A Walk Through History is a Russian publishing house specializing in children’s nonfiction. Since 2011 it has created and designed about 50 titles on various periods of history and other subjects such as mathematics, sport, plants and animals.
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A literary agency in Toronto, Canada, representing authors and rights sales for several independent Canadian publishers.
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Literary tourism is a nascent field in tourism studies, yet tourists often travel in the footsteps of well-known authors and stories. Providing a wide-ranging cornucopia of literary tourism topics, this book fully explores the interconnections between the written word and travel. It includes tourism stories using guidebooks, films, television and electronic media, and recognises that stories, texts and narratives, even if they cannot be classified as traditional travel writing, can become journeys in themselves and take us on imaginary voyages. Furthermore, the book: - Provides a grounding in the theoretical perspectives on literature and the tourist experience; - Explores practical applications of literary tourism, such as destination promotion and creation, responsible tourism and learning benefits; - Uses global case studies to study literary tourism in action. Appealing to a wide audience of different disciplines, it encompasses subjects such as business literary writing, historical journeys and the poetry of Dylan Thomas. The use of these different perspectives demonstrates how heavily and widely literature influences travel, tourists and tourism, making it an important read for researchers and students of tourism, social science and literature.
This volume is the first English-language collection exclusively dedicated to the study of genre in relation to Spanish cinema. Providing a variety of critical perspectives, the collection gives the reader a thorough account of the relationship between Spanish cinema and genre, drawing on case studies of several of the most remarkable Spanish films in recent years. The book analyses the significant changes in the aesthetics, production and reception of Spanish film from 1990 onwards. It brings together European and North American scholars to establish a critical dialogue on the topics under discussion, while providing multiple perspectives on the concepts of national cinemas and genre theory. In recent years film scholarship has attempted to negotiate the tension between the nationally specific and the internationally ubiquitous, discussing how globalisation has influenced film making and surrounding cultural practice. These broader social concerns have prompted scholars to emphasise a redefinition of national cinemas beyond strict national boundaries and to pay attention to the transnational character of any national site of film production and reception. This collection provides a thorough investigation of contemporary Spanish cinema within a transnational framework, by positing cinematic genres as the meeting spaces between a variety of diverse forces that necessarily operate within but also across territorial spaces. Paying close attention to the specifics of the Spanish cinematic and social panorama, the essays investigate the transnational economic, cultural and aesthetic forces at play in shaping Spanish film genres today.
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This volume is the first English-language collection exclusively dedicated to the study of genre in relation to Spanish cinema. Providing a variety of critical perspectives, the collection gives the reader a thorough account of the relationship between Spanish cinema and genre, drawing on case studies of several of the most remarkable Spanish films in recent years. The book analyses the significant changes in the aesthetics, production and reception of Spanish film from 1990 onwards. It brings together European and North American scholars to establish a critical dialogue on the topics under discussion, while providing multiple perspectives on the concepts of national cinemas and genre theory. In recent years film scholarship has attempted to negotiate the tension between the nationally specific and the internationally ubiquitous, discussing how globalisation has influenced film making and surrounding cultural practice. These broader social concerns have prompted scholars to emphasise a redefinition of national cinemas beyond strict national boundaries and to pay attention to the transnational character of any national site of film production and reception. This collection provides a thorough investigation of contemporary Spanish cinema within a transnational framework, by positing cinematic genres as the meeting spaces between a variety of diverse forces that necessarily operate within but also across territorial spaces. Paying close attention to the specifics of the Spanish cinematic and social panorama, the essays investigate the transnational economic, cultural and aesthetic forces at play in shaping Spanish film genres today.
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This book join a group of Literary Essays of Dulce María Loynaz.
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With some $200 million sunk into a real estate development on Kauai, the investment partners have a lot to lose if Peter Roosevelt succeeds in stopping the project for the sake of preserving Hawaii's rich and exotic environment. When Roosevelt is found dead in his home, his neighbor, Wayne Takei, is quickly arrested―and becomes the latest, and possibly the most difficult, challenge for Honolulu's top criminal defense attorney, Pancho McMartin.The obstacles to proving Takei's innocence are daunting. His gun was the murder weapon. He has no alibi. And his affair with Roosevelt's wife provides ample motive. Lies and deception quickly plague the proceedings as Pancho and his team wade through a slew of suspicious characters, all of whom have alibis. Suspense is high as time is running out for Pancho to save his client from a lifetime in prison.This is David Myles Robinson's fourth novel in the increasingly popular Pancho McMartin legal thriller series.
