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This book attempts to establish a more holistic approach to the rehabilitation of war-injured civilians, one that adjusts to the patients' long-term needs. Kovacic not only offers an insight into the daily realities of patients during and after rehabilitation, but seeks to develop a new way to perceive, respect and involve them in health care. Based on comprehensive interviews with patients and MSF staff, as well as extended field observations, Reconstructing lives follows Syrian and Iraqi war-injured civilians in their journey to recovery. From their improvised medical treatment in their home countries, to the MSF-run hospital in Amman Jordan, to their return home, Kovacic explores how individuals attempt to pick up the pieces of their previous lives, add new elements from their treatment and travel experiences, and finally establish a new reconstructed reality. The book explores how the interaction between MSF staff and their patients contributes to the immense task of healing that awaits victims of war. The reader visits the intimate medical and domestic spaces that usually remain closed to the outside observer, spaces rich with human contact, perceptions, emotions, conflicts and reconciliations.
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The three-part autobiographical series begins in 1938 with the expulsion of the Kovačič family from their home in Switzerland and their settlement in the father’s home country of Slovenia, then the Kingdom of Yugoslavia. It is narrated by a ten-year-old boy, a perennial outsider, a boy who never fit in in either Switzerland or Slovenia and was viewed with suspicion by adults and his peers. The work includes haunting, deeply thought-provoking descriptions of this estrangement as seen through the eyes of the child – in many ways a naïve boy, yet one who was forced to become an adult at an early age.Newcomers are Kovačič’s central work on the vortex of World War II and the post-war period, covering all the political, ideological and social conflicts of the 20th century and standing as a tragic chronicle of the recent past. A canonical, extensive and difficult autobiographical work, Newcomers is considered a literary masterpiece of the 20th century and is oftentimes compared to the oeuvres of popular modern authors such as Elena Ferrante and Karl Ove Knausgård, as well as classic authors, among them Nabokov and Tolstoy.
Whites Wash at Ninety is an exhilarating debut, a powerful, witty and most of all inspiring novel that tells the story of the narrator, who grew up in the 1970s and 1980s. In her childhood, her world revolves around her parents, her brother Rok, her grandmother Dada, her aunts and uncles, the Sarajevo Winter Olympics and all the other big and small things that made up the world of every child growing up in Yugoslavia back then. And although it speaks about all these things, the novel is mainly a story of growing up, of facing loss and illness, of overcoming fears and of everything that we do not want to see until we are inevitably faced with it.This is a book that delves into eminent questions of life and death, with humour and charm, and without a trace of moralising or self-importance.
Nothing is known beforehand of these blind, halftruths distributed in “Kovacic,” nor of the apparent lack of turbulence that imprints “Founding a sex” with a kind of backdrop scenery, or of the speck of flour or talcum powder that confines “Buy cream” to a whiteness that plays on two points, from the hinting glimpse to the concluding sentence with experimentation and innocence. Quiero ser artista changes from a yearning and methodical aspiration into a tautological confession: Literature is the best possible means for such things to happen.
