Annika Parance Éditeur
Livres Canada Books
View Rights PortalFounded in 2010, the Parisian agency is a literary agency based in Paris. We represent a selected group of international writers of literary fiction such as multi-awarded Icelandic author Gudrun Eva Minervudottir and Hungarian novelist Arpad Kun, winner of the prestigious Aegon Award. We also represent the stunning illustrated books of the British and the Bodleian Library (UK) abroad. Last, we are now open to represent new lists in literary fiction, crime fiction and non fiction. Welcome to the Parisian Agency!
View Rights Portal“The appearance of God is also a bitch” has shaken the commonplaces of poetic language and has earned María Paz Guerrero sustained national and international recognition. The Colombian author's first book of poems also marks a turning point in the willingness of expression of young poetry in the country and proposes a new way of thinking about our own fragility through experimentation and sharp and hilarious contempt. For Himpar editores, we are proud to present this title to our readers in a second corrected edition.[...]but god was wronggod was the queen of painthat's how she managed to attract attentionso she managed to have loversthat mistreated godbecause poor godgod is so weakcryhe stays at homelocked upstudying and workinghe stays at hometremblingbecause everything hurts God[...]”
“Himpar editores inaugurates its poetry collection with the new book by María Paz Guerrero, one of the most audacious voices of contemporary Colombian poetry. This book is no exception to Guerrero's quests: it is experimental, full of heartbreaking humor and combines the exploration of the animal with popular speech and the materiality of flesh and language. María Paz Guerrero's third collection of poems is inhabited by a series of characters: a blind cat that hits herself against everything she comes across; bodies that undergo medical examinations to measure the progress of the disease in their organs; legs that can barely hold on until they collapse; a language that unravels like a kite's pita; repetitions and verses crossed and transformed by songs by Héctor Lavoe, Henry Fiol and Simón Díaz. The structure of the book is also novel. It has a unity that is configured from the repetitions of characters and verses that reappear slightly transformed, each time. It differs from books that gather a multitude of singular poems. For its part, the language seems very simple, almost spoken, with a strange syntax, cut, broken. It is a bet on a musical poetry with some raw images, which differentiates it from the metaphorical poetry of abstract images.”
It's a grand scientific writing plan of Professor Wang Liming. He plans to spend 30 years continuously observing and analyzing the progress and major events of life science in the world, and finishing the book year by year. Gene editor baby: clowns and history is the * edition of this series. Professor Wang Liming combed the 26 life science events that may affect the whole human beings in this year, focusing on 8 of them. He uses a professional eye to dispel the fog and restore the truth of events, so that readers can understand the scientific logic from these vivid events, and understand where human life science exploration has reached and where it will go.
A grandfather and his granddaughter start a road trip to participate in a collector's contest. It is the time in Colombia when electricity rationing and miraculous fishing reign. With fantasy and humor, the grandfather defends his granddaughter from precariousness and abandonment. When the roles of care are reversed, the granddaughter must create new ways of sustaining the house, the body and the memory. Andrea Beaudoin constructs a two-part story to imagine with overwhelming prose the unconventional ways in which we build family. // “People, like the stars, have different forces of gravity. Ana thinks about whether hers will still be growing or will have reached its final size. Leo, over the years, has become magnetic. Around him things float and collapse like everyday meteorites. A limitless force grows in concentric circles, absorbing everything in its path”.
“The sayid Abderrahud spoke of the fortune that his son was going to seek, but warned him that he was thinking not only of the fortune of money but above all of tranquility and joy”. La caída de los puntos cardinales dares to imagine the journey of a group of Lebanese teenagers who, by chance, arrive in Colombia at the end of the 19th century. Traversed by a series of violent conflicts on both sides of the ocean, by the adaptation to life in the cities, the slow and confusing consolidation of the State, and the longing for technical and industrial progress, the novel accompanies the characters as they establish themselves in the social and commercial sphere of Bogota's middle class. In this story converge the different ways in which love matures and the friendships of those who migrate grow around the table and the game. For the characters, the learning and stumbling blocks of living in another language intermingle with the urgencies of the present, and the ties with the country of origin cool down and become knotted again in the nostalgia for the passing of time and the longing to live the best life possible. The impact of Lebanese migration to Colombia is in the language, manners and gastronomy of different parts of the country, but the stories of those who crossed the sea and made it their new home are not part of our everyday knowledge. This novel by Luis Fayad reminds us of the power of those lives, in Puerto Colombia and Teusaquillo, in Valle del Cauca and carrera séptima in Bogotá, with a subtle and sharp writing, to integrate them back into an idea of country.”