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This book takes the homogeneous, isomorphic, and mutual relationship of Shen Congwen's aesthetic thoughts, artistic thoughts and cultural anthropological thoughts as the starting point, and then explores the anthropological characteristics of Shen Congwen's works from the perspective of anthropological ontology, methodology and axiology. The following analyses focusing on the expression form, ideological root, and value and significance to literary creation and cultural construction are an extended study of Shen Congwen's cultural thought, aesthetic thought, artistic creation thought and value.
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Can You Believe Your Eyes? Dorian has been living on the streets since running away from home, and has always managed to fend for himself pretty well. But when he wakes up one morning beside a dead homeless man who has evidently been murdered, Dorian panics – he can’t remember anything of what happened the previous night. Is he responsible for the man’s murder? Then a stranger appears with an unexpected offer of help, and Dorian seizes the opportunity with both hands – this is his chance to hide from the police. The stranger works with young people in need, and he takes Dorian to a villa where he is given food, new clothes and even schooling.But Dorian soon learns that you get nothing for free in this life. In return for being looked after at the villa, Dorian is expected to distribute mysterious free gifts – gifts which are very carefully sealed. And when an unexpected turn of events results in him keeping one of the gifts, he finds himself being hunted by merciless pursuers. After the international YA-bestseller Erebos, Saeculum and The Eleria-Trilogy Ursula Poznanski now presents her new thriller: Layers Awarded with the Hans-Jörg-Martin Prize 2016 for the best YA-Thriller! More information also available under: www.layers-buch.de
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The ultimate thriller—with a twist. Forty-five years ago, a set of twins was separated at birth when their parents were caught in the crossfire between police and robbers. Flash forward to the present. Five billionaires plot to assassinate Iran’s Supreme Leader, the Ayatollah Khamenei, by hiring the most expensive killer in the world. Iran learns of the plot through a web of sex, lies, and betrayal, but they know they are hopelessly outclassed in counterterrorism. Only one service in the world has the wherewithal to bring down the assassin—Israel, a country Iran refuses to recognize. Nevertheless, Iran finally manages to hire Israel’s best counterterrorist. Unknown to one another, the assassin is one twin and the Israeli counterterrorist is the other. Let the chase begin!If you like a great thriller, such as The Da Vinci Code or The Day of the Jackal, you will certainly love ASSASSIN. It stands apart from other thrillers because it is truly original and goes outside the box to run circles around other books in this genre.Hugo N. Gerstl, famed American trial lawyer and bestselling author of eleven novels that have been translated worldwide, and fifteen works of nonfiction, has been involved in the American entertainment industry for years. Besides his legal career, the author has lived several lives as a musician, pilot, actor, director, and a world-traveler, and has employed them all to write this work. He resides on the Monterey Peninsula with his wife Lorraine. Published By Pangæa Publishing Group, 2019. 560 pages – 23 cm x 15 cm
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In A New Genre for Television?, filmmaker Justin Hardy argues the dramatised history documentaries broadcast by British public service channels in the 2000s constituted a distinct television genre. Offering a vital distinction between docudramas and drama documentaries, Hardy contributes to the field of television history through exclusive interviews with key figures from BBC and Channel 4 - many of whom have never been publicly interviewed before - and envisions a future model for the portrayal of national histories on screen.
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Contemporary French cinema is an essential introduction to popular French film of the last 35 years. It charts recent developments in all genres of French cinema with analyses of over 120 movies, from Les Valseuses to Caché. Reflecting the diversity of French film production since the New Wave, this clear and perceptive study includes chapters on the heritage film, the thriller and the war movie, alongside the 'cinéma du look', representations of sexuality, comedies, the work of women film makers and le jeune cinéma. Each chapter introduces the public reception and critical debates surrounding a given genre, interwoven with detailed accounts of relevant films. Confirmed as a major contribution to both Film Studies and French Studies, this book is a fascinating volume for students and fans of French film alike. ;
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Contemporary French cinema is an essential introduction to popular French film of the last 35 years. It charts recent developments in all genres of French cinema with analyses of over 120 movies, from Les Valseuses to Caché. Reflecting the diversity of French film production since the New Wave, this clear and perceptive study includes chapters on the heritage film, the thriller and the war movie, alongside the 'cinéma du look', representations of sexuality, comedies, the work of women film makers and le jeune cinéma. Each chapter introduces the public reception and critical debates surrounding a given genre, interwoven with detailed accounts of relevant films. Confirmed as a major contribution to both Film Studies and French Studies, this book is a fascinating volume for students and fans of French film alike.
