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WE HAVE BOOKS IN ENGLISH AND IN PORTUGUESE AND YOU CAN TRANSLATE THEM FOR YOUR LANGUAGE.
View Rights PortalWE HAVE BOOKS IN ENGLISH AND IN PORTUGUESE AND YOU CAN TRANSLATE THEM FOR YOUR LANGUAGE.
View Rights PortalSince 2011, we’ve guided hundreds of experts to write and publish authority-defining books that raise their profile and build hugely successful businesses. Being directly involved in so many best-selling, award-winning, business-boosting author success stories has led us to one conclusion... Nothing sells you like a book. And no one builds books like Rethink.
View Rights PortalBlueberry cultivation has increased dramatically as production has shifted into new regions. Blueberries are now widely available as food and also processed to be used in medicine and pharmaceuticals for their antioxidant properties. This new and updated edition covers the major topics of interest to blueberry breeders and researchers including botany, physiology, nutrition, growth regulation, photosynthesis, environment, weeds, pests, diseases and postharvest management. The main focus is on the most important cultivated species, the highbush blueberry, although information on other blueberries and related species is also provided. It is an essential resource for soft fruit researchers, extension workers, academics, breeders, growers, and students.
»Wer den Chor der Mäuse nicht hört, braucht nicht mit mir befreundet zu sein.« Clemens J. Setz ist der Autor bahnbrechender Romane wie Die Stunde zwischen Frau und Gitarre, aufregender Erzählungsbände wie Der Trost runder Dinge, von Gedichten, Theaterstücken, Drehbüchern, Nacherzählungen und Essays. Er ist Übersetzer, ein Freund der Plansprachen, des Obertongesanges, der Ziegen und der Hasen. Er ist Träger des Georg-Büchner-Preises, des Kleist-Preises, des Berliner Literaturpreises. Außerdem ist er ein Poet der Kurznachrichtendienste und noch einiges mehr. In seiner radikalen Vielfältigkeit und vielfältigen Radikalität ist er eine herausragende Figur der Gegenwartsliteratur. Für Fans der Setz’schen Werke und seiner Person ist dieses hochwertige Plakat mit einem Porträt des Dichters gedacht, aufgenommen vom Berliner Fotografen Max Zerrahn. Poster auf stabilem GalaxyArt-Papier im DIN-A1-Format
Seit seinem Debüterfolg mit dem Roman Wäldchestag im Jahr 2000 ist Andreas Maier häufig unterwegs, um aus seinen Romanen zu lesen. Nur daß er in den letzten ein, zwei Jahren meist, wenn er eingeladen war, auch immer wieder schon aus dem kommenden Onkel J. las. Jedesmal hatte er damit das Publikum im Handumdrehen auf seiner Seite. Umstandslos fand man sich angeschlossen an Maiers Welt aus Wetterau, Familie, Fußball, Apfelwein, aus Thomas Bernhard und dem Evangelium nach Matthäus, aus Ängsten, Kneipenfreuden und -nöten, eingepackt in absurde Vorkommnisse und komische Erlebnisse. Jede Kolumne beginnt mit einem »Neulich«-Satz, die erste so: »Neulich war ich in Berlin. Das wird jetzt niemand weiter ungewöhnlich finden, aber ich bin Hesse, und mir ging in Berlin ein Wunsch in Erfüllung.« Dennoch handelt es sich um alles andere als ein Kolumnenbuch. Vielmehr nimmt Onkel J. – im Übergang von den ersten vier Romanen zu Maiers Projekt »Ortsumgehung« – eine zentrale Stelle ein. »Alles gehört zusammen, und für alles ist das Kolumnenbuch der Kern.«
Eine historische Begebenheit liegt diesem szenischen Bericht zu Grunde: der Fall Oppenheimer. Am 12. April 1954 begann in Washington die Untersuchung gegen den Physiker und langjährigen Leiter der amerikanischen Atomforschung J. Robert Oppenheimer. Der Untersuchungsausschuß, von der Atomenergiekommission der USA eingesetzt, sollte prüfen, ob sich der Wissenschaftler der Regierung seines Landes gegenüber loyal verhalten habe. Das drei Wochen währende Verhör, Beispiel und Ausdruck des Konflikts zwischen Individuum und Gesellschaft, Wissenschaft und Staat, zählt zu den denkwürdigen Ereignissen der Zeitgeschichte.
