Colmena Editores
Colmena Editores is an independent Peruvian publishing house based in Lima and founded in 2012. Since its inception, it has prioritized the publication of classic authors.
View Rights PortalColmena Editores is an independent Peruvian publishing house based in Lima and founded in 2012. Since its inception, it has prioritized the publication of classic authors.
View Rights PortalCOLUMN is a rights boutique agency for acclaimed writers with an added significance for "book to film" adapted literature and vice versa.
View Rights PortalPlanetary Health - the idea that human health and the health of the environment are inextricably linked - encourages the preservation and sustainability of natural systems for the benefit of human health. Drawing from disciplines such as public health, environmental science, evolutionary anthropology, welfare economics, geography, policy and organizational theory, it addresses the challenges of the modern world, where human health and well-being is threatened by increasing pollution and climate change. A comprehensive publication covering key concepts in this emerging field, Planetary Health reviews ideas and approaches to the subject such as natural capital, ecological resilience, evolutionary biology, One Earth and transhumanism. It also sets out through case study chapters the main links between human health and environmental change, covering: - Climate change, land use and waterborne infectious diseases. - Sanitation, clean energy and fertilizer use. - Trees, well-being and urban greening. - Livestock, antibiotics and greenhouse gas emissions. Providing an extensive overview of key theories and literature for academics and practitioners who are new to the field, this engaging and informative read also offers an important resource for students of a diverse range of subjects, including environmental sciences, animal sciences, geography and health.
Teju Cole betrachtet Kunst, wie er die Welt betrachtet: mit dem Blick eines unsystematischen Historikers, der zunächst beobachtet, beschreibt, das Offensichtliche in den Blick nimmt, um zu dem weniger Sichtbaren vorzudringen, das darunterliegt. Seine Essays handeln von der Erfahrung des Unterwegsseins und von politischer Moral, von Rassismus und davon, warum auch ein Präsident, der die »richtigen« Bücher liest, in seinem Amt Menschen tötet. Und er schreibt über das, was ihn geistig nährt: über Baldwin, Sebald und Tranströmer; über Brasilien, Italien, Palästina; über die Ästhetik westafrikanischer Auftragsfotografie und über Instagram. In bereichernden, betörenden und originellen Essays offenbart Teju Cole den Reichtum seiner Interessen. Immer wieder zieht er erhellende Verbindungen, von der konkreten Gegenwart zur Dichtung, von der Geschichte zur Kunst. Vertraute Dinge, fremde Dinge wird zu einer Schule des Sehens.
Does tourism empower women working in and producing tourism? How are women using the transformations tourism brings to their advantage? How do women, despite prejudice and stereotypes, break free, resist and renegotiate gender norms at the personal and societal levels? When does tourism increase women's autonomy, agency and authority? The first of its kind this book delivers: A critical approach to gender and tourism development from different stakeholder perspectives, from INGOs, national governments, and managers as well as workers in a variety of fields producing tourism. Stories of individual women working across the world in many aspects of tourism. A foreword by Margaret Bryne Swain and contributions from academics and practitions from across the globe. A lively and accessible style of writing that links academic debates with lived realities while offering hope and practical suggestions for improving gender equality in tourism. Gender Equality and Tourism: Beyond Empowerment, a critical gendered analysis that questions the extent to which tourism brings women empowerment, is an engaging and thought-provoking read for students, researchers and practitioners in the areas of tourism, gender studies, development and anthropology. To access a presentation delivered by Stroma Cole as well as an interview with her, please visit http://www.cabi.org/openresources/94422
The Brassica genus contains diverse and economically important species and crops, for example, Brassica oleracea including cauliflower to kohlrabi, B.rapa including pak choi to mizuna, and aquatic crucifers such as watercress. These provide humankind with huge diversities of foods, promoting health and well-being. This substantially expanded second edition reflects the significant advances in knowledge of plant breeding and crop production which have occurred since publication of the original book in 2006. Embracing new Brassicaceae research and concepts of sustainable and automated crop production, topics include: Brassica evolution and transcontinental spread as the basis for crop breeding Gene-editing, rapid sequencing, genetic markers and linkage mapping to enable efficient plant breeding Seed development, F1 cultivars and rapid maturing crops for profitable cropping Environmental impacts on pests, pathogens, crop reliability and quality Soil health and fertility as agronomic principles Environmental sustainability, biocontrol and integrated pest management Vegetable brassicas as nutrient-rich foods for optimal health benefits An invaluable resource for all those involved in Brassica production, this is essential reading for researchers and students in horticulture and plant science, growers, producers, consultants and industry advisors.
The Brassica crops provide the greatest diversity of products derived from a single genus. As vegetables they deliver leaves, flowers, stems and roots that are used either fresh or in processed forms. This book covers the Occidental crops derived from B. oleracea (cole or cabbage group) and Oriental types from B. rapa (Chinese cabbage and its relatives). Both groups are of immense importance for human nutrition, containing vital vitamins and cancer preventing substances.
European Romanticism in the visual arts has always been defined by transnational transfer processes. It is surprising that international aspects of Romantic movements have been, in contrast to literary studies, a gap in art historical research. Picturing the Romantic addresses this issue and reveals new perspectives on European Romanticism(s) in the visual arts by reconsidering the phenomenon's traditional canon, geographical dimensions and terminology and analysing various examples of the complex and heterogeneous works of Romantic painting. In sixteen original essays, renowned and early career researchers examine the question of whether to speak of several independently considered Romanticisms or one European Romanticism. They adopt a transnational perspective on Romantic art in and beyond Europe, focusing on the interconnections between the countries.