Palabras de Agua Editorial
Editorial Palabras de agua is a company founded in 2013 dedicated to the publication of novels and children's literature. It publishes very selected works by Spanish and international authors.
View Rights PortalEditorial Palabras de agua is a company founded in 2013 dedicated to the publication of novels and children's literature. It publishes very selected works by Spanish and international authors.
View Rights PortalIt is a coming-of-age story for Generation Z. How to grow up or even live in a world where no steady jobs are available, you can’t pay your rent and can’t afford medical or living expenses. Moreover, it touches on how to be a socially engaged artist in such a world, and more so, a woman in a post-me too world? Dijana, a daughter of working-class immigrants, tells the story of her difficult childhood and adolescence, how should became a journalist and later a writer in a society full of prejudices, glass ceilings and obstacles. How she gradually became a stereotypical ‘success story’, even though she still struggles with writing, because she can’t afford a ‘room of her own’. Dijana is a daughter of working-class immigrants, who came to Slovenia in the eighties in search of a better future. The family is building a house but is made redundant from the local factory when Yugoslavia is in the midst of an economic crisis. When her parents get divorced, Dijana, her older sister and mother struggle with basic needs. She is ashamed of their poverty, her classmates bully her because of her immigrant status, but mostly because of her being ‘white trash’. In the local school she meets teachers with prejudices against immigrants, but is helped by a librarian who spots her talent. When Dijana goes to secondary school, she moves in with her older sister who lives in Ljubljana, the capital of Slovenia. Her sister is into rave culture and Dijana starts to explore experimenting with drugs, music and dance. At the secondary school, she is again considered ‘the weird kid’, as she isn’t enough of a foreigner for other immigrant kids because she is from the country, yet she isn’t Slovenian enough for other native kids. She falls even deeper into drug addiction, fails the first year of school and has to move back to live with her mother. She takes on odd jobs to make ends meet. Whilst working as a waitress she encounters sexism and sexual violence from customers and abuse from the boss. She finishes night school and graduates. She meets many ‘lost’ people of her generation along the way, who tell her their stories about precarious, minimum wage jobs, lack of opportunities, expensive rent, etc. Dijana writes for numerous newspapers but loses or quits her job, because she isn’t allowed to write the stories she wants or because of the bad working conditions or the blatant sexual harassment. Due to the high rent in the capital, Dijana has to move to the countryside to live with her mother. She feels lonely there, struggles with anxiety and cannot write a second book, because she is constantly under pressure to make a living. She realises that she must persevere regardless of the obstacles, she must follow her inner truth and by writing about it, try to create a community of like-minded people, a community of people who support each other – all literature/art is social.
The night her mother died, Elora saw a flash of purple lightning from the window of the Saint-Étienne hospital. She instantly understood that the flash was her mother's flame, recently freed from the world. And, at the same time, she saw a figure draw itself on the glass fogged up by the winter cold: a heart. And the fact is that Elora, like her mother before her, like her grandmother, with whom she must move, possesses a gift that makes her special, intuitive, wise... Like so many women from other times and places, grandmother and granddaughter will have to survive together and be strong. And Elora will discover more than one secret in her new home, on the strange Île Cormoran, the island of the cormorants.
A fantastic blend of inspiration and awareness brings us close to happiness through a great voyage. With exceptional warmth, this book gives the reader the tools to reach happiness through wisdom that has built up in humanity over the course of the centuries all over the world. An open, vivid book that invites us to take a fascinating journey and gives us a thousand possibilities so that each one of us can find their own way to feel good.
“The sky was covered with grey clouds. The drizzle was lighter than normal, almost pious. The Japanese were advancing through the streets with short, fast steps. Satoru was ahead of them. He pedaled at a good pace. From his bicycle seat, the city revealed itself to his eyes as a sequence of frames. It was strange to be there, in his grandfather's city, and to ride through it as he had probably never done before: on two wheels. Even so, the possibility that the route he was taking would intersect with the routes that his grandfather had taken when he was a child, provoked an intimate emotion in him. Those landscapes were over eighty years old, including an atomic bomb, but it was the land where Ryu Nakata had learned to walk, to speak, to read”. The death of his grandfather, awakens in the young Yasuhiro Nakata the desire to know the family history, especially after finding a letter in which he discovers another side of the old man whose last words were: 'Hiroshima, Hiroshima', warning of the existence of a secret. As a result, Yasuhiro embarks on a journey that will take him from Valparaiso to Hiroshima, where his grandfather emigrated ten years before the atomic disaster. This is the beginning of Drawings of Hiroshima— a charming story that allows readers to follow the protagonist on a journey in which he not only reconnects with his Japanese origins, but also questions his present, his interpersonal relationships and his interest in writing, deepening the unconscious desire to understand the role that he plays in a story that is not his own but yet challenges him directly. With this new release, Marcelo Simonetti addresses issues such as migration and identity, connecting the historic Chilean port of Valparaiso with the memory of the tragedy occured in the Japanese city.