Alone of his contemporaries, J.M.W. Turner is commonly held to have prefigured modern painting, as signalled in the existence of The Turner Prize for contemporary art. Our celebration of his achievement is very different to what Victorian critics made of his art. This book shows how Turner was reinvented to become the artist we recognise today. On Turner's death in 1851 he was already known as an adventurous, even baffling, painter. But when the Court of Chancery decreed that the contents of his studio should be given to the nation, another side of his art was revealed that effected a wholescale change in his reputation. This book acts as a guide to the reactions of art writers and curators from the 1850s to the 1960s as they attempted to come to terms with his work. It documents how Turner was interpreted and how his work was displayed in Britain, in Europe and in North America, concentrating on the ways in which his artistic identity was manipulated by art writers, by curators at the Tate and by designers of exhibitions for the British Council and other bodies. ;
Schon in der Schule hatte er ein Faible für alte Sprachen. Er lernte nicht nur Latein und Griechisch, sondern auch Alt- und Mittelenglisch. Und er malte Karten, auf denen er die Welt des Mittelalters wieder zum Leben erweckte. Später erfand der Professor für Sprachwissenschaft für seine Kinder fantastische Geschichten. Und so entstand die Welt der Hobbits, Elben, Zwerge und Zauberer - und die Saga vom »Herrn der Ringe«. Das Buch und seine Verfilmungen schlagen bis heute ein Millionenpublikum in Bann. Little People, Big Dreams erzählt von den beeindruckenden Lebensgeschichten großer Menschen: Jede dieser Persönlichkeiten, ob Philosophin, Forscherin oder Sportler, hat Unvorstellbares erreicht. Dabei begann alles, als sie noch klein waren: mit großen Träumen.
The idea of the end is an essential motivic force in the poetry of Geoffrey Hill (1932-2016). This book shows that Hill's poems are characteristically 'end-directed'. They tend towards consummations of all kinds: from the marriages of meanings in puns, or of words in repeating figures and rhymes, to syntactical and formal finalities. The recognition of failure to reach such ends provides its own impetus to Hill's poetry. This is the first book on Hill to take account of his last works. It is a significant contribution to the study of Hill's poems, offering a new thematic reading of his entire body of work. By using Hill's work as an example, the book also touches on questions of poetry's ultimate value: what are its ends and where does it wish to end up?
This book is the first ever concordance to the rhymes of Spenser's epic. It gives the reader unparalleled access to the formal nuts and bolts of this massive poem: the rhymes which he used to structure its intricate stanzas. As well as the main concordance to the rhymes, the volume features a wealth of ancillary materials, which will be of value to both professional Spenserians and students, including distribution lists and an alphabetical listing of all the words in The Faerie Queene. The volume breaks new ground by including two studies by Richard Danson Brown and J. B. Lethbridge, so that the reader is given provocative analyses alongside the raw data about Spenser as a rhymer. Brown considers the reception of rhyme, theoretical models and how Spenser's rhymes may be reading for meaning. Lethbridge in contrast discusses the formulaic and rhetorical character of the rhymes. ;
Der Psychoanalytiker J. Laplanche und der Philosoph J.-B. Pontalis haben die gesamte psychoanalytische Literatur durchgearbeitet und zu einem »Vokabular der Psychoanalyse« zusammengetragen. Das Vokabular definiert nicht nur die von Freud und einigen seiner Schüler eingeführten und mittlerweile über die halbe Welt verbreiteten Ausdrücke, sondern erörtert ihre Entstehung, ihre Wandlungen, ihren heutigen Status, um ihre Bedeutung innerhalb der psychoanalytischen Theorie und Praxis zu entschlüsseln. Der gesamte begriffliche Apparat der Psychoanalyse wird so unter drei Gesichtspunkten analysiert: Geschichte, Struktur, Problematik.
This book is the first ever concordance to the rhymes of Spenser's epic. It gives the reader unparalleled access to the formal nuts and bolts of this massive poem: the rhymes which he used to structure its intricate stanzas. As well as the main concordance to the rhymes, the volume features a wealth of ancillary materials, which will be of value to both professional Spenserians and students, including distribution lists and an alphabetical listing of all the words in The Faerie Queene. The volume breaks new ground by including two studies by Richard Danson Brown and J. B. Lethbridge, so that the reader is given provocative analyses alongside the raw data about Spenser as a rhymer. Brown considers the reception of rhyme, theoretical models and how Spenser's rhymes may be reading for meaning. Lethbridge in contrast discusses the formulaic and rhetorical character of the rhymes.
Crónica del alba is a novel by Sender with a Civil War background, like the popular Réquiem por un campesino español, also in this series. The author evokes his childhood in rural Aragón at the beginning of the twentieth century in a book which has a charm and something of the character of The Adventures of Tom Sawyer. The young Pepe fights to believe in himself as a hero in the face of a world, and a father bent on putting him down. He is supported by his girlfriend, Valentina, who believes in him implicitly and often ends up in as much trouble as him. But there is something more here than scrapes and mischief-making. It is written by an older and disillusioned Pepe who has known real heroism and is now detained in a prison camp for Spanish Civil War refugees in southern France. The novel raises challenging questions about the loss of hope, how people cope with disillusionment, and the place of writing in that process. Moreover, since the novel reflects Sender's own childhood it sheds light on the complex relationship of fact and fiction in autobiographical novels. ;
What makes human beings human? Is it a life in society that makes us what we are? We often hear stories of persons who have survived in the wild without social contact or who were supposedly raised by wild animals. Kaspar Hauser is probably the most well-known example, but certainly not the only one. P. J. Blumenthal has taken up the hunt for the “wild man” Homo ferus on the boundary between man and animal.