the mechanical translation of sculpture, the display of stained glass, the use of the kaleidoscope in painting and pattern design, the emergence of domestic electric lighting and the development of art and design education and international exhibitions in India.