Atles de l’oblit parla d’uns racons de la memòria, del paisatge i de les emocions que, com un quadre impressionista farcit de petites pinzellades, han configurat una percepció de la realitat i una manera de ser. Mitjançant un viatge que porta l’autora al cor d’un territori, el Baix Segre, i a la vida d’uns personatges, potser ja majoritàriament oblidats, en aquest llibre es fa un exercici voluntari de recordar per comprendre. Perquè quan una persona deixa de viure en un lloc i, per tant, engega un cert camí d’oblit, o veu com son pare comença a oblidar per culpa d’una malaltia que se’l menja, pot ser que aquesta persona adquireixi la clara consciència que tornar sempre resulta impossible i quan hom té aquesta certesa tan sols queda entomar qui som i on som de nou.
In a future that seems close to becoming the past, the novel's characters struggle to adapt to the rapid concentration of information in a global file that can be accessed, as in a dream, through a cable connected directly to the brain: a process they call «enhancement». Young programming students, a wear social science teacher, a woman searching for her missing husband in the cloud, and a colonizer trying to build a new world populate this novel. Before them, virtual life and the ideology that «enhancement» brings will soon seem more attractive than flesh and blood, and the world will be immersed in a race towards transmigration, in transit times as technology advances. It is in this context that militants of an esoteric and nostalgic movement will try to warn about the dangers of abandoning the body, that old desire of philosophy.
Este libro refleja actualizaciones en el manejo de diferentes ámbitos del paciente crítico, dispositivos, cuidado con ventilación mecánica, insuficiencia cardiaca, quemaduras, necesidades de hemofiltración y oxigenación por membrana extracorpórea...
This volume, central to the work by location, is also central by content. We have already discussed the gifts of an attentive mind and a harmonious body. Here you will find the means to take advantage of these tools in a concrete way, and thus progress in the workplace and economically. In the first part, we spell out the keys to making a good initial impression and making your presence prevail in a cordial and convincing way at the same time. You will also find suggestions on time management, valuable concepts on how to acquire and sustain the habit of order, how to express yourself correctly and effectively, and everything related to establishing a good work methodology. The second part talks about the intimate relationship between work and wealth, and establishes what steps are necessary for all professional or work effort to bear fruit in a comfortable present and in a planned and solid future. From all this, you will draw conclusions that will strengthen not only your wishes for success, but also your real opportunities to achieve it, from now on ...
This trip through Italy is not intended to arrive as soon as possible. The guide is Toni Padilla, who, accompanied by a ball, and based on themes such as death, music, cheese or stickers, is impregnated with the country's double soul. Here are the majestic Italy and the Italy massacred by prejudices, lying on this journey from north to south and from east to west. The raw material of the stories, which are only on the author's radar, are the walks through the homeland of Benito Mussolini, Rafaella Carrà or Francesco Totti. Its pages are a map where memories are celebrated and goals are savored. Written with detailed prose and a leisurely gaze, they seem from another era, now that we don't have time for everything. But calcium is in no rush to get off this train.
Historical is a journey through the lives of 15 women who made history, based on illustrations of them by Polish artist Joanna Styrylska-Gałażyn. These graphic representations are accompanied by texts of diverse literary genres, written especially for this edition by young writers of different nationalities: Chilean, Latin American, Catalan. For each character, a brief biography and a text is included that seeks to connect the reader to the woman being honored, mixing real information with fictitious events: some occur in the future, others explore the most intimate dimension of the protagonist or personify her through poetry. The illustrations and stories that make up this book seek to make visible the importance of women in the immense number of areas from which they have been systematically excluded: science, art, technology, sports, activism and academia, among others. In this way, the book concentrates different aspects of feminist struggles capable of transcending time and space.