“This book is a ferment.” It gathers the stories of seven plants and the experiences of a group of women who cultivated their relationship with them during a deep study process. Their encounter produced a system that weaves analogies between the body itself and how non-human people relate, whether they are plants, animals, fungi, places in the territory, or telluric forces. Each text reveals the hunger, wounds, and poisons of the person who studies and offers intimacy and work, as well as secrecy and witchcraft.“In some traditions of the Amazonian foothills and the highlands, dry corn is chewed and spit into a ceramic bowl when preparing chicha. Then water and panela are added; the mixture rests in a cool place where direct sunlight does not reach, waiting for fermentation to begin....] In certain places, on the occasion of mingas or some collective agreement, everyone prepares chicha. The people present chew and spit into the bowl. This is how the will to come together is declared and embodied. Each family or person takes home a part of the seed and asks for what the collective body and the agreement need: more material or sweetness, lightness or firmness. The chicha speaks and often says what people don't.
“Between the sea and the mountain -and more precisely: between the force of the tide and the imminence of earthquakes- the transits of Cuaderno de California occur. The vulnerable -poetic and political- observation of the exterior landscape provokes incessant movements in the interior landscape of a couple, “two very old souls”, who travel: sometimes they are tiny movements, sometimes close to earthquakes. A chronicle of travel, memory and love, Santiago Espinosa's is a work wise in its beauty and beautiful in its beautiful in its beauty and beautiful in the depth of its reflection: it is not easy to think so sharply when we are so moved, in pause, by the beauty that captures us. Giuseppe Caputo[...]No one knows the origin of the word California.Someone told us: “I come from California”.Which in my language means “no place”.[...]”
“If the world were a lemon and one were to tie a string around its middle, then that string would be what is called the Equator. It divides the world in half, and it is under the path of the sun. The bumps on the two ends of the lemon are the north pole and the south pole, both cold and icy. About where the knot of the string is, where it is warm the year round, is the land of Ecuador.”
All the methods at a glance – a must for all musicians! For the first time, the editor and renowned authors of this publication clearly and vividly present a wide selection of body-oriented approaches for improving musicians’ health. The rigorous, clearly structured presentation of all the relevant methods provides the perfect decision-making tool: Which method is suitable for me? Are there any specific aspects to consider when applying a method to musicians? How is each method applied in practice? Target Group: Physiotherapists and other physical therapists; music teachers, professional musicians, music students
Acceptance and Commitment Therapy (ACT) is a psychotherapeutic intervention based on experimental evidence. Its goal is to help people implement concrete behaviors in accordance with their values even in the presence of diffcult or interfering events. The authors clearly describe how ACT works and provide useful guidance for clinical practice. Soon the concepts of fusion and defusion become familiar and the Hexafex a way of thinking rather than appearing as a mere scheme. Acceptance and commitment replace refusal and renunciation: this is the innovative therapeutic challenge of ACT. This manual, enriched with metaphors and exercises that can be used in a therapeutic session, is intended for reading by specialists by tackling the themes of this approach with rigor and depth, taking the reader step by step into the heart of ACT. The appendix contains seven ACT questionnaires for clinical assessment.
Desastre lento wonders about the end of the world, its plasticity, myths and artificiality. The poems welcome images of animal reverie and fragmented materialities. In the razed or aged worlds, the gaze of the speaker is able to find vivid details. We present the third edition of the book of poems, corrected by its author, moved by the overwhelming sensation, contained in the book, that the end is part of our daily experience.
From a little before ten years of age Brian McFarlane became addicted to stories told on the screen, and the mere fact that he had difficulty in getting to see the films he wanted - or any for that matter - only made them seem more alluring. But it wasn't just seeing the films that mattered: he also wanted, and quite soon needed, to be writing about them and these obsessions have been part of his life for the next sixty-odd years. Real and reel is a light-hearted and but deeply felt account of a lifetime's addiction. It is one particular writer and critic's story, but it will strike sparks among many others. Though many other interests have kept Brian McFarlane's life lively, nothing else has exerted such a long-standing grip on the author's imagination as film. Editor of the Encyclopaedia of British Cinema, co-editor of Manchester University Press's British Film Makers series, and author of over a dozen critical works on film and adaptation, Brian McFarlane's autobiographical Real and reel can also be read as a biography of the subject of Film Studies itself. ;
“Cat” tells the story of editors, writers, poets, painters and other characters in the literary circle. There are editorial department, pen meeting, group draft, and writers’ emotional entanglements. With a profound metaphorical approach, through special literary narratives and humanity observations, the writer jumped out of the world to see the world's sharpness and calmness with the recording of cat's eyes. The ancient cats are metaphors of modernity, and the literary story code at the end of a century. A vain, wandering and shining performance, a kind of chaos of illusion and reality, life and death. An editor-in-chief named "Feng Niang" and a deputy editor-in-chief called "Old Deng" were intentionally or unintentionally involved in the whirlpool of the literary world. These emotional, ideal, earthly, spiritual, and life vortexes are mixed in literature.
"I can't live without love in my life" is a collection of poems by the female poet Chen Mingming. Chen Mingming is a member of the Chinese Writers Association, a writer, a poet, and a soldier. As Editor-in-Chief of Oriental Poetry, Oriental Culture Weekly, editor-in-chief of the first issue of Taiwan and mainland, " Oriental tide", she dedicated to the practice, research and exploration of Chinese poetry. She is actively promoting Chinese poetry.
