University of Alberta Press
Livres Canada Books
View Rights PortalJandaíra is an independent publisher of books by Brazilian authors who are thought-provoking and daring for children and adults.Originally Pólen Livros, it was born to explore new horizons, to establish partnerships, new ideas and to value voices. With a focus on women, contemplating the greatest diversity of feminine universes, she started her catalog with works written by and for women, to tell the feminine vision of stories, the world, society. And as a perspective for a new future, children came with themes to be discussed by people of all ages.In 2020, in partnership with the Sueli Carneiro seal, we achieved wide reach in bookstores throughout Brazil! With the seal coordinated by the philosopher and writer Djamila Ribeiro and with eight titles published initially; the diversity most present in our books, made us recognized as the publisher that embraces causes, from motherhood to self-knowledge, from feminism to anti-racism, from literature to non-fiction and children.
View Rights PortalThis volume proposes new insights into the uses of classical mythology by Shakespeare and his contemporaries, focusing on interweaving processes in early modern appropriations of myth. Its 11 essays show how early modern writing intertwines diverse myths and plays with variant versions of individual myths that derive from multiple classical sources, as well as medieval, Tudor and early modern retellings and translations. Works discussed include poems and plays by William Shakespeare, Christopher Marlowe and others. Essays concentrate on specific plays including The Merchant of Venice and Dido Queen of Carthage, tracing interactions between myths, chronicles, the Bible and contemporary genres. Mythological figures are considered to demonstrate how the weaving together of sources deconstructs gendered representations. New meanings emerge from these readings, which open up methodological perspectives on multi-textuality, artistic appropriation and cultural hybridity.
Bertrand Russell, geboren 1872 in Wales, studierte Mathematik in Cambridge. In seinen schriftstellerischen Tätigkeiten widmete er sich zunächst der Mathematik, später wandte er sich vermehrt philosophischen Themen zu. 1950 erhielt er den Nobelpreis für Literatur. Bertrand Russell verstarb 1970 in Wales.
Bertrand Russell, geboren 1872 in Wales, studierte Mathematik in Cambridge. In seinen schriftstellerischen Tätigkeiten widmete er sich zunächst der Mathematik, später wandte er sich vermehrt philosophischen Themen zu. 1950 erhielt er den Nobelpreis für Literatur. Bertrand Russell verstarb 1970 in Wales.
"In diesem Buch, einer der frühen Schriften des englischen Philosophen, wird der Versuch unternommen, die unmittelbare Erfahrung mit dem Weltbild der Physik zu vereinen. Für Russell sind Substanz, Materie und die Gegenstände keine Realitäten, sondern logische Konstruktionen. Dieser Gesichtspunkt bestimmt seine Erkenntnistheorie wie seine Kritik an den traditionellen philosophischen Fragestellungen. Wichtig geworden sind die in den Probleme der Philosophie vorgetragenen Gedanken für die Entwicklung des logischen Positivismus; der Autor fragt nach den Möglichkeiten des Philosophierens in einem Zeitalter, das die Metaphysik verabschiedet hat und dessen Wissensstand entscheidend von der Naturforschung geprägt ist."
Postmodern, postcolonial and post-truth are broadly used terms. But where do they come from? When and why did the habit of interpreting the world in post-terms emerge? And who exactly were the 'post boys' responsible for this? Post-everything examines why post-Christian, post-industrial and post-bourgeois were terms that resonated, not only among academics, but also in the popular press. It delves into the historical roots of postmodern and poststructuralist, while also subjecting more recent post-constructions (posthumanist, postfeminist) to critical scrutiny. This study is the first to offer a comprehensive history of post-concepts. In tracing how these concepts found their way into a broad range of genres and disciplines, Post-everything contributes to a rapprochement between the history of the humanities and the history of the social sciences.
In Walking the Wheel of the Year holistic life coach, spiritual guide and pagan priestess Emma-Jane Cross supports you to create your own spiritual and personal growth path using nature’s seasonal rhythm as the catalyst for personal and spiritual growth.An inspirational tool to start living a lifestyle connected to nature’s rhythm, this book can be used as a year-long workbook to carry out various seasonal activities, journeys and ceremonies throughout the year.
Vuvuzela Verses is Liza Seele's sequel to the nose snortingly hilarious Potjie Pot Poems, with belly laugh inducing illustrations from Stephen Wallace. Once again from the South African melting pot, Liza Seele brings children together under one banner: No more boring poems allowed at school! Dive into these childhood-friendly poems and join the boring textbook protest.
Despite the intense processes of deindustrialisation around the world, the working class continues to play an important role in post-industrial societies. However, working-class people are often stigmatised, morally judged and depicted negatively in dominant discourses. This book challenges stereotypical representations of workers, building on research into the everyday worlds of working-class and ordinary people in Russia's post-industrial cities. The urban life of workers in post-Soviet Russia is centred on the stories of local communities engaged in the everyday struggles that occur in deindustrialising settings under neoliberal neo-authoritarianism. The book suggests a novel approach to everyday life in post-industrial cities. Drawing on an ethnographic study with elements of arts-based research, the book presents a new genre of writing about workers influenced by the avant-garde documentary tradition and working-class literature.
Charles Dickens called his sister-in-law Georgina Hogarth his 'best and truest friend'. Georgina saw Dickens as much more than a friend. They lived together for twenty-eight years, during which time their relationship constantly changed. The sister of his wife Catherine, the sharp and witty Georgina moved into the Dickens home aged fifteen. What began as a father-daughter relationship blossomed into a genuine rapport, but their easy relations were fractured when Dickens had a mid-life crisis and determined to rid himself of Catherine. Georgina's refusal to leave Dickens and his desire for her to remain in his household led to rumours of an affair and even illegitimate children. He left her the equivalent of almost £1 million and all his personal papers in his will. Georgina's commitment to Dickens was unwavering but it is far from clear what he did to deserve such loyalty. There were several occasions when he misused her in order to protect his public reputation. Why did Georgina betray her once much-loved sister? Why did she fall out with her family and risk her reputation in order to stay with Dickens? And why did the Dickenses' daughter Katey say it was 'the greatest mistake ever' to invite a sister-in-law to live with a family?
Bis heute begeistert Jane Austen die Welt mit ihren Werken, ihrem Witz und ihrer Weisheit. Inspiriert von der Begegnung zwischen der jungen Jane Austen und dem Iren Tom Lefroy, erzählt Geliebte Jane einfühlsam, wie aus einer jungen Lady die berühmte Schriftstellerin Jane Austen wurde.