Kurzinformation ISBN 978-3-9525331-3-0 Titel “Cara o Sello”. Mario Salazar Montero. Cuentos Cualquiera que sea la forma permitida, obligada o seleccionada por hombres y mujeres como el recurso personal válido disponible para dejar atrás el estigma de una pobreza, heredada o impuesta, esta implica una interacción con una realidad en tiempo presente. En esa realidad suramericana, con sus circunstancias inherentes, existe sin embargo una gama bien diversa, tanto de víctimas como de abusadores. El afán de algunos por equilibrar un déficit de bienestar económico recurriendo al crimen no siempre encuentra la mansedumbre de los abusados. Existe la ley tácita del desquite, a falta de una justicia que merezca su nombre. Estos cuentos intentan desentrañar la esencia de algunos desquites y despojos, sin ánimo de definir estereotipos. De eso ya hay bastante, es difícil quitarselos de encima y no sirven más. Mario Salazar Montero. Geboren in Kolumbien, Südamerika. Lebt seit vielen Jahren in der Schweiz. Schriftsteller und Ingenieur. Hat mehrere Romane und Kurzgeschichten veröffentlicht. Spanisch und Deutsch. Mehr zum Autor und seinem literarischen Werk unter www.mariosalazar.ch
Welcome to a luminous journey, at times hilarious, that crosses the misery and dissects the hypocrisy of an abandoned society that struggles to emerge from the abyss. In a Buenos Aires besieged by violence and poverty in the worst economic and ethical crisis in contemporary Argentina, the lives of a select few are shipwrecked in a country that is crumbling. Prostitutes, unemployed workers and cartoneros merge in a ravaged city, pierced by anarchic holes of poverty, evictions and unemployment. Thanks to an unknown fate, the protagonist, disenchanted and responsible for his family, advances between the absurdity of the crisis, in a forward flight, without rest or contemplation, to try to recover a destiny torn from the roots. What could be the destination of such a particular transit?
White Raven 2020. Winner of the Blue Bird Award 2020. One evening, Črt sees a mysterious shadow in the sky through the window of his room. Is what he sees really a dragon? He wants to share this unusual experience with his friend Vid, but there is no opportunity at all, since Vid wants to share the news of the exciting discovery with him as well. A mysterious map came into the hands of his two new friends, and this fires the imagination of the children. They immediately find themselves in the midst of a thrilling adventure which involves thieves, a dragon slayer, a scientist, a detective and lots of mums and dads. And a dragon... Simona Semenič, who until now was mostly known as an award-winning playwright, has created a suspenseful and multifaceted story, with extremely vivid characters, an interesting writer’s perspective, humour, and a wealth of literary references. A masterfully written story. The book is a true literary gem. Format: 14 x 20 cm, 312 pages | Age: 9+
MY NAME IS DAMIANWritten by Suzana Tratnik Damian’s world is one of family quarrels, drugs, alcohol and fights, which the nineteenyear-old uses to rebel against his family’s stereotypical expectations. Through Damian’s first-person narration, the reader gains an insight into the torn-up soul of a teenager who turns in vain to his parents, sister, girlfriend and friends for help. It reveals the loneliness of a young man who has to fight against the prejudices and prescribed gender roles that he encounters while trying to find his identity and his own path in life. Format: 14 x 20 cm174 pages | Age: 15+
Diego is invited by his cousin's family to spend the holidays in Los Piñones, a small village where they have a house for recreation and that only gets a little bit livelier with the arrival of summer. But all the calm of the place will be disturbed by the mysterious disappearance of the queen of the fair on the very day of her coronation.