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Contemporary French cinema is an essential introduction to popular French film of the last 35 years. It charts recent developments in all genres of French cinema with analyses of over 120 movies, from Les Valseuses to Caché. Reflecting the diversity of French film production since the New Wave, this clear and perceptive study includes chapters on the heritage film, the thriller and the war movie, alongside the 'cinéma du look', representations of sexuality, comedies, the work of women film makers and le jeune cinéma. Each chapter introduces the public reception and critical debates surrounding a given genre, interwoven with detailed accounts of relevant films. Confirmed as a major contribution to both Film Studies and French Studies, this book is a fascinating volume for students and fans of French film alike.
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"LAST CHANCE." Nika looks in the mirror one Sunday morning, feeling rather hungover, to see this message daubed on the glass. Who wrote it? And what does it mean? Where are Nika’s house keys and her phone? Where’s Jenny, her flatmate? And why does she feel so terrible this morning – surely she didn’t have that much to drink last night? It’s only when she turns on the TV and sees the morning news that Nika realises it’s not Sunday at all – it’s Tuesday. Two whole days have gone by, and she has no memory of them. During those two days something terrible must have happened. But what?With Aquila, Ursula Poznanski has produced a true psychological thriller. She tells the story almost entirely in reverse, keeping the reader on tenterhooks until the very last page. Not until the shocking twist at the end of the book do we find out what really happened to Nika during those two lost days.
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This book is a collection of short and medium works in the series, including short and medium stories, short and medium reportage, prose, poetry and children's literature. These works are rich in the characteristics of the times and the breath of life. They show the moving deeds of Hunan's targeted poverty alleviation and targeted poverty alleviation, and demonstrate the spirit of people's struggle towards a well-off society. The theme is clear and prominent, the tone is positive, portraying and praising the most beautiful people and typical models participating in poverty alleviation and development, praising the true feelings of the world and transmitting positive social energy.
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Where do we go when Nowhere is the only destination left? Kerrybrook is Jana‘s favourite virtual escape. An idyllic fishing village with beautiful nature and, every now and then, a breeze of fresh air from the nearby sea. Jana, is this world‘s designer and person in power, she’s satisfied with her masterpiece. Best job so far. Until one day, a dead body is found, in both, ’Virtual Reality‘ and the real world. In times of climate change, VR is the only safe place for humankind. That‘s why Jana needs to solve the crime, she’s responsible for stopping the destruction. • CliFi Thriller (Climate Fiction): Climate change & virtual reality • For fans of Black Mirror (Netflix) • All age readers • Strong, female protagonist • Highly relevant topic WHITE RAVENS recommendation (2021): "In the not too distant future, the world is an inhospitable place: droughts, storms, floods. That’s why world designers construct »alternative realities«, such as landscapes populated by dinosaurs, life at court in the Middle Ages, and surfing and chilling out on a beach. People can switch between these worlds at will and, when they die there, they are not truly dead; instead, they merely return to the »real world« – same as at night when they sleep. Then they are reunited with their body, which is lying inside a capsule. In »Cryptos«, Ursula Poznanski pulls out all the stops of storytelling: She embeds numerous references to human and intellectual history in an action-packed and extremely suspenseful thriller plot. In the process, she raises central existential and ontological questions that result from the interplay between the real and the virtual worlds. This complex dystopian novel is narrated in such an enjoyable way that readers will hardly notice their brains going into overdrive as they devour it."