Competitive price and format. Compacted and up-to-date version of the earlier Revels Plays edition by the same editor, taking account of more recent critical works. A key Renaissance text. ;
There were rumors; a smell of fear in the air. And yet, it all happened with incredible suddenness. The Soviets were abandoning the city; the Germans were at the gates. Mera Stollar grabbed her baby and ran for her life. From that day on, her life became an odyssey of flight and survival. Thanks to her son’s Aryan appearance (as long as he did not lower his pants…), her resourcefulness and wisdom, they escaped from the city after the murder of its Jewish inhabitants. Without documents, the mother and child wandered among the back lanes of Occupied Poland under the guise of Polish refugees, until they reached Warsaw. On the way, they endured the ever present fear of capture, hunger, cold, illness and the cruelty and indifference of people; but there are also instances of compassion and mercy. Their flight is accompanied by many dangers and threats. They are thrown into the street by a Christian family for having crossed themselves left-handed; a Ukrainian informer turns them in to the police – meaning transport to Treblinka; the convoy is bombed and on the first day of the Liberation, Mera is found guilty of collaborating with the German enemy, a sin carrying a sentence of execution. A SUNDAY AFTERNOON IN KILINSKI PARK also tells the stories of Rocheleh, thrown into prison over a pair of boots; Stiepan the Ukrainian policeman whose love for Vera does not prevent him from murdering her entire family; of Lieber, protected by his father’s corpse in the Susenki killing pits; Sonia the convert, who was not saved by the crucifix she wore on her throat; Granny Jadzia, the Pole who was prepared to sacrifice her life for Libi, whom she loved like a grandchild; Alex and Irena, the two Ukrainian circus artists who, ironically, come under Mera’s protection; and Rudolph, the German paratrooper whose courtship and love for Mera lead to disillusion. Arieh Stav was born in 1939 in Rovno, Poland at that time, Ukraine today. In 1951, he made aliyah with his mother. He was educated at Kibbutz Givat Haim, served in the IDF as a paratrooper and was a member of the Kibbutz until 1963, when he left and moved to Tel Aviv. He studied psychology, philosophy and drama at Tel Aviv University. Arieh Stav is the Director of the Ariel Center for Policy Research, a non-partisan organization devoted to inclusive research and discussion of political and strategic issues concerning Israel and the Jewish people. Stav is the editor of Nativ, a bi-monthly periodical on politics and the arts, author and editor of numerous books and research studies. He has translated (to Hebrew) and published numerous volumes of epic poems which were written throughout the ages and in a myriad of languages.
This edition breaks with the usual practice by presenting the 1601 quarto version of Ben Jonson's play, set in Florence, instead of the revised 1616 version, set in London. Robert S. Miola presents a meticulously edited and modernised version of the play as originally acted by the Lord Chamberlain's Men (with Shakespeare in the cast) in 1598. Miola explores the relevance of the Italian setting, particularly the potent, variegated, and fascinating body of myth and legend that constituted Italy for English audiences in 1598. The editor also illuminates the dramatic context of the play, while paying detailed attention to the social, political, and religious contexts. ;
“Cao Wenxuan Teaches You How to Write” is a new work by Cao Wenxuan, winner of the "International Andersen Award", a young reader's promoter, and an editor of Chinese textbooks. The book is divided into three parts, systematically showing his attitude towards literature, writing, and reading. Through lectures in schools, Cao Wenxuan vividly explained how to write a good composition, and how to explode the accumulated knowledge of reading and flow in the nib. His own insistence on writing is also due to the endless love for children , the responsibility to children, and the endless expectations of children.
Stress can have a deleterious effect on people's mental, physical, and psychological health. There is a growing body of evidence, however, that suggests animals, both as pets and therapy partners, can help mitigate people's stress levels. This book showcases a rich collection of research papers from Human-Animal Interactions. It highlights research pertaining to pets as well as animal-assisted therapy in both school and professional settings. The book also includes a scene-setting introduction and wrap-up conclusion from the editor. Providing comprehensive information on the impact of animals on human stress, this book is a useful resource for anyone interested in human health or human-animal relationships.
The first edition of this book, published in 1993, was very well received as providing a comprehensive review of the digestion and metabolism of ruminant animals. Since its publication, much new research has been conducted in the subject and knowledge has increased. This is incorporated in this second edition through the addition of five completely new chapters. These cover; the gas production technique in feed evaluation; calorimetry; the relationship between pasture characteristics and animal performance; feed processing; and the integration of data in feed evaluation systems. Other chapters have been fully expanded and updated as appropriate and Dr Dijkstra has also been enrolled as the lead editor. This book brings together quantitative approaches used in the study of mechanisms of ruminant digestion and metabolism.