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      • Martini Maria Cristina | MMC Edizioni

        MMC EDIZIONI is a publishing house based in Rome.Born in 2001 as a generalist, along the time it has specialized almost exclusively in non-fiction, dedicated in particular (but not only) to the city of Rome.The main series, called "A walk with history" offers an alternative vision of the city through the historical reconnaissance and analysis of some of its urban furnishings that are not taken into consideration such as small fountains, clocks, inscriptions, sacred shrines, plaques. This series stands out for a particular graphic style and for the abundance of photographs, specially made for these books.Other series on Rome are instead dedicated to in-depth studies on specific historical and customs themes, or on the mysterious aspects of the city that also reveal its dark side.In the MMC catalogue are other non-fiction books on topics such as Music, Interculture, Anthropology and a series of stories for children encouraging solidarity, non-violence and respect for the environment

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      • Trusted Partner
        August 2005

        Tito ist tot

        Erzählungen

        by Marica Bodrožic

      • Trusted Partner
      • Trusted Partner
      • Graphic novels

        Arde Cuba

        by Agustín Ferrer Casas

        Accompany Errol Flynn and Frank Spellman along to do the only interview that Fidel Castro allowed before he took La Habana. HISTORICAL ADVENTURE HUMOUR When photographer Frank Spellman travels to Cuba accompanied by Hollywood star Errol Flynn, he doesn’t expect that a simple shooting location for a movie will soon transform into a tropical nightmare. Mafia thugs, CIA agents, careless representatives of multinational companies and military intelligence officers all fight to save the remains of the corrupt and violent regime of Fulgencio Batista against the advancing Castro guerrillas. José Sanchis award winner for the Best Graphic Novel 2018 Award winner for the Best Script 2018 (Salón Internacional del Cómic de Donostia)

      • True war & combat stories

        Appartement 102 - Omarska

        Ein Zeitzeugnis

        by Jadranka Cigelj

        Vergewaltigung als Waffe im Krieg! Jadranka Cigelj, bosnische Kroatin, Rechtsanwältin, Politikerin und Menschenrechtsaktivistin, wurde am 14. Juni 1992 zwei Monate im Konzentrationslager Omarska eingekerkert, dem berüchtigten von Serben errichteten Lager im bosnischen Krieg. Der Raum im KZ Omarska, in dem sie mit siebzehn weiteren Frauen gefangen gehalten und gefoltert wurde, war „Appartement 102“. Schonungslos offen schildert sie das tägliche Überleben in einer entmenschlichten Wirklichkeit, in der Folter, Vergewaltigung und das Töten mit Messern und Fäusten zum Alltag gehörten, ausgeführt von Menschen, die sie bis dahin als Nachbarn, Kollegen und Freunde kannte. Ungefähr 3000 Männer, meist bosnische Muslime, wurden in Omarska ermordet, dessen Kommandant, Željko Mejakić, wegen Kriegsverbrechen vor dem Tribunal in Den Haag angeklagt ist. Frau Cigelj war eine von 37 gefangenen Frauen in Omarska, fünf von ihnen wurden getötet. Sie lebt heute in Zagreb und ist Zeugin der Anklage in diesem Prozess. Zeitzeuginnen

      • Fiction
        March 2019

        El sueño de la razon (The dream of reason)

        by Berna Gonzalez Habrour

        DASHIELL HAMMETT PRIZE 2020 (Best Spanish crime fiction) Can death be a form of art? A literary tribute to Goya’s black paintings. Commissioner Ruiz returns to Madrid to prepare her defence. She has been suspended from the force. The city’s local holiday is in full swing and the banks of the Manzanares River are thronged with people. But the appearance of a series of animal corpses following a fixed pattern is the first sign of a problem that will soon leave another lethal mark: what appears to be the ritual murder of a young art student at one of the dams that controls the flow of the river. And it won’t be the only one. The police investigate a range of hypotheses, but events begin to point towards a series of scenarios that will lead Commissioner Ruiz to the legacy of Goya, connecting a plot that is extremely disturbing – and difficult to unravel. Can death imitate art? Can madness become a form of creativity? Which is more important: life, transcendence or freedom? Without her team, her uniform, her pistol, María Ruiz is forced to confront a highly intelligent adversary, one who is driven by obsession and will stop at nothing to manipulate those around him. A chilling journey through a territory where mental disorder becomes obsession, to a point where death is considered a form of art.

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