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Jess Rothenbergs "The Kingdom" entführt Leser in einen atemberaubenden Erlebnispark der Zukunft, in dem Träume scheinbar Wirklichkeit werden. Im Zentrum steht der Vergnügungspark "The Kingdom", eine Welt voller Wunder und Magie, in der biomechanische Lebewesen – die sieben Prinzessinnen – die Hauptattraktionen sind. Diese Wesen, an der Grenze zwischen Technologie und Menschlichkeit, sind programmiert, um den Besuchern jeden Wunsch zu erfüllen. Doch die perfekte Fassade beginnt zu bröckeln, als Prinzessin Ana, eine der Prinzessinnen, vor Gericht steht, angeklagt, einen Parkangestellten aus Liebe ermordet zu haben. Diese Anklage wirft grundlegende Fragen auf: Kann eine künstliche Intelligenz Gefühle wie Liebe empfinden? Und ist sie fähig, aus Liebe zu töten? Die Geschichte ist nicht nur ein spannender Thriller, sondern berührt auch tiefgründige Themen wie die Natur der Liebe, die Grenzen künstlicher Intelligenz und die ethischen Implikationen menschlichen Schaffens. Leser werden in eine Welt gezogen, die zugleich faszinierend und beunruhigend ist, und dazu angeregt, über die Konsequenzen nachzudenken, die unser Streben nach Perfektion und Kontrolle mit sich bringt. Atemberaubender Fantasy-Erlebnispark: Tauche ein in eine Welt, in der Träume Wirklichkeit werden, mit biomechanischen Wesen, die jeden Wunsch erfüllen. Spannender Thriller mit Tiefgang: Folge der packenden Geschichte von Prinzessin Ana, die vor Gericht steht, angeklagt einen Mord aus Liebe begangen zu haben. Aktuelle Themen in einer faszinierenden Welt: Erforsche Fragen um künstliche Intelligenz, Ethik, und die Grenzen zwischen Mensch und Technologie. Einzigartige Charaktere und Wendungen: Begegne den sieben Prinzessinnen und entdecke eine Welt voller Geheimnisse, Liebe und Verrat. Zum Nachdenken anregende Fragen: Was bedeutet es, Mensch zu sein? Kann eine Maschine Gefühle haben und moralische Entscheidungen treffen? Für Fans von Black Mirror und Westworld: Ideal für Leser, die fesselnde Geschichten über die Schattenseiten technologischer Fortschritte lieben. Romantik trifft auf Wissenschaft: Eine ungewöhnliche Liebesgeschichte in einem Setting, das Romantikfans und Technikbegeisterte gleichermaßen fesselt. Moralische Dilemmata und ethische Fragen: Ein Buch, das zum Diskutieren über Perfektion, Kontrolle und die Konsequenzen unseres Handelns einlädt.
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Despite his controversial reputation and international notoriety as a film-maker, no full-length study of Clouzot has ever been published in English. This book offers a significant revaluation of Clouzot's achievement, situating his career in the wider context of French cinema and society, and providing detailed and clear analysis of his major films (Le Corbeau, Quai des Orfèvres, Le Salaire de la peur, Les Diaboliques, Le Mystère Picasso). Clouzot's films combine meticulous technical control with sardonic social commentary and the ability to engage and entertain a broad public. Although his films are characterised by an all-controlling perfectionism, allied to documentary veracity and a disturbing bleakness of vision, Clouzot is well aware that his is an art of illusion. His fondness for anatomising social pretence, the deception, violence and cruelty practised by individuals and institutions, drew him repeatedly to the thriller as a convenient and compelling model for plots and characters, but his source texts and the usual conventions of the genre receive distinctly unconventional treatment. ;
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Looking at contemporary film and television, this book explores how popular genres frame our understanding of on-screen performance. Previous studies of screen performance have tended to fix upon star actors, directors, or programme makers, or they have concentrated upon particular training and acting styles. Moving outside of these confines, this book provides a truly interdisciplinary account of performance in film and television and examines a much neglected area in our understanding of how popular genres and performance intersect on screen. Each chapter concentrates upon a particular genre or draws upon generic case studies in examining the significance of screen performance. Individual chapters examine contemporary film noir, horror, the biopic, drama-documentary, the western, science fiction, comedy performance in 'spoof news' programmes and the television 'sit com' and popular Bollywood films.
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This book is the first to explore three visual media in contemporary Spain: cinema, television and the internet. It also examines cultural products in each of these media in terms of three vital themes: emotion, location and nostalgia. The first two chapters focus on emotion. They analyze the 'emotional imperative' in a recent Almodóvar feature film and in Spanish television's top-rated period drama, and investigate the politics of affect in TV drama in the last decade. The next pair of chapters deal with location. They use cultural geography to re-read contradictory accounts of the movida (the post-Franco cultural boom) and examine an attempt to anchor a US-derived genre (the youth movie) in the urban landscape of Madrid. The fifth and sixth chapters introduce the theme of location into nostalgia. They treat the unique cases of a successful Spanish heritage movie and a contemporary Spanish thriller remade in Hollywood. The peunultimate chapter investigates electronic artists and the virtual universe, and the book ends with a look at the implications of Hispano-Mexican co-productions and the interconnectedness of economic and aesthetic cultural forms. ;