Golden Pear Mark of Quality! Cannibals, Insomnia, and Mad Cows, How a Surfer Won a Nobel Prize, and The Story of 2550 Litres of Powdered Urine are just three chapter titles that promise that the author’s continuation of his highly popular first book, a huge hit with readers of all ages, will teach us something new about our environment and ourselves through fascinating anecdotes from the world of science, and provide immense entertainment in the process. Continuing the exciting journey begun in FROM GENES TO STARS, this book brings amazing new stories from the world of science, in which you will learn, among other things, how scientists photographed an environment, how they observed the birth of a new language in real time, what they did with 2550 litres of powdered urine, and also that Nobel laureates know how to surf and they sometimes solve the most difficult problems while on holiday. Enriched with illustrations by Matija Medved, the stories also reveal how the internet and blockchain work and how cholera epidemics were contained in London using a ghost map; you will meet a man who counted to infinity, mysterious creatures from the depths of the sea, a pioneer of science in Slovenia and the combination of circumstances that allowed the Archimedes Codex to be preserved to this day. Year of publication: 2019 | Format: 13 x 23.5 cm, 168 pages Golden Pear Mark of Quality
FERNANDO LARA PRIZE 2022 My mother would have been happier if I had never been born. That’s the simple truth about my life. The plot and the ending of this novel don’t really matter. Accepting the circumstances of the story is the only sedative that allows me to write. The only thing I’m afraid of is the end. The only purpose of this sermon of mine, of all these words, of the constant pain and the feigned happiness, is to delay my inexorable arrival at that point, like watching a train make its way down the mountain, disappearing into tunnels that were dug a century ago. “Should I write?” I ask myself. “Write and, once you’ve finished, don’t go back. Say goodbye.” With this brave, intimate account, the author reconstructs a childhood in which everyone – grandparents, parents and children – has been silent for too long. Adiós, pequeño is the story of a family trying to be happy despite everything.
Esta publicación reúne veintiocho columnas del investigador, académico y escritor Miguel Laborde, con ilustraciones de Alejandra Acosta, publicadas en la revista La Panera. Sus textos dan cuenta de una serie de datos geográficos e históricos que permiten asomarse a ciertos rasgos distintivos de Chile desde los cuales se construye un relato del imaginario local. La geopoética como concepto nace como una herramienta para comprender y expresar nuestra relación con el mundo y el pensar a la Tierra. Considera la cultura como el modo en el que los seres humanos se conciben a sí mismos y se organizan y orientan. “Desde el punto de vista literario, un libro como este, que corrió el riesgo de ser concebido por la vía de la protesta en un lenguaje de pura comunicación, es, por el contrario, un libro poético, de excelente prosa, de gran riqueza de imágenes y sorpresas de lógica e ilógica. Su crítica al modelo de civilización vigente es lapidaria, pero de un furor contenido”. Gastón Soublette
Borja works as a translator for an international organization in New York, where he lives with his partner, John. One night, he receives a phone call from his cousin, who informs him that his brother has just died and that the cousin has something to give him. Many years earlier, in the 1990s, Borja left the Basque Country and cut his ties with a family and a land that were poisoned by hatred and incomprehension. In the United States he became a different person, someone who had torn up his roots and buried his past in order to embrace a present in which he could live, freely, in another language. But one phone call can be enough to demolish the highest wall. Now, this ill-fated son of a family that has fallen on hard times finds he is the sole heir of the dilapidated mansion that looks out over the sea from its vantage point at the top of the town of Algorta. Only he can open the door and decide what to do with so many years of pain and silence. But healing the wounds is not easy and writing a book about the past may only serve to make them deeper. Ortiz de Gondra has written a perceptive exploration of identity, memory and the possibility of shaping one’s own destiny beyond any boundaries that our family and our homeland may impose on us.
"Destiempo is a song to the fight for internal revolutions and the desire to free ourselves from the vital ropes that bind us." - Armando Requeixo. Diario cultural. Radio Galega Destiempo illuminates the we as the truly human space. An older woman asks her grandson to come back to Galicia from the United States to spend the summer with her. She wants him to attend a kind of social fight that she is carrying out with her friends. They look for action as the only thing that can give meaning to their lives. Silvia Bardelás mixes different generations that share the same problem: the weight of a standardized world, full of discourses, oblivious to vitality. The possibility of feeling alive and real again makes everything move in an unstoppable way. The story is a coming and going of past and present, of ideas and actions that reveal the silent social power and the inner need to feel free. Destiempo (Outside of time) is a community novel. Beyond individuality, beyond the group is the we, which can only emerge genuinely when individuals become singular beings, when they become aware of the myths, the ideology, the discourses that have dominated their lives and those of their ancestors. The narrator puts the focus on the interrelation. He lights up scenes where the characters discover themselves through